Shades of Gattaca

More and more, I think that in the coming years, the movie Gattaca may be seen as far more prescient than it was recognized as at the time it came out. Today’s example, for instance:

A Nobel Prize winning scientist has called on the British government to introduce legislation to [prevent discrimination on the basis of people’s genetic make-up][bq1], the Guardian newspaper reported on Saturday.

[…]

Medical advances and the sequencing of the human genome have led to concerns that genetic testing could be used by insurance companies and employers to discriminate against people with an increased risk of developing certain diseases.

It’s only a matter of time before the “haves” and the “have-nots” are determined by what’s in their genes, I fear.

Nick Berg conspiracy?

Those of you who’ve read this site for a while may know that I have something of a fascination for conspiracy theories. Sometimes they interest me because they’re so patently ludicrous, sometimes because they’re convincing enough to be nearly frightenting, and sometimes they end up somewhere in between.

I’m not really sure where to classify this one: Nick Berg’s Killing: 50 Fishy Circumstances, Contradictory Claims, and Videotape Anomalies.

Some of the points below are compelling. Some are weak or may turn out to be insignificant or coincidental. This is a work in progress, an early overview of discrepancies. There are too many discrepancies and contradictions to dismiss doubts about the video and the official U.S. stories about Berg. Additional inquiry and fact checking are needed as the Berg story unfolds or, rather, unravels.

Please keep in mind that I’m not posting this because I agree or disagree — rather, I’m posting it because I think it’s of interest. Many of the comments in the accompanying discussion thread are at least worth skimming, too. Some are far more vitriolic than strictly necessary (not really a surprise, of course, given the scope of the article), but a few do a good job of addressing some of the questions raised in the article itself.

The subject matter being what it is, of course, many of the points raised may not be for the squeamish.

(via Boing Boing)

Powell on Meet the Press

Here’s something you don’t see in today’s political arena very often these days. Colin Powell was on Meet the Press Sunday night, when one of his staffers attempted to cut off the interview in the midst of one of Tim Russert’s questions. Powell was not pleased, going so far as to rebuke the staffer on-air, and had the camera brought back in order to finish the interview.

As Tim Russert, the program’s host, began to ask his final question, the camera unexpectedly panned away from Mr. Powell, who was being interviewed in Jordan via a satellite link from Washington. In the confusion, Mr. Powell could be heard saying, “He’s still asking me questions,” to which a woman’s voice answered, “No, he’s not.”

Mr. Powell, still off camera, said, “Tim, I’m sorry, I lost you,” and added, “Emily, get out of the way.” Mr. Russert, slightly irate, responded: “I think that was one of your staff, Mr. Secretary. I don’t think that’s appropriate.” After a few seconds the camera returned to Mr. Powell and he finished the interview.

Video of the interview can be found on Lisa Rein’s Radar.

(via Boing Boing and Dave Winer)

iTunes: “Trouble In Mind” by Joplin, Janis from the album Janis (1965, 3:03).

Manly Pink #2

There’s now a second pink-toned stylesheet available for your viewing pleasure, courtesy of Shari Hes (who actually sent it to me last week, but it needed a few slight tweaks to get it to behave under Internet Explorer).

I’ve also implemented A List Apart’s stylesheet switcher, so now you can choose which style of pink you like best — or, if the pink is a bit much for you, I’ve also put the “old-school” all-greys design in the switcher. Just cast your eyes over to the sidebar, and pick a style, any style: thanks to the magic of CSS, JavaScript, and cookies, whatever style you choose will stick with you for as long as you like. Sure, this is nothing new around the web, but it’s the first time I’ve done it, so I’m kind of excited.

In a geeky sort of way. :)

One of my favorite bits, really, is that down in the footer at the bottom of each page the contributing CSS author’s name will automatically switch depending on which stylesheet is loaded. Not that complex to do, really (just playing with span tags and display: inline; or display: none; properties), but a nice little touch.

I’ve also (finally) added a print stylesheet back into the mix. I have no real idea if anyone ever bothers to print anything from my site or not, but just on the off chance they did, it’ll be a lot more bearable now than it was (the screen stylesheets crammed everything into a really tiny column in the middle of the page…pretty icky).

Admittedly, I’m still missing a stylesheet for handheld browsers, which Kirsten requested a couple months ago. Since I don’t have a handheld to test on, I’m not sure just how small of a screen to code for, and I’m half tempted to just create a “no style” stylesheet for handhelds. Go old school! ;) Not entirely sure if that’s the best approach or not, though, so until I figure out the best approach there, that feature is still missing in action.

And that’s it for the current round of design fun. I think I’m done for a little bit.

I think.

iTunes: “Violin Concerto for Violin in E Major, BWV1042, I. Allegro” by Rees, Jonathan/Scottish Ensemble from the album Bach: Brandenburg Concertos, Violin Concertos (1998, 7:43).

2004 DNC allowing bloggers as press

Great news for politically-minded webloggers: the 2004 Democratic National Convention has opened up their press credential process to webloggers.

The Democratic National Convention Committee is pleased to announce that for the first time ever, bloggers will be offered Convention access through the official media credentialing process.

Because the 2004 Democratic National Convention in Boston is less than 90 days away and space is extremely limited, we encourage those interested in this first-ever opportunity to act now. To apply to cover the 2004 Democratic National Convention as a blogger, you will need to submit applications to both the Senate Periodical Press Gallery AND the Democratic National Convention Committee (DNCC) Press Gallery before the May 28th deadline.

TTLB has gone on to clarify some of the details of just how to apply for press credentials, and has also made an overture towards the RNC to see if the same thing can be done for their convention.

Not being in the Boston area, I obviously won’t be applying, but hopefully this goes a long way to opening the political process to even more people.

iTunes: “Soylent Grün” by :Wumpscut: from the album Music for a German Tribe + New Tracks/Remixes (2000, 5:46).

Manly Pink: The photos

I got my friend Jessica to wander around with me today and play photographer so that I could fulfill my earlier promise of posing in pink t-shirts, kilt, and boots in return for assistance with the redesign of my website.

So, without further ado: me in pink!

Pink is the New Black

My least favorite of the three shirts — “Pink is the New Black”. Clever, but I’m not overly fond of the typestyle or the primarily white lettering.

Tough Guys Wear Pink

My second favorite of the three — “Tough Guys Wear Pink”. While it’s a bit too pink for me to wear on a regular basis (though I will be wearing it to the Vogue tonight), I do like it, and it will definitely get worn from time to time.

Skull and Crossbones

Definitely my favorite of the three, quite possibly because it’s the one with the least overall amount of pink. I’m just not much of a pink person most of the time — heck, it’s rare for my wardrobe to have much of any color in it at all! Still, even aside from that, this one just makes me laugh…something about the juxtaposition of the black shirt, the skull and crossbones, and the cute bright pink coloring.

After we’d finished shooting these shots in Freeway Park, we decided to continue the experiment. I changed back into the “Tough Guys Wear Pink” shirt and we went wandering through downtown Seattle. I have to admit, the outfit got some wonderful reactions from people — grins and laughs from some people, some appreciative whoops from some girls out with their dates for prom, and a “Hell yeah!” from a guy on his way to prom who was dressed in an all-white suit with a pink tie.

All in all, a very successful outing.

The Incredibles

Is it just me, or does this guy (I’m assuming it’s the villain)…

Pixar's The Incredibles

…look a lot like John Lithgow’s character in the Sylvester Stallone movie Cliffhanger?

iTunes: “Difficult Listening Hour – 02v2” by Various Artists from the album Difficult Listening Hour (2000, 1:04:41).

Spam attack!

I have no real idea if any of my readers (other than myself) subscribe to either my “full posts with comments” feed or my “comments only” RSS feeds, but if you do, my apologies for the spam dumps of the last few days. Apparently I’ve been targeted by someone (possibly in retaliation for using “pink” in a couple of posts, as Pops warned), and about once a day for the past three days, I’ll get a sudden burst of 20 to 40 spam comments posted.

I’m nuking them when I notice them, but it’s not always an immediate thing, so if you pull one of the affected RSS feeds between the attack and my cleanup, you get to see the unpleasant results. Not much I can do about it, unfortunately. Hopefully they’ll get bored and go away eventually.

(On a random side note, I just noticed that the title for my syndication feeds page is ‘fyndication feeds’. Oops! Guess I better fix that while I’m dinking around…)

iTunes: “Beyond Outside (Remix)” by SiSé from the album *SiSé* (2001, 4:48).

Metric vs. American paper size

Slashdot recently posted a link to this fascinating (in a geeky sort of way) rundown of the Imperial (Metric) system and how it relates to paper sizing. Some of what followed in the discussion thread I knew, some I didn’t, but it was one of the more interesting threads I’ve read on /. in a while.

Having worked in the quick-print industry for something over a decade now, while I don’t normally deal with metric paper sizes, I’ve gotten very used to thinking in metric when setting jobs up. This is simply because the machines I was working with for quite a few years — the Xerox Docutech family — could be set to work in either inches or millimeters. No matter which base measurement you chose, though, you could then nudge an image by a tenth of your base measurement. Obviously, you had much finer control when attempting to align items if you could nudge by a tenth of a millimeter rather than a tenth of an inch, so setting the machines to millimeters became fairly standard practice for me.

Still, it’s obvious when doing this that the two systems don’t really work together very well. US Letter size paper is commonly noted as 216mm by 279mm, and US Ledger (11″x17″) is 279mm by 432mm, however, each of these are actually approximations, and off by a few tenths of a millimeter on each side. Still, kludgy or not, the benefits gained through the finer control was worth it.

After reading through the discussion, though, I really wish the US would finally switch over to metric.

Things I knew:

From the original post:

For those who enjoy a bit of math, did you know that in the Metric paper system, the height-to-width ratio of all pages is the square root of 2? This means that you can place two sheets of A4 side-by-side and they will equal an A3 sheet exactly, and two sheets of A3 will equal an A2.

On trying to enlarge or reduce between paper sizes (which never works well with US paper sizes), from SSpade:

11×17 is not the same shape as 8 1/2×11.

That’s the real beauty of A4/A3 etc. All the sizes in a given series (A00, A0, A1, A2, A3, A4, A5… or B1, B2, B3…) are the same shape.

So you can photocopy an A4 document onto A3 paper expanding it by the right proportion and it’ll fit perfectly. And you can copy two A4 documents onto A3 paper and it’ll fit perfectly. Or use psnup to put A4 formatted documents reduced to 2-up on A4 paper with no wasted space.

Try that with letter or legal size….

Things I learned:

On bra sizing, from ZeLonewolf:

The number is the measurement below the bust.

An A-cup is a 1-inch difference between the measurement below the bust versus around the bust. B-cup is 2 inches, C-cup is 3 inches, etc. DD is the same as E, DDD is the same as EE which is the same as F. This holds valid through an H cup. After that, the interval is 2 inches, with the doubled letter being the in-between value. Thus, H-cup is 8″, and I-cup is 10″, and a 9\” difference would be an HH-cup.

The largest bra size manufactured without a special order is a size 60N.

On the origin of “one for the road” and “on the wagon”, from Sirch:

Not quite. The saying actually refers to the trip from the prison to the Tyburn Tree in London. The prisoner to be hanged would be given drink to calm him down for the hanging. The closest pub to the place of hanging that lay upon the route was a mile away. The prisoner would have a drink at this last pub, and then be given a drink to have on his way to the gallows. Interestingly, this is also the origin of “on the wagon” as one of the guards travelling with the prisoner was not allowed to enter the pubs with him. So couldn’t drink, and had to stay on the wagon.

Three posts on the pros and cons of metric and US measurements as applied to construction, from barawn, SamSim, and mamahuhu:

That’s not quite true – one of the reasons that the Imperial system is moderately convenient for building is that base 12 is divisible by 2,3,4 and 6, so you’ll encounter less rounding error if you need to split things up into common numbers. Base 10 is only divisible by 2 and 5. (Incidentally, this is of course why one of the older civilizations used base 60 – it’s divisible by 2, 3, 4, 5, and 6, and it’s the reason we have 60 seconds in a minute, 60 minutes in an hour).

So, for instance, if you want to break a 1′ object into thirds, you can do it exactly. Try doing it with meters – it’s 33 and a third centimeters. Most people would say “screw it, it’s 333 mm” – but if you now take those “1/3 m” sticks and put 300 of them end to end, you don’t have 100 m – you have 99.9 m, and you’re a full ten centimeters short. In imperial, 1/3 of a yard is 1 foot. No rounding errors.

There really are advantages to the Imperial system – most people, however, simply assume that Imperial sucks and leave it at that.

I would have infinitely greater respect for the Imperial system if all of it did indeed work in twelves, like with feet and inches. But inches are not divided into twelfths but sixteenths. Then there are three feet in a yard, 5.5 yards in a rod, 40 rods in a furlong, 8 furlongs (or a nice round 1760 yards) in a mile. 16 ounces in a pound, 14 pounds in a stone, 2000 pounds in a ton. Don’t get me started on liquid measure. And ultimately, you have to measure so closely that you have to use decimal places of the smallest unit (like 11.6 inches or whatever) – which means tens all round.

Remind me again what makes it easier to use?

Just go with tens. Tens are simple.

I’m an architest and I can tell you that the Imperial system sucks big time and is not convenient at all.

Adding up Imperial measurements is a freaking nightmare.

In the rest of the world we use standard sizes for construction materials like 150x150mm wall tiles, 300×300 floor tiles, 600×600 raised floor tiles, 900×900 carpet tiles, 1200×2400 (or higher) gypsum wall panels…. get it – it’s all on a sensible module that you can use to line everything up on …. AND it doesn’t stop you from use the exact same convenient divisor of base 12. In fact the above building material sizes show this exactly.

And you can easily add them all up.

The other thing that no one has mentioned is scale and the A system.

The majority of drawings we make are A1 sizes – which nicely scales to A3. A 1:50 drawing at A1 becomes a 1:100 scale at A3 – not the freaking ridiculous Imperial scales.

Then you can get a ruler with a 1cm scale on it and every cm is a metre.

Note that if you scale a A3 to A4 then everything becomes an inconvenient scale. What happens is that you reduce A3 to A4 for a Fax transmission the receiver scales it back up to A3 to use.

Note that the same issue occurs with A1 to A2 or A2 to A3. You need to scale down two levels in the A system to maintain scale – which is fine for most uses.

So the Imperial system sucks in all ways for Architects and construction in general.

On scaling in-progress engineering drawings, from the linked article, pointed out by Momomoto:

Technical drawing pens follow the same size-ratio principle. The standard sizes differ by a factor sqrt(2): 2.00 mm, 1.40 mm, 1.00 mm, 0.70 mm, 0.50 mm, 0.35 mm, 0.25 mm, 0.18 mm, 0.13 mm. So after drawing with a 0.35 mm pen on A3 paper and reducing it to A4, you can continue with the 0.25 mm pen. (ISO 9175-1)

Things I laughed at:

On good uses for US size paper, from ajs:

Also, if you take 3 8.5×11 sheets, line them up along their longer sides, attach them to eachother, put a staple through the middle of the first and second sheet join and then hang them from a height of approximately eye-level it makes the idea place for a picture of a naked “girl next door”.

My buddy Heff taught me that trick.

Two posts on combining two A4s, from Anonymous Coward and Golias:

There’s also an Audi A4, and if you put two of those side by side, people say “Look, isn’t that a coincidence”.

Two Mini Coopers side by side == One Audi A4 Two Audis == One BAM (“Big Assed Mercedes”) Two Mercedes == One average European house.

Wow, those Europeans can apply simple metric system math to everything!

Meanwhile, in America: Two Mini Coopers side by side == One speed bump for a Hummer H2. Two Audis in the driveway == A good house to break into. Two Mercedes == Really, really tacky. Two Hummers == The energy consumption of a typical third-world country Two third world countries == A re-unified Germany. (I keed!)

On the real reason why the US will never switch, from forrestt:

Actually, it has to do with apple pie. Since there is nothing more American than apple pie, the apple pie recipe is considered sacred. It has been passed down from generation to generation since the start of this glorious nation. Unfortunatly, it has been passed down on the female side of our ancestry, and we men have been telling our women that:

|——| = 10 inches, when in fact |———| = 10 inches.

This has caused them to become totally confused with regard to units of measure, and they are thus unable to convert imperial to metric units. Thus, if we were to switch to using the metric system, we would no longer be able to bake apple pies, a situation we are just not willing to accept.

On Japanese influence over metric paper sizing, from revery:

And of course, 5 sheets of almost any metric sized paper folded into origami lions will inevitably merge to form Voltron, a robot so powerful that it will usually let it’s enemies kick it’s butt around for a good 15 to 20 minutes before it forms the blazing sword and finishes the fight.

Protect the Baby Squirrels

There’s an analogy that Shelley uses every so often that for one reason or another, started rumblings in my brain this morning: kicking the baby squirrels. This came up most recently in the continuing discussion of the Movable Type 3 licensing brouhaha.

Mistakes in licenses are serious things. Folks are right to question these. People who plan on using Movable Type in the future should continue to question confusing language in the licenses.

What’s sad about this though, is that the ‘baby squirrel’ phenomena is still in effect for Movable Type and the Trotts and Six Apart, when I thought we’d grown beyond that.

What do I mean by the ‘kicking the baby squirrel’ phenomena? When we address technical issues or question pricing, and you perceive it as an attack on the people, that’s accusing us of kicking the baby squirrels. If you perceive any criticism of a company or a technology or a person’s writing or opinions, as an act of overt hostility, and respond with personal insults in return, that’s playing the kicking the baby squirrel card.

Obviously, there’s been a lot of this going on recently. For all the people who looked at the restrictions of the licenses and raised holy hell, there were also quite a few who lambasted all of us who were upset as simply being whiny, spoiled children, complaining because we weren’t getting what we wanted for free, throwing tempertantrums, and refusing to pay.

Of course, that’s patently ridiculous. Few if any of the posts I’ve read (or written) about this have been from people unwilling to pay for MovableType — just from people unwilling to pay what they saw as unreasonable prices with draconian restrictions, which, coming from a company that’s historically been seen as one of the “good guys”, took us all by surprise. Yesterday’s clarifications should do a lot to help that and calm things down, but if there are still questions to be asked, there’s no reason to stop asking them.

What this really reminded me of, though, was what has been passing for political discourse in the US lately. Over the past few years, we’ve seen more and more of the “us versus them” mentality, where “us” seems to be defined as those who slavishly follow Bush and his cronies, and “them” being absolutely everyone else, foreign or domestic. Agree with Bush and his policies, and you’re fine, but question any of them, and suddenly you’re unpatriotic and a traitor.

It doesn’t matter that those of us who question generally do so because we’re concerned, because we want to see this country do well for itself, do well for others, and be respected in the international community and by itself. It doesn’t matter how serious the questions are, how serious the concerns behind them are, or how they are presented. The mere act of questioning is enough to condemn us.

Sound familiar?

I haven’t bothered to look into whether the political baby squirrel protectors overlap with the technological baby squirrel protectors much or at all, and just off the top of my head, I’d assume that any overlap would be entirely coincidental, and not have any real relevance. It’s the attitude that disturbs me, though, and I really wish it was one that we (collectively) could get over.

iTunes: “Fuck It Up (Did You Ever Get the Feeling?)” by Pigface from the album Preaching to the Perverted (1995, 3:42).