Sigh

As of right now — 10am on the day that tickets were available to be purchased — the Lord of the Rings Marathon at the Cinerama is sold out.

At least, that’s what I’m getting from the MovieTickets.com website. For all I know, it may be different at the theatre itself, but I don’t have time to go stand in line there.

Bummer.

Ah, well. As they’re playing the Extended versions of both TFotR and TTT in two weeks immediately prior to the release of TRotK, I went ahead and picked up tickets to the Saturday showings of each of those. Not the marathon, but this might be a little more comfortable anyway. ;)

Dec. 16: LOTR Marathon

It’s official: the Lord of the Rings Marathon will be at the Seattle Cinerama on Dec. 16th.

Leading up to the December 17 release of The Lord of The Rings: The Return of the King, the final film Peter Jackson’s epic trilogy, New Line Cinema will bring moviegoers an exclusive, One-time-only in-theater event: The Lord of the Rings Special Extended Edition Screening Engagement.

The schedule for this special theatrical screening series is as follows:

December 5-11
Special Extended Edition The Lord of the Rings: The Fellowship of the Ring
December 12-15
Special Extended Edition The Lord of the Rings: The Two Towers
Tuesday, December 16
One-time-only marathon of both the Extended Edition prints followed by the first screenings of The Lord of the Rings: The Return of the King.

Tickets available October 9th!

Now comes the question — am I crazy enough to do this? I think so…

Underworld

Saw Underworld yesterday. While I won’t go quite as far as to call it a Big. Steaming. Noxious. Pile. of. shite., I will say that I found it very disappointing and frustrating. There was a lot of promise and potential in the film, which unfortunately was entirely wasted. I’d almost prefer that a film be flat-out bad, but when you can see the seeds of a worthwhile effort in the midst of the crap, it makes it just that much harder to deal with.

First off, the good points (and yes, there are some).

The film is extremely pretty. Lots of worthwhile eye candy — cast, sets, costumes — just about everywhere, there’s something worth looking at.

The writers have concocted a new mythology for the creation of both vampires and werewolves, and included an explanation for the enmity between the two species, that I really liked. I’d have to see the movie again (rent, though, not in the theater) to get it down completely, but it involved a disease that one person had an immunity to which was passed to his children. Those two children were bitten by animals — one by a bat, one by a wolf — and the mutation that allowed their father to survive the disease mixed with the animal’s blood to create the beasties. After years of the werewolves acting as the vampire’s daylight guardians, a conflict between the two set off the years of warring between the clans. It’s a definite step away from the traditional storylines, and I liked the new ideas.

Unfortunately…

The writing, the overall story, and the direction were horrid. So much could have been done with the story to make it coherent, and it never happened. Alliances are formed that don’t make any sense, motiviation is never given for much of what happens, and too much of the plot dissolves into an incoherent mess.

The actors are something of an on-again, off-again mix. Kate Beckinsale does decently with what she has, she just wasn’t really given that much to do — her character is essentially either brooding or fighting during the entire movie. Bill Nighy as Viktor, the recently-resurrected elder of the vampire clan did fine by me up until the end, when a suddenly bleated out, “But I loved my daughter!” line completely destroyed all credibility for the character in my eyes. Sure, it was bad writing, but he played the line so badly that it just made it that much worse. Shane Brolly as Kraven, leader of the vampire clan until Viktor’s appearance was fairly ridiculous, to tell the truth. In fact, the only actor — and character — that I really though much of was Lucien, leader of the werewolves, played by Michael Sheen. Not only did he get the only character in the film given any decent amount of personal backstory and motivation, but he was the only actor to really seem like he fit his part.

Special effects wise, the movie was decent for the most part, with a few sudden moments where it got so astoundingly bad that it surprised me (Celine’s sword-slash-and-floating-jump across the pool of water at the end [which can also be seen in the trailer — it’s the sequence that looks like it could be straight out of a video game] stands out in my mind). The soundtrack, both musically and just as effects, drove me nuts. Apparently the sound designers felt that the best way to make sure that something was interesting and intense was to make it loud, and then they decided that everything in the movie counted as interesting and intense.

So that’s Underworld — some definite promise and potential that was completely pissed away during its two hours on screen. A shame, really — in my minds eye, I can see the same elements creating a film that would have been well worth watching, but it just didn’t happen here.

More on Gibson's 'The Passion'

Dad sent me a couple articles over the last few days looking at Mel Gibson’s “The Passion“, lately seeming to be the most controversial religious film that almost no one’s seen since Dogma was in pre-release. Anyway, if you’re at all interested in the film or the controversy around it, both of these are worth a look.

‘You Can’t Whitewash the Events of the Bible’: New Testament scholar Darrell Bock recently spoke with Beliefnet about Mel Gibson’s film “The Passion,” which dramatizes the last hours of Jesus. Critics–including Catholic biblical scholars and the Anti-Defamation League–have raised concerns about the movie’s historicity and its portrayal of Jewish authorities. Bock saw a rough cut of the film in late August.

What Mel Missed: Most of us have yet to see Mel Gibson’s “The Passion,” but we’ve gained one sure impression: it’s bloody. “I wanted to bring you there,” Gibson told Peter J. Boyer in September 15’s New Yorker magazine. “I wanted to be true to the Gospels. That has never been done before.”

Shaolin Soccer needs to be released, dammit

Among the top 10 movies downloaded on the Internet in August were the usual blockbusters: Pirates of the Caribbean, The Hulk, Matrix Reloaded … and Shaolin Soccer.

Can’t say as I’m surprised, I’ve been waiting for word of its release since I first saw the trailers. I don’t do the online downloading thing, either, so c’mon, Mirimax — get your act together and release this thing!

Matrix/Web

This is cute — an introduction to CSS-based website design, Matrix style.

Let me tell you why you’re here. You’re here because you know something. What you know you can’t explain but you feel it, that there’s something wrong with the web. You don’t know what it is but it’s there like a splinter in your mind driving you mad.

You can see it when you look out your browser window or when you turn on your web tv. You can feel it when you go to work, when you go to church, when you pay your taxes.

This is the web that you know. The web as it was at the end of the twentieth century.

This is the web as it exists today…

Welcome To The Desert Of The Web

(via WebGraphics)

Persistance of Mouse

Dalí, whose previous film experience included two short films with the Spanish master Luis Buñuel, approached Disney at a dinner party at the house of Warner Brothers head Jack Warner. Dalí, then working on Alfred Hitchcock’s Spellbound, believed he and Disney could create what he called “the first motion picture of the Never Seen Before.”

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Disney agreed, and assigned director John Hench to help Dalí turn the Mexican ballad “Destino,” by Armando Dominguez, into a kind of prototypical music video. (Hench, now 95, continues to come to work every day at the Disney lot, and consulted on the new Destino.)

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Dalí spent his time at the Disney studio painting, drawing and discussing with Hench the challenges of adding motion to what he described as his “hand-colored photographs.” The project continued for eight months, and was abandoned in 1947 when the Disney studio ran into financial problems. Dalí died in 1989.

Thanks to some of today’s Disney animators, Destino has been completed, and will likely be shown in theaters next year before a Disney film, and eventually end up on DVD. I’m really looking forward to seeing this.

Lord of the Rings Marathon

Oooooooohhhhh! According to this OneRing.net story, in the two weeks before “Lord of the Rings: The Return of the King” opens, the extended versions of “LOTR: The Fellowship of the Ring” and “LOTR: The Two Towers” will be released to theaters — and some theaters will have a day-long LOTR marathon with back-to-back screenings of all three films on Dec. 16^th^.

If that marathon showing is here at the Cinerama in Seattle, I am so going to be there.

(via /.)