Peace is our profession

Operation Strangelove: On May 14^th^, host a screening (even if it’s just for yourself!) of Dr Strangelove (or How I Learned to Stop Worrying and Love the Bomb)!

Be part of a national anti-war action on May 14. Screen “Dr. Strangelove,” and raise money for groups still working hard for peace, justice and relief in Iraq.

Pre-emptive strikes. Cowboy diplomacy. Men conspiring in the War Room, bent on world domination. Weapons of mass destruction. And most terrifying of all, an invasion begun for one overwhelming reason: precious fluids.

Forty years after its filming, the dark and explosively funny “Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb” seems like a satirical time bomb planted by Stanley Kubrick and Terry Southern, set to detonate on Bush’s doctrine of unilateral warfare, anytime, anywhere.

As the war on Iraq winds down (at least on TV), as the perils (and profits) of occupation loom, and as the Bushies plot the next pre-emptive strike, Operation Strangelove aims to show the warmongers in their true light.

On May 14, put on a screening of “Dr. Strangelove” — in your living room, at the local theater, on campus, on your laptop, anywhere you can — and say no to unilateral invasions, to endangering our troops for the sake of oil, to flouting international law and the world community in the name of empire. Follow the film with discussions, forums, debates. Keep talking. Keep acting. Let’s give new meaning to the old Strategic Air Command motto, “Peace Is Our Profession.”

(via Kalilily)

Renew! Renew! Renew!

Well, I’m still here and kicking around, so it seems I didn’t go up in a fiery explosion in the ritual of Carousel. Frankly, I’m relieved — I’ve always said I wanted to go out with a bang, but not that literally.

Incidentally, for those who I may have entirely lost with my birthday post, I highly suggest you check out the movie Logan’s Run. Classic sci-fi.

Anyway, overall a good day yesterday. Wandered around town for a bit with Prairie, and went down to see X-Men 2 midway through the day. Very, very cool — I’ve never been a huge comic person, but I’ve read enough about the X-Men over the years to be very impressed with how they’re handling the movies. Accessible and fun action-adventure flicks for the masses, with a lot of intelligent nods to the fans and creative ties to established comic book canon while creating a new storyline. All in all, lots of fun.

Spent the evening hanging out with Chad and Prairie at the Bad JuJu Lounge and bouncing around at the Vogue. I’d tried to get ahold of Rick and Candice too, but never reached them. Was a little bit of a bummer, but the three of us had fun. I just got a call from Rick, though — he’s collecting Chad and heading this way, and we’re going to go find something to do for the afternoon. Woohoo! Off to go play…

Last Day

Last Day: Taurus 3’s, Year of the City 2003: Carousel begins…

Last Day

Carousel was developed as a means for Body Retirement. When a person reaches their 30^th^ Birthday, their face begins to show signs of ‘aging’. They may notice some wrinkles under their eyes, they may notice that their eyesight is not as good as it once was. Also, they may begin to develop white hairs on the head, or worse — loss of hair (known as balding).

This is your body telling you that it’s time to transfer yourself into a new, fresh body — a baby’s body. A body that will take you through another 30 years.

Baby bodies are provided through ‘seed mothering’ — from the female citizens of our society. After being delivered, these babies are taken in by our nuturing Mother Computer and are then given the ‘souls’ of those Last Dayer’s who were able to reach Life Renewal on Carrousel.

Last Day?

When your lifeclock in the palm of your left hand begins to blink, your time is up in your present body. Upon blinking, proceed to our Headquartes on Nolan Street, 7th Floor, Room 1976.

There, you will be given proper ceremonial garb and final instructions for participating in Life-Renewal on Carousel.

Remember, the higher you are able to ‘fly’ while the Carousel turns, the greater your Renewal chances. Don’t let the fear of knowing that your old body will explode into a fiery pulp as you try to reach these heights hinder your efforts, or you may not make it to the Renewal Stage.

Carousel is meant to be an enjoyable, life-renewable experience. As you’re out there standing with your fellow ‘Renewer’s’, and with all your friends watching and shouting from the stands, by keeping a positive outlook on the process…

…YOU WILL BE RENEWED

TV Turnoff Week Apr. 21-27

TV Turnoff Week - April 21-27

This’ll be amazingly easy for me to do — I stopped watching TV roughly, oh, ten or twelve years or so, I think. Since then, the only times I’ve been around much TV has been when I’ve been over at someone elses house and they’ve happened to have it turned on.

There’s too many other things to do in life for me to waste time sitting around in front of the boob tube.

(via MeFi)

From Berkeley to the Matrix

Wired has a great article about the special effects of the Matrix and its upcoming sequels (and speaking of which, the full trailer for The Matrix: Reloaded has been released, and kicks much butt).

In the course of the article, Wired mentions that much of the inspiration and technology for the more eye-catching special effects in the Matrix films were drawn from a project called The Campanile Movie, which is fascinating in its own right. The basic concept is taking photographs of an area and then wrapping them around a 3-D rendered landscape in order to create a photorealistic virtual environment. They explain it much better than I do, though….

(via Jason Kottke)

I hope that something better comes along

SCENE: Evening in a bar. Our HERO walks into the the bar, pausing by the piano as the bar’s PIANIST plays an opening riff. The PIANIST looks up and greets our HERO as he plays lightly on the keyboard.

PIANIST: Evenin’! You look like you could use a drink.

OUR HERO: Yeah. I’d like a grasshopper, please.

PIANIST: [Calling to the bartender] Hey, can we have a grasshopper for the frog?

OUR HERO: Uh, that…that’s Kermit, Kermit the Frog.

PIANIST: Oh! Rowlf, Rowlf the Dog, here. Pleased ta meet’cha!

[ROWLF plays a fancy glissando on the piano]

ROWLF: I’m no Heifetz, but I get by.

[ROWLF continues to play lightly, as KERMIT looks out the window]

ROWLF: Lemme guess — broken heart, right?

KERMIT: Huh. Does it show?

ROWLF: Listen — when you’ve been tickling the ivories as long as I have, you’ve seen a broken heart for every drop of rain; a shattered dream for every falling star.

KERMIT: Exactly. She just walked out on me.

ROWLF: Eh, typical. That’s why I live alone.

KERMIT: You do, huh?

ROWLF: You bet. Finish work, I go home, read a book, have a couple of beers, take myself for a walk and go to bed.

KERMIT: Nice and simple.

ROWLF: Stay away from women — that’s my motto.

KERMIT: But I can’t!

ROWLF: Neither can I. That’s my trouble.

ROWLF: You can’t life with ’em, you can’t live without ’em.
There’s something irresistable-ish about ’em.
We grin and bear it ’cause the nights are long —
I hope that somethin’ better comes along.

KERMIT: I see what you mean.
It’s no good complainin’, and pointless to holler.

ROWLF: If she’s a beauty she’ll get under your collar.

KERMIT: She made a monkey out of old King Kong.

BOTH: I hope that something better comes along.

ROWLF: Ah, but what could be better, than a saucy Irish Setter,
When puppy love comes on strong?
Or a collie that’s classy…
A laddie needs a lassie…
A lover and wife gives you a new leash on life!

KERMIT: Uh — uh, was that a new leash on life?

ROWLF: Oh yeah. Uh, sorry about that. Two, three, four…

KERMIT: I don’t mean to scare ya, my friend, but I bet’cha,
come Father’s Day the litter bug’s gonna get’cha.

ROWLF: The urge is righteous but the face is wrong!

BOTH: I hope that something better comes along.

KERMIT: Still, it’s fun when they’re fetchin’,
and agree to see an etching,
that you keep at your lilly pad.
There is no solution, it’s part of evolution…

ROWLF: The pitter-patter of soles, the little feet of tadpoles!

KERMIT: Uh, Rowlf, tadpoles don’t have feet!

ROWLF: Oh. Sorry about that. Two, three, four…

KERMIT: There’s no limitation to mixin’ and matchin’.

ROWLF: Some get an itchin’ for a critter they’ve been scratchin’.
A skunk was badgered, the results were strong!
I hope that somethin’ better,

BOTH: I hope that somethin’ better,
I hope that somethin’ better comes along!

ROWLF: Beep-bop-biddy-biddy, doom-bom-diddy-diddy, dom-bum-um-ummm…

[KERMIT walks off]

ROWLF: It’s not often you see a guy that green…had the blues that bad.

The only way out is in

I just got back from seeing The Core.

In an effort to kick-start my brain back into gear, I think before I go to bed tonight, I’m going to have to watch something that actually has decent plot, interesting characters, and — most importantly — some semblance of scientific crediblity.

Armageddon should do nicely.

To Tim Robbins, re: Bob Roberts

The following letter was sent to Tim Robbins via his agent. I have no real idea if he will receive it, or whether he will answer. No matter the outcome, I’m preserving the letter here.


Mr. Smith,

I’m not entirely sure if this is the best (or maybe even appropriate) way to go about this, but if would be so kind to forward this letter along to Mr. Robbins, I’d greatly appreciate it.

Mr. Robbins,

Last weekend, in the midst of ranting with a friend about all things political, I found out that she hadn’t seen “Bob Roberts.” Having been a fan of the film since I saw it in the theaters during its initial run, I pulled it out and we sat down and watched it — her first time, and my first time in about a year or so.

We both enjoyed it a lot, but I was astounded at how much more topical it seemed today than it did at the time it came out. Substitute Roberts’ folk background with Bush’s oil family background, and in many ways, they seemed almost frighteningly similar in their ideological attitudes. We spent some time after the movie talking about it, and in the course of the discussion became somewhat curious as to what you might think of the film now, especially in the light of the current administration.

At a time when the separation of church and state is becoming increasingly less distinct, when our personal liberties are becoming more and more curtailed, and when any opinion that does not mesh with that of the ‘powers that be’ is deemed “un-American” and cause for censure (as demonstrated by the unfortunate cancellation of the Bull Durham celebration due to the political views of you and Susan Sarandon), it seems all to much like what was satire in 1991 has become the sad reality of everyday life today.

I found one article on the Internet about an interview you did for ‘The Tech’ at MIT where even at the time that ‘Bob Roberts’ was being released, you were seeing some similarities between Roberts and the then campaigning George W. Bush.

The campaign that Roberts launches shows more than a few similarities to the campaigns of today’s candidates, which is somewhat amazing considering that the script was written six years ago. “Well, there are some strange similarities,” Robbins admits. “Just the other day Bush, at a campaign stop, was asked what voters could do to help him in November, and he said, I think jokingly, ‘Vote often.’ And as you know, Bob Roberts says something similar. It’s strange to see. I guess it’s good for the movie but I don’t know if it’s good for the country.”

Since then, of course, Bush has stepped up his religious rhetoric, creating even more similarities between him and your fictional character.

Should you have the time and inclination to respond to this, I’d love to hear a little bit from you about how you view ‘Bob Roberts’ now, ten years later, in a political and cultural climate that would be very familiar — and probably comfortable — for the satirical character you created. If you were comfortable with my posting any response you might be able to give to my website, that would be wonderful, however, as this is primarily my own personal curiosity at play, I would not post anything publicly without your permission.

In any case, thank you much for your work over the years, for creating ‘Bob Roberts’, and for standing up for your beliefs in a time where doing so is becoming more and more unpopular, and at times fraught with consequences it never should have.

Sincerely,

Michael “Woody” Hanscom

Terminators of Endearment

This is wonderful — a few people in the rec.arts.sf.written newsgroup have hit upon the idea of a cross between the Terminator sci-fi series and the writings of Jane Austin…

“Indeed,” said the man (whom Patience could not help but think of as made of clockwork, though he manifestly was something far stranger), “I speak of these things not merely because of the way that I am made, though indeed a machine should do that which it is made to do, but because I have found that I have developed, through our many conversations, a feeling of that which is proper, both within the bounds of your society and without; and being that I am, here, a gentleman, I find that I am also bound to behave as a gentleman would, and indeed, Lady Patience, I must warn you that this Mr. Connor is a man of less than sterling character.”

(via BoingBoing)