Social Realist

Some silly/fun astrology bits from #flickr tonight…

djwudi: what’re you doing, underbunny?
underbunny: …I’m reading from my favorite astrobooks, dj.
djwudi: aah, okies
platinum: UB, what was the title of that book again?
underbunny: …the Secret Language of Birthdays, & then there’s the Secret Language of Relationships.
underbunny: …gimme your birthday, dj!
djwudi: May 3
djwudi: ’bout two weeks ’til I hit 32
djwudi: whee!
platinum: Lord, May is that close? Wow!
underbunny: …May 3, the Day of the Social Realist.
underbunny: …strengths are insightful, clever & charming.
underbunny: …weaknesses are demanding, procrastinating & head-headed.
underbunny: …oops!
underbunny: …hard-headed. :)
djwudi: I am not stubborn!
djwudi: dammit
djwudi stomps his foot
underbunny: …hehe.
underbunny: …got someone to match with?
djwudi laughs
djwudi: Nov. 3
djwudi: my g/f
underbunny: …dj, you’re not going to like it.
djwudi laughs
underbunny: …May 3 & November 3.
djwudi: that’s encouraging
djwudi: gimme the bad news…
underbunny: …k.
underbunny: …it’s got a pretty title? :)
underbunny: …Crusading Spirit.
underbunny: …o wait!
underbunny: …read the wrong one!
underbunny: …which you’re not going to like either. :D
djwudi laughs!
djwudi: doomed!
djwudi: doomed, I tell you!
underbunny: …also pretty title.
djwudi: star cross’d lovers, and all that
underbunny: …Second Childhood.
underbunny: …strengths are entertaining, youthful & relaxed.
underbunny: …weaknesses are closed off, misdirected & stubborn.
underbunny: …best for friendship.
underbunny: …worst for love.
djwudi: hmmmmmmm…
djwudi: well, we seem to be doing well so far
djwudi: I’ll just keep my fingers crossed :D

Admittedly, I don’t put much stock in astrology or such things, but I’ll freely admit that they’re fun to play with. I think Prairie and I are doing better than this book seems to expect, though…

iTunesHome (Air ‘Around the Golf’ Remix)” by Depeche Mode from the album Remixes 81-04 (Limited Edition) (2004, 3:55).

Pop!

Argh!

There’s a sound effect in the song I’m listening to right now — “Useless (The Kruder + Dorfmeister Session)” by Depeche Mode, off of Remixes 81-04 (Limited Edition) — that sounds nearly exactly like the “pop” noise iChat makes when I get a new message from someone I’m not currently in a conversation with and a new window pops on screen.

I looked around my screen three times in a row before I figured out where the “pop” noises were coming from.

I’m a dork.

iTunesUseless (The Kruder + Dorfmeister Session)” by Depeche Mode from the album Remixes 81-04 (Limited Edition) (2004, 9:07).

Neri di Bicci, ‘Virgin and Child With Six Saints’

Procession from Town Hall to St. James Cathedral, Seattle, WAAs we were on our way back up the hill after running an errand downtown today, Prairie and I noticed a procession leaving Town Hall. There was a large icon-type puppet figure towards the back, an angel figure towards the front, and quite a few children in acolyte’s robes, so we figured that it was religious in nature, but didn’t know much more than that. Prairie noticed a gentleman standing near us wearing a priest’s collar and asked him what was going on.

As it turns out, we’d stumbled into the celebrations surrounding the return of a 15th century altar painting by Renaissance artist Neri di Bicci to St. James Cathedral after restoration work. This piqued our interest, so we followed along up to the cathedral to watch the pageant and blessing service.

Neri di Bicci's 'Virgin and Child With Six Saints' at St. James Cathedral, Seattle, WAWhile there, we found out that there’s something of a mystery surrounding this work of art — namely, how it got to St. James Cathedral in the first place.

But the big question surrounding the Renaissance work remains unanswered: How did this 15th-century altar painting by Florentine artist Neri di Bicci end up in St. James’ basement? Did a parishioner buy it? Was it an anonymous gift?

Art historians, church administrators and amateur sleuths have all taken their shots at solving the puzzle, but none has succeeded.

[…]

Church officials didn’t know they had a museum-quality piece until 1991. Then, an architect weighing a bid for work at the church asked a friend, Elizabeth Darrow, to take a look at it.

Darrow, then a UW art graduate student who had studied Renaissance art in Florence, was stunned when she saw the regal young Virgin sitting on a monumental throne.

“This is the most important Renaissance artwork in the Northwest — and the largest,” said Darrow, now a guest scholar at the J. Paul Getty Museum in Los Angeles.

Darrow believes it is among the most exquisite and detailed works of the Virgin Mary by the prolific di Bicci.

“The colors are very intense and vibrant,” she said.

“Her face is round, with rosy, translucent skin and refined features: straight nose, delicately arched eyebrows,” she said. “It’s very beautiful.”

[…]

Art scholars suspect the painting hung in an Italian church for most of its existence and was probably sold in the 19th century when the market for Renaissance artwork began. When it was found at St. James, it was in a 19th-century frame, Dorman said.

How it ended up at a Seattle church is less clear.

“It’s a great mystery,” said Darrow, who has gone so far as to track down wealthy local Catholic families for clues. She still has not given up hope of solving the puzzle; she’s even enlisted the help of art scholars in Florence.

St. James administrators have searched all their archives at the cathedral and the archdiocese, “and there is no record, no bill of sale, no letter,” Ryan said.

Church officials heard there was an art dealer or collector who moved a few di Bicci paintings to the United States — mostly to the Midwest — during the 1920s and 1930s, but it is unknown whether the St. James Madonna was among them.

Church administrators have tracked down congregation members and workers from the 1950s. The best they can tell is that someone, perhaps an architect, found the painting in a crate in the lower level of the cathedral during a major renovation in 1950.

Really a fascinating little piece of local art history to stumble across on an otherwise quiet Sunday afternoon. The painting was still partially under wraps for today’s ceremonies, but it will be hung this week and formally dedicated during next Sunday’s 4pm vespers service.

More photos can, as usual, be found in a Flickr photoset.

Trains. Trains are good.

One thing I have to say I really like about living in Seattle — it’s part of the Lower 48. I’ve got forty-eight states I can get to within a few days without ever having to set foot on an airplane (49, if I make the time to drive the Al-Can).

I’ve mentioned before that I seem to have developed something of a fear of flying ever since a particularly turbulent flight into Anchorage a few years back. It’s not entirely rational, but then, rationality doesn’t really seem to enter into it when I’m trapped in a multi-ton metal tube a few thousand feet in the air that’s shaking me around like one of James Bond’s martinis.

So then, what do I in my infinite wisdom do? I go and read articles about what happens during explosive decompression (“ROOF FLIES OFF!”).

A blown-out door can be perilous for pressurized aircraft at high altitudes. In 1989, the lower cargo door on a United Airlines passenger jet became unlatched at about 23,000 feet. The sudden and explosive loss of pressure tore open a portion of the cabin—nine passengers were sucked out through the large hole, along with their seats and the floor around them.

Aloha Airlines Flight 243The year before, a Boeing 737 operated by Aloha Airlines experienced an “explosive decompression” at 24,000 feet. An 18-foot portion of the roof of the cabin ripped off, and a flight attendant standing in the aisle was ejected from the plane.

No.

No, no, no, no, no.

I need to go find a happy place now.

iTunesMutilate” by Front 242 from the album 06:21:03:11 Up Evil (1993, 4:10).

Kirsten’s here!

Kirsten, The Vogue, Seattle, WAOver the past few days, I’ve had the pleasure of playing host to Kirsten, as she spends a couple days in Seattle in the midst of her vacation. She came into town on Sunday, just in time to kick back and relax here for a while before heading out to drop by Fetish Night at the Vogue, and takes off tomorrow morning for her first-ever visit to a foreign country.

She’ll be venturing into the wild, uncharted northern wilderness of Canadia Canuckistan Canada.

Okay, so it’s not the world’s most exotic destination — still, one has to start somewhere, right?

Much fun has been had (including an oh-so-wrong discussion of the alternate uses for Spam jelly), I managed to weasel out a little bit more information about her impending marriage (yay Kirsten!), and it’s been a good few days. She’ll be back briefly this coming weekend too, before heading back to Anchorage, though that will just be a quick overnighter from late Saturday until early Sunday.

Hooray for visits from friends. :)

iTunesTower of Naphtali, The” by Bolland, CJ from the album Electronic Highway (1995, 7:17).

First Christian Church demolition

I mentioned yesterday that the First Christian Church on Broadway was in the midst of being demolished. While wandering around today I stopped by the site, got some video of the work being done, and found out a little bit more about why the building’s coming down.

After coming home and doing a few searches around the ‘net, I confirmed what I’d been told today — apparently, the building has actually been closed since 2001, after it was damaged in the Nisqually earthquake. The costs to make it safe were simply too much for the congregation to bear, so they merged with another church up the street, and arranged for the demolition of the building.

The towered terracotta and brick building across from the Seattle Central campus took damage in the Nisqually Earthquake of 2001. Costly repairs were made, but the damage was a wake-up call to the congregation. They evaluated the option of making the building earthquake-safe and modernized, but “the cost of these… was in the range of five to ten million dollars.” Clark Beck, a member of the congregation since 1969, circulated a memo to the congregation and neighbors about the decision to sell the church. “The congregation felt it was more important to devote limited resources and energy to fulfilling their social and spiritual mission,” continued Beck.

Though the building is coming down, the congregation will live-on down the street. Combined with Pilgrim Congregational Church, First Christian Church is now All Pilgrims Christian Church.

One thing I was very glad to confirm — I’d suspected that this would be the case, but I hadn’t been sure until today — is that the stained glass windows have been salvaged and saved to be sold off later.

We’ve been working the site with Earthwise some time now, salvaging trim, car decking, rails, flooring, lights, and some small windows. Today started the big part of the job: removing the large Povey Bros. stained glass from the facade. A rented scaffolding was erected and by day’s end the top row of windows was salvaged and the large opening boarded up.

After getting home, I pulled the photos and videos I shot with my camera today and put together a short little mini-film about the demolition. It’s nothing that’s going to win any awards, but it was a fun little project to work on over the afternoon.

Guess what? You’re not normal.

You're not normal, Seattle, WA

Not a bad day at all today. Woke up at about 8am, looked outside, and realized that we were in for a gorgeous spring day — mostly clear skies, bright sun, and just a hint of breeze. Perfect for going out wandering…so wander I did.

I started by heading up the hill and heading down Broadway, keeping an eye out for more stickers to add to my sticker graffiti collection on Flickr. I found a ton of stuff to add — Broadway being something of a center point for much of the city’s “freak” population, it’s got a wide collection of graffiti (stickered and otherwise) to choose from. While I found a lot of good stuff, I think my favorite from the day was this one Chickens ate my Baby Sticker Graffiti, Broadway, Seattle, WA — a ‘dollar bill’ emblazoned with the text, “Yo, chickens ate my baby!!!” Other favorites include a plea to boycott certain Safeway employees, a reason for the stickers and these teapots.

A couple weeks ago, Prairie and I noticed that a gorgeous old church on Broadway right across from the Seattle Central Community College was due to be demolished. This was kind of a bummer to find out — while neither of us had ever gone there, it was a nice building, and it was a shame to see that it was to be torn down rather than renovated. When I passed it today, the work crews were in the midst of the demolition process. I’ve got to admit — while I hate to see the building go, it was kind of neat to get to watch some of the work (must be my inner six year old).

I managed to find a couple conversations as I continued down the street, too. First was a gent who I saw debarking from a bus wearing a khaki Sport Kilt, which led to a conversation about kilts and cameras that lasted for a couple blocks. Later on, one of the many street kids that prowl Broadway for spare change asked me about the kilt, and I ended up chatting with her and a friend of hers for a few minutes — Leah and Shy were their names, I think, though I could easily be wrong about that, as I’m absolutely horrid with names.

Bailey/Coy Books, one of the bookshops along Broadway, always has a sign out front Bailey/Coy Books, Broadway, Seattle, WA with the first line from a book. If you know the book that they’re quoting from, you get 20% off — and today, for the first time, I was actually able to identify the quote! Determined not to let this opportunity go to waste I headed in and picked up The System of the World, the last book in Neal Stephenson‘s Baroque Cycle, which I’d been wanting to get since it came out last year. I’ll get around to reading it as soon as I’m done re-reading the Harry Potter series, which I decided to do after Prairie and I had a “Harry Potter Weekend” a couple weekends ago and watched all three films over the course of the weekend.

Once I hit the end of Broadway, I decided to continue on and head up to Volunteer Park, which I’ve never wandered through on a “normal” day (I usually end up there for the Pride Day festivities). After a wander around I started heading back out when I was called over by a small group of kids hanging out at the amphitheatre. “We’re having a parade,” they said, “come and join us!” I wasn’t entirely sure about joining in a parade, but I headed over to chat and see what was going on.

Pre-parade gathering, Volunteer Park, Seattle, WA As it turns out, this is something they’ve been doing for the past few weeks, and intend to keep doing — get a bunch of friends together, dress up, find some noisemakers, and go wandering around Capitol Hill in their own little festive parade. Why? Why not? “Everybody gets out to march in protest, pissing and moaning about things — but nobody ever just celebrates a good day,” said the guy who seemed to be more or less in charge. “It’s a warm spring day, we’re here, nobody’s dropping bombs on us…why not have some fun?”

Seemed like good enough rationale to me, so I decided to wander along with them as photographer (not generally being one for random prancing, hootin’ and hollerin’, but still a great supporter or random silliness and fun). After a few more people showed up, it was declared time to go — and we were off.

Join the Parade! Volunteer Park, Seattle, WA This little motley group of assorted oddballs (and yes, I most definitely include myself in that) headed up and out of Volunteer Park, down 15th Avenue to John St., down John to Broadway, and up and then back down Broadway, prancing, dancing, twirling, shouting, chanting, singing, banging on gongs, bowls, and other noisemakers the entire way. “We’re having a parade! Join the parade!” they shouted at passers by and into windows of stores and open doors of shops. Some people weren’t quite sure what to make of the spectacle, but overall, I saw lots of amusement on the faces of the people we passed — they might not want to join in (though a few did eventually), but the sheer absurdity of the event was enough to bring a smile to quite a few people.

And in the end, what more excuse do you need to do something silly?

Once the group made it to SCCC they camped out on the lawn for a few moments to decide where to go next, and I took my leave of them. By this point I’d been out wandering around for about five hours, and it was time to head home and rest for a bit. I came home, napped for about an hour, then after a quick chat with Prairie before she headed out to a night at the opera (Central Washington University just got a new music building, and this was their inaugural performance), showered and headed up to the Vogue for a night of bouncing.

Bouncing accomplished, I’m home again, and now that this mini-opus is done, it’s long past bedtime for Bonzo.

iTunesPower in the Blood (Acoustic)” by Alabama 3 from the album Acoustic Power: Underground Acoustic Sessions From the Steam Room (2003, 2:31).

Conventions…or the lack thereof

I’m often amused at just how off my timing seems to be. I just found out about Cascadia Con, what looks to be a major Science Fiction convention taking place here in Seattle later this year. From what I’ve been able to figure out while fighting my way through their website (which, I’m sorry to say, is horrid), whenever the WorldCon (World Si-Fi Convention) is held outside of America, there is a US-based NASFiC (North American Sci-Fi Convention) — and they’ll be right here in Seattle this year.

The downside, however, is that the convention is scheduled for the first four days in September — which is exactly when Prairie and I are planning to be busy moving into our new apartment, wherever that ends up being. This will probably involve renting a truck, schlepping all of her stuff into town from Ellensburg and all of my stuff from my apartment to the new one, getting it all set up, unpacked, arranged…all that fun but very time-consuming work.

Ah, well — I’ve made it almost 32 years without going to something like this, I’m sure I can make it a few more until the next one rolls around. But I reserve the right to whine about it for a moment. ;)

Additionally, while looking at their site, I did stumble across a link to Sakura-Con, an Anime festival that’s going on here in Seattle this weekend. I’m hardly the biggest Anime fan out there, but what little I’ve seen I’ve generally liked — however, while I’m sure there might be a number of photo opportunities there, I’m not sure it’d be worth the $30 one-day fee to wander around on my own for a few hours.

One of these days I’ll actually manage to hit one of these things, I swear!

iTunesWalk Away Satisfied (Hot Tracks)” by Zino feat. Edwards, Jayne from the album Hot Tracks 15th Anniversary Collectors Edition (1997, 5:52).