This is my current desktop background, too. Could be sharper, but not bad for being handheld using my old $40 all-manual zoom lens.
“Sweetmeat” by Pigface from the album Easy Listening… (2002, 3:10).
Enthusiastically Ambiverted Hopepunk
This is my current desktop background, too. Could be sharper, but not bad for being handheld using my old $40 all-manual zoom lens.
“Sweetmeat” by Pigface from the album Easy Listening… (2002, 3:10).
“Ooohhh…too. Much. Pizza,” Prairie mock-whined as she cuddled up next to me in bed.
“Oh?”
“I’m stuffed. Big lump of pizza in my tummy.”
“Ah. Yes.” I nodded. “Pizzalump. Kind of like a Heffalump, only more edible.”
Prairie giggled. “Heffalumps aren’t edible?”
“Nope.”
“Who says?”
“The Heffalumps, of course!”
“Of course!”
“Woozles might not agree, but then, you can’t take a Woozle’s word for it, now can you?”
By this point, we both had a serious case of the giggles, and conversation stopped for a few moments. Then Prairie mumbled something.
“What?”
“Woozles sound chewy.”
“Chewy?” I started laughing again.
“Well, they do. Say it: ‘_Wooooo_zles…'” And then she was giggling too hard to go on.
“I should make that the tagline for my site,” I laughed. “‘Woozles Sound Chewy.'” I mimed a baffled shrug. “See how long it takes for someone to e-mail me asking what that means. Then I’ll just e-mail back, ‘Well, they do. Say it!'”
And again with the laughing too hard to talk.
So — Woozles sound chewy, and now Prairie wants a Heffalump (rather than a Pizzalump) for dinner sometime next week.
Anyone have any recipes?
“Sad Cowboy Song (Live)” by Red Elvises from the album Your Favorite Band (1999, 6:24).
The two best forms of candy in the world (or, at least, in my world) are candy corn and M&Ms. Candy Corn is more often becoming available year-round, with the addition of various holiday themes other than Halloween (Reindeer Corn for Christmas, Cupid Corn for Valentine’s Day, and Bunny Corn for Easter), but they’re still primarily a holiday treat, lacking the year-round goodness of M&Ms.
Not long after we started dating, Prairie picked up on my M&Ms fixation, and got me a silly little M&Ms character. Since then, we’ve gotten into the habit of keeping an eye out for cute M&M goodies, from the seasonal figures to plush toys to…well, whatever looks fun. I’ve been meaning to document the growing collection for some time now, and finally got around to it today, after spending a few minutes and fifty cents assembling a DIY lightbox (inspired by this post on Strobist).
Click on this lil’ guy to see the M&M Army as it stands to date.
I’m really impressed with how well the lightbox setup works. It’s incredibly simple: just a cardboard box with three sides cut out and covered with white tissue paper. Slip posterboard into the box for a backdrop, set a flash unit (or lamps of some sort) outside the sides of the box, and fire away. Simple, effective — and at $0.50 for the posterboard, with the rest of the supplies scrounged from around the house, much more cost effective than a pre-assembled $100 kit that does the same thing!
“Rules” by K.M.F.D.M. from the album XTORT (1996, 4:07).
That was seriously one of the strangest things I’ve ever had in my mouth.
— Prairie, after I convinced her to try tapioca pudding.
She wasn’t impressed. Actually, she didn’t even get through more than two tiny little bites (she says they were spoonfulls, but she barely dented the top of the pudding cup).
Admittedly, it probably didn’t help that part of why she’d never had tapioca before was because her mom detests it, and would involuntarily shudder every time it was mentioned. And, my comparing it to frogs eggs, or holding up a spoon full, looking at it, and commenting that, “It’s like it’s looking at you, with lots of tiny little eyes,” likely wasn’t much in the way of constructive encouragement.
So no more tapioca for Prairie. That’s alright — it’s all the more for me (which in itself is more than a little odd, as I’m pretty picky about what I eat, and texture is an important part of why I like or dislike something, and as Prairie pointed out, from everything she’s seen me enjoy or turn my nose up at, I should be entirely squicked out by tapioca, and yet, I’m rather fond of it…we figure it’s because I’m a boy, and it’s a good “gross out food”).
“Renegade Soundwave (Leftfield)” by Renegade Soundwave from the album In to the Mix (1994, 7:51).
“Tomorrow, Wendy (Live)” by Concrete Blonde from the album Still in Hollywood (1990, 4:28).
Prairie and I went out to see the new Pirates of the Caribbean movie last night — one of the few movies coming out this summer that we were both excited about enough to head out on opening night. The reviews (which I avoided looking at until this morning) aren’t being terribly kind, but we had a lot of fun.
I’ll agree that it’s longer than it really needed to be (though Prairie doesn’t seem to think so), and there were a few moments when I found myself wishing that things would just slow down a little bit (particularly during the peak moments of the Kraken’s attacks). However, those small fumbles aside, the movie’s a perfect bit of popcorn summer fun: raucous, silly, over-the-top swashbuckling entertainment.
And I love, love, love Davy Jones and his crew! The effects work was incredible; even more so when, rather than pulling the standard effects-heavy movie trick of leaving the most complicated bad guy effects half-obscured in rain and night shots, they actually let Davy Jones and his crew go cavorting about in the light of day. What a treat — rainy nights are such an easy way to (attempt to) hide shoddy effects (Godzilla, anyone?), that it’s fun to see a movie with enough confidence in its work to let it be seen in all its glory.
So, iffy reviews aside, it was a winner in our book, and we’re looking forward to the next one.
“ToriMix v2” by Amos, Tori from the album Difficult Listening Hour (2001, 46:37).
Cute, huh? It’s from Meez, yet another in the “create a cute little avatar” series of sites that pop up from time to time. There’s a longer animation loop (see under the jump) where I actually take pictures, which gave Prairie some good giggles because she can peek up the kilt. Heh. Oops. :)
In other news:
Work’s been rather insane lately — lots of drama, much of which I shouldn’t really get into publicly (and, truth to tell, much of which I just plain don’t really know), but which resulted in our store being temporarily manager-less. Everyone’s getting a few more hours, since we’re one person short, and we’re taking turns being “manager” for the day (taking seniority to the extreme — whoever on shift has been working the most consecutive days is “manager”). It’s been…interesting.
Prairie and I went out to see the fireworks at Gas Works Park on Tuesday. Nice day relaxing in the sun, then things went all esplodey in the evening. Not a bad day.
We’re planning a trip down to meet Xebeth in Vegas in early August. This’ll be my first time in Vegas. Should be fun — we’ll be staying at the Stratosphere, seeing a show, and whatever else Xebeth (who has spent far more time in Vegas than either Prairie or I) has planned for us.
And…that’s the basics so far. Busy busy days for me!
Update: I snagged the full Meez avatar animation loop, complete with under-the-kilt views. Woo!
I’m still here. Just working on playing catchup after a very eventful (but very fun) few days. I’ll get more up here soon…in the meantime, keep an eye on my Flickr stream. ;)
Another quick update:
Kevin stopped by on Friday as well, hanging out for a few hours before heading over to visit a friend.
Prairie and I are about to head out to the airport to pick Xebeth up, then drive downtown, see what we can find for parking, and enjoy the Pride parade.
Busy busy busy. Fun…but pretty non-stop. More eventually!
Seattle’s two alt-weeklys, The Stranger and the Seattle Weekly have been battling it out in this town for far longer than I’ve been around to witness it. In the time I’ve been here, though, I’ve pretty much settled on grabbing a copy of each when I’ve got time to read both; if I only have time to read or skim one, I’ll generally grab the Stranger (if for no other reason that it tends to be more entertainingly snarky).
Each paper has been re-vamping their respective websites over the past year or so. Last year sometime, the Stranger waded into the weblog world with Slog, which after a somewhat clumsy start has been running strong (and was doing the best reporting in town on the Capitol Hill shooting at the time). Not long afterwards came Line Out, focusing more on the local music scene.
The Seattle Weekly just stepped up to the plate today, going live with not just one but three blogs: The Daily Weekly (“News, Politics, Media”), Post Alley (“Seattle Arts & Culture”), and Mossblog (an online companion to Knute Berger’s ‘Mossback‘ column.
While things just went live, so it’s going to be a bit before they really settle in and get in the groove (they’re in the process of figuring out how to turn comments on), it’s a promising start.
One nice thing I noticed immediately, though, is going to end up making me more of a regular reader of the Weekly rather than the Stranger: easy to find, obvious RSS feeds for everything. Where the Stranger is only providing RSS feeds for their two blogs, the Weekly has RSS feeds embedded into every page (for easy auto-discovery by web browsers or feed readers), easy links on every page to specific RSS feeds for that section of the paper, and links on every page to their main RSS page, which lists all their available feeds — including one catchall feed for the entire current issue.
Admittedly, it’s not perfect — while the Daily Weekly gets a full-text feed (yay!), the main issue feed has only one-line summaries (boo!). While I can understand why they might not want to go for a full-text feed for their entire issue (after all, it is advertising dollars that fund the paper), I do wish they’d at least provide a better summary — a paragraph, whether hand-crafted or just one single opening paragraph lifted from the article. Single-sentence descriptions might catch my eye, but all too often, they just don’t give enough context or information to really grab my interest.
At the same time…even that single line description is a lot more information than the Stranger gives me when they get a new issue up. So kudos to the Weekly…and hey! Stranger! Step it up, will ya?
“Supernaut” by 1000 Homo DJs from the album Supernaut (1992, 6:42).