Gattaca

Shades of Gattaca

by

More and more, I think that in the coming years, the movie Gattaca may be seen as far more prescient than it was recognized as at the time it came out. Today’s example, for instance:

A Nobel Prize winning scientist has called on the British government to introduce legislation to [prevent discrimination on the basis of people’s genetic make-up][bq1], the Guardian newspaper reported on Saturday.

[…]

Medical advances and the sequencing of the human genome have led to concerns that genetic testing could be used by insurance companies and employers to discriminate against people with an increased risk of developing certain diseases.

It’s only a matter of time before the “haves” and the “have-nots” are determined by what’s in their genes, I fear.

Custom kids, made to order

by

How would you feel if a major reason for your existence in the world, possibly the primary reason for your conception, was to act as a genetically guaranteed donor to cure your older sibling of a disease?

Kind of weird to think about.

Sure, this kind of thing has been done for years, just without the benefit of Gattaca-style genetic screening to ensure a compatibility match, but it was a far more private matter. With the news stories surrounding these more recent children, how might they feel if somewhere down the line, when they’re old enough to understand, what if they somehow find out that they are one of these kids?

“Well, we weren’t planning on having another child, but then your brother got sick….”

Better or worse than finding out you’re adopted?

What if there was any favoritism — real or perceived — in how the two children were treated before this aspect was discovered? If the older child (the recipient) was seen as the “favorite”, how much could that affect the younger child’s perception of themself? Or if the younger was perceived as the “favorite”?

That could easily be enough to screw you up for a long, long time.

Atlantis, AI, Jay and Silent Bob, Say Anything

by

While my DVD purchases are nowhere near what they used to be now that I don’t have the extra income and employee discount from Suncoast, I do still occasionally pick one up here and there. I’ve picked up four over the past month (see? Four in a month!) — here’s the scoop….

Atlantis: The Lost Empire: Disney’s most recent animated flick. I thought this one was very under-appreciated when it came out in the theaters, which was a shame — though not entirely surprising. It’s Disney’s first PG-rated animated film since The Black Cauldron, and one of their few non-musicals. It’s also got a much more adult-oriented sense of humor running through it, which I very much enjoyed. Well worth seeing, though — I really like the fact that Disney has finally decided to stray from the standard formula that they held to for so long, and I hope that the fact that A:TLE didn’t perform as well as it could have in the box office doesn’t scare them away from experimenting in the future.

Jay and Silent Bob Strike Back: Hey — it’s Kevin Smith! Sure, there’s not exactly much in the way of a plot, and many of the jokes won’t connect with people who haven’t seen the rest of his films. Being a Kevin Smith fan, though, I think it’s pretty funny. If nothing else, the news bulletin warning people to “stay away from the C.L.I.T” (Campaign for the Liberation of Itinerant Tree-dwellers), and watching Ben Affleck and Matt Damon rip on themselves by selling out to make Good Will Hunting 2: Hunting Season are worth watching. At least…I think so.

A.I. Artificial Intelligence: The single best film Spielberg has done, one of the best movies of last year (if not the best), and certiainly one of the few must-see “thinking person’s” sci-fi films to come out in recent years (the only others I can think off off the top of my head being Gattaca, Contact, and 2001). I watched the movie last night, and will probably be digging into the special features tonight…most likely with a seperate post to follow.

Say Anything: One of my favorite 80’s films, and the one to cement John Cusack in my brain as an actor to keep track of. This is the second in the unofficial ‘Cusack series’ that my friend Royce and I enjoy, where though they’re all seperate and unrelated films, we like to put them in a series simply because they star John Cusack, and he plays roughly the same character in each one. For the curious, here’s the series in full as it stands right now: Better Off Dead and One Crazy Summer for his formative High School years, Say Anything for High School graduation, Grosse Pointe Blank for the 10-year reunion, and High Fidelity for the thirty-something years.