Enthusiastically Ambiverted Hopepunk
Just added to the Jason Webley Bootlegs collection: No Woman, No Fly (5.1Mb .mp3). The audio quality isn’t the greatest (with Jason’s penchant for going from soft to screaming in nanoseconds, the recording’s a bit overdriven in places), but it’s up.
Thanks to usernamenumber for posting the .mp3, and to RobTav63 for help with the lyrics.
Lyrics follow behind the cut.
Prompted by a discussion on Jason’s forum, I’ve finally re-posted all of the Jason Webley bootlegs I’ve managed to get my hands on.
“I’ll Fly Away (Live)” by Webley, Jason from the album Halloween Deathday 2004 (2004, 3:59).
Not only is Jason gracing us with a free song every week (starting this week), but the old, mostly broken, overrun-by-spam guestbook has been replaced with a new, not at all broken forum.
And there was much rejoicing.
“Eleven Saints (Live)” by Webley, Jason from the album Camp Tomato (2005, 4:09).
From Adriaan:
last.fm has nice charting tools, mapping out your listening trends. From data collected over the past year, this list appears to show my top artists.
Here’s my top eleven (rather than ten, simply because these are also all the artists with more than 50 plays):
The only slight surprise is that Pink Floyd is that high in the list. Not that I’m not a fan, but I’m not a huge fan…I do, however, have a lot of PF in my collection (thanks to picking up a box set some time ago), so their songs percolate through the random playlists fairly regularly.
So last night was Jason Webley‘s fall concert for the year. This makes the fourth consecutive fall concert that Prairie and I have been able to attend together, and all in all, it was a good show — not the best that Prairie and I have been to, but overall still quite enjoyable.
We showed up downtown about quarter after seven, after a bit of confused driving around. While I’ve been to the Catwalk a few times before, this was the first time that I’d driven there, and the subsequent loss of direction was compounded by I-5 being insanely backed up when we left the apartment, so we’d taken Aurora in and ended up cruising through the World’s Scariest Tunnel™ and then finding ourselves on the Alaskan Way Viaduct before we finally found an exit and got into downtown Seattle. In any case, we did eventually find both downtown Seattle and the club (though I felt quite the idiot in the end) and grabbed a place in line.
So yesterday was Jason Webley‘s Camp Tomato. Prairie and I weren’t entirely sure just what the day would have in store, but we figured it would be fun, so after waking her up from a nap — she, unfortunately, has been battling off the last stages of the same nasty bug I was fighting last week — we hopped in the car and headed over to Woodland Park.
(This one’s long, folks — around 3200 words, 17 images, and one video — the rest is after the cut….)
Plans for April 30th are afoot, courtesy of Mr. Jason Webley…
Camp Tomato!
An afternoon of fun and games beginning at Woodland Park and ending with a concert in Ballard. The day begins with a potluck picnic at 1 pm. Various tomato activities will follow. After a dinner break, Jason will give a concert at the new Paradox Theater. Tomato, tomato, wheee!
The Paradox Theater
1401 NW Leary Way
8 pm – All Ages – $9
“I Am Calling Out (L’Alta)” by Master Musicians of Jajouka from the album Brian Jones pres. the Pipes of Pan at Jajouka (1995, 5:54).
A couple of days ago, I got this somewhat cryptic e-mail…
Hello…
Something is happening in the produce section of your local Supermarket this weekend:
Jan 29 – 12:30 pm – Ballard Safeway – 8340 15th Ave NW
Jan 29 – 7 pm – University Safeway – 4732 Brooklyn Ave NE
Jan 30 – 12:30 pm – Capital Hill QFC – 523 Broadway E
Jan 30 – 7 pm – Everett QFC – 2615 BroadwayStill,
-jason webley
So, today Prairie and I wandered our way up to the Capital Hill QFC to see what would happen.
As 12:30pm rolled around, there were quite a few people wandering around the produce section. Some made a pretense at shopping, some greeted friends, some just stood off to the side, and some continued on with their normal Sunday shopping. Occasionally a QFC employee would wander through to see if anyone needed any help, but we were all quite content to keep puttering around and investigating the fruits and vegetables.
Eventually, in strolled Jason, guitar case in hand, looking much younger now that he’s clean-shaven and still growing his hair out after his last deathday concert. A few nods, hugs, and friendly hellos passed between Jason and some of the gathered friends and fans, and then he joined us in our purported produce procurement. A few minutes later, Jason raised whatever vegetable he was holding up above his head, as if to get a better look at it in the light from the window. The person next to him raised their veggie in the air. Another went up, then another, then another.
One girl who’d been strolling around listening to a portable CD player started humming to herself, then swaying back and forth, and then singing. First softly, then more and more loudly, she sang along to The Clash‘s ‘Lost in the Supermarket‘: “I’m all lost in the supermarket! I can no longer shop happily!”
Moments later, a guy in white shirt, tie, and a tag reading “MANAGER” strolled over to her and tapped her on the shoulder.
“Miss? Miss? Excuse me, miss, but could you take your headphones off, please? Look, I’m very glad you enjoy shopping here, but you just can’t sing in the grocery store. I’m sure everyone else here would much rather shop in peace. You just can’t sing in the supermarket!”
And then he turned to the people standing around, drew a deep breath — and sang out, “You just can’t sing in the supermarket!”
A girl in a white shirt and white kerchief tied over her hair joined in — “Anyone will tell you so!”
Jason started playing his guitar. Another guy pulled a clarinet out of his jacket. Three girls nearby joined the song, complete with chorus-line high kicks. Eventually, about half the people that had been hanging around in the produce section were involved in the lineup, waving their hands in the air for the grand finale: “Because if you sing in the supermarket, you will have to go!”
And with the clash of a small pair of hand cymbals, it was over. Jason’s guitar went back in its case, the clarinet disappeared back into the jacket, and, accompanied by much laugher and scattered applause from other shoppers, everyone quickly made their way back outside to the sidewalk.
“Off to the next one!” Jason cried, and up we all went to the QFC on 15th Avenue.
All told, we hit five grocery stores before Prairie and I had to break off from the group in order to get her back on the road to Ellensburg before it got too late in the day. When we left, the group was heading up to a Trader Joe’s, and we’d heard mention of the QFC at Pike and Broadway — we’re assuming they made it there as we saw them a bit later walking by Dick’s on Broadway as we were heading back from a detour by Twice Sold Tales on our way down the hill to the apartment.
What a blast. This world needs more random silliness in it from time to time, and we had a lot of fun being part of this particular bit of randomness. Much giggling and many smiles from everyone in the group and from whatever customers happened to be around in each store — just the thing for a grey winter day in Seattle.
More pictures of the event are, as usual, in a Flickr photoset.
Update: M. Whybark witnessed Saturday’s revelries.
Update: Accompanying M. Whybark were the not-entirely-mythical Danelope and Jim, who contributes this photo set (which, as he points out, is smaller but more focused than mine — hey, it was my first day with a new camera…[grin]).
Update: Steve Konscek, the “manager” of the troupe (more commonly known as Brandon) has posted his account of the weekend’s fun.
“Quite Contrary” by Webley, Jason from the album Counterpoint (2002, 3:08).
Same deal: ten songs at random…
Eurythmics, ‘I Need A Man‘, off of Eurythmics Greatest Hits: I’m a big Eurythmics fan, but this is one of my all-time favorites of their songs. I’m not quite sure if I’d definitively call it my favorite, but it’s definitely in the top three (along with Love Is A Stranger and Missionary Man).
Front 242, ‘Headhunter (Xingu Hill)’, off of Headhunter 2000: Headhunter 2000 is a two-disc collection of remixes of the classic Front 242 track. Some of the mixes are really good — this one, while not unlistenable, isn’t one of my favorites. It strips away too much of the melody, leaving little more than a series of distorted bleeps and bloops over chopped up samples of the original vocal track.
Random, ‘Rock Me’, off of Technorave 3: Technomania: I’ve got to admit, I’ve still got a fondness for early-90’s techno — back when techno was techno, and it hadn’t split up into the many different styles of electronic dance music that collectively fall under the ‘electronica’ label these days. Very simple and very repetitive, but somehow much of this stuff still works quite well for me (though, admittely, this one goes on a bit longer than it really needs to).
Lo-Fidelity Allstars feat. Pigeonhed, ‘Battle Flag (Radio Edit)’, off of How to Operate With A Blown Mind: The Lo-Fidelity Allstars team up with Pigeonhed to udpate Pigeonhed’s single. This is one of my all-time favorite dance tracks — and, in an unusual situation, is one of the few songs where I like the radio edit better than the album edit. Where the album track says “motherfucker”, the radio edit, rather than backmasking or just dropping the volume levels of the vocals for that word, electronically stretches out the first letter of the next word in the song. It makes for a really cool effect, and a radio edit that for once doesn’t sound emasculated when compared to the unedited album track.
L.A. Style, ‘L.A. Style Theme’, off of L.A. Style: More early-90’s techno. L.A. Style’s one big hit was James Brown Is Dead (which at one point could be found on nearly every single techno compilation ever), though they did have a couple more minor hits with Baloony and I’m Raving. I’ve got a very fond place in my heart for this album, as James Brown Is Dead is actually the first real techno track I can remember hearing, and it started getting me into the techno rave scene.
Marmion, ‘Schöneberg (John Acquaviva)‘, off of The Sound of Superstition Vol. 5: Modern European techno from the Superstition label. I picked this compilation up solely because I’ve found over the years that for some reason, Europe (especially Germany) seems to be the only region where “old-school” techno is still in vogue, and much of their electronic music still has strong roots in the early-90’s techno styles. This track isn’t anything special, but isn’t bad background, either.
‘I Love Cats’: I have no idea who does this or where it came from. I do know that it’s sick, wrong, and very funny. Lyrics and download are available on this post from last March.
Sonia Dada, ‘Paradise‘, off of Sonia Dada: I first heard Sonia Dada on one of Seattle’s local rock stations, 103.7 The Mountain, where they were giving ‘You Don’t Treat Me No Good‘ heavy play. I really enjoyed that song, so went searching out some more of Sonia Dada’s work. This is a band I really need to pick up some albums by, rather than just the few tracks I have downloaded so far — musically they’re definitely good, but it’s the strong singing and harmonies that really catch my ear.
Jason Webley, ‘Pilgrim II (Live)’, off of The Halloween Special 2001: Regular readers will know that I’m a big fan of local Seattle artist Jason Webley. This is a live recording from his 2001 ‘Deathday’ show of a song which became ‘Counterpart‘ on the album Counterpoint. While Jason hasn’t officialy released any live albums, he doesn’t seem to mind the distribution of the bootlegs that have been recorded so far — you can find the ones I’ve collected so far ~~on my server here~~.
And this week’s bonus track:
“Haunted When the Minutes Drag” by Collide from the album Vortex (2004, 7:43).
Jason Webley has updated his site with information about his most recent show. He has links up to the photo galleries that Josh and I have posted (nifty!), plus a few other goodies.
The “Life of Webley” animation that opened the show can be downloaded as a 4.8Mb .wmv file, and he’s posted the text of the four stories from the evening:
What is it about holding a balloon that is so magical and familiar? A hand that is holding a balloon is a content, happy hand. Why exactly is that? I’m sure the scientists and philosophers and marketing people have written dozens of millions of pages about this subject, but I have my own theory.
Feather was a girl who trusted her feet. She ran so light, so fast and so reckless that she never had time to fall and skin her knees. She had big bright eyes filled with bees a-buzzing and long yellow hair that trailed behind her when she ran through the garden. There was always dirt under her fingernails and snot on her chin. But never a scrape on her knees. Because she trusted her feet.
Isn’t it interesting how differently people move through the world? One person walks down the street and everyone he passes immediately likes him and thinks to themselves, ‘what a nice pleasant fellow! I should invite him over for dinner!’ But when another person walks down the same street in much the same way, people lock their doors and grumble to themselves, dogs bark, he is met with suspicious glances until eventually someone throws a shoe at him.
Tomato was the most beautiful woman in the world. She never knew her mother, but she never gave that much thought. She was the most beautiful woman in the world and there were always plenty of people around to shower her with attentions and affections.
“Music That Tears Itself Apart” by Webley, Jason from the album Viaje (1998, 3:22).