Rent

This entry was published at least two years ago (originally posted on August 30, 2004). Since that time the information may have become outdated or my beliefs may have changed (in general, assume a more open and liberal current viewpoint). A fuller disclaimer is available.

As mentioned briefly last week, Saturday’s evening entertainment was wandering down a couple blocks to the Paramount Theatre to see Rent.

Prairie has been a fan of Rent for a while, and had tried to introduce me to the music a while ago, but I just hadn’t been able to get a good feel for what was going on simply by listening to the soundtrack album. Thinking about it on the way home after the show, I realized that part of that may have been because every other major musical that I’ve seen (Cats, Les Misérables, Phantom of the Opera, Jesus Christ Superstar, Tommy, Joseph and the Amazing Technicolor Dreamcoat), I knew the story before picking up the soundtrack album, either through reading the source material or because I’d learned it while singing the songs back when I was in the Alaska Children’s Choir. With Rent, I had no real idea of what the plot was and what was happening, and I couldn’t quite pick it up just by listening to the album.

Now that I’ve seen the show, though, suddenly it all falls into place. “La Vie Boheme” and “Tango: Maureen” were by far my favorite songs, though the entire soundtrack is a blast. I can certainly see why it’s such a popular show.

Our particular performance was quite good, though not perfect. The sound technician was sometimes a little late when activating people’s microphones, so we’d occasionally lose the first couple words of someone’s lines when they appeared. A couple of the performers didn’t have quite as strong a voice as they probably should have (most notably Tallia Brinson as Mimi — while she wasn’t bad by any means, she didn’t quite have the raw power that songs like “Out Tonight” require).

I was also confused for a while about Angel’s character — I knew that the character was supposed to be a drag queen from when Prairie had first tried to introduce me to the music, but Damien DeShaun Smith had such an incredibly feminine voice that I really wasn’t sure if it was a male or female playing Angel until I checked the program during intermission. It made for a slightly confusing first act (as a female Angel would greatly change the dynamic of the relationship with Tom Collins)…of course, on the bright side, if Damien really is a drag queen (off-stage, that is), he’s sure to do a spectacular job! ;)

All in all, though, while not a perfect performance, it was extremely good, and I’ve got a new musical to eventually commit to memory.

iTunes: “La Vie Boheme” by Original Broadway Cast from the album Rent (1996, 8:00).