Ebert’s obsession with Brittany Murphy

This entry was published at least two years ago (originally posted on August 7, 2004). Since that time the information may have become outdated or my beliefs may have changed (in general, assume a more open and liberal current viewpoint). A fuller disclaimer is available.

Mike pointed to Ebert’s review of “Little Black Book” today, pointing out an entertaining anecdote about actress Brittany Murphy.

As for Brittany Murphy, for me it goes back to the 2003 Independent Spirit Awards, held the day before the Oscars in a big tent on the beach at Santa Monica. Murphy was assigned to present one of the awards. Her task was to read the names of the five nominees, open an envelope and reveal the name of the winner. This she turned into an opportunity for screwball improvisational comedy, by pretending she could not follow this sequence, not even after the audience shouted instructions and the stage manager came out to whisper in her ear not once but twice. There were those in the audience who were dumbfounded by her stupidity. I was dumbfounded by her brilliance. I had a front-row seat, and was convinced her timing was too good, her double-takes too perfect, her pauses too wicked, to even possibly be authentic. She was taking a routine task and turning it into the opportunity to steal a scene and leave everybody in the tent chattering about her performance. You can’t screw up that entertainingly by accident. You have to know exactly what you’re doing.

After reading it, I was a little curious as to whether any video footage of the event might be floating around the ‘net, and started Googling for ‘brittany murphy independent spirit awards’. As it turns out, this is at least the third time Ebert has mentioned Brittany’s pseudo-stumble.

From his April 4, 2003 review of “Spun”:

Murphy made quite an impact at the Independent Spirit Awards by being unable to master the concept of reading the five nominees before opening the envelope, despite two helpful visits from the stage manager and lots of suggestions from the audience, but with Murphy, you always kind of wonder if she doesn’t know exactly what she’s doing.

And from his August 15, 2003 review of “Updown Girls”:

The theory is that Brittany Murphy is trying to channel Marilyn Monroe, but as I watched “Uptown Girls,” another name came to mind: Lucille Ball. Murphy has a kind of divine ineptitude that moves beyond Marilyn’s helplessness into Lucy’s dizzy lovability. She is like a magnet for whoops! moments.

I remember her as a presenter at the 2003 Independent Spirit Awards, where her assignment was to read the names of five nominees, open an envelope and read the winner. This she was unable to do, despite two visits by a stage manager who whispered helpful suggestions into her ear. She kept trying to read every nominee as the winner, and when she finally arrived triumphantly at the real winner, she inspired no confidence that she had it right.

Some thought she was completely clueless, or worse. I studied her timing and speculated that she knew exactly what she was doing, and that while it took no skill at all to get it right, it took a certain genius to get it so perfectly wrong. She succeeded in capturing the attention of every person in that distracted and chattering crowd, and I recalled “Lucy” shows where everyone in a restaurant would suddenly be looking at her.

Something tells me she made an impression on Ebert. ;)

I’d still like to see a video clip of this at some point, though I had no luck digging one up. I’m also a bit more curious about Brittany, who I’d never (to my memory) actually heard of before now.

iTunes: “Nighttrain” by Public Enemy from the album Apocalypse 91…The Enemy Strikes Black (1991, 3:27).

3 thoughts on “Ebert’s obsession with Brittany Murphy”

  1. Personally I can understand his infatuation for Britney. She is way too much of a forgotten actress. I only saw her in a couple of movies, but every time I was impressed by her. She sure does a better job then other “hyped”-actresses.

    She had a certain talent… something special you don’t see that often… I thought she was funny in Clueless (I was 12 at the time) and later in Just Married… she was wonderful in “Don’t say a word”, Don’t remember “Riding in cars with boys”, slightly doing the same act (but still really good) in Girl, Interrupted, not that great in 8 Mile (as far as I remember)…

    I love it when an actor can both do comedy (without it looking “fake”) and at the same time pull a great performance in more “demanding” work like a drama or a thriller. She does have a tendency of doing the same thing over…

    Ok I’m not that big of a movie-connoisseur so I might be talking bullsh*t… but this is my humble opinion. Don’t kill me ;)

  2. Okay, so we won’t. I’m not sure from what I’ve read that Ebert was “obsessed.” But it does make me sad that there isn’t, as the above writer requested, a video around somewhere of that absolutely brilliant screwball performance. I did see her in something the other day in which she was a producer for a day about six years ago, and managed to spill her drink, and made a comment on the order of, “I haven’t been here 15 minutes, and I’ve already spilled my drink on the boss’s desk.” That didn’t seem planned — or perhaps it was — but her reaction was keen. I predict we’ll all be watching and dissecting Murphy performances for a long time to come. Maybe if more comes out, she will even become a kind of Marilyn. Hopefully she didn’t self destruct. But sometimes genius does that.

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