Roy Disney resigns from Disney

Wow. Okay, so it’s been fairly obvious that Disney isn’t what it once was (how many recent Disney movies can you think of that were really worthwhile that weren’t Pixar productions with the Disney logo stamped on them?), but this is still a fairly amazing development. Roy Disney himself has left the Walt Disney company, and includes a call for Michael Eisner’s resignation or retirement in his letter of resignation.

It is with deep sadness and regret that I send you this letter of resignation from the Walt Disney Company, both as Chairman of the Feature Animation Division and as Vice Chairman of the Board of Directors.

You well know that you and I have had serious differences of opinion about the direction and style of management in the company in recent years. For whatever reason, you have driven a wedge between me and those I work with even to the extent of requiring some of my associates to report my conversations and activities to you. I find this intolerable.

…I believe your conduct has resulted from my clear and unambiguous statements to you and the Board of Directors that after 19 years at the helm you are no longer the best person to run the Walt Disney Company. You had a very successful first 10-plus years at the company in partnership with Frank Wells, for which I salute you. But since Frank’s untimely death in 1994, the company has lost its focus, its creative energy, and its heritage.

[…]

In conclusion, Michael, it is my sincere belief that it is you who should be leaving and not me. Accordingly, I once again call for your resignation or retirement. The Walt Disney Company deserves fresh, energetic leadership at this challenging time in its history just as it did in 1984 when I headed a restructuring which resulted in your recruitment to the Company.

I have and will always have an enormous allegiance and respect for this Company, founded by my uncle, Walt, and father, Roy, and to our faithful employees and loyal stockholders. I don’t know if you and other directors can comprehend how painful it is for me and the extended Disney family to arrive at this decision.

(via aeire)

Persistance of Mouse

Dalí, whose previous film experience included two short films with the Spanish master Luis Buñuel, approached Disney at a dinner party at the house of Warner Brothers head Jack Warner. Dalí, then working on Alfred Hitchcock’s Spellbound, believed he and Disney could create what he called “the first motion picture of the Never Seen Before.”

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Disney agreed, and assigned director John Hench to help Dalí turn the Mexican ballad “Destino,” by Armando Dominguez, into a kind of prototypical music video. (Hench, now 95, continues to come to work every day at the Disney lot, and consulted on the new Destino.)

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Dalí spent his time at the Disney studio painting, drawing and discussing with Hench the challenges of adding motion to what he described as his “hand-colored photographs.” The project continued for eight months, and was abandoned in 1947 when the Disney studio ran into financial problems. Dalí died in 1989.

Thanks to some of today’s Disney animators, Destino has been completed, and will likely be shown in theaters next year before a Disney film, and eventually end up on DVD. I’m really looking forward to seeing this.

[From Usenet: 8.22.98 2300]

[Note: This was originally a post to the alt.music.nin Usenet newsgroup. I’m including it here for completeness. Originally archived here.]

In article <6rl9d0$fv...@news.doit.wisc.edu>, Mother’s Little Helper <val...@stoned.com> wrote:

RaumKatze2 <raumkat...@aol.com> wrote:

> You can play any music with any movie or tv show, and there are bound to be syncronicities with lyrics, dynamics, rhythm, and other stuff.

One of the scariest exqamples of this was one day in 1995 when we noticed that Sesame Street was perfectly synched with the Sir Mix-a-Lot album we were listening to…it was scary.

One of the funniest I’ve seen was watching Disney’s “Sleeping Beauty” in fast forward while listening to nin’s broken album. Fit way too well…funny as shit, too.