From the vaults

I’ve been playing with HTML for quite a few years now. Every so often over the years, I’ve actually been bright enough to make a quick copy of my website and archive it. Tonight, in a mad burst of misplaced nostalgia, I pulled them all out of the digital dustbin and have put them back online. As an added bonus, this allowed me to put some really old entries into my archives, from the pre-“blogging” days when I was just hand-coding pages and updating them as I saw fit. My archives date back to 1995 now!

Curious enough to check out just how my design and web skills have evolved over the years? Feel free to wander through. Some links will work, some won’t — caveat emptor and all that.

  • February 27, 1996: Yup, you read that right — 1996. We’re talking seriously old-school here (“Netscape 2.0 Enhanced”, even). Looks best if you shrink the width of your browser window to just a bit wider than the graphics, as this was back when 640×480 was in wide useage. Check out that announcements page, too — reverse chronological order, date and time stamped…blogging before anyone knew what blogging was (eat your heart out, Dave Winer)!

  • February 14, 1997: One year later, and things have improved dramatically. This basic design would last through the next three archives, and while it’s a bit broken now, I still like the general idea. Featured one of the first incarnations of a Gigs Music Theatre site, though it’s just a single page here.

  • April 21, 1997: A few months later. A little less content, as I started to focus on expanding the Gig’s page. Design is the same (and is still slightly broken in modern browsers).

  • March 30, 1998: Another year goes by, and things are still pretty static. The design is the same (though by this point, it works in modern browsers). The Gig’s page has evolved into a full-fledged site by this point, though.

  • August 5, 2002: Whoops! Four years went by with no archiving. I’ve been kicking myself for this of late, as I was doing some hand-coded “blogging” back then that I don’t have copies of anymore. Still, at least I have this. By this point, the design has changed majorly, and I was using MovableType to handle my weblogging.

My lord I’ve been doing this for a long time.

iTunesKat-A-Mandu” by Poems for Laila from the album Katamandu (1992, 5:11).

Delicious Library

Ars Technica has a great review of Delicious Library, the new book/movie/music/game cataloguing software from Delicious Monster. I’ve downloaded the demo and have started to poke around with it…so far, quite enjoying what I see.

The second page of the review does a wonderful job of going into just why we Mac people are Mac people, and how nice it can be to get software also made by and for Mac people.

There is simply a “climate of excellence” on the Mac platform. Any developer that does not live up to community standards is looked down upon, or even shunned. Commercial, open source, freeware, shareware, it doesn’t matter: pay attention to detail, or else.

Windows users, think about what your typical download and installation experience is like. How many dialogs are you presented with? What do the file names and icons look like? Do you have to run an installer? What kind of manual clean-up is required afterwards?

Linux users, when you look at the carefully laid out disk image contents in the screenshot and links above, think about how far “desktop Linux” has to come before it can even begin to think about details like how single-icon drag-installed applications are arranged in their disk image windows.

Yes, I know, all of this is “pointless” and “dumb” because looks are meaningless. It’s the software that counts—the code, the bits, not the packaging, right? And so we come to an important difference between Mac enthusiasts and other computer users. Mac users understand that the packaging counts too (and are willing to pay for it). Happily, you get a lot of nice things “for free” on the Mac platform these days: composited windows, large icons, rich disk image and application bundle standards, etc.

So very true.

P2P: Germany, Austria, Hungary, Yugoslavia, Italy, Greece

In the summer of 1990, just after my junior year of high school, I was accepted into the People to People program as a “student ambassador” and got to go on a six-week trip across Europe. Starting with a few days in Washington, D.C., we travelled through Germany, Austria, Hungary, Yugoslavia, Italy, and Greece.

Going through boxes the other night, I found my photo album for the trip, and have just scanned them all in and posted them online. There’s a small selection on Flickr, and the entire collection in our family photo gallery.

It’s both funny and frustrating to look back on these now, for a variety of reasons. One of the most frustrating is that I ran out of film in Austria and (being my ever-absentminded self) didn’t manage to get traveller’s checks cashed quickly enough to have the right currency to pick up more film until we hit Italy, so I’m missing the middle few weeks of the trip (it’d be so much easier these days with the proliferation of networked ATMs worldwide, but this was in the dark ages of the early ’90’s, after all).

Often what really strikes me when I look back on the trip is the simple fact that with the jaunt through Hungary and Yugoslavia, I’ve visited countries that doesn’t exist anymore, or at least don’t exist as they were back then.

We were only in Zagreb, Yugoslavia for one night, but a small group of us decided that we didn’t want to just sit around the hotel room and ended up going out to a discotheque. About eight or ten of us went, and I quickly got frustrated with the group — they were slightly freaked out at being out and about in a Communist country, and just bunched up with each other. I thought this was more than a little silly, and ended up striking out on my own, wandering around the club, and peoplewatching, the same as I’d do in any other club. Far more entertaining for me.

I don’t know what Budapest, Hungary looks like these days, but I will always remember it as being one of the most beautiful cities that I got to visit in Europe. The city is actually two old cities on either side of a river, Buda on one side, and Pest on the other. I don’t remember anymore which side we were on, but our hotel sat high on a hillside overlooking the river and the city below, and I spent one very pleasant night sitting out on my balcony, listening to my walkman and watching the city below. I even knew when it was midnight (or possibly one in the morning), as that was when the lights on all the government buildings automatically turned off, suddenly letting those landmarks sink back into dark anonynimity with the rest of the city.

The pictures themselves aren’t the greatest quality, between being taken with a fairly cheap point-and-shoot and being fourteen years old (yikes!). Still, it’s fun for me to have them around. Feel free to browse through either the short version or the whole shebang.

Brad Bird

With the success of The Incredibles, more people are finally starting to take notice of director Brad Bird‘s first feature effort, the excellent Iron Giant. In a (very deservedly) gushing look at Iron Giant, MTV’s Karl Heitmueller wraps up with this statement:

Like the Brothers Grimm, Dr. Seuss and Maurice Sendak, Brad Bird knows that kids can handle some tough concepts, and he never insults the intelligence of his audience. The greatest children’s entertainment has always been challenging and sometimes difficult. But those are the books, films and shows that transcend pop culture to become timeless classics. Like “It’s a Wonderful Life” and “The Wizard of Oz,” “The Iron Giant” is one of those films that was a failure initially but whose stature continues to grow over time.

Very true, and I wish more people would learn how to approach children like that.

(via Luxo)

First Timer

Good night last night. My friend Richard is in town for a week, vacationing from Anchorage, and I met him outside the Vogue just a little after 9pm. We hung out outside for a few minutes until Valindria came out, harassed me (I didn’t realize she was there already, so we had been waiting for her to show up), and we headed in. She’d brought Ross, a gaming friend of hers, so the four of us settled in at the table closest to the entrance.

I always have fun introducing someone to the Vogue for the first time, as I always end up stepping back a bit mentally and trying to look at the club from an ‘outsider’s’ point of view. At one point, I just started laughing a little bit, Valindria asked what was up, and I had to take a moment to try and explain that I wasn’t really laughing at anything — rather, I was just enjoying the club itself. The dark club, good music, pretty people, seeing the colored lights flash across the face of a pretty brunette in a full-length black vinyl dress, my arm around Valindria as she stood next to me, watching Richard dance (and then proceed to come back to the table and half-seriously bitch because he hasn’t been out dancing to decent music in far too long)…I just love the club, the atmosphere, and the friends I have there.

It’s a good thing.

Eventually we all wandered off (aah, the joys of working at 8am) — Valindria and Ross a little after 11pm, Richard and I just a bit before midnight — and now the week begins again.

Richard and I have plans to hang out today after I get off of work. We’ll probably wander around downtown Seattle for a bit and see some of the sights that are within easy walking distance, do general catch-up and all (and if we’re lucky, this fog may lift enough to actually see some of the city by then…though, of course, the sun will have gone down by then, so we’ll just have to see what happens). Should be fun to play tourist for a while.

iTunesWe Are Free” by Doof from the album Return to the Source: Deep Trance and Ritual Beats (1995, 7:19).

Four More Years of…

Last night, while I was standing outside the front door of the Vogue to cool off and get some air, there were a couple guy standing around and chatting with Ogre (the doorman). Talk had turned to the election, and various doomsday scenarios were being bandied about. One of the guys was laying out possibilities for World War Three, the subject of moving to Canada came up, all the usual stuff. As they were chatting, a group of people coming into the club overheard them and tossed a few equally cheery opinions of their own out.

Ogre looked around at everyone, leaned back against the wall of the club, and said, “You know what I’m not looking forward to?”

“Four more years of listening to this!”

I think I’m in the same boat right now.

iTunesCasino (Solid State)” by Eckart, Tommi from the album Run Lola Run (1998, 5:44).