Ooga-chaka! Ooga-chaka!

Presented for your amusement: one of the most bizarre, funny, and somewhat disturbing music videos I’ve ever seen:

oogachaka.jpg

David Hasselhof singing “Hooked on a Feeling”!\
(Best viewed with broadband…probably a bit much for dial-up users.)

Notable both for how wonderfully horrid the entire experience is, and because many of the shots for said video appear to have been filmed in Alaska, even closing with a shot of Anchorage.

(via Nate, another ex-Alaskan)

For sale: Pioneer CMX-5000 Twin CD Player

Note: This was originally posted Apr. 29th. It’s still up for grabs, so I’m moving the post to today’s date for more visibility.

Pioneer CMX-5000

Asking price: \$300.00 SOLD.

Lightly used, but in excellent condition, this unit was purchased new for \$1300 three years ago, but has sat nearly untouched in the two years since I’ve moved to Seattle and stopped DJing. I can’t say anything but good things about this piece of equipment — it’s one of the best DJ units I’ve had the pleasure to work with.

Unfortunately, all good things must come to an end, as as I’ve hardly touched it in the two years since I’ve been in Seattle, it’s time to see if someone who can get a little more use out of it is interested. I’d prefer if someone in or around Seattle who can swing by and pick it up from me bought it (I’m in the lower First Hill area, close to Downtown), as I don’t have a car and shipping would be a major pain. I can accept cash, checks, or PayPal.

Keep reading for technical details from Pioneer’s site (I’d link directly, but they’ve gone Flash…):

Features:

[![Pioneer CMX-5000]]Auto Mix Play** Armed with an original search system, the CMX-5000 measures a track’s BPM and beat timing and then automatically changes the speed to the designated BPM, thereby realizing smooth mixing even for tracks on a single disc that have different tempos.

Three Playback Methods are Available:

  • Track Mode: Performs mixed playback alternating between tracks from discs in both decks.
  • Disc Mode: Performs mixed playback of track on a single disc in numerical order.
  • Program Mode: Performs mixed playback of tracks in any designated order.

Track Playback Time is Adjustable:

  • Short Time Change: Switches the track at a shorter time.
  • Instant Change: Switches the track at the DJ’s preferred time.

The Auto mix function is very effective in the following situations:

  • At times when there no DJ is present in stores, malls, etc., such as an weekdays nonstop background music can be played in DJ style using the establishment’s favorite selections to help creative a more active atmosphere.
  • In bars, restaurants or pubs where the staff work as DJs, the Auto Mix function results in considerable labor saving allowing the staff to devote more of their time to customer service.
  • When DJs playing at clubs, etc., need to take a short break to deal with urgent business or emergencies they can use the Auto Mix function to keep the music rolling.

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– In case of no beat music, smooth mixing cannot be performed because the BPM or beat timing of certain songs can’t be measured correctly.

**In the case of tracks on the same disc, cross fading cannot be performed.

***The CMX-5000, while revolutionary with Auto Beat Mixing capability, does have its limitations just like any electronic device. There are certain variables, that if present, will cause the Auto Beat Mixing function to not function properly. A few things must be in order for it to Auto Mix:

  • Music must be within a +/-16% ratio. If it is not within this range, not only will it not mix, but the beats will not match as well. The BPM’s will stay the same (even with the BPM sync pressed).
  • There must be a steady consistent beat in the beginning of the song. A song that starts with just vocals or off beats rhythms will not mix.
  • Any +/-16% range BPM should mix if it is has a CONSISTENT beat.
  • You must wait a few seconds for the next song to cue up, before hitting “Instant Change”. The player does have to calculate the beats of the next song. It needs just a few seconds to cue up. You will be know that it ready to go when:
    • If the next song programmed is on the other side, an orange colored “dash” going in a semicircle around the display appears.
    • If the next song programmed is on the SAME player, the autocue button quits blinking.

    The “Instant Change” button must be pressed IN TIME. If you decide to use the “instant change”, it must be done in time for it to automix.

DJ Operating Functions The CMX-5000 incorporates and upgrades the functions of Pioneer’s world-renowned DJ-use CD player — the CDJ 700S/500-II — and also boasts a number of brand new functions.

Clear Jog Dial Although the player is a rack mount component, this design results in a larger jog dial and display which together realize higher operability and easy visual confirmation of the current playback status.

Quick Start This feature permits virtually instantaneous playback with a time lag of less than 0.01 seconds from the pause condition.

Cue Functions (Cue Point/Back Cue/Auto Cue/Cue Paint Sampler) Set your own favorite playback points using the above functions. For example, with Auto Cue, you can set the start point of each track automatically.

Tempo Control The playback speed can be adjusted within three kinds of range. +/- 6/10/16%.

Master Tempo With this feature, you can change the playback speed without altering the music’s pitch.

Loop Functions (Seamless Loop/Realtime Loop/Loop-Out Adjust/Re loop) Uninterrupted sound loops can be easily arranged, and with the Re loop function you can return at any time to a previously set loop.

Playing Address The playing address allows you to check the current track’s playback situation visually in paragraph units.

BPM Counter This counter measures and visually displays the current song’s BPM (Beats Per Minute).

Legato Link Conversion for High Quality Sound Equipped with Pioneer’s original wide-range technology Legato Link Conversion the CMX-5000 is capable of reproducing sound frequencies above 20kHz which are lost during normal CD format playback.

Vibration-Proof Memory and Construction The CMX-5000 boasts excellent vibration-resistant characteristics and prevents sound jumps with the double protection afforded by a maximum 8-second vibration proof memory and a special vibration proof construction.

Slot In Thanks to this system, swapping discs is smooth and rapid, and you can say good-bye to worries about damaging the disc tray.

Mix Out The CMX-5000 incorporates a Mix Out terminal that allows use even in cases where there is only one input system, the setup is restricted to a single amplifier, or there is no mixer input margin.

Multi-Read This function plays back not only CD’s and CD-R’s but also CD-RW discs that are impossible to play on a conventional CD player.

Headphone Monitor This handy monitor function enables versatile sound monitoring.

Digital Output The CMX-5000 is equipped with a digital output terminal.

Fader Start Play/Back Cue Play Using the CMX-5000 together with a Pioneer DJ mixer, you can use the mixer’s fade, to control playback operations such as track start and return to cue point.

[Pioneer CMX-5000]: https://michaelhans.com/eclecticism/2003/04/graphics/cmx5000-2-thumb.jpg {width=”150″ height=”107″}

Dead Milkmen tour diaries

How very, very cool. Dean Clean, drummer for the Dead Milkmen, is posting his tour diaries from the band’s first days of touring back in 1985.

This site contains tour diary entries written by Dean ‘Clean’ Sabatino of the band The Dead Milkmen. We stopped touring back in 1994, but through the magic of modern day computer technology I can tell these stories again.

[…]

I was 23-24 years old when I wrote these diaries. I certainly wasn’t planning on publishing them when I wrote them; so reading them now either makes me laugh, cry or cringe. I will not make any claims to being a gifted writer or diarist, but the aim here is to give the reader some sense of what it was like to tour across the USA in a van with a punk rock band in the mid to late 1980’s. Some say this was the heyday of independent rock music and the college radio scene. I would bet we worked harder and played many more shows than many of today’s ‘alternative’ rock bands will play in their short-lived careers.

(via MeFi)

You're an ex-DJ?

DRAMATIS PERSONÆ:

OGRE: A doorman.
MICHAEL, a.k.a. WOODY or DJWUDI: A clubgoer.
JOHN: Another clubgoer.
DAN: Another clubgoer (Actually, I have no idea what his name was…just go with it.)

SCENE: Outside of THE VOGUE, a goth/industrial dance club, during a Sunday night “Fetish night“. OGRE and MICHAEL are talking outside the front door of the club. Pounding industrial music can be heard in the background.

Enter JOHN, stage left.

OGRE: Oh, hey John. John, this is Woody.

MICHAEL and JOHN shake hands.

JOHN: Good to meet you.

MICHAEL: You too.

OGRE: He’s ‘DJ Wooooodi…’

MICHAEL (laughing): Ex-DJ.

OGRE laughs.

OGRE: I meant ‘djwudi’ on LiveJournal, but yeah. Ex.

JOHN (bemused): Ex?

MICHAEL: Yup.

Enter DAN through the front door of THE VOGUE.

JOHN: I don’t think I’ve ever met an ex-DJ. They’re always just “between clubs” or something.

ALL laugh.

MICHAEL: Well, glad to be the first!

DAN: Hey, I’m an ex-DJ! I used to be one of the top three DJs in Cincinatti. Now I’m working coat check at the Mercury. How sad is that? I started out doing coat check twelve years ago.

MICHAEL: I could say I used to be one of the top DJs in Anchorage, but I’m not quite sure how much that really means…

ALL laugh.

OGRE: No kidding — ‘Dude, I’m the top DJ in Albequerque!’

JOHN: I’m the top DJ in my apartment!

OGRE: Yeah, boy — ‘party over here!’

JOHN: I rock the house. Hell, I rock the passenger seat!

DAN: As long as the passenger isn’t there —

JOHN: No shit — ‘Hey, get your hands off my stereo!’

ALL laugh.

EXIT all through the front door of THE VOGUE.

END SCENE.

The fitty-cen' project

1 (one) 40 GB Apple iPod: Approximately \$500.

\$500 divided by 50¢ apiece: 1000 people.

Attempting to get 1000 people to PayPal me 50¢ apiece:

Priceless.

Of course, the real question is whether gangsta rappers are going to chip in…

Update: Just to clarify, this isn’t my project — at the moment, I’m quite happy with my 10Gb iPod — rather, this is Phil’s.

Alice's Restaurant, by Arlo Guthrie

This song is called Alice’s Restaurant, and it’s about Alice, and the restaurant, but Alice’s Restaurant is not the name of the restaurant, that’s just the name of the song, and that’s why I called the song Alice’s Restaurant.

You can get anything you want at Alice’s Restaurant,
You can get anything you want at Alice’s Restaurant,
Walk right in it’s around the back,
Just a half a mile from the railroad track,
You can get anything you want at Alice’s Restaurant.

Now it all started two Thanksgivings ago, was on two years ago on Thanksgiving, when my friend and I went up to visit Alice at the restaurant, but Alice doesn’t live in the restaurant, she lives in the church nearby the restaurant in the bell-tower, with her husband Ray and Fasha the dog. And livin’ in the bell tower like that, they got a lot of room downstairs where the pews used to be in. Havin’ all that room, seein’ as how they took out all the pews, they decided that they didn’t have to take out their garbage for a long time.

We got up there, we found all the garbage in there, and we decided it’d be a friendly gesture for us to take the garbage down to the city dump. So we took the half a ton of garbage, put it in the back of a red VW microbus, took shovels and rakes and implements of destruction and headed on toward the city dump.

Well we got there and there was a big sign and a chain across across the dump saying, “Closed on Thanksgiving.” And we had never heard of a dump closed on Thanksgiving before, and with tears in our eyes we drove off into the sunset looking for another place to put the garbage.

We didn’t find one.

Until we came to a side road, and off the side of the side road there was another fifteen foot cliff and at the bottom of the cliff was another pile of garbage. And we decided that one big pile was better than two little piles, and rather than bring that one up we decided to throw ours down.

That’s what we did, and drove back to the church, had a Thanksgiving dinner that couldn’t be beat, went to sleep and didn’t get up until the next morning, when we got a phone call from officer Obie.

He said, “Kid, we found your name on an envelope at the bottom of a half a ton of garbage, and just wanted to know if you had any information about it.”

And I said, “Yes, sir, Officer Obie, I cannot tell a lie — I put that envelope under that garbage.”

After speaking to Obie for about fourty-five minutes on the telephone we finally arrived at the truth of the matter and said that we had to go down and pick up the garbage, and also had to go down and speak to him at the police officer’s station. So we got in the red VW microbus with the shovels and rakes and implements of destruction and headed on toward the police officer’s station.

Now friends, there was only one or two things that Obie coulda done at the police station, and the first was he could have given us a medal for being so brave and honest on the telephone, which wasn’t very likely, and we didn’t expect it, and the other thing was, that he could have bawled us out and told us never to be see driving garbage around the vicinity again, which is what we expected. But when we got to the police officer’s station there was a third possibility that we hadn’t even counted upon, and we was both immediately arrested.

Handcuffed.

And I said “Obie, I don’t think I can pick up the garbage with these handcuffs on.”

He said, “Shut up, kid. Get in the back of the patrol car.” And that’s what we did, sat in the back of the patrol car and drove to the quote Scene Of The Crime unquote.

I want tell you about the town of Stockbridge, Massachusets, where this happened here, they got three stop signs, two police officers, and one police car, but when we got to the Scene Of The Crime there was five police officers and three police cars, being the biggest crime of the last fifty years, and everybody wanted to get in the newspaper story about it. And they was using up all kinds of cop equipment that they had hanging around the police officer’s station. They was taking plaster tire tracks, foot prints, dog smelling prints, and they took twenty seven eight-by-ten colour glossy photographs with circles and arrows and a paragraph on the back of each one explaining what each one was to be used as evidence against us. Took pictures of the approach, the getaway, the northwest corner, the southwest corner, and that’s not to mention the aerial photography.

After the ordeal, we went back to the jail. Obie said he was going to put us in the cell. Said, “Kid, I’m going to put you in the cell, I want your wallet and your belt.”

And I said, “Obie, I can understand you wanting my wallet so I don’t have any money to spend in the cell, but what do you want my belt for?”

And he said, “Kid, we don’t want any hangings.”

I said, “Obie, did you think I was going to hang myself for littering?”

Obie said he was making sure, and friends Obie was, cause he took out the toilet seat so I couldn’t hit myself over the head and drown, and he took out the toilet paper so I couldn’t bend the bars roll out — roll the toilet paper out the window, slide down the roll and have an escape. Obie was making sure, and it was about four or five hours later that Alice (remember Alice? It’s a song about Alice), Alice came by and with a few nasty words to Obie on the side, bailed us out of jail, and we went back to the church, had another Thanksgiving dinner that couldn’t be beat, and didn’t get up until the next morning, when we all had to go to court.

We walked in, sat down, Obie came in with the twenty seven eight-by-ten colour glossy pictures with circles and arrows and a paragraph on the back of each one, and sat down. Man came in said, “All rise.” We all stood up, and Obie stood up with the twenty seven eight-by-ten colour glossy pictures, and the judge walked in sat down with a seeing eye dog, and he sat down, we sat down.

Obie looked at the seeing eye dog.

And then at the twenty seven eight-by-ten colour glossy pictures with circles and arrows and a paragraph on the back of each one, and looked at the seeing eye dog.

And then at twenty seven eight-by-ten colour glossy pictures with circles and arrows and a paragraph on the back of each one and began to cry, ’cause Obie came to the realization that it was a typical case of American blind justice, and there wasn’t nothing he could do about it, and the judge wasn’t going to look at the twenty seven eight-by-ten colour glossy pictures with the circles and arrows and a paragraph on the back of each one explaining what each one was to be used as evidence against us.

And we was fined $50 and had to pick up the garbage in the snow, but thats not what I came to tell you about.

Came to talk about the draft.

They got a building down New York City, it’s called Whitehall Street, where you walk in, you get injected, inspected, detected, infected, neglected and selected. I went down to get my physical examination one day, and I walked in, I sat down, got good and drunk the night before, so I looked and felt my best when I went in that morning. ‘Cause I wanted to look like the all-American kid from New York City, man I wanted, I wanted to feel like the all-, I wanted to be the all American kid from New York, and I walked in, sat down, I was hung down, brung down, hung up, and all kinds o’ mean nasty ugly things. And I walked in and sat down and they gave me a piece of paper, said, “Kid, see the psychiatrist, room 604.”

And I went up there, I said, “Shrink, I wanna kill. I mean, I wanna, I wanna kill. Kill. I wanna, I wanna see, I wanna see blood and gore and guts and veins in my teeth. Eat dead burnt bodies. I mean kill! Kill! Kill! KILL!” And I started jumpin’ up and down yelling, “Kill! Kill!” and he started jumpin up and down with me and we was both jumping up and down yelling, “KILL! KILL!” And the sergeant came over, pinned a medal on me, sent me down the hall, said, “You’re our boy.”

Didn’t feel too good about it.

Proceeded on down the hall gettin’ more injections, inspections, detections, neglections and all kinds of stuff that they was doin’ to me at the thing there, and I was there for two hours, three hours, four hours, I was there for a long time going through all kinds of mean nasty ugly things and I was just having a tough time there, and they was inspecting, injecting every single part of me, and they was leaving no part untouched. Proceeded through, and when I finally came to the see the last man, I walked in, walked in sat down after a whole big thing there, and I walked up and said, “What do you want?”

He said, “Kid, we only got one question. Have you ever been arrested?”

And I proceeded to tell him the story of the Alice’s Restaurant Massacree, with full orchestration and five part harmony and stuff like that and all the phenome— and he stopped me right there and said, “Kid, did you ever go to court?”

And I proceeded to tell him the story of the twenty seven eight-by-ten colour glossy pictures with the circles and arrows and the paragraph on the back of each one, and he stopped me right there and said, “Kid, I want you to go over and sit down on that bench that says Group W. Now, kid!!”

And I, I walked over to the, to the bench there, and there is, Group W’s where they put you if you may not be moral enough to join the army after committing your special crime, and there was all kinds of mean nasty ugly looking people on the bench there. Mother rapers. Father stabbers. Father rapers! Father rapers sitting right there on the bench next to me! And they was mean and nasty and ugly and horrible crime-type guys sitting there on the bench. And the meanest, ugliest, nastiest one, the meanest father raper of them all, was coming over to me and he was mean ‘n’ ugly ‘n’ nasty ‘n’ horrible and all kind of things and he sat down next to me and said, “Kid, whad’ya get?”

I said, “I didn’t get nothing, I had to pay $50 and pick up the garbage.”

He said, “What were you arrested for, kid?”

And I said, “Littering.”

And they all moved away from me on the bench there, and the hairy eyeball and all kinds of mean nasty things, till I said, “And creating a nuisance,” and they all came back, shook my hand, and we had a great time on the bench, talkin about crime, mother stabbing, father raping, all kinds of groovy things that we was talking about on the bench. And everything was fine, we was smoking cigarettes and all kinds of things, until the Sergeant came over.

Had some paper in his hand, held it up and said, “Kids, this piece of paper’s got 47 words 37 sentences 58 words we wanna know details of the crime time of the crime and any other kind of thing you gotta say pertaining to and about the crime I want to know arresting officer’s name and any other kind of thing you gotta say,” and talked for forty-five minutes and nobody understood a word that he said, but we had fun filling out the forms and playing with the pencils on the bench there, and I filled out the massacre with the four part harmony, and wrote it down there, just like it was, and everything was fine and I put down the pencil, and I turned over the piece of paper, and there…

There on the other side…

In the middle of the other side, away from everything else on the other side, in parentheses, capital letters, quotated, read the following words:

(“KID, HAVE YOU REHABILITATED YOURSELF?”)

I went over to the sargent, and said, “Sergeant, you got a lot a damn gall to ask me if I’ve rehabilitated myself, I mean, I mean, I mean that just, I’m sittin’ here on the bench, I mean I’m sittin here on the Group W bench — ’cause you want to know if I’m moral enough join the army, burn women, kids, houses and villages after bein’ a litterbug.”

He looked at me and said, “Kid, we don’t like your kind, and we’re gonna send you fingerprints off to Washington.”

And friends, somewhere in Washington enshrined in some little folder, is a study in black and white of my fingerprints. And the only reason I’m singing you this song now is cause you may know somebody in a similar situation, or you may be in a similar situation, and if your in a situation like that there’s only one thing you can do and that’s walk into the shrink wherever you are, just walk in say, “Shrink, you can get anything you want, at Alice’s restaurant.” And walk out.

You know, if one person, just one person does it they may think he’s really sick and they won’t take him.

And if two people, two people do it, in harmony, they may think they’re both faggots and they won’t take either of them.

And three people do it, three, can you imagine, three people walking in, singin a bar of Alice’s Restaurant and walking out? They may think it’s an organization. And can you, can you imagine fifty people a day, I said fifty people a day walking in singin a bar of Alice’s Restaurant and walking out. And friends they may thinks it’s a movement!

And that’s what it is , the Alice’s Restaurant Anti-Massacre Movement, and all you got to do to join is sing it the next time it comes around on the guitar.

With feeling.

So we’ll wait for it to come around on the guitar, here, and sing it when it does.

Here it comes.

You can get anything you want, at Alice’s Restaurant,
You can get anything you want, at Alice’s Restaurant,
Walk right in it’s around the back,
Just a half a mile from the railroad track,
You can get anything you want, at Alice’s Restaurant.

That was horrible. If you want to end war and stuff you got to sing loud. I’ve been singing this song now for twenty five minutes. I could sing it for another twenty five minutes. I’m not proud…or tired…so we’ll wait till it comes around again, and this time with four part harmony and feeling.

We’re just waitin’ for it to come around is what we’re doing.

All right now.

You can get anything you want, at Alice’s Restaurant (excepting Alice),
You can get anything you want, at Alice’s Restaurant,
Walk right in it’s around the back,
Just a half a mile from the railroad track,
You can get anything you want, at Alice’s Restaurant.

Da da da da da da da dum,
at Alice’s Restaurant!

Back from the Meetup

Just got back a bit ago from this month’s Seattle weblogger Meetup. Saw and chatted with quite a few people there (most of whom I have to admit I can’t remember names/sites of), including Anita, Scoble, and dayment, who was kind enough to give me a couple CDs (Tones on Tail’s “Night Music” and The Faint’s “Danse Macabre”)! All in all, a quite pleasant evening.

iPod Rocks!

I promise not to pierce myself.

Looks like Apple’s gearing up for the holiday season with a new teen-focused website at ipodrocks.

It’s rather cleverly done, if a little uneven. Lots of short little flash-style animations (apparently it’s Flash wrapped inside Quicktime — odd), some short demos of the iPod and how it works, and various “hints and tips” on how to convince your parents to get you an iPod. Some of the iCards that can be sent through the site gave me a laugh — the one I’ve got pictured here was my favorite of the bunch. There are also “help around the home” coupons, a points-for-grades suggestion, and even a small screensaver featuring the dancing silhouettes from the recent iPod ads listed as “subliminal advertising”.

I’ve already noticed iPod ads on quite a few of the buses around the Seattle area. Looks like we’re going to be seeing a lot of those bright iPod ads over the coming months.

(via MacRumors)