Bumbershoot ’01 – Saturday, Sep. 1st

The day started on something of a sad note — Dad called to let me know that Grandmother died early in the morning. It’s sad, but hardly tragic — she died peacefully, got quite a few more years of life than we all expected a few years back, and we all got to visit last November. Due to timing and finances, neither Mom, Kevin, nor myself will be able to be at the funeral, but Dad will be in Indiana this week for that.

And with that start to the day, I headed off to Bumbershoot….

Jason Webley, Bumbershoot 2001, Seattle, WA

Walked in and watched Jason Webley — very cool. Accordion, percussion via coins in a plastic bottle, gravelly voice. I know I’ve heard the style before, but don’t know the name — think Tom Waits. Going to go ahead and spend some money picking up his CD’s.

Jason’s drinking song:

When the glass is full, drink up, drink up
this may be the last time we see this cup
if God wanted us sober
he’d knock the glass over
so while it is full
we drink up, drink up!

Bumbershoot 2001, Seattle, WA

Drumming workshops go on all day, every day. Now this is a drum circle!

Took a 3-shot panorama of the fountain and the people around it (I don’t have the panorama stitched together yet, however, so it’s not getting posted up here just yet. I’ll be busy enough tonight just getting all this typed in).

Wandered out for a few minutes for some cheap food.

Back in, sitting at Meshell Ndegéocello in the stadium. Sun’s finally starting to break through the clouds — been grey and cloudy all morning until now.

Lots of eye candy out today.

Can’t get any pictures here — no photography allowed in the stadium. No biggie — lots of other chances to get good pics.

Meshell just ended — time to wander around a bit. Loretta Lynn will be on here in the stadium in an hour and a half, planning on being here for that.

Bumbershoot 2001, Seattle, WA

Sitting and watching kids play in the fountain. Darting in to try and touch the base without getting drenched. Doesn’t work very often. The spouts keep turning on and off, getting stronger and weaker. Makes it very hard to predict where the next open spot is going to be. The kids love it. Got one picture of a girl trying to use an umbrella to stay dry — that didn’t work too well either. Umbrellas are good for rain — not streams of gallons of water suddenly dropping onto you.

Nice background noise coming from the drum circle off somewhere behind me.

Sun disappeared again, though. Looks like it might stay cloudy the rest of the day — but with Seattle weather, who can tell?

Just saw a kid — couldn’t have been more than 18 or so — lie on a bed of nails. Then his partner put a cinderblock on his chest, and smashed it with a sledgehammer. The block broke, the kid survived — but he had a look on his face like eve he’d been surprised by the hit. Kind of amusing.

Bumbershoot 2001, Seattle, WA

Listening to bagpipes now.

Wandered into the Electrodeck (the area focusing on dj’ing and electronic music) to see what was going on in there. According to the schedule, I hit the end of Brian Lyons’ set. I didn’t have a clue who it was at the time, it was just some decent house music. Since I still had some time to kill before the next performer I wanted to hit, I danced there for a few minutes.

Was a pretty interesting atmosphere. Since it’s in the middle of this huge music festival, even though it had the general ambiance of your standard rave, there was a much wider range of people wandering through than you’d normally see in that kind of environment. It was mostly the kids you’d expect to see gravitating towards it, but you also had everything from “normals,” hippies, even whole families checking it out — mom and dad standing against the wall or sitting in the building’s beer garden while their kids bounced around to the music.

After about 20 minutes or so I wandered out again. Went back across the center to the stadium to catch Loretta Lynn’s show. Sitting here just slightly over halfway back on the stadium field, I can’t really see the stage — it’s a little far away, and there’s a good sized crowd standing between me and the stage — but I can hear it fine, which is good enough for me at this point. If I hadn’t brought my backpack I might have tried to work my way through the crowd, but with the day looking grey when I left the house, I wanted to be sure to have my umbrella and a sweater along in case things got chilly.

I’m glad I did, too — I started off wearing the bowling shirt I got while I was at TimeFrame, and it’s been on and off all day as the sun appears and disappears. Haven’t had to break out the sweater yet, though.

It’s funny. I just brought this little journal along to jot down some quick notes of what I did, who I saw, and what pictures I took to help me get it all posted on the webpage next time I make it over to Casey’s. Friday’s notes are just that — barely over a page of quick sentences jotted down, and only about two-thirds of that even deals with Bumbershoot.

Today started out the same way, but each time I’ve stopped to put something in here, it’s been less and less just notes and more straight prose. Maybe it’s not quite ‘natural’ for me to just keep quick notes like I started to. Probably an outgrowth of my inability to say in less than 50 words what can probably be said in 5 — a tendencey I definitely get from Dad.

Since I dont have daily access to my computer to keep up the weblog there, maybe I’ll just keep carrying this book around. It’ll let me keep better track of what I do each day for when I do get to Casey’s to post on the page. I’ll have to see whether or not I actually keep up with this, but I may actually have started keeping a journal again. Every time I’ve done something like this in the past it’s been on a trip of some sort, and I’ve never kept it up much beyond the length of the the trip, if I even make it all the way through without letting the journal fall by the wayside.

You could probably see starting this one during Bumbershoot weekend as the same basic idea as starting one on my various trips, but maybe the fact that I’m not actually on a trip this time will prompt me to keep scribbling in here. Don’t quite know yet — guess I’ll find out in a few weeks if I’m still going.

Just got done watching the Red Elvises, and am sitting at the fountain again. It’s proving to be my favorite between-show spot to sit, scribble in this, and figure out what I’m doing next.

Red Elvises, Bumbershoot 2001, Seattle, WA

The Red Elvises put on a great show. Theoretically, they’re from Siberia (though I have no clue whether that’s true or not), and play a kind of rockabilly/surf combo. Very cool, and lots of fun. The three of them are constantly switching off who’s playing which instrument (bass, guitar, and drums), and they’re all equally proficient at each. During “I Wanna See You Bellydance” they brought a line of bellydancers onstage, and at one point a couple songs later, they all grabbed drumsticks and split the drumset in thirds — made for a very cool percussive section.

Anyway, great show — good enough that I hit the Wherehouse music stand afterwards and picked up a 2-CD live album from them.

I’ve got some time to kill now, and am thinking about wandering off to find some food — it’s coming up on 7pm, and the last show I want to hit tonight won’t be over until 11pm or so. Time to wander….

I’ll see how legible this is later. I’m sitting on the field in the stadium waiting for the Black Crows to start, and there’s not a whole lot of light. Hopefully I’ll be able to read this.

Bumbershoot 2001, Seattle, WA

Before I went off to find food, I watched some of Clinton Fearon and the Boogie Brown Band’s set. It was good, but downtempo raggae is more Kevin’s style than mine, and it was relaxing enough that I was starting to yawn. Decided that would be a good time to get moving again.

The Black Crows just got onstage — better see how quickly I can get through this!

Anyway, wandered off-site for food again (much cheaper than in the festival). Since the stage that Clinton Fearon was on was right on the outside edge of the festival grounds, I got to hear more of their set while I was walking. They picked up the tempo towards the end — good stuff.

Since I still had about 40 minutes before the Crows, it seemed like a good time to check out the Electrodeck again. Like before, I didn’t know who was spinning — and it’s too dark for me to try and look it up now — but the music was good. Better than the first time I stopped in today, actually. Dancing kept me occupied for about another half hour, then I wandered here to the stadium.

I had sat down next to a family in the stadium field, and they’ve been kind enough to let me squat down on part of the blanket they had spread out.

So now — time to quit babbling and watch the show.

Okay — last time I could hardly see what I was writing. Now I’m trying to write on the #2 bus back home. As if my handwriting isn’t bad enough already.

Kinda cool, though –the #2 bus goes from a block away from my apartment to a block away from the Seattle Center. Makes getting back and forth amazingly easy.

The Black Crows put on a great show. They’ve been playing long enough and have enough albums out that filling an hour and a half plus a bit for an encore is easy to do. Since the only album of theirs I’ve ever picked up is their first, those were the only songs I really knew, but even when I don’t know it by heart, straight-up blues-based rock-n-roll makes for a good show. “Hard to Handle” came in about halfway through, and “She Talks to Angels” was the first song of the encore, so I got to hear both of the songs I was hoping they’d play.

Jason Webley, Bumbershoot 2001, Seattle, WA

After they got done I started heading for the exit that is next to the stop for the bus, but then ran into Jason Webley giving another performance. This guy is rapidly becoming one of my favorite artists here, and he’s not even one of the main acts. Just a born entertainer, with great songs and a gift for working his audience. I’m hoping to run into him again tomorrow — he got shut down by the event staff before he had time to finish off with the drinking song, to the great disappointment of his audience.

After Jason stopped, I headed for the bus stop again, and on the way ran into Serafina/Amber, one of Anchorage’s old rave kids. Apparently she came down here about a year ago and is a preschool (or did she say kindergarten?) teacher, and mixing in her spare time. Unfortunately, we didn’t get much time to chat as the police were shuttling everyone off the grounds as fast as they could.

Eventually, I made it to the bus, and am working my way home now. Time to get some sleep and rest up for another full day tomorrow!

Temptation!

Ooers…talk about a (potentially, at least) agonizing decision.

A while ago, a guy I was talking to online about dj’ing pointed me to a webpage advertising positions for DJ’ing aboard a Carnival Cruise Lines ‘Fun Ship’. I figured what the heck, and sent off an e-mail. Yesterday when I was checking my e-mail, I finally got a response, inviting me to call if I was still interested.

So, now comes the question. Seeing as how I just landed this position with Xerox/Andersen, and that I know they’d like me to commit to at least a year, do I stay with the safe bet with good future opportunities? Or do I chase a dream to see if I can get a spot on the cruise ships? Ergh…I’m at least going to call the number I was given to talk to the Carnival people to see exactly what the deal is — talking can’t hurt — but until I know more about it, I’m not sure.

It sure sounds like a great opportunity, though. Get a six-month contract to go tooling around on cruise ships to who knows where, and have a blast doing it. Here’s a blurb from the webpage linked above:

The Carnival Disc Jockey entertains in the Dance Club each evening and at private events. During the light of day, he can visit beautiful tropical ports, relax at any of the deck swimming pools, or exercise in the fully equipped health facilities.

Sounds rough, doesn’t it?

Well, there’s no way I can make a definite call until I talk to the people.

Pie, ghosties, scots, and naked girls (kinda)

Sunday rolls around, and another week has done and gone. Been a good week, though.

The work week was pretty uneventful, for the most part. It seems that the opinion is that I’m catching on to things rather quickly there, however. John (the person I’m replacing) has decided that this week he’ll only be working half-days, and will make this Friday his last day…then I’ll have the shop to myself. Pretty cool. I also talked with Shelley (my boss within Xerox), and the impression I got is that while I’m not using my DocuTech training at this position, there are good possibilities for that in the future. This was great to hear, as it makes it sound even more possible that I will be getting hired on by Xerox on a permanent basis at some point in the future. It may be a while before that happens — as I understand it, they’re currently in the midst of a hiring freeze right now — but with any luck, I might be officially part of Xerox sometime after the first of the year.

Earlier this week I went out to see American Pie 2. I’m not entirely sure why that ended up being my choice, as I am no great fan of the first one, but that was where I ended up. Pleasantly enough, it wasn’t that bad. I wouldn’t label it a classic by any stretch, nor will it be a ‘keeper’ for me when it comes out on DVD, however it was surprisingly funny in spots, and I ended up enjoying it much more than I did the first installment. Much of it was a rehash of the original, but it felt to me like it held together better this time around…more of a real story connecting the characters, rather than merely placing a bunch of misfits in screwball (and often disgusting) circumstances one after the other. And, I gotta say, Alyson Hannigan (as Michelle, the ‘band geek girl’), was great — stealing the film, in my eyes, at least. So, all in all, not as bad a film as I thought it might be.

I also went out Friday night for the midnight show of Poltergeist. Very cool…it had been years since I’d seen this film, and along with many other horror films that were beat to death with sequels, it’s always pleasant to revisit the original and see just how good it actually is. Probably very much due to the production (and uncredited co-direction) of Steven Spielberg, the film is much more along the lines of what I like to see in a horror film — a slow build that allows you to make some connection with the characters before things start getting freaky, followed by truly innovative ideas as these unexeplained events start affecting the family. Quite nice.

I’ll try and get around to at least moving these mini-reviews into the Movies section of my messageboard soon…kind of tired now, as I’ll explain in the moment, so didn’t do that part yet.

Saturday, I headed out with a full crew of people (Casey, Dez, Chad, Don, Karl, Tim, Jenny, and Wendy) to go see the Barenaked Ladies in concert out at the Gorge (a gorgeous [no pun intended] outdoor amphitheater by George, Washington). Casey had bought me the ticket before I had even made it down to Seattle as a ‘welcome to Washington’ present, which I thought was all sorts of cool. We all loaded into three cars Saturday afternoon, and undertook the roughly 3-hour drive to the Gorge. We eventually made it out to the campsite at Potholes State Park — apparently, it was the closest one available, even though it took us another 45 minutes or so after passing the Gorge to get to it — and set up camp there. Admittedly, it was a very pretty little campground.

After getting everything set up at the campsite, we packed ourselves into two cars, and headed down a quicker route back to the Gorge for the show. The way there was fascinating — currently, huge amounts of the state of Washington are on fire, and there were amazing clouds of smoke from the fires just 40 miles away or so in the sky. The smoke turned an otherwise clear night to a completely opaque murk. Just fascinating to see — and the smell of burning pine in the air was an added reminder that all this stuff wasn’t that far away.

Wildfire smoke, Barenaked Ladies trip, WA

We got to the Gorge during the first opening act (who, unfortunately, I can’t remember the name of), found a spot and got settled during her last couple songs. The second opening spot was The Proclaimers! All sorts of cool…though I’ve only ever picked up one of their albums (Sunshine on Leith), I’ve enjoyed their music since I first heard “1000 Miles” in the movie Benny & Joon. They played a short (or so it seemed to me) but very clean set, with a nice mix of songs, some that I recognized, and some that I didn’t. After a short break while the stage was slightly rearranged, BNL came on.

This show was great. While I’ve never known much of BNL before this (most of my exposure has been their radio tracks — ‘If I Had A Million Dollars’, ‘One Week’, and ‘Pinch Me’, all of which I’ve liked), so didn’t know many of the songs, these guys put on an incredible show. They obviously have a lot of fun with their music and their concerts, and spent a good amount of time between songs joking around and generally having a lot of fun (from the lead singer while relating a story: “We were celebrating Christmas. Sure, I’m Jewish, but we’re big fans of presents…we’re not big fans of a kind, benevolent God. We like the Old Testaments wrathful, vengeful God. So now we celebrate Easter, too.”) Bouncing back and forth between their songs, with frequent jaunts into random snippets of other music, plus three encores, the show was an absolute blast.

After the show ended at about 11:30pm, we all went back to the campsite, and ended up sitting up and talking until sometime after 2 in the morning. We started out just sitting and talking, still pretty jazzed from the show, then Karl, Casey, Tim and I got into a discussion covering everything from Economics to Politics to whether or not the human race is breeding itself into extinction, and didn’t realize how long we talked until someone actually thought to look at a watch. The night was absolutely beautiful, too — I don’t think I’ve ever seen the Milky Way as visible as it was last night.

This morning we all got up, slowly got ourselves ready to go, packed up, and headed back into town. Now I’m back at Casey’s just long enough to put this post up, then it’ll be time for me to head back to my apartment and crash out before it’s time for me to work tomorrow morning. Very good weekend, though…was a whole lot of fun, and a nice change from kicking around my apartment. So, this is it for now…until later….

Sister Machine Gun ‘This Metal Sky’

You sit collapsed as an empty mind, last bytes dissolved into your last breath and the droning sound of hollow places pulse with ache. It is lonely here, living in the hazy moment between the alarm and the awakening where the dream precipitates madness as its encore. You are only half here, the other half erased to be brushed from the paper by the same hand that fingers your ache like a fresh scab until you bleed a river of ridiculous.

I see now it’s not the vision that’s attraction, you peddle your pieces to a man called Compromise for a place in the greater scheme until the only thing left standing is the place where you once stood. You have just reduced yourself from static to dead air droning.

Or it could be the other way — take the wire to the other side of this metal sky and you will see these stars are just projections. This is not real, which means their thunder is merely a threat.

Do you want to know the truth? They need you. They are mechanical, maniacal, derived, you couldn’t drown in their gene pool if you tried, but they’re all made up in brilliant disguise selling the very thing they most want but cannot possess — you. And magic is the key to their success as simple slight of hand steals your autonomy leaving you believing you are in control.

Tell me, do you trust your judgement? My friend, your id’s been tricked.

Welcome…

…to Metropolis.

— Sister Machine Gun, ‘This Metal Sky’

By the way…

…when did “Arrow” 102.1 switch over to 102.1 “The Buzz”? I just noticed this while riding around with Erica the other night in her new car, and was really surprised. Hadn’t tuned into 102.1 for ages — it, along with 100.5 the Fox, was one of the two bastions of old buttrock in Alaska — so I’m pretty clueless as to when the did the switchover.

What I really don’t get about it is why they did what they did, format wise. They went from being one of two “classic rock” (old buttrock) stations in town (Arrow 102.1 and 100.5 the Fox) to being one of three “modern rock” (new buttrock) stations in town (87.7 the End, 102.1 the Buzz, and 106.5 K-Whale) — basically traded in their old library of tunes that have been overplayed for 30 years for a new library of tunes that are just starting to get overplayed, and from competing with one other station to competing with two. I don’t get it.

But then, this is Alaska, and the music scene up here is really easy to compartmentalize. For grins and giggles, I’ll do just that — the following does not take into account people (like myself) who constantly bounce from station to station, and therefore don’t fit a definite demographic. Nor does it take into account the two underground scenes in Anchorage at the moment — the punk and the rave crowds — neither of which have a station focused on them, and have to grab the occasional show on 88.1 KRUA or pirate station to hear what they want on the radio.

Just hazarding a rough guess, I’d put Alaska’s listeners between 20 and 40 years old (at least in the roughly Anchorage/Valley area) at about 45% buttrock (87.7, 100.5, 102.1, 106.5), 30% country (104.1, 107.5), and the last 25% a blend of what’s left (87.7, 92.9, 96.3, 101.3, 103.1).

Under 20, things shift a bit…I’d put it at around 60% hip-hop/pop (92.9, 101.3), 20% new-buttrock (87.7, 102.1), with the remaining 20% everything else (87.7, 96.3, 100.5, 103.1, 104.1, 107.5).

Them’s my guesses, at least.

Been a busy weekend

Been going pretty strong all weekend long, so this is my first update for the past few days. I’m sure that there are just multitudes of people anxiously awaiting the next episode in my babble here, though, so I figured I’d try to get something up.

Right.

Anyway.

I’m rapidly discovering just how amazingly long Fridays are going to be for me for the foreseeable future — in essence, I’ve got a gauranteed minimum of 22 hours up every Friday. As my shift at GCI starts at 8am and I am hardly a morning person, my alarm starts going off at 6am. I work my shift at GCI, get off work at 4, get home, get some food, change, and get myself to the club around 7/7:30pm. The club doesn’t close until 3am, so I’m not likely to get to bed until around 4am — 22 hours. Uff-da.

However, it’s not something I’m going to give up…been anxious to get back into DJ’ing, and a little sleeplessness is a relatively small price to pay in my book.

Friday night went pretty decently — Samurai showed up to guest again, so he and I traded off through the night. We brought attendance up a few more — I think it was somewhere between 130 and 150 people all told — hopefully that number will just keep growing as things go on. Looking good so far, though.

So, I’m curious…

What’s up with all these DJ-friendly themed songs hitting the radio lately? By ‘DJ-friendly’ I don’t mean they’ve all got 32-beat drum-based intros, or anything like that (though they might, I haven’t listened quite that closely) — just that, well, they’re all thematically very similar.

  • Madonna’s “Music” — “Hey Mr. DJ, put a record on…”
  • Black Eyed Peas feat. Macy Gray’s “Request Line” — “Hey DJ…hey DJ…just one desire from a hip-hop fan…”
  • Jennifer Lopez’ “Play” — I just heard this one on the radio today, so I don’t have lyrics running through my head, but it’s along the same theme.

I know songs like this have come out from time to time in the past, it just struck me as I was listening to J-Lo’s song how closely these three came out to each other.

It’s a conspiracy, I tell you! ;)

First night at Studio 99

I had so much fun tonight! I’m up way, way too late (it’s 4:28 AM as I type this), and work is going to suck tomorrow (I open…10am…really shouldn’t be posting this right now), but it was worth it.

I was a little nervous going in to this — while I used to have a pretty decent fan base around town, it’s been a while since I’ve done anything — somewhere around a year and a half or so since the Eclipse closed down. Plus, in that time, most of my money has been going towards living, bills, and movies, so I haven’t been picking up a lot of new music lately. So, I wasn’t entirely sure how the night was going to go.

I really shouldn’t have worried.

I got there and got set up, and Samurai showed up not long afterwards to set up his turntables. We ended up switching off over the night — I took the first couple hours from 8-10, he took about an hour from 10-11, then I went from 11-12, he went on again from 12-1:30, and I took over again from 1:30-3.

While we don’t have a definite headcount for the night, we’re guestimating somewhere between 75-100 people…maybe a bit more. While that doesn’t sound like a whole lot, I’m actually quite impressed — considering our radio ads didn’t hit the air until Thursday, and most people just found out through word-of-mouth, it was a pretty good crowd. Besides, I’ve seen clubs who were happy to break into the double-digits on opening night, so this was really nice.

Everybody who was there seemed to be enjoying the night…I saw a few faces I hadn’t seen in a while, and apparently there was a lot of good word going around both about the place and about the DJ’ing — woohoo! We ran out of flyers, too — I’m hoping to have more printed up to distribute tomorrow (Saturday), but if that can’t happen I’ll definitely be getting them done early in the week.

Okay, that’s all the babble I can squeeze out of my overloaded little brain for tonight…time to see if I can get at least a few hours sleep before work tomorrow.

Good tunes

While I grew up listening to an incredibly wide range of music thanks to my parents, I’ve never really been much into country. My tastes always ran to the alternative, industrial, and for the past few years I’ve focused mainly on electronica, from deep trance and house to dance remixes of more poppy stuff, as long as it’s fun to dance to and well constructed.

However, over the past few years, I’ve been spending much of my time around women who listened to a fair amount of country…and I suppose that can only last so long before it really starts to sink in. It helps that much of what I grew up with was the music that today’s country grew out of — rock and roll, blues, r&b (back when r&b actually meant rhythm and blues) — all that good old stuff. So, more and more lately, I find myself keeping the car radio more on 104.1 and 107.5, the two country stations in town. Thanks to them, I’ve just stumbled upon an absolutely incredible band — Trick Pony.

Trick Pony’s currently got a single called ‘Pour Me’ that, in my mind, at least, absolutely demands to be cranked up to the threshold of pain every time it comes on the radio. Well, their album just hit the stores this week, I’m listening to it now — and for the first time in my life, I really wish this band was coming to Anchorage soon so I could see their show. Just a great album, pretty much solidly upbeat all the way through so far, and from what I’ve read on the ‘net, these three put on an absolutely incredible live show.

So, if you’re into country at all, or even just into really damn good music, pick this one up. Well worth it.

I’m heading out tonight (hence why Ben-Hur isn’t going in the DVD player right now). The reason my residency at Studio 99 doesn’t officially kick in until next week is because they already had tonight rented out — but it sounds like it should be a fun deal to go to, so I’m going to stop by that for a while.

Polar Productions in association with Dance Nation (Tuesdays on KRUA 88.1FM from 10pm-1am) presents an all-ages dance event: R E V E R B. DJ Panda, Michael Kalman, DJ Jasper, Planet Lush, Scott Lappi and a special guest DJ will be spinning at Studio 99 from 8pm-3am tonight. $10 at the door, $8 with a canned food donation — all cans to benefit the Food Bank of Alaska.

A steady gig!

Yeah, yeah, so it’s been a few days since I’ve put anything up on here. So sue me. It’s not like anybody actually reads this tripe, anyway…. ;)

The most important event of the past few days — I just got back from a meeting with the owners of the new Studio 99, and I’m now officially their resident DJ for Friday nights! Now it’s just time to get the word out. DJ Wüdi every Friday night (starting next weekend) at Studio 99 — electronica, dance, club, house, techno, a little bit of everything — non-alcoholic, 16 and up before 1am, 18 and up afterwards.

I’m finally spinning again! :D