Declaration of Independence from OS 9

Seeing as how I honestly can’t remember the last time I had to run a Classic (pre-OS X) application on my box, the Declaration of Indepence from OS 9 is right up my alley.

We hold these truths to be self-evident, that Classic and OSX are not created equal, that they are drastically different in so many ways, that among these are file sharing, system crashes, software compatibility, and the pursuit of Happiness. That to secure these rights, we should banish Classic from our computers.

(via Brent Simmons)

Red wine

Regardless of how Apple corporate wants to portray its products, the Mac isn’t a machine for the masses any more than red wine is the preferred beverage at baseball games. To be honest, the masses don’t have the capability to appreciate the elegance and depth of this platform.

Derrick Story

(via The Book of FSCK)

Thankfully

I finally got a new digital camera last week…. It’s pretty nice. I wish I could download pictures to my PC. Thankfully, I have a Mac now. (I hated when annoying people said things like that before I had a Mac. ;)

— Evan Williams, Back Behind the Lens

Drool

Everyone else on the ‘net has reported this already, but hey, I’ve got visitors — I’m allowed to be a bit slow.

Steve Jobs announced the usual slew of goodies during his WWDC keynote speech. To sum up:

  • A ‘sneak preview’ of Panther, the next major update to Mac OS X, due to be released before the end of the year. Some parts look brilliant (Exposé), some I’m not sold on yet (the new Finder).
  • Safari updates to v1.0. All the previous Safari goodness, plus it finally renders Kirsten’s site correctly. Yay!
  • iChat becomes iChat AV, with audio and video conferencing in addition to text chat. Looks nifty, I just don’t have a camera for my mac.
  • Good thing Apple also introduced the iSight camera! Again, looks nifty, but I don’t have the \$150 to drop on that at the moment.
  • PowerMac G5: God, I need more money. 1.6Ghz G5 at the low end, 1.8Ghz G5 for the midrange, and dual 2.0Ghz G5 for the high end.

Apple woos indie labels for iTMS

After the iTunes Music Store opened, there were two recurring comments from much of the Mac world: why was it US only, and what about independent labels? It’s commonly accepted that the intricacies of international copyright law are most likely what’s restricting the iTMS to the US for now, but aside from a few rumors, the question of whether the store would open up to more than just the major labels was still unanswered.

Yesterday, however, Apple hosted a special invitation only event for independent and smaller music labels, giving them information on how they could join with the iTMS. A representative from CDBaby was at the event, and has posted an extremely interesting rundown of Apple’s offer to indy labels, mixed in with a lot of information about the iTMS system.

Interesting reading, even just for the peeks into how Apple is handling all the behind-the-scenes details of the iTMS. From what I can see, I think this is just going to keep getting better and better.

Fact-checking Reuters re: iTunes

There’s an article from the Reuters news service covering the iTunes ruckus that has some rather surprising errors in it, not to mention being amazingly clumsily written. And, since I can’t leave well enough alone…

Earlier this week, Apple released an update to its iTunes music software for its Macintosh computers, which allows subscribers to download songs for 99 cents each.

Minor nitpick: iTunes does a whole lot more than that.

One feature of iTunes, called Rendezvous music sharing, allows users to share downloaded songs between three Macintosh computers and also allows users to share songs copied from CDs to be shared over the Internet.

Minor nitpick: Rendevouz is a system-level networking technology that allows computers to auto-sense their network environment, configure themselves, and automatically discover available services. iTunes takes advantage of Rendevouz, but is not tied to it.

The update eliminates users’ ability to swap songs copied from CDs, but doesn’t disable the Rendezvous feature, itself.

Minor nitpick: See above, regarding Rendevouz.

Minor nitpick: Songs ripped from a private CD library were available for streaming before the update, and still are (just not over the ‘net at large). They were never officially open for swapping.

The new service has been a hit, with more than three million songs downloaded since the service was released a month ago, according to Apple.

Bad writing: The facts in this paragraph are about the iTunes Music Store. However, with its placement in the story and unclear subject (“The service…” — iTunes? The iTunes Music Store? The Rendevouz-based streaming?), it seems to say that over three million songs have been illegally downloaded over the Rendevouz streaming feature.

Subscribers to the iTunes service, who paid \$10 to join…

Major error: I haven’t got a clue what this might be referring to. Neither iTunes nor any of its features require a \$10 fee of any sort. iTunes is free, all of its features are built-in, and the only charges from the iTunes Music Store are those accrued when purchasing music.

…started receiving notices on their computers from Monday urging them to update their iTunes software. While the upgrade is not mandatory, it shows up on a daily basis, forcing users to reject it until it is downloaded.

Error: I’ve been using iTunes for years, and have purchased a few tracks from the iTunes Music Store, and yet I never got any notice from Apple urging me to do anything. What this probably refers to is the Software Update feature of Mac OS X, which is simply an automated agent that checks Apple’s servers at a regular user-specified schedule to see if there are any available software updates.

If someone had their Software Update scheduled to check in with Apple daily, then they could conceivably get a daily alert about the iTunes update — but then, they’d get a daily alert about any software update that was available and uninstalled. If you choose not to install an update, and don’t want to be notified every time that Software Update runs, you can simply select it and disable any further alerts for that particular upgrade. Nothing is forced or urged upon the customer.

Normally I don’t have much problem with the stories I see on Reuters — but then, I’m not nearly as well-versed in many of the subjects I read from them. If the rest of their news reporting is as solid as this story was, I should just stop paying attention.

Apple updates iTunes, web explodes

Today, as I took the odd moment here and there to keep an eye on happenings in the web world, I was somewhat startled to watch Apple provoke absolutely ridiculous amounts of stürm und drang with an update to iTunes.

In brief, when iTunes 4 was released a few weeks ago, one of the new features was the ability to stream your music to other computers running iTunes. This was intended as a way for someone with multiple machines in their house to keep all their music in a centralized location, and still be able to listen to the music anywhere — even if the music was stored on dad’s machine in his office, the kids could call up the music collection on their computer in the living room, for instance.

Not too surprisingly, within hours after the update was released, people discovered that the streaming would also work across the ‘net, if the hosting computer’s outgoing bandwidth was strong enough. Not long after that tips were being traded on how to capture the music stream — and suddenly what was intended as a convenience for personal use became yet another way for people to illegally acquire music.

Today, the update to iTunes 4.01 was released. From Apple’s description (with emphasis added)…

iTunes 4.0.1 includes a number of performance and network access enhancements, and only allows music sharing between computers using iTunes 4.0.1 or later on a local network (in the same subnet).

…and the Apple-centric sites absolutely exploded with rage and indignation (and, thankfully, a few somewhat reasonable voices).

Noticeably upset:

Neutral, or posted with actual thought:

Quite honestly, I find this collective tempertantrum to be surprising, and more than a little childish. Apple is having to walk a fine line, balancing their desire to use as little DRM as possible with the music industry’s desire to actually be able to still make money. The fact that they’ve been able to come to an agreement with all five major music industry players that allows the iTunes Music Store to exist with as little DRM as there is, is impressive enough. The balancing act that they’re having to pull, with their customers ~~needs~~ demands on one side, and the music industry on the other, is one that I wouldn’t envy any company, and so far I’ve been impressed with what they’ve been able to pull off.

What we seem to be seeing, at its most base, is the battle between two very strong forms of greed: the greed of the music industry, and the greed of those users who seem to feel that it is their right to be able to listen to anything, at any time, for free.

I, for one, have never understood, or been sympathetic to those who feel that they have some right to free music. As a DJ for many years, I’ve amassed an impressive collection of music — some 1200 CDs or so — and have long lost count of the number of requests I’ve had to make copies of my music for people. Why in the world should I do such a thing?

First off, copying and distributing music is illegal! Yes, I know that the music industry is (very generally) Evil, that CDs are hideously overpriced, and that artists see very little of the money from music sales. However, no matter how small of a percentage an artist might get from any single sale, how much money will they be getting if there are no sales? A little bit of something is still something, but nothing is just that. If there is an artist that I like, I’d much rather pay the money and support them in what little way I can — they created the music, they should be able to reap what rewards they can from that creation.

Secondly, and equally as important in my eyes, I’ve spent untold hours and ungodly amounts of money on building my collection over the years. Why in God’s name would I turn around and proceed to give the fruits of that undertaking away for free? If someone hears music that I have and likes it, they have the ability to take the time and money to find the music themselves (though I’m afraid that many, if not most, are far more likely to spend the time on Kazaa or some other file-trading system than spend the money at a music store). It’s all out there somewhere, and I don’t have any secret tricks or magical conjurings that allow me to find the music I do. Time, patience, a little luck, and money is all it takes.

Anyway, back to the subject at hand. The streaming feature of iTunes is a feature — not a right. It is a convenience — not a right. And, most importantly, it is for personal use, for you the consumer to listen to the music that you own. Had Apple allowed the iTunes streaming implementation to continue to exist as-is, they may very likely have faced suits and the dismantling of the iTunes Music Store (quite possibly the first realistic model for online music distribution) when the music industry decided that it didn’t want to support a service that was so obviously and prominently being used for illegal distribution, no matter what the original intent of the service was. Rather than do that, Apple added a slight restriction to the streaming service, so that while streaming still works, and will work in the home, it no longer works over the internet at large. Would you rather have had Apple pull the streaming feature entirely?

Grow up, everyone. This is truly a tempest in a teapot.

Almost perfect

My current workspace here at home has been a bit cramped for a while. I’ve got two computers under my desk (one Mac and one PC), and three 17\” monitors on my desk (two for the Mac, one for the PC). It’s a nice workspace, but when you factor in two keyboards and two trackballs, it leaves very little actual deskspace left over.

This weekend, I picked up a new trackball for my Mac (a Microsoft Office Keyboard that I got free from work), my trackball, and my printer all plugged into the USB hub, switchable between both of my computers. Far more manageable, and I’ve got a lot more desk space available (of course, that means I’ll just have that many more soda cans strewn across my desk, but that’s beside the point…).

The only oddball glitch is that, for some odd reason, the Mac will occasionally forget about all the devices after I switch over to the PC and then switch back to the Mac. I’m not sure why this is, and was afraid I was going to have to go back to two sets of keyboards and trackballs. Then I discovered that as long as I leave the old Mac keyboard plugged in (sitting vertically on the floor, leaning against the Mac’s case), then when the Mac doesn’t respond to the keyboard or trackball that are on the switch, all I have to do it tap a key on the old keyboard with my toe, and suddenly everything on the switch starts responding again. It’s a little odd — and not quite a perfect solution, but hey, it works.

This babble brought to you courtesy of the fact that as I’ve been posting rather sporadically for the past week, I need some filler posts on the main page so that my site doesn’t look too tweaky. ;)

iTunes Man

(by Scott Taylor, with apologies to Billy Joel, sung to the tune of ‘Piano Man’)

It’s nine o’ clock at the iTunes store,
A phenomenal crowd’s logging on,
There’s an old man on AOL
Finding music from ages bygone.

He says, “Steve can you play me a memory?
“I’m not really sure how it goes,
“But I typed in a track and got album names back!
“And I’m not even wearing my clothes!”

Oh la da da diddy da da, la da diddy da da da.
Sell us a song, you’re the iTunes man,
Sell us a song tonight.
Well, we’re all in the mood for a melody,
And you’ve got the pricing just right.

Now Claude at Vivendi’s a friend of mine
And his business is selling CDs.
And knows the solution for store distribution,
But he’s worried about MP3s.
He says “Steve I believe this is killing us!
“All these pirates don’t pay us a dime.
“Well I’m sure that you could be a billionaire,
“If you could sell music online.”

Oh la da da diddy da da, la da diddy da da da.
Sell us a song, you’re the iTunes man,
Sell us a song tonight.
Well, we’re all in the mood for a melody,
And you’ve got the pricing just right.

Now Paul is an iPod enthusiast
Who listens to Jazz with his wife
And he’s chatting with Maxine, who’s still in the rap scene
And probably will be for life.
And the waitress is downloading Dixie Chicks
As the dial-up man slowly gets Stones
Yes they’re sharing the bandwidth from Akamai
But it’s better than P2P clones.

Sell us a song, you’re the iTunes man,
Sell us a song tonight.
Well, we’re all in the mood for a melody,
And you’ve got the pricing just right.

Its a pretty good crowd for just Macintosh
And the PC guys give me a smile
Cause they know that iTunes will be Windows-bound soon
If they just can hold out for a while.

And the AAC sounds like originals
And rights management isn’t a pain,
And they sit at the screens of their iTunes machines
And say “Man, this is worse than cocaine!”

Sell us a song, you’re the iTunes man,
Sell us a song tonight.
Well, we’re all in the mood for a melody,
And you’ve got the pricing just right.

(found on /.)