Dance Off 2006

On something of a whim, thanks to having an evening when I wasn’t working and nothing was planned, Prairie and I decided to head down to an event I’d just stumbled across earlier in the day: Dance Off 2006.

Dance Off is an annual competition held in the Seattle area for people who want to prove that they have the heart and soul of a dancer, even though they do not have the training of a dancer.

When we made it downtown and started wandering down Post Alley we were a little concerned that we wouldn’t be able to make it in, as the line just kept going, and going, and going…

Lining Up

…however, we figured it was worth taking a chance and grabbed a spot at the end of the line. I wandered off to snap a few shots, and suddenly saw Prairie heading towards me to tell me that I’d just missed my chance to get a ticket! There’d been someone working their way down the line handing them out, but since I wasn’t in line…oops. Ack! Mere moments later, though, I spotted the girl who’d been passing out tickets, and she spotted me. “You! You were taking pictures!” she said, and handed me a ticket. Once again, all was good with the world.

This Is Your Dance Off Ticket

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Conversation

Conversation

90’s rock group Soul Asylum gave a free show at the Pike Place market on Thursday morning, and Prairie and I headed down to see them. While we were waiting for the show to start I took a few random people shots around the gathering crowd. This shot is by far my favorite of the morning (the rest are here).

iTunesComfortably Numb (ATOC Extended Edit)” by Scissor Sisters from the album Comfortably Numb, Pts. 1 & 2 – Single (2003, 5:39).

Don’t Feel Like Dancin’

My co-worker Nick got me hooked on the new single by the Scissor Sisters, ‘Don’t Feel Like Dancin’‘. It’s incredibly infectious, catchy, and fun — feels like what the Bee Gees would be doing if they were making pop music today, and would fit perfectly coming over the soundtrack of a roller rink. So far, I can’t get enough of it (and Prairie’s getting a laugh out of watching me bounce around in my seat while it’s playing).

iTunesI Don’t Feel Like Dancin’ (Radio Edit)” by Scissor Sisters from the album I Don’t Feel Like Dancin’ – Single (2006, 4:10).

11 Saints Release Concert

Okay…it’s finally time to take a few minutes break from math and play catch-up on this weekend.

Eleven SaintsFriday night was the concert for the release of Eleven Saints, Jason Webley‘s latest release, written collaboratively with Jay Thompson.

I showed up at The Paradox about an hour early, as Jason’s big shows tend to get pretty full pretty quickly. Only a few people were there quite that early, though, so I started wandering around and taking a few shots. Only a few minutes later, a girl sitting against the building said, “I think I know who you are.” Turns out she’d recognized me from my prior Webley photos and from the forum on Jason’s site, so I plopped down and we chatted while waiting for the doors to open.

Little JasonA bit after eight the doors opened, and we all (the line had grown to extend around the street corner by now) worked our way into the Paradox. Carrie (the girl I’d been chatting with) went on in to find a place to sit, while I wandered between the lobby and the auditorium watching people trickle in. chrismathewsjr brought along the Jason doll that he’d rescued after it floated away at the end of the 2003 Deathday show, which was fun to see again — I’m thrilled that that piece of Webley history didn’t end up disappearing into the Sound or some similar fate after we all sent it floating into the sky.

Eventually the hall started getting pretty full, so I figured it’d be a good time to find a place for myself. As I was heading in, an older gentleman caught my attention. “Excuse me,” he asked, “are you the guy who takes all those photos of Jason at the shows?” “Probably so,” I agreed — while I’m certainly not the only one to show up camera in hand (Josh, for instance, has photo archives dating back to 2001), I was lucky enough to have my Camp Tomato 2005 set mentioned in Jason’s e-mail alert about this weekend’s activities. “I just wanted to say thank you,” he said. “I’m Jason’s dad, and we love that you’re doing this.” Pretty cool, I thought.

Boo! Boo, say the goddesses!Pretty soon, the show got started, with Alex Xavier the Eleventh (last seen getting pelted with tomatoes at the end of last year’s Halloween show after trying to kill Jason) taking the stage to perform the introductions — though he was soon brought to a halt by the four Goddesses rushing on stage and urging us all to boo Alex away. They were soon stopped by Jason, who came on stage to explain that over the winter, he and Alex had talked and come to an understanding: Alex could be a little bit more good…and Jason could be just a little bit more evil. And with that, Alex finished welcoming us all to the show, and Jason took the stage.

Oh, Look! Lemons!This was a fairly different show from previous springtime shows. As Jason has completed his death/rebirth cycle and isn’t releasing a full-length album this year, the show ended up a little more random. Jason started off with a couple songs (initially declaring that since he hadn’t really written anything new, he was just going to perform all of the Footloose soundtrack on accordion…and even did a few verses of three or four songs from the movie), then introduced Jeff Harms to do a short set. Many of Jeff’s songs are silly little short pieces about random objects, dolls he’s seen in a store, lemons that have gone bad, and so on. During the song about lemons, he brought a couple friends out who sat on stage, scratched the peel off of some lemons, then tossed them out to the crowd, introducing “the first scratch-and-sniff song.”

Once Jeff was done, Jason came back — though instead of more music, we were treated (after some amusing technical difficulties) to a couple of videos. The first was an amusingly maudlin short film by Andy Brodie that Jason had written the music for, as well as having a small part as a funeral home embalmer. After that came a fifteen minute documentary about Jason that had been filmed over the winter in London by Charlotte Ross while Jason was on tour.

Jay ThompsonJason then announced that he had one more video to show us, but to break up the monotony, Jay Thompson was going to spend a few minutes reading us some of his poetry. Jay came on stage and spent about fifteen minutes reading a number of short pieces, one of which even included a mathematical formula — I don’t remember what it was anymore, but it was rather impressive that he was able to work that into a spoken word piece.

Eleven Saints VideoOnce Jay was done, it was time for one of the highlights of the evening: the premier of the video for ‘Eleven Saints’, the title track of the new EP. It’s a really fun video — it’s done in the same cutout stop-motion animation style of the pre-concert video at his 2004 Halloween Show, and hopefully it’ll be posted to the ‘net at some point in the near future (Jason alluded to such, it’s just a matter of watching for it to show up either on his site, his MySpace page, or perhaps other 18 [sites]19), as trying to describe it just wouldn’t really do it justice.

Ellie and JasonOnce the video was done, Jay came back onstage, and he and Jason did a couple more songs from the EP (and from its accompanying bonus CD), including ‘Big Old Spool’, which featured disco dancers onstage and the Tomato Goddess being rolled into the auditorium balancing on a big old spool. Jay then left, and Jason was joined for a few songs by Ellie, the granddaughter of Jason’s friend Joan, who is the inspiration for the song ‘Goodnight, Joan’. I must admit, I was quite taken by their slow, acoustic guitar and voice, ballad version of Def Leppard’s ‘Pour Some Sugar on Me’!

Tomato Scout OathOnce Ellie left the stage, the rest of Jason’s band came up along with Jay and the Goddesses to lead us in the Tomato Scout Oath and the Tomato Scout Anthem. Next came ‘Eleven Saints’, which got the crowd all riled up and set the tone for the rest of the evening — Jason’s usual blend of silliness, mayhem…and mess. Bags of bright red balloons were opened and tossed into the crowd, pillows were ripped open to send feathers flying, a boat was passed hand-over-hand over the crowd, and finally, tomatoes went flying through the air.

Spin!Jason and Jay donned sunglasses as they played the silly techno-ish song ‘Story of Boy’, then had the band lay down a disco-ish beat so that they could keep the dance club theme going as they segued into a club “remix” version of the ‘Drinking Song’! Soon they had the whole room spinning in circles, throwing their arms ’round each others shoulders, and swaying back and forth to the final chorus.

And not much later, after a few last mentions of Saturday’s second annual Camp Tomato, the music wound down, Jason and the band left the stage, and we all filed back out into the evening air — many of us to gather again at Woodland Park the next day.

That, however, is another post entirely.

In the meantime, here’s my full photoset for the concert.

iTunesRamblin’ Blues” by Jason Webley with Jay Thompson from the album Eleven Saints (2006, 3:16).

Kleptones: 24hours

For those interested in mashups: The Kleptones (producers of two of my favorite mashup albums of the past few years, A Night at the Hip-Hopera and From Detroit to J.A., though Yoshimi Battles the Hip-Hop Robots just didn’t do it for me) have just released their fourth full-length album, the two-disc set 24hours. Torrents for split-track and full-mix versions are available, and there’s even a 6 to entertain you while you download.

iTunesStand and Deliver” by Society Burning from the album Shut Up Kitty (1993, 5:03).

Wimoweh Lawsuit Won

In the jungle,
The mighty jungle,
The lawyers sleep tonight…

Heh.

Back in July of ’03 I pointed to an incredible in-depth look at the story of ‘Wimoweh’, the South African tune most popularly known as the melody for “The Lion Sleeps Tonight”.

A year later, in July of ’04, came word that Disney was being sued by the heirs of ‘Wimoweh’ author Solomon Linda.

Finally, the case has been won by Linda’s family.

No one is saying how many millions will go to the daughters of the late composer Solomon Linda, who died in poverty from a curable kidney disease in 1962 at age 53.

But the family’s settlement with New York-based Abilene Music, which gives Linda’s heirs 25 percent of past and future royalties, has broad implications.

[…] In the 1950s, at a time when apartheid laws robbed blacks of negotiating rights, Linda sold worldwide copyright to Gallo Records of South Africa for 10 shillings — less than $1.70.

Gallo also tried to sell the work in the United States, but American folk singer Pete Seeger had adapted a version that he called “Wimoweh.”

[…] It remains to be seen how the settlement with Abilene, which holds the copyright to the popular songs that grew from Linda’s composition, will affect his family. Abilene music could not immediately be reached for comment.

Of his three surviving daughters, only the youngest has a job, as a nurse, and she still lives in the family home in Soweto, a satellite suburb set up for black workers under apartheid.

Her sisters never reached high school. One runs a home-based grocers. The other recently lost her job cleaning a doctor’s office and supports a daughter who gets occasional work cleaning homes.

Linda’s fourth daughter died of AIDS in her 30s in 2002 as the lawsuit dragged on, without money to buy drugs that could have saved her life.

Neat to see the story finally reach resolution. I highly recommend reading the 3rd Ear article that details the origins of the song and what happened to Linda and his family.

iTunesLion Sleeps Tonight, The (Wimoweh)” by Nylons from the album Best of the Nylons (1993, 3:12).

Garth Brooks is a Gateway Drug

Neither Prairie nor I are big fans of country, but we both listen to a little bit. Last night I’d popped on a compilation I made a few years ago as background music while I was cleaning house, and still had it going when Prairie came home. It turned out that she knew every song on the CD as well, and we had fun listening to some of the songs and chatting about what got us started listening to country.

In my case, while dad had some small part in it (he’s not a big country listener either, but his LP collection is responsible for introducing me to Johnny Cash when I was a youngster), it can all be blamed attributed to some of my ex-girlfriends. They listened to some, I happened to be around, and I ended up discovering that there actually was some country music that I enjoyed listening to.

Prairie can also blame credit an ex for the songs that she found that she likes. In each case, though, one of the primary artists we found was Garth Brooks. I mentioned that I’d often noticed when talking to people that, if they had even a little bit of country in their collection, there was a pretty good chance that Garth would be in there somewhere, if not the sole representative.

Which led to the realization that Garth Brooks is a gateway drug.

So now you know, kids.

Don’t do Garth.

Herewith, then, is a selection of country music approved by me (and, in most cases, by Prairie, also). It’s pretty much entirely the fun, upbeat style of country…I just can’t get into the ballads.

  1. Toby Keith, How Do You Like Me Now?
  2. Jodee Messina, I’m Alright
  3. Garth Brooks, Two Piña Coladas
  4. Mary Chapin Carpenter, Down at the Twist and Shout
  5. Clay Walker, Then What?
  6. Dolly Parton, Why’d You Come In Here Lookin’ Like That?
  7. Clint Black, Only On Days That End In ‘Y’
  8. Reba McEntire, Fancy
  9. Joe Diffe, Third Rock From the Sun
  10. Shania Twain, Don’t Be Stupid (You Know I Love You)
  11. Tim McGraw, Something Like That
  12. Lee Ann Womack, I’ll Think of a Reason Later
  13. John Michael Montgomery, Sold (The Grundy County Auction Incident)
  14. Trisha Yearwood, She’s In Love With the Boy
  15. Brad Paisley, Me Neither
  16. Collin Raye, Little Red Rodeo
  17. Reba McEntire, The Night the Lights Went Out in Georgia
  18. Rick Trevino, Bobby Ann Mason
  19. John Michael Montgomery, Life’s a Dance
  20. Trick Pony, Pour Me
  21. Rodney Crowell with Johnny Cash, I Walk the Line (Revisited)
  22. Dixie Chicks, Goodbye Earl

iTunesI Walk the Line Revisited” by Crowell, Rodney with Cash, Johnny (2:43).

No Woman, No Fly

Just added to the Jason Webley Bootlegs collection: No Woman, No Fly (5.1Mb .mp3). The audio quality isn’t the greatest (with Jason’s penchant for going from soft to screaming in nanoseconds, the recording’s a bit overdriven in places), but it’s up.

Thanks to usernamenumber for posting the .mp3, and to RobTav63 for help with the lyrics.

Lyrics follow behind the cut.

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Queen! (But who’s Paul Rodgers?)

Queen (plus Paul Rodgers) is going to be performing in Seattle!

Who’s Paul Rodgers? Aside from the obvious answer of “the guy singing because Freddy‘s not around anymore,” that is. Apparently, he’s had a solo career along with being the vocalist for three bands — Free, Bad Company, and The Firm. Bad Company is the only one of those three that I’ve ever heard of.

Hrm.

It’s a dilemma. On the one hand, I’m a long time Queen fan, and they have been one of the groups I’ve always wished I’d had a chance to see live — something I’d given up on when Freddy died. So the chance to see even 3/4 of Queen with someone else standing in is very enticing.

On the other hand…it’s not Freddy. Will the show still sound right? Does Paul have the stage presence that Freddy did (while I never saw them, I love listening to the live album ‘Live Killers‘ in large part because of the incredible rapport Freddy had with his audience)? There are sample downloads on the Queen + Paul Rodgers website, but they’re in a Windows Media format that doesn’t seem to play nice with OS X, so I can’t listen to any of them.

Ooh, wait…in the ‘Media‘ section, there are some clips in a .wmv format that does play nice in OS X. I’m…not sold. The music is right, but the vocals…I’m not sure. While I wouldn’t expect it to sound exactly like Freddy (and I really do like the job George Michael did with them a few years back…I thought he made a very impressive pseudo-Freddy), Paul’s got enough of a different timbre that it makes it a little jarring to my ears.

No matter what, I should decide soon: the show’s on April 10th (a Monday night), and tickets are a little painful (ranging from $50 to $200.00!). Decisions, decisions, decisions…

iTunesDreamer’s Ball (Live)” by Queen from the album Live Killers (1979, 3:42).