Music and Politics

Just for amusement sake, after reading an article about the upcoming Vote for Change concert tour (which doesn’t seem to be coming to Washington — aren’t we supposed to be a “swing state” too?), here’s a short and probably very incomplete list of musical artists who have supported one presidential candidate or the other. Most of this list is culled from the article, I may update it as days go by as I run across more names. Submissions will be welcome, of course.

It’s a rather silly way to look at things, sure, but if for some reason you’re having problems making up your mind which way you want to vote, maybe your musical tastes can make a difference. ;)

Supporting Kerry
(or at least vocally anti-Bush)
Supporting Bush
Alkaline Trio
Anti-Flag
The Ataris
Authority Zero
Bad Religion
Jello Biafra
Billy Bragg
Bright Eyes
Jackson Browne
The Dave Matthews Band
Death Cab for Cutie
Denali
The Dixie Chicks
Kenneth “Babyface” Edmonds
The Epoxies
John Fogerty
Jurassic 5
Less Than Jake
John Mellencamp
Ministry
Keb’ Mo’
My Morning Jacket
N.O.F.X.
None More Black
The Offspring
Pearl Jam
Bonnie Raitt
R.E.M.
Linda Rondstadt
Social Distortion
The Soviettes
Bruce Springsteen
James Taylor
World/Inferno Friendshop Society
Kid Rock
Ted Nugent
Jessica Simpson
Britney Spears
Lee Ann Womack

Update: Additions from a NYT article (thanks Len) and Rock Against Bush Vol. 1 (thanks Ryan — the page for RABv2 didn’t have artist listings, otherwise there’d be more additions, I’m sure).

iTunes: “Music and Politics” by Disposable Heroes of Hiphoprisy, The from the album Hypocrisy is the Greatest Luxury (1992, 4:01).

The City Sleeps

Stealing down an ally on a cold dark night
I see a halo in the rain around the street light
I stop and look, and listen to the sound
As the raindrops penetrate the silence all around
Alone, I gaze into the glistening street
The distant thunder echoing my heartbeat
Urging me on to a secret goal
Away from the light from this lamp on a pole
So I turn, slip away into the rain
Drifting like a spirit through the shadows in the lane
Clutching the tools of my trade in my hand
An old box of matches and a gasoline can
Darkness envelopes the scene like a shroud
A veil of emptiness hangs from the clouds
Filling up the cracks in this desolate place
Cradled by the night in an icy embrace

Moving to the town like a ghost in the rain
A dim reflection in a dark window pane
Blackness beckons from every side
Creeping all around like an incoming tide
A broken window in an empty house
I slip inside and begin to douse
The whole place with the fuel that will feed the fire
And push back the night, taking me higher
On out of the darkness in a defeaning roar
The match in my hand is the key to the door
A simple turn of the wrist will suffice
To open a passage to paradise
I pause, I think about the past and the gloom
The smell of gasoline permeates the room
Everyone has a little secret he keeps
I light the fires while the city sleeps

(Like the 4th of July)

The match makes a graceful arc to the floor
And time stands still as I turn for the door
Which explodes in a fireball and throws me to the street
I hit the ground running with the flames at my feet
Reaching for the night which recoils from the fire
The raindrops hiss like a devilish choir
Dying in the flames with a terrible sound
Calling all the names of the sleepers all around
But then in the arms of the night, they lay
Their dreams sprout wings and fly away
Out of the houses in a gathering flock
Swarming overhead as I hurry down the block
I make my escape with the greatest of ease
And savor the darkness, drop to my knees
And the lightless window, my hand on the latch
I reach in my pocket, and pull out a match

(Like the 4th of July)

MC 900 Ft. Jesus, “The City Sleeps

So, the big news of the moment is that we appear to have an arsonist running around North Seattle. It’s really freaky to think about — thirteen fires in the North Seattle area over the past three days, the majority of which have been definitely determined to be arson, and now there’s a reward of up to $30,000 for information leading to an arrest.

Local weblogger Danelope had a night of listening to sirens, and included links to Seattle Police scanners streaming audio (which, unfortunately, wasn’t working for me when I just tried to listen in) and a resource that I keep forgetting about, the live 911 incident list for Seattle. A little unnerving to go down the list, though, as right now there is an active “Fire in Building” listing at North 61st and Phinney with multiple units responding. While it’s a little tough to be sure, it looks like it’s at least possible that the local fire departments might have another busy night ahead of them.

It’s also a little concerning because Prairie’s sister Hope just moved into a new apartment in the North Seattle area. While so far the arsonist seems to be avoiding populated buildings, and there haven’t been any injuries, there’s always the possibility that a fire might spread to other areas. We’ll just keep our fingers crossed and hope that North Seattle’s big enough that any new fires don’t hit Hope’s area — or if they do, that everyone’s alert enough that nothing happens.

Freaky stuff.

Almost amusingly, though, it’s almost starting to seem that my time living in Seattle is going to be punctuated by fires of one sort or another. The summer I moved down here was one of the driest in Washington in a long time, actually putting the state into official drought status, and there were fires all across the state for much of the summer. When I went with some friends to see the Barenaked Ladies perform at the Gorge in central Washington, much of the weekend was scented with woodsmoke, as we were often no more than a few miles away from one of the fires.

After getting everything set up at the campsite, we packed ourselves into two cars, and headed down a quicker route back to the Gorge for the show. The way there was fascinating — currently, huge amounts of the state of Washington are on fire, and there were amazing clouds of smoke from the fires just 40 miles away or so in the sky. The smoke turned an otherwise clear night to a completely opaque murk. Just fascinating to see — and the smell of burning pine in the air was an added reminder that all this stuff wasn’t that far away.

While I can’t come up with any notable fires over the past two summers, earlier this year the Jensonia Hotel, next door to my apartment building, went up in flames three times over the course of a couple months (two of which I got pictures of, in January and in March), eventually being damaged enough that it has been permanently closed down. I still haven’t heard any word on whether or not those fires were ever determined to be arson or accidental, though.

And now we’ve got this going on right here in town. I’m quite curious is the responsible party is going to be sticking to North Seattle, or if things are going to spread. You can be sure I’ll be keeping my eyes and ears open.

Of course, all this did give me an excuse to post the lyrics to MC 900 Foot Jesus‘ “The City Sleeps“, written from the point of view of an arsonist on the prowl. This, of course, prompted Prairie to comment, “You WOULD have just the right creepy song in your collection!” :)

Benefits to being a music whore, I guess. ;)

iTunes and Jazz: More about Metadata

Regular readers of this mess I call a website will occasionally have seen me rant about metadata, especially where the iTunes Music Store is concerned. In short, it’s woefully incomplete, and at times, flat-out inaccurate. It was quite heartening for me to run across Jazz in 2500?, a jazz-lovers look at the disservice done to music when only the least possible information is preserved when purchasing music online.

The consumer that buys an album on ITMS should have access to the same liner notes, session information and songwriting credits that are sold with the CD version. Online music stores should facilitate rather than hinder access to this information before, during and after a song or album is purchased.

[…]

Removing the identity of artists is one of digital music’s largest threats to jazz preservation. A full understanding of jazz goes beyond the “Great Man” theory and recognizes the influence of side players – the wide network of people that developed this musical language together. Selling songs and albums separated from names disrespects the artists and hinders the education of new listeners.

ITMS often does not list the names of the musicians who play on jazz albums. When they do list the names, it is never on a song-by-song basis, making the information confusing and useless on compilations and box sets.

[…]

Box sets and CD reissues often feature meticulously researched session information, as well as essays from experts. Having this information sold with the music enables jazz fans to educate themselves and others. Most jazz albums for sale in the ITMS have none of the original album’s liner notes or session information.

Maybe it’s true that most people aren’t bugged by this stuff, or the lack thereof. However, those of us who do care, care a lot.

Besides — why in the world should we accept marketing to the lowest common denominator? There’s enough business out there that do that already. Apple and the iTunes Music Store should be at the forefront of showing how things should be done, and that they’re also music lovers, not just music retailers.

iTunes: “That’s It! (Dub)” by Hyperdrive from the album Club Cuts EP Vol. 1 (1998, 8:19).

Metadata goodies

Not useable metadata goodies, unfortunately, but still, this is good to hear. Apparently, Gracenote — maintainers of the CDDB (which iTunes and many other audio players use to provide track information upon insertion of a CD) have many additional possible data fields that can be used, according to this comment sent to Macintouch (emphasis mine):

Classical music is a difficult problem for almost all digital media players. The rock & pop music world is much different than the Classical world – the data fields are not sufficient for describing Classical music. The Gracenote database has support for Composer, Ensemble, Orchestra, Conductor, and many other fields, but many applications choose not to support these fields. So over the years, the fields have been overloaded in meaning and in data. We recently re-wrote our Classical music standards so that existing applications can begin to be more consistent. But more importantly, Gracenote’s next generation database will fully support Classical music metadata like no other database. We are working to spread these changes out to our application developers, including Apple. Our editorial team is working hard to standardize the existing Classical data as well, partnering with experts in the industry. Look for big changes in 2004 and 2005.

Hopefully these extra fields trickle down to iTunes in a (near) future release!

iTunes: “1st Premonition (DBX)” by Giannelli, Fred from the album Sound of Superstition, The Vol. 5 (1997, 6:08).

There’s no such thing as too much music

My one major accomplishment of the weekend was finally completing a project that I’ve had going on for months now: importing every CD I own into iTunes. Quite a task, when after years of being a complete music junkie (compounded by a few years of DJing), I’ve built up a CD collection of 1,142 albums!

Now that I’m done, though, the final tally…

  • Total songs in my iTunes library: 14,622
  • Total time: 49.6 days (49 days, 15 hours, 8 minutes, 23 seconds)
  • Total space: 65.09 GB

The fact that all that music takes up only 65 GB was a pleasant surprise. When I was using my G3 as my primary computer, I picked up an 80GB drive specifically to hold all my music. At that point, though, encoding my music as 160kbps VBR MP3 files, I couldn’t fit all of my music on that drive! This time, though, I’ve been encoding at 128kbps AAC (not archival quality, but slightly better sound quality than the 160kbps .mp3s even at smaller file sizes), and managed to get all of my music on the ‘puter in 15 GB less space than before.

Then, since iTunes has a special “Grouping” field that can be used for whatever sort of customized sorting options the user wants, I set up four groups for my music. I’ve always prided myself on the fact that the majority of my music is music that I actually own, and I’ve generally only resorted to downloading songs from peer to peer networks such as Napster or the like when I was trying to get really rare tracks that I couldn’t find any other way. I was curious as to just how the numbers worked out, though, so here’s my four groups, and their final results…

  • Copied from friends or downloaded from P2P networks (technically illegal): 610 (4.172%)
  • Original rips (my own mixes, GarageBand creations, or imports from vinyl): 51 (0.349%)
  • Bought from the iTunes Music Store (legally owned, though without the physical CD): 232 (1.587%)
  • Ripped from CDs that I own: 13,729 (93.893%)

Overall, I really don’t think that that’s too bad of a ratio.

And yes. I’m a complete and total music whore. :)

iTunes: “Come What May” by Kidman, Nicole/McGregor, Ewan from the album Moulin Rouge (2001, 4:48).

My Depeche Mode collection

For Rebecca, for comparison purposes, and for Jonas, because he made fun of me for dancing to Strangelove at the Vogue a few months ago. ;)

My final Depeche Mode song count:

  • 217 songs
  • 42 albums (this includes compilations where DM has only one track)
  • 19.3 hours
  • 1.03 Gb

And here’s the full list, in .pdf format, printed straight out of iTunes:

iTunes: “Judas” by Depeche Mode from the album Songs of Faith and Devotion (1993, 5:14).

Bumbershoot 2004 lineup

The Bumbershoot 2004 lineup has been announced. Sweet. Quite a few big names catch my eye and will be fun to see, but I’m also looking forward to discovering a few new acts that I might not have heard of otherwise (I find at least one or two more each year).

Just calling out a few that catch my interest…

Friday: The Clumsy Lovers

Saturday: Seal, Nancy Sinatra, Robyn Hitchcock

Sunday: Public Enemy

Monday: The Pixies, Toots and the Maytals (Kevin just played some of their stuff for me on his way through last weekend), Critters Buggin’

Not as many “must see” acts as there have been in the past few years for me, all in all. In fact, the only one to really make me sit up and get excited was Public Enemy. Still, it’s certainly not a bad initial list of possibilities, and as I said before, it’s the unexpected discoveries that can be the most fun.

iTunes: “Pine Effect” by µ-Ziq from the album In Pine Effect (1995, 4:51).

Election Day USA: Protest music CD compilation

I haven’t downloaded any of these yet, so I can’t vouch for any of the actual songs, but I like the project: Election Day USA.

SEA LION RECORDS is proud to present a CD COMPILATION of ANTI-BUSH, ANTI-WAR music to be released to college and public radio stations during late SUMMER 2004, titled: ELECTION DAY USA

ALL 20 SONGS on the COMPILATION are LISTED BELOW, with FREE RealAudio and MP3 links…  ENJOY!

16 different artists were selected to be part of this compilation. The relatively small number of songs that professionally made CDs can hold did limit how many songs we could include. Our sincerest thanks to everyone who submitted work that wasn’t included. Your efforts are greatly appreciated by all of us, looking for ‘closure’ to this Bush matter in November 2004.

(via BOP)

iTunes: “Fish Below the Ice (Plankton Enriched)” by Shriekback from the album Dancing Years, The (1990, 5:51).

Disney sued over ‘Wimoweh’

Just under a year ago, I mentioned an article going into the history behind the song ‘Wimoweh’ — which most people now know as ‘The Lion Sleeps Tonight‘. Now comes word that Disney is being sued by the heirs of the author of ‘Wimoweh’ over its use in The Lion King.

The lilting song, initially called “Mbube,” earned an estimated $15 million in royalties since it was written by Zulu migrant worker Solomon Linda in 1939, and featured in Walt Disney’s “Lion King” movies.

However, Linda’s impoverished family have only received about $15,000, the lawyers said.

[…] Linda sold the worldwide copyright for “Mbube” to a local firm, but under British laws in effect at the time, those rights should have reverted to his heirs 25 years after his death in 1962, copyright lawyer Owen Dean said.

This means Linda’s surviving three daughters and 10 grandchildren were entitled to a share of royalties from the song, which has since been recorded by at least 150 musicians.

“We are claiming ten million rand ($1.6 million) in damages from Disney at the moment,” Dean told reporters. “The court attached use of Disney trademarks in South Africa to the case last week. We believe our legal position is very sound.”

(via Boing Boing)

iTunes: “Lion Sleeps Tonight, The (Wimoweh)” by Tokens, The from the album Wimoweh – The Best of the Tokens (1994, 2:41).

Björk!

Troll Doll + Gelfling = Bjork

Don’t get me wrong, I love Björk‘s music, and I think she’s gorgeous. But this is always what I’ve thought she looked like: a cross between a Troll Doll and a Gelfling.

iTunes: “Violently Happy” by Björk from the album Debut (1993, 4:59).