More on Gibson's 'The Passion'

Dad sent me a couple articles over the last few days looking at Mel Gibson’s “The Passion“, lately seeming to be the most controversial religious film that almost no one’s seen since Dogma was in pre-release. Anyway, if you’re at all interested in the film or the controversy around it, both of these are worth a look.

‘You Can’t Whitewash the Events of the Bible’: New Testament scholar Darrell Bock recently spoke with Beliefnet about Mel Gibson’s film “The Passion,” which dramatizes the last hours of Jesus. Critics–including Catholic biblical scholars and the Anti-Defamation League–have raised concerns about the movie’s historicity and its portrayal of Jewish authorities. Bock saw a rough cut of the film in late August.

What Mel Missed: Most of us have yet to see Mel Gibson’s “The Passion,” but we’ve gained one sure impression: it’s bloody. “I wanted to bring you there,” Gibson told Peter J. Boyer in September 15’s New Yorker magazine. “I wanted to be true to the Gospels. That has never been done before.”

Shaolin Soccer needs to be released, dammit

Among the top 10 movies downloaded on the Internet in August were the usual blockbusters: Pirates of the Caribbean, The Hulk, Matrix Reloaded … and Shaolin Soccer.

Can’t say as I’m surprised, I’ve been waiting for word of its release since I first saw the trailers. I don’t do the online downloading thing, either, so c’mon, Mirimax — get your act together and release this thing!

Matrix/Web

This is cute — an introduction to CSS-based website design, Matrix style.

Let me tell you why you’re here. You’re here because you know something. What you know you can’t explain but you feel it, that there’s something wrong with the web. You don’t know what it is but it’s there like a splinter in your mind driving you mad.

You can see it when you look out your browser window or when you turn on your web tv. You can feel it when you go to work, when you go to church, when you pay your taxes.

This is the web that you know. The web as it was at the end of the twentieth century.

This is the web as it exists today…

Welcome To The Desert Of The Web

(via WebGraphics)

Persistance of Mouse

Dalí, whose previous film experience included two short films with the Spanish master Luis Buñuel, approached Disney at a dinner party at the house of Warner Brothers head Jack Warner. Dalí, then working on Alfred Hitchcock’s Spellbound, believed he and Disney could create what he called “the first motion picture of the Never Seen Before.”

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Disney agreed, and assigned director John Hench to help Dalí turn the Mexican ballad “Destino,” by Armando Dominguez, into a kind of prototypical music video. (Hench, now 95, continues to come to work every day at the Disney lot, and consulted on the new Destino.)

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Dalí spent his time at the Disney studio painting, drawing and discussing with Hench the challenges of adding motion to what he described as his “hand-colored photographs.” The project continued for eight months, and was abandoned in 1947 when the Disney studio ran into financial problems. Dalí died in 1989.

Thanks to some of today’s Disney animators, Destino has been completed, and will likely be shown in theaters next year before a Disney film, and eventually end up on DVD. I’m really looking forward to seeing this.

Lord of the Rings Marathon

Oooooooohhhhh! According to this OneRing.net story, in the two weeks before “Lord of the Rings: The Return of the King” opens, the extended versions of “LOTR: The Fellowship of the Ring” and “LOTR: The Two Towers” will be released to theaters — and some theaters will have a day-long LOTR marathon with back-to-back screenings of all three films on Dec. 16^th^.

If that marathon showing is here at the Cinerama in Seattle, I am so going to be there.

(via /.)

ActiVision sues Viacom…over bad Star Trek

Activision, Inc., a leading developer, publisher and distributor of interactive entertainment software products, today announced that it has filed a breach of contract suit against Viacom. …through its actions and inactions, Viacom has let the once proud Star Trek franchise stagnate and decay. Viacom has released only one “Star Trek” movie since entering into agreement with Activision and has recently informed Activision it has no current plans for further “Star Trek” films. Viacom also has allowed two “Star Trek” television series to go off the air and the remaining series suffers from weak ratings. Viacom also frustrated Activision’s efforts to coordinate the development and marketing of its games with Viacom’s development and marketing of its new movies and television series.

(via Lane)

My first response? It’s about damn time! Trek has been going steadily downhill for quite a while now — I’m less than impressed with Enterprise, I’m being told to forego purchasing Voyager, and there hasn’t been a truly good Trek movie since Star Trek VI (First Contact came the closest, but I’ve got some definite issues with it, too). Whether it’s the fault of Viacom, Paramount, or the people writing and controlling the franchise, the fact is that it’s nowhere near where it was — nor where it likely could be.

However, that said — this seems pretty frivolous. Is it really Viacom’s purported mismanagement of the Trek franchise that is causing problems for ActiVision and their Trek-themed games? Or is it that the games themselves aren’t all that good to begin with? I’m not a gamer myself, and have neither seen nor played a Star Trek themed computer game since NetTrek, so I’m not at all in a position to judge the games. I just question whether the downward slide of the Trek franchise is enough of a contributor to ActiVision’s lack of sales to support a breach of contract suit. I’m sure it was one factor, but that much of a deciding factor? I’m not sure.

Discovering Deep Space Nine

First off, a confession: I’m a trekkie (trekker? whatever). Have been practically since birth, and it’s all my Dad’s fault. ;) Two years old, sitting on my dad’s lap, watching the original series on television. As soon as the Enterprise zoomed across the screen and Captain Kirk started the famous lines, “Space…where no man has gone before…” I’d be excitedly saying “speesh!” and pointing off into space (which apparently was somewhere behind me and over my left shoulder).

I grew up with Star Trek. I never did get into sewing my own uniform, or donning rubber Vulcan ears or Klingon foreheads, and I’ve only been to one convention, but I’ve got a library of original series technical manuals that I’ve picked up over the years. One of the earlier ones (the Star Trek Star Fleet Technical Manual) had an alien alphabet printed out, which I dutifully memorized, characters and pronunciation both. Imagine my surprise when I later visited Greece, and discovered that the “alien alphabet” was nothing more than Greek, and I could read every sign around me in perfect Greek. I had no idea what I was saying, of course, but I could read it all, and it’s all thanks to Star Trek.

One summer I was at one of the CTY summer camps that I participated in, and much of the talk and gossip at the time was about this new Star Trek show that was being started. Some “new generation” or something. We were all highly skeptical — after all, we’d all grown up with the Holy Trinity of Kirk, Spock and McCoy, and now someone wanted to try to recapture that? Not likely! Our skeptical opinions weren’t helped at all when one of the sunday papers printed a picture of the new crew. That kid from Stand By Me was there (a kid?). The dorky guy from that kid’s “Reading Rainbow” show was wearing a banana clip on his face. The captain…was old. And bald. To top it all off, their uniforms were one-piece jumpsuits, recalling bad memories of the horrid 70’s costuming of Star Trek: The Motion Picture — and they were hot pink! Obviously, the show was doomed from the start.

Needless to say, we were (thankfully) wrong. The kid, admittedly, suffered from some bad writing (but he’s since turned into a pretty damn cool guy). We got used to the banana clip, and it certainly helped that that “dorky guy” was also a well-respected actor in his own right. As far as old, bald captains go — if I can be half as cool (and sexy) as Patrick Stewart when I’m his age, I’ll be doing well! And, thankfully, those hot pink uniforms turned out to be nothing more than bad color in the newspaper.

Since then, while I’ve always had a soft spot in my heart for the original series, Star Trek: The Next Generation has been my favorite Star Trek incarnation (at least, as far as the TV incarnations go — the Next Gen movies rarely approached the cinematic quality of either Star Trek II: The Wrath of Khan or Star Trek VI: The Undiscovered Country, imho).

However, towards the end of Next Gen’s run, I stopped watching TV. Less and less of what I saw on television appealed to me, and commercials were getting more and more annoying, so I just stopped. With three exceptions (the Y2K turnover, the 2000 presidential debates, and the first couple months of Enterprise), I’ve not seen any more television that what I may have wandered into while at friend’s houses. Because of this, I missed the last couple seasons of Next Gen, and have caught no more than the occasional episode of Deep Space Nine or Voyager. I watched the first few weeks of Enterprise, which seemed passable at the time, but then Paramount started releasing DVD sets of Next Gen, and I revised my opinion of Enterprise.

So throughout 2002, I revisited Captain Picard and the crew of the USS Enterprise NCC 1701-D as each successive DVD set was released. It was a lot of fun — I hadn’t seen many of the earlier episodes in years (some of them probably not since they were originally broadcast), and many of the later episodes I hadn’t seen at all. Once that was done with, though, I faced a dilemma. I knew that I enjoyed the Next Generation series enough to buy it all, but Deep Space Nine was an unknown. I’d caught a few of the episodes from time to time, and generally enjoyed what I’d seen, but I didn’t have enough experience to really make a judgment. Fan opinion on DS9 always seemed to be somewhat divided, too, with fairly equal camps lauding it and decrying it.

However, as 2002 approached and I started reading more about DS9 as the DVD release came closer, I started reading more and more people recommending it. Eventually, I decided that I’d at least pick up the first season to see what I thought of it. After all, if it bored me, I wasn’t out too much money, and I’d know not to pick up the rest.

The blood of a trekkie runs deep and true, it seems.

As it turns out, DS9 has impressed me far more than I was expecting. The series, quite simply, kicks ass. A lot of potentially dangerous decisions were made when putting the show together (not least of which was setting it on a space station, rather than a ship), but they ended up working out incredibly well. They were able to create long-lasting story lines that run not just from show to show, but from season to season, political maneuvering and machinations galore, battle scenes that have had me wide-eyed with surprise, and many other touches that have made my introduction to DS9 incredibly enjoyable.

Today, I brought home the DVD set of season four of DS9, and just finished watching the season opening episode, “The Way of the Warrior“. Wow. There’s definitely a jaw-dropping aspect to watching a fleet of thirty-some Klingon ships, from the now familiar Bird of Prey to newer battleship designs — even a few of the old standard D7 class (yes, I’m a geek, I didn’t need to look at that up) — decloaking around the station. Too freaking cool.

The more I watch of this show, the more I like it. The long lasting story arcs have been handled incredibly well so far, and after reading bits and pieces here and there about the Dominion War for years, it’s a lot of fun finally being able to see it unfold in front of me, without knowing what’s going to come up next, or which directions the various players are going to take. The character arcs have been just as strong as the story arcs, too, and Garak (the Cardassian tailor) is quickly becoming my favorite character on the show. His questionable standing and constant banter with Dr. Bashir (“But which of the stories you told us were true?” “Oh, my good doctor, they’re all true!” “Even the lies?” “Especially the lies.”) are wonderful.

At this rate, DS9 may just end up supplanting Next Gen as my favorite Star Trek series.

(Next year, of course, comes the next question. Once DS9’s DVD run is complete, Voyager will start to hit the shelves. I’ve heard far more people decry Voyager as being the downfall of the Star Trek franchise than any other previous Trek creation [except possibly Star Trek V: The Final Frontier]. So, do I cross my fingers and give the first season a shot? I’ve still got about five months to decide, though, and until then, I’ve got just under four more seasons of DS9 to work my way through.)

The spectre of Spinal Tap

We opened and closed the show, starting after a film sequence featuring a businessman searching sand dunes for a half-buried laptop, and a gravelly-voiced man saying in a so-baritone-it-must-be-important, film-trailer way, “There was a search for an internet business…”

The rest of the sequence was always lost to me as I was concentrating on standing upright and not wetting myself with laughter: Gravel Man was our signal that the revolving circular stage we were on was about to turn us briskly to face the audience and, we suspected, hurl our much ridiculed, old before his time guitarist into the front row like a ball off a dodgy roulette wheel. The spectre of Spinal Tap never leaves a rock band.

— Jesus Jones frontman Mike Edwards describing playing corporate gigs, in the Guardian Unlimited

(via kottke)