40/2023 – ⭐️⭐️⭐️
More Discworld silliness, this time following the eighth child of an eighth child who, for very good reasons, is asking just why women can’t be wizards. Something of a mid-80’s take on feminism in fantasy literature.

Enthusiastically Ambiverted Hopepunk
40/2023 – ⭐️⭐️⭐️
More Discworld silliness, this time following the eighth child of an eighth child who, for very good reasons, is asking just why women can’t be wizards. Something of a mid-80’s take on feminism in fantasy literature.

38/2023 – ⭐️⭐️⭐️
I found this one to already be a bit better than the first in the series; it certainly had more moments that made me chuckle or laugh out loud. I’ve seen lots of comparisons between Pratchett and Douglas Adams, and while I could see that in the last one, it was definitely more evident here. As if with the first book, Pratchett and Adams definitely lived in the same town, but with this book they’re now next-door neighbors. On its own and if found without any prior knowledge, the first wouldn’t have hooked me; this one would have convinced me that I’d be interested in reading more.

37/2023 – ⭐️⭐️⭐️
Though I’ve absorbed a certain amount of general Pratchett-related knowledge through decades of geek osmosis, until now I’ve not read any of his work (aside from his Good Omens collaboration with Neil Gaiman). Having been gifted a nearly complete selection of Discworld ebooks, after looking at several reading guides with various and sundry suggestions of where to start and how to continue, I finally just decided to start at the beginning and (over time) work my way through in publication order. Of course, this means that the first book I’ve read is one that many lists seem to agree might not be the best introduction to the series, which I suppose I can see – it does have a definite first-book “I have this idea for a humorous fantasy world series, let’s see if it works” feel to it. That said, it’s frequently amusing (particularly for someone old enough to have been reading fantasy in the 80s; much of this book might not land as solidly for someone raised on modern fantasy), and I actually found the idea of the Wyrmburg and its inverted dragonhold, where the riders walk along the ceiling by hanging upside down from rings by using hooked boots particularly imaginative. Admittedly, if I hadn’t already come across enough snippets, quotes, and other mentions of Pratchett and Discworld it might not be enough to solidly hook me, but as it is, I’m looking forward to reading on and seeing how Pratchett evolves the concept through the later books.
