Bumbershoot 2004: Saturday

Another year of Bumbershoot is off to a rousing start for Prairie and me. Lots of good music and peoplewatching today, and more to come. This rundown will be a bit abbreviated, as I’m pretty tired, but I wanted to get as much as I could out of my head while it was still fresh.

Bakra Batá

We got to the Seattle Center just a little after noon, right at the beginning of the day, and settled right down at the Bumbrella stage to watch Bakra Batá, a steel drum, percussion, and masquerade ensemble that’s been in Seattle since 1984. I’d actually run across them before, at the Seattle Folklife festival last May, but this was the first time I actually knew who it was I was watching perform. Really excellent stuff — a strong island flavor, of course, but with a fairly wide range of other influences also. Very danceable, and it wasn’t long at all before they had a good portion of the audience up on their feet.

The Foghorn String Band

From there, we wandered over to the Backyard stage for the Foghorn Stringband, very old-timey Americana bluegrass. Things like this are a large part of why I enjoy Bumbershoot so much — just a few minutes to walk from Caribbean-style steel drums, past some good blues, and over to traditional bluegrass. We sat back and ate some of the snacks we’d brought along while watching the band, and when I got up to dump our trash into a trashcan, the lead singer decided to inform the crowd that, “nothing goes better with a black Utilikilt than one of our t-shirts!” Apparently I’d gone and gotten myself noticed…

Rock Garden

Right near the Backyard stage this year is a rock garden, constructed of rocks painstakingly balanced on top of other rocks. Okay, so that description doesn’t make it sound terribly interesting, but I’d hate to be trying to pull off the balancing acts that the people constructing this thing have managed to do. Far more patience and steady hands than I’ve got, that’s for sure.

Bagpipes

With some time to kill before the next act we were planning on checking out, we started wandering the grounds, and ran across some more men in kilts — this time, though, these were men in traditional kilts, playing bagpipe and drums. They got a laugh out of my shirt, and we stood and watched for a while (me for the bagpipes, which I’ve always liked, and Prairie both for the bagpipes and to admire the man playing the bagpipes, who she highly approved of).

Vamola

Not long after that, we ran across the Vamola drum and dance troupe on one of their many daily parades throughout the grounds. They’re always a lot of fun to watch — pretty girls in skimpy clothing dancing to really good percussion. I’m all for that!

Nancy Sinatra

Our next stop was to see none other than Nancy Sinatra. Her show was great. She started off with ‘Bang Bang’, which I’d first heard in Kill Bill, and went through a fair amount of her catalog. She had a cute little segment in the middle where she sang against a backdrop of scenes from the movies she’d starred in back in the 60’s and 70’s, and then eventually finished off her set with — of course — ‘These Boots Are Made For Walkin’‘, coming down and walking through the audience and greeting as many of her fans as she could.

AllGoRhythm

Once Nancy was done, we spent a little time with AllGoRhythm, an modern Indian group. By this point in the day, though, things were starting to get a bit chillier as the sun went down, so we took a break for a while to make a run home and grab some dinner and another layer of clothing before heading back for the evening.

Pedro the Lion

Once we got back, we didn’t have anything in particular planned out, so we started perusing the evening’s schedule. I noticed Robyn Hitchcock and remembered hearing something from him that I’d enjoyed in the past, so we decided that that was worth a shot. We headed over to the performance hall, and ended up getting in early enough to catch the last half-hour or so of Pedro the Lion‘s set. While I recognized the name, neither Prairie nor I knew anything about Pedro the Lion, but we both ended up enjoying what we heard a lot. Being entirely new to the music, I couldn’t tell you at all what songs we heard, but we’ll both want to look into that a bit more.

Robyn Hitchcock

A little while after Pedro was done, Robyn took the stage. While his first song — sort of a cover of the Beatles’ ‘Happiness is a Warm Gun’ — was a little odd, his second song happened to be one that I knew, ‘Balloon Man’, which I have on an old MTV 120 Minutes sampler. The rest of the show was quite enjoyable, including a quite amusing tidbit about how if you’re at a concert while the artist is tuning his instrument, the vibrations from the tuning will settle in your spine, and when you get home and go to bed, as you relax those vibrations are released. Should you have a rodent of any type for a pet (gerbil, mouse, rat, rabbit, etc.), those released vibrations will crank up the libido of said rodent, and you’re virtually gauranteed to end up with little rodent babies before too long (assuming you have two un-neutered rodents of opposing sexes, of course). I’m not sure it made a lot of sense, but it was quite amusing.

And that was that. With Robyn done, we wandered back up the hill, made a quick run to QFC for water and for more batteries for the camera, and then back home…and now that I’ve got this done, it’s time for bed. Much more tomorrow…

Update: All my pictures from today are now up in the family photo gallery. More will be added as the weekend progresses.

iTunes “Balloon Man” by Hitchcock, Robyn and the Egyptians from the album Never Mind the Mainstream (1988, 3:34).

Off to Bumbershoot

Prairie and I are heading off to Bumbershoot today. Possibilities for places we might end up:

  • Seal
  • Nancy Sinatra
  • AlGoRhythms
  • Bakra Bata’ Music, Dance and Masquerade Ensemble
  • The Foghorn String Band

Then, of course, there’s anything else we happen to stumble across that sounds good, all the various art exhibits, and other general mayhem. Whee!

iTunes “Dangerous (Sensual)” by Depeche Mode from the album Personal Jesus (1989, 5:25).

Bumbershoot tips

A re-post from last year — some rambling from me on how best to approach this upcoming weekend’s Bumbershoot festival (which, unfortunately, I’ll only be hitting two days of this year, due to my workplace not closing down for Labor Day).

Some general tips and approaches I use for getting through the weekend:

I carry as little as possible, so I don’t wear myself down with a big bag or anything. Camera, wallet, a book to scribble down what I’m doing and seeing so the pictures make sense, and that’s about it.

The Bumbershoot guides published in the Seattle Weekly and the Stranger are godsends. Before each day starts, I browse through to find anything that sounds like it might be interesting, whether or not I’ve heard of the artist, and mark it on the schedule (last year I found that the Seattle Weekly’s guide had better rundowns on the acts, but the Stranger’s single-sheet 4-page schedule was easier to keep in my pocket). Then, when I’m wandering around, I just see what I’ve marked off, and randomly choose one for whatever time it is to check out. If I like them, great, if they don’t quite hold my interest, then there’s plenty of other choices.

Don’t be afraid to deviate from your plan, though. There’s so much good stuff out there that it’s impossible to see it all, so you shouldn’t stress about missing an act — and there’s likely to be something worth seeing that you wouldn’t have picked up on just from reading about it. Not being a big reggae fan, I never would have planned to stop by Jumbalassy last year, but hearing them as I walked by sucked me right in.

Take the time to just wander around and explore all the nooks and crannies. I almost completely missed the Jazz stage last year — it’s up some stairs, kind of tucked away in a corner. I keep forgetting how big Seattle Center is, and how easy it is to lose bits and pieces of it when you’re focusing on getting from a specific point A to point B. Follow your nose. :)

Don’t forget to peoplewatch! This goes beyond just trying to navigate through the crowds — see who all is around you, pay attention to them, keep an ear out on what they’re saying. I’ve discovered some good shows that I might have missed just by hearing some random stranger get all excited about whatever band they’re heading off to see. A small crowd of people gathered somewhere might be nothing more than a momentary traffic jam, but it might also be a street performer worth watching — I discovered one of my favorite local artists this way the first year I was at Bumbershoot. Saw a crowd and decided to see what was up, ended up picking up a couple CDs and have been a fan ever since.

And most importantly — have fun! Enjoy the music and the sun, browse through the craft booths, go play in the fountain, or wade in the pool. We’re blessed with a huge festival with a ton of things to do on a gorgeous weekend — don’t let it go to waste!

iTunes: “Peach (Cut.Rate.Box)” by Beborn Beton from the album Tales From Another World (1999, 4:43).

Rent

As mentioned briefly last week, Saturday’s evening entertainment was wandering down a couple blocks to the Paramount Theatre to see Rent.

Prairie has been a fan of Rent for a while, and had tried to introduce me to the music a while ago, but I just hadn’t been able to get a good feel for what was going on simply by listening to the soundtrack album. Thinking about it on the way home after the show, I realized that part of that may have been because every other major musical that I’ve seen (Cats, Les Misérables, Phantom of the Opera, Jesus Christ Superstar, Tommy, Joseph and the Amazing Technicolor Dreamcoat), I knew the story before picking up the soundtrack album, either through reading the source material or because I’d learned it while singing the songs back when I was in the Alaska Children’s Choir. With Rent, I had no real idea of what the plot was and what was happening, and I couldn’t quite pick it up just by listening to the album.

Now that I’ve seen the show, though, suddenly it all falls into place. “La Vie Boheme” and “Tango: Maureen” were by far my favorite songs, though the entire soundtrack is a blast. I can certainly see why it’s such a popular show.

Our particular performance was quite good, though not perfect. The sound technician was sometimes a little late when activating people’s microphones, so we’d occasionally lose the first couple words of someone’s lines when they appeared. A couple of the performers didn’t have quite as strong a voice as they probably should have (most notably Tallia Brinson as Mimi — while she wasn’t bad by any means, she didn’t quite have the raw power that songs like “Out Tonight” require).

I was also confused for a while about Angel’s character — I knew that the character was supposed to be a drag queen from when Prairie had first tried to introduce me to the music, but Damien DeShaun Smith had such an incredibly feminine voice that I really wasn’t sure if it was a male or female playing Angel until I checked the program during intermission. It made for a slightly confusing first act (as a female Angel would greatly change the dynamic of the relationship with Tom Collins)…of course, on the bright side, if Damien really is a drag queen (off-stage, that is), he’s sure to do a spectacular job! ;)

All in all, though, while not a perfect performance, it was extremely good, and I’ve got a new musical to eventually commit to memory.

iTunes: “La Vie Boheme” by Original Broadway Cast from the album Rent (1996, 8:00).

Music and Politics

Just for amusement sake, after reading an article about the upcoming Vote for Change concert tour (which doesn’t seem to be coming to Washington — aren’t we supposed to be a “swing state” too?), here’s a short and probably very incomplete list of musical artists who have supported one presidential candidate or the other. Most of this list is culled from the article, I may update it as days go by as I run across more names. Submissions will be welcome, of course.

It’s a rather silly way to look at things, sure, but if for some reason you’re having problems making up your mind which way you want to vote, maybe your musical tastes can make a difference. ;)

Supporting Kerry
(or at least vocally anti-Bush)
Supporting Bush
Alkaline Trio
Anti-Flag
The Ataris
Authority Zero
Bad Religion
Jello Biafra
Billy Bragg
Bright Eyes
Jackson Browne
The Dave Matthews Band
Death Cab for Cutie
Denali
The Dixie Chicks
Kenneth “Babyface” Edmonds
The Epoxies
John Fogerty
Jurassic 5
Less Than Jake
John Mellencamp
Ministry
Keb’ Mo’
My Morning Jacket
N.O.F.X.
None More Black
The Offspring
Pearl Jam
Bonnie Raitt
R.E.M.
Linda Rondstadt
Social Distortion
The Soviettes
Bruce Springsteen
James Taylor
World/Inferno Friendshop Society
Kid Rock
Ted Nugent
Jessica Simpson
Britney Spears
Lee Ann Womack

Update: Additions from a NYT article (thanks Len) and Rock Against Bush Vol. 1 (thanks Ryan — the page for RABv2 didn’t have artist listings, otherwise there’d be more additions, I’m sure).

iTunes: “Music and Politics” by Disposable Heroes of Hiphoprisy, The from the album Hypocrisy is the Greatest Luxury (1992, 4:01).

The City Sleeps

Stealing down an ally on a cold dark night
I see a halo in the rain around the street light
I stop and look, and listen to the sound
As the raindrops penetrate the silence all around
Alone, I gaze into the glistening street
The distant thunder echoing my heartbeat
Urging me on to a secret goal
Away from the light from this lamp on a pole
So I turn, slip away into the rain
Drifting like a spirit through the shadows in the lane
Clutching the tools of my trade in my hand
An old box of matches and a gasoline can
Darkness envelopes the scene like a shroud
A veil of emptiness hangs from the clouds
Filling up the cracks in this desolate place
Cradled by the night in an icy embrace

Moving to the town like a ghost in the rain
A dim reflection in a dark window pane
Blackness beckons from every side
Creeping all around like an incoming tide
A broken window in an empty house
I slip inside and begin to douse
The whole place with the fuel that will feed the fire
And push back the night, taking me higher
On out of the darkness in a defeaning roar
The match in my hand is the key to the door
A simple turn of the wrist will suffice
To open a passage to paradise
I pause, I think about the past and the gloom
The smell of gasoline permeates the room
Everyone has a little secret he keeps
I light the fires while the city sleeps

(Like the 4th of July)

The match makes a graceful arc to the floor
And time stands still as I turn for the door
Which explodes in a fireball and throws me to the street
I hit the ground running with the flames at my feet
Reaching for the night which recoils from the fire
The raindrops hiss like a devilish choir
Dying in the flames with a terrible sound
Calling all the names of the sleepers all around
But then in the arms of the night, they lay
Their dreams sprout wings and fly away
Out of the houses in a gathering flock
Swarming overhead as I hurry down the block
I make my escape with the greatest of ease
And savor the darkness, drop to my knees
And the lightless window, my hand on the latch
I reach in my pocket, and pull out a match

(Like the 4th of July)

MC 900 Ft. Jesus, “The City Sleeps

So, the big news of the moment is that we appear to have an arsonist running around North Seattle. It’s really freaky to think about — thirteen fires in the North Seattle area over the past three days, the majority of which have been definitely determined to be arson, and now there’s a reward of up to $30,000 for information leading to an arrest.

Local weblogger Danelope had a night of listening to sirens, and included links to Seattle Police scanners streaming audio (which, unfortunately, wasn’t working for me when I just tried to listen in) and a resource that I keep forgetting about, the live 911 incident list for Seattle. A little unnerving to go down the list, though, as right now there is an active “Fire in Building” listing at North 61st and Phinney with multiple units responding. While it’s a little tough to be sure, it looks like it’s at least possible that the local fire departments might have another busy night ahead of them.

It’s also a little concerning because Prairie’s sister Hope just moved into a new apartment in the North Seattle area. While so far the arsonist seems to be avoiding populated buildings, and there haven’t been any injuries, there’s always the possibility that a fire might spread to other areas. We’ll just keep our fingers crossed and hope that North Seattle’s big enough that any new fires don’t hit Hope’s area — or if they do, that everyone’s alert enough that nothing happens.

Freaky stuff.

Almost amusingly, though, it’s almost starting to seem that my time living in Seattle is going to be punctuated by fires of one sort or another. The summer I moved down here was one of the driest in Washington in a long time, actually putting the state into official drought status, and there were fires all across the state for much of the summer. When I went with some friends to see the Barenaked Ladies perform at the Gorge in central Washington, much of the weekend was scented with woodsmoke, as we were often no more than a few miles away from one of the fires.

After getting everything set up at the campsite, we packed ourselves into two cars, and headed down a quicker route back to the Gorge for the show. The way there was fascinating — currently, huge amounts of the state of Washington are on fire, and there were amazing clouds of smoke from the fires just 40 miles away or so in the sky. The smoke turned an otherwise clear night to a completely opaque murk. Just fascinating to see — and the smell of burning pine in the air was an added reminder that all this stuff wasn’t that far away.

While I can’t come up with any notable fires over the past two summers, earlier this year the Jensonia Hotel, next door to my apartment building, went up in flames three times over the course of a couple months (two of which I got pictures of, in January and in March), eventually being damaged enough that it has been permanently closed down. I still haven’t heard any word on whether or not those fires were ever determined to be arson or accidental, though.

And now we’ve got this going on right here in town. I’m quite curious is the responsible party is going to be sticking to North Seattle, or if things are going to spread. You can be sure I’ll be keeping my eyes and ears open.

Of course, all this did give me an excuse to post the lyrics to MC 900 Foot Jesus‘ “The City Sleeps“, written from the point of view of an arsonist on the prowl. This, of course, prompted Prairie to comment, “You WOULD have just the right creepy song in your collection!” :)

Benefits to being a music whore, I guess. ;)

iTunes and Jazz: More about Metadata

Regular readers of this mess I call a website will occasionally have seen me rant about metadata, especially where the iTunes Music Store is concerned. In short, it’s woefully incomplete, and at times, flat-out inaccurate. It was quite heartening for me to run across Jazz in 2500?, a jazz-lovers look at the disservice done to music when only the least possible information is preserved when purchasing music online.

The consumer that buys an album on ITMS should have access to the same liner notes, session information and songwriting credits that are sold with the CD version. Online music stores should facilitate rather than hinder access to this information before, during and after a song or album is purchased.

[…]

Removing the identity of artists is one of digital music’s largest threats to jazz preservation. A full understanding of jazz goes beyond the “Great Man” theory and recognizes the influence of side players – the wide network of people that developed this musical language together. Selling songs and albums separated from names disrespects the artists and hinders the education of new listeners.

ITMS often does not list the names of the musicians who play on jazz albums. When they do list the names, it is never on a song-by-song basis, making the information confusing and useless on compilations and box sets.

[…]

Box sets and CD reissues often feature meticulously researched session information, as well as essays from experts. Having this information sold with the music enables jazz fans to educate themselves and others. Most jazz albums for sale in the ITMS have none of the original album’s liner notes or session information.

Maybe it’s true that most people aren’t bugged by this stuff, or the lack thereof. However, those of us who do care, care a lot.

Besides — why in the world should we accept marketing to the lowest common denominator? There’s enough business out there that do that already. Apple and the iTunes Music Store should be at the forefront of showing how things should be done, and that they’re also music lovers, not just music retailers.

iTunes: “That’s It! (Dub)” by Hyperdrive from the album Club Cuts EP Vol. 1 (1998, 8:19).

Metadata goodies

Not useable metadata goodies, unfortunately, but still, this is good to hear. Apparently, Gracenote — maintainers of the CDDB (which iTunes and many other audio players use to provide track information upon insertion of a CD) have many additional possible data fields that can be used, according to this comment sent to Macintouch (emphasis mine):

Classical music is a difficult problem for almost all digital media players. The rock & pop music world is much different than the Classical world – the data fields are not sufficient for describing Classical music. The Gracenote database has support for Composer, Ensemble, Orchestra, Conductor, and many other fields, but many applications choose not to support these fields. So over the years, the fields have been overloaded in meaning and in data. We recently re-wrote our Classical music standards so that existing applications can begin to be more consistent. But more importantly, Gracenote’s next generation database will fully support Classical music metadata like no other database. We are working to spread these changes out to our application developers, including Apple. Our editorial team is working hard to standardize the existing Classical data as well, partnering with experts in the industry. Look for big changes in 2004 and 2005.

Hopefully these extra fields trickle down to iTunes in a (near) future release!

iTunes: “1st Premonition (DBX)” by Giannelli, Fred from the album Sound of Superstition, The Vol. 5 (1997, 6:08).

There’s no such thing as too much music

My one major accomplishment of the weekend was finally completing a project that I’ve had going on for months now: importing every CD I own into iTunes. Quite a task, when after years of being a complete music junkie (compounded by a few years of DJing), I’ve built up a CD collection of 1,142 albums!

Now that I’m done, though, the final tally…

  • Total songs in my iTunes library: 14,622
  • Total time: 49.6 days (49 days, 15 hours, 8 minutes, 23 seconds)
  • Total space: 65.09 GB

The fact that all that music takes up only 65 GB was a pleasant surprise. When I was using my G3 as my primary computer, I picked up an 80GB drive specifically to hold all my music. At that point, though, encoding my music as 160kbps VBR MP3 files, I couldn’t fit all of my music on that drive! This time, though, I’ve been encoding at 128kbps AAC (not archival quality, but slightly better sound quality than the 160kbps .mp3s even at smaller file sizes), and managed to get all of my music on the ‘puter in 15 GB less space than before.

Then, since iTunes has a special “Grouping” field that can be used for whatever sort of customized sorting options the user wants, I set up four groups for my music. I’ve always prided myself on the fact that the majority of my music is music that I actually own, and I’ve generally only resorted to downloading songs from peer to peer networks such as Napster or the like when I was trying to get really rare tracks that I couldn’t find any other way. I was curious as to just how the numbers worked out, though, so here’s my four groups, and their final results…

  • Copied from friends or downloaded from P2P networks (technically illegal): 610 (4.172%)
  • Original rips (my own mixes, GarageBand creations, or imports from vinyl): 51 (0.349%)
  • Bought from the iTunes Music Store (legally owned, though without the physical CD): 232 (1.587%)
  • Ripped from CDs that I own: 13,729 (93.893%)

Overall, I really don’t think that that’s too bad of a ratio.

And yes. I’m a complete and total music whore. :)

iTunes: “Come What May” by Kidman, Nicole/McGregor, Ewan from the album Moulin Rouge (2001, 4:48).

My Depeche Mode collection

For Rebecca, for comparison purposes, and for Jonas, because he made fun of me for dancing to Strangelove at the Vogue a few months ago. ;)

My final Depeche Mode song count:

  • 217 songs
  • 42 albums (this includes compilations where DM has only one track)
  • 19.3 hours
  • 1.03 Gb

And here’s the full list, in .pdf format, printed straight out of iTunes:

iTunes: “Judas” by Depeche Mode from the album Songs of Faith and Devotion (1993, 5:14).