Meme 2: iTunes

iTunes FoldersAnother meme that Kottke pointed out — iTunes usage methods.

How you organize your music can be as important to someone as what music they listen to. For me, with a personal CD collection currently somewhere around 1,200 discs, organization becomes extremely important. Luckly, iTunes has everything I need in order to keep track of what I have, find things easily, and discover music I hadn’t heard in a while (and at times, didn’t remember that I even had).

One of the godsends of iTunes is the “smart playlists” feature — I use smart playlists almost exclusively (they’re the purple-colored icons in the screenshot). Essentially, a smart playlist allows you to set certain criteria that determine what songs are in the playlist, which is then automatically updated by iTunes. For instance, I keep three smart playlists synced to my iPod at all times: “new additions”, “random unplayed”, and “random 1gb”.

  • Random 1Gb: the single most important playlist, for me. This randomly grabs one gigabyte’s worth of music that 1) I haven’t listened to in the past 2 months, 2) is rated three stars or above, and 3) isn’t in the “Christmas” genre. Whenever I listen to a song, it removes it from the playlist, and grabs another one. This syncs with my iPod, and as the iPod tracks what I listen to each day, the playlist is automatically updated at night when I get home from work, and in the morning just before I leave. The end result — roughly 20 hours of songs that I know I like, but haven’t heard in a few months.

  • Random Unplayed: this playlist grabs one gigabyte’s worth of music that I’ve never listened to. This comes in handy when I’m importing a lot of music (like now, as I re-import all 1200 CDs to AAC rather than .mp3) — as long as there’s something in this playlist, then I know that there’s songs that I haven’t listened to yet (either just to listen, or to check to ensure that the rip was completed successfully).

  • New Additions: this is, quite simply, any songs that have been added to my library within the last two weeks. Great for being able to explore a new album right after buying it.

Other smart playlists that come in handy: “recently played” (anything I’ve listened to in the past two weeks, handy for tracking down something I know I heard recently), “top 25 played” (a pesudo-best-of list), “top rated” (any songs rated four or five stars), and the various by-year playlists (listening by era can be quite interesting sometimes).

The only two “normal” playlists I have at the moment are one for Poems for Laila (from when I was making CDs for Prairie last weekend), and one for Sony’s excellent Soundtrack for a Century collection. Other than those two, it’s all smart playlists for me.

Hey Parrotheads!

(Yes — this means you, Casey.)

Jimmy Buffet has released two of his upcoming live albums exclusively on Apple’s iTunes Music Store nearly a month before the CDs will hit store shelves. “We are happy to announce that Jimmy Buffett will be releasing ‘Live in Auburn, WA’ and ‘Live in Las Vegas,'” notes Buffet’s record company. “Both releases will be available exclusively at Apple’s iTunes Music Store beginning September 30th. The live CD’s will also be available October 28th at your favorite record store, or here online at mailboatrecords.com.”

(via MacMinute)

Love, Natalie

A definite must-read: a letter from Natalie of the Dixie Chicks:

Dear Reader:

I am taking the time out of my very busy rock and roll life to write you this letter. As I am sure you can understand, being me is a full time job. I can’t just drop everything every three days because someone needs a quote or statement about a quote or statement we may or may not have said. It’s just draining me of time and effort I need to put toward other things. For one, I as a taxpayer have to get busy earning money to help pay off the latest \$87 billion dollar addition to the national debt! Also, I have a huge list of phone calls to return.

I’ll list a few just so you get the idea.

Message 1: Saddam Hussein called and wants to know where his weapons of mass destruction are. Listen Saddam, I already told you, I don’t know. You’re going to have to call the White House on that one.

Message 2: Country radio called and wants to know if it’s true that you’re leaving country music? This one must be a prank call. I mean, how can you leave a party now when the hosts had shown you to the door six months ago.

(via Atrios)

Moonshine Run

The winter before I left Anchorage, my brother was playing bass for a bluegrass band called “Moonshine Run”. One evening they were performing at a coffeehouse in town, so I headed down to see them. I brought along a MiniDisc recorder, and they were kind enough to let me plug into the soundboard and record them. The next morning they were playing and being interviewed on a local radio station, and I added that to the end of the disc.

A couple months ago, Rick ran his MiniDisc player into the ground. Since I wasn’t using mine, I handed it to him along with a stack of MiniDiscs with one condition — that he get me a copy of that recording.

This weekend Rick stopped by for a bit, bringing with him a CD of .mp3s that he’d made from the MiniDisc. I just got them copied over to my Mac, and now I’m sitting here listening to Kevin and his friends play some good old down-home bluegrass. It’s great — every so often between songs I can hear Kevin laughing in the background.

Beware: You might be next!

Beware!

Nice editorial cartoon from the New York Times looking at the recent lawsuits by the RIAA against people sharing music files over the internet via file-trading networks.

I particularly liked the disclaimer at the bottom of the cartoon:

WARNING: Do not forward this column through e-mail, make photocopies to send to a child in college, tape it to your dorm-room door or put it on a bulletin board in your office — or you may be receiving an unexpected knock on your door.

(via Anil)

Who's on stage?

Okay, this is it — the last one. Mostly because it’s the last version that I know of, but hey, that’s okay. This one comes from one of the best TV shows of all time, the Animaniacs (specifically, epsiode #59, midway through “Woodstock Slappy”). If there’s anyone out there who can get me an .mp3 of this scene, I’d love it!

Update: This clip has been posted on YouTube! Who knows how long it’ll be there before the copyright police yank it, but it’s there now…. (via MeFi)

Who’s on stage?

Skippy and Slappy are at Woodstock. Roger Daltrey is onstage singing….

SLAPPY: Skippy, what is the name of that group playing on stage?

SKIPPY: Who.

SLAPPY: The name of the group.

SKIPPY: Who.

SLAPPY: The group on stage.

SKIPPY: Who.

SLAPPY: The group playing on stage.

SKIPPY: Who.

SLAPPY: You’re starting to sound like an owl, Skippy.

SKIPPY: Who is on stage!

SLAPPY: That is what I’m askin’ ya’, who is on stage?

SKIPPY: That’s what I said.

SLAPPY: You said who?

SKIPPY: I sure did.

SLAPPY: So tell me the name.

SKIPPY: Who.

SLAPPY: The name of the group.

SKIPPY: Who.

SLAPPY: The group on stage.

SKIPPY: Who.

SLAPPY: The name of the band on stage!

SKIPPY: Who!

SLAPPY: You’re doing that owl thing again, Skippy!

SKIPPY: I’m not, Aunt Slappy, I’m telling you Who is on stage.

SLAPPY: So tell me.

SKIPPY: Who.

SLAPPY: So tell me.

SKIPPY: Who.

SLAPPY: The name of the group.

SKIPPY: Who.

SLAPPY: The group on stage!

SKIPPY: Who!

SLAPPY: That’s what I’m asking you!

SKIPPY: And I’m telling you the answer.

SLAPPY: Wait, Skippy, let’s start over. Is there a band on stage?

SKIPPY: Yes.

SLAPPY: Does the band have a name?

SKIPPY: Yes.

SLAPPY: Do you know the name of the band?

SKIPPY: Yes.

SLAPPY: Then tell me the name of the band on stage.

SKIPPY: Who.

SLAPPY: The name of the band!

SKIPPY: Who.

SLAPPY: The band, playing on stage!

SKIPPY: Who.

SLAPPY: That’s what I want to know!

SKIPPY: I’m telling you!

SLAPPY: Who is on stage.

SKIPPY: Yes.

SLAPPY: Who is?

SKIPPY: Yes.

SLAPPY: Oh. So the name of the band is Yes.

SKIPPY: No, Aunt Slappy, Yes is not even at this concert.

SLAPPY: Then who is on stage?

SKIPPY: Yes.

SLAPPY: Who is?

SKIPPY: Yes.

SLAPPY: That’s just what I said, Yes is on stage.

SKIPPY: No, Yes is not here. Who is on stage.

SLAPPY: Whaddya askin’ me for?

SKIPPY: I’m not!

SLAPPY: Wait, let’s try this again. Do you see the band on stage?

SKIPPY: No I don’t see The Band, that’s a different group entirely.

SLAPPY: On stage, Skippy. Look, see the band?

SKIPPY: No I don’t.

SLAPPY: Get rid of those John Lennon glasses and look! There, there’s the band!

SKIPPY: No, that’s not The Band. The Band is performing later on. Who’s on stage.

SLAPPY: You tell me.

SKIPPY: Who.

SLAPPY: The name of the group on stage.

SKIPPY: Who.

SLAPPY: The name of the group!

SKIPPY: Who.

SLAPPY: The group on stage!

SKIPPY: Who.

SLAPPY: The band!

SKIPPY: No, The Band is performing later. Right now, we’re listening to Who.

SLAPPY: That’s what I wanna know!!

[Cheering]

ROGER DALTRY: Hey, you squirrels are funny, man. Come on up here and take a bow.

SKIPPY: Yeah! Far out!

SLAPPY: Oh brother…

(Thanks to my friend Rick for tracking this down on videotape so I could finally see it after being told about it for years…still looking for that .mp3, though!)

Universal dropping CD prices

It’s about damn time.

Battered by online piracy, the Universal Music Group, the world’s largest record company, said yesterday that it would cut prices on compact discs by as much as 30 percent in an aggressive attempt to lure consumers back into record stores.

Under the new pricing scheme, Universal would lower its wholesale price on a CD to \$9.09 from \$12.02. The company said it expected retail stores to lower CD prices to \$12.98, from the \$16.98 to \$18.98 they now charge, and perhaps to as low as \$10. When CD’s first arrived on the market they cost \$15.98, and have climbed from there.

This has been far too long in coming — but at least it’s finally starting.

Bumbershoot '03: Mon, Sep 1

Leftover Salmon

Finally, we made it to the end — day four of Bumbershoot is over and done with. After this post, no more Bumbershoot babbling until sometime next year!

I made sure to get to the Seattle Center right around noon today, as I was looking forward to both of the first two big acts in the stadium. First up was Leftover Salmon, having a blast with some good down-home bluegrass. They were obviously having a blast, and had a small lineup of three can-can dancers who came out on stage every so often to liven things up just a bit more. Not a bad way to get the day started in the least.

Nickel Creek

After Leftover Salmon left the stage, we had the requisite half hour wait in the sun as the stage was struck and then re-set for the next act. I was so glad I’d remembered to grab a bottle of water on the way out today, otherwise it would have been way to hot at that point. Eventually, Nickel Creek got onstage and started their set. Sara (their fiddle player) is quite the cutie, isn’t she? I was really enjoying their set, unfortunately, I had to take off about halfway through — I needed more food and less pot smoke (the clouds of marijuana drifting by were noticeable all weekend, and this morning I think I was surrounded by pot smokers, and it got a bit much for me).

Karsh Kale

I’d picked Karsh Kale as a possibility, so after grabbing some food, I headed over to the Bumbrella stage to check them out. Seemed to be fairly good Indian-flavored pop, unfortunately, it turns out that I showed up just in time for their last song. Ah, well — the one song was good, at least.

Magic Slim and the Teardrops

Since I’d missed Karsh Kale, I figured I’d head over to the Blues stage to catch the last half of Magic Slim and the Teardrops. Found a good open spot on the hill, kicked back, and half-dozed in the sun while listening to some good old Chicago-style blues. Not much better than relaxing to the blues on a good warm day, sometimes.

Carnival ride

At this point, I was starting to get overheated, so I figured I’d stop into the EMP and catch United States of Electronica. Unfortunately, the line to get in to their show was incredibly long, so instead, I just wandered around in the “Fun Forest” carnival area for a little bit, watching people on the rides. It’s a cute little carnival area — not much to it, but what’s there is at least decent. None that I was really interested in hopping onto myself, but entertaining to watch for a while.

Carnival ride

It had gotten to about 3:30 in the afternoon by now, and I realized that there was nothing on my schedule for the next few hours that I was really excited about seeing, and I’d about hit my overload point. After three and a half days, I finally hit a point where being in the middle of all those crowds in the hot sun was the last thing I wanted to do. Since I had a good five hours before R.E.M. came on stage (who I was excited about seeing) I figured that taking a break would be a good idea, so I hopped the monorail, came back to the apartment, and took a nap for a few hours. Very, very glad I did, too. I’m not sure I’d have made it through the rest of the day if I’d tried to stick it out.

R.E.M.

The nap did a good job of rejuvenating me, though, so roundabout 8pm I headed back out to the Seattle Center and got into the stadium about twenty minutes before R.E.M.’s set started. It took a bit of jostling through the first few songs before I found a decent spot, but eventually a good space opened up, and I was able to see most of the show pretty clearly (though the pictures really don’t do it justice). They filled the full two hours that they’d been given plus some, when they decided to toss in a few extra songs “just because we can.” Absolutely incredible show, and they finished off with “It’s the End of the World As We Know It (and I Feel Fine)”, which blew me away. Awesome show.

All in all, another really good Bumbershoot weekend. Tons of sun, tons of incredible music, and a lot of fun.

And that’s all, folks.