Continuing with my loosely BPM-themed mixes, every song in this mix is somewhere between 135 and 145 BPM. And as always, this was mixed “live” and has no post-processing or editing work, so while it may not be perfect, it’s all me!
Underworld
Difficult Listening Hour 08 (130 BPM)
Mix number two for this weekend!. Every song in this mix is somewhere between 125 and 135 BPM. And as always, this was mixed “live” and has no post-processing or editing work, so while it may not be perfect, it’s all me!
Difficult Listening Hour 02v2
The second of my old collection of mix sessions that I’m posting. A little longer than the last one, and a little more pop-y. There actually was a ‘v1’ of this mix, but it had a few slight flaws that I wanted to fix, and I ended up choosing a slightly different set of tracks to use (though, I may have simply introduced new flaws…so it goes). Hence, ‘v2’.
Difficult Listening Hour 01
The first of a few old mix sessions I’m re-posting. I hope to have something new to post in the not-terribly-distant future, but for now, this will get things started.
Barry Manilow listens to Underworld?!?
I never would have guessed this.
I was poking around on the iTunes Music Store, and started looking at some of the Celebrity Playlists — essentially “mix tapes” (only there’s no tape involved) assembled by famous people. I saw Barry Manilow listed, and had to know.
Two tracks immediately jumped out at me — favorites of mine, and not at all what I expected to see.
First, Underworld’s “Born Slippy/NUXX“. Underworld is one of my favorite modern electronica acts, and while most people know them for “Cowgirl” off of the Hackers soundtrack, they’ve done a lot of other excellent work, including this track (also featured on the Trainspotting soundtrack). Driving rhythms, inscrutable lyrics, and lots of electronic bleeps and bloops — good stuff. ;)
Even better, though, was seeing the Peter Gabriel/Kate Bush collaboration “Don’t Give Up” off of Peter’s album ‘So‘. Where many people would rank “In Your Eyes” (also featured on the Say Anything soundtrack) as their favorite song of his, “Don’t Give Up” has always been my personal pick. Beautiful, haunting, and full of hope for the future, this song is one that often helps me get through some of the rougher times in life. It also has one of the best videos I’ve ever seen — good enough that I remember it clearly, though I only ever saw it once, in a hotel in Italy during one of my trips to Europe. Just Peter and Kate embracing each other against a sunrise, standing on a platform that revolved so that each was facing the camera as they sang their lines. Very simple, and very effective, much like the song itself.
Good to know that Barry’s got better taste in music than I’d expect.
Underworld
Saw Underworld yesterday. While I won’t go quite as far as to call it a Big. Steaming. Noxious. Pile. of. shite., I will say that I found it very disappointing and frustrating. There was a lot of promise and potential in the film, which unfortunately was entirely wasted. I’d almost prefer that a film be flat-out bad, but when you can see the seeds of a worthwhile effort in the midst of the crap, it makes it just that much harder to deal with.
First off, the good points (and yes, there are some).
The film is extremely pretty. Lots of worthwhile eye candy — cast, sets, costumes — just about everywhere, there’s something worth looking at.
The writers have concocted a new mythology for the creation of both vampires and werewolves, and included an explanation for the enmity between the two species, that I really liked. I’d have to see the movie again (rent, though, not in the theater) to get it down completely, but it involved a disease that one person had an immunity to which was passed to his children. Those two children were bitten by animals — one by a bat, one by a wolf — and the mutation that allowed their father to survive the disease mixed with the animal’s blood to create the beasties. After years of the werewolves acting as the vampire’s daylight guardians, a conflict between the two set off the years of warring between the clans. It’s a definite step away from the traditional storylines, and I liked the new ideas.
Unfortunately…
The writing, the overall story, and the direction were horrid. So much could have been done with the story to make it coherent, and it never happened. Alliances are formed that don’t make any sense, motiviation is never given for much of what happens, and too much of the plot dissolves into an incoherent mess.
The actors are something of an on-again, off-again mix. Kate Beckinsale does decently with what she has, she just wasn’t really given that much to do — her character is essentially either brooding or fighting during the entire movie. Bill Nighy as Viktor, the recently-resurrected elder of the vampire clan did fine by me up until the end, when a suddenly bleated out, “But I loved my daughter!” line completely destroyed all credibility for the character in my eyes. Sure, it was bad writing, but he played the line so badly that it just made it that much worse. Shane Brolly as Kraven, leader of the vampire clan until Viktor’s appearance was fairly ridiculous, to tell the truth. In fact, the only actor — and character — that I really though much of was Lucien, leader of the werewolves, played by Michael Sheen. Not only did he get the only character in the film given any decent amount of personal backstory and motivation, but he was the only actor to really seem like he fit his part.
Special effects wise, the movie was decent for the most part, with a few sudden moments where it got so astoundingly bad that it surprised me (Celine’s sword-slash-and-floating-jump across the pool of water at the end [which can also be seen in the trailer — it’s the sequence that looks like it could be straight out of a video game] stands out in my mind). The soundtrack, both musically and just as effects, drove me nuts. Apparently the sound designers felt that the best way to make sure that something was interesting and intense was to make it loud, and then they decided that everything in the movie counted as interesting and intense.
So that’s Underworld — some definite promise and potential that was completely pissed away during its two hours on screen. A shame, really — in my minds eye, I can see the same elements creating a film that would have been well worth watching, but it just didn’t happen here.