Soundtrack for a Century

A couple weeks ago, on the way back from Ellensburg, Prairie and I stopped off at a Fred Meyer’s so that she could pick up the Chicago soundtrack. While we were there, I browsed through the racks, and stumbled across a two-disc set of Broadway tunes, from 1932 to 1997. It looked interesting, so I picked it up, and we listened to it on the way back to Seattle.

As it turns out, that set was just one of twelve in the series Sony Music 100 Years: Soundtrack for a Century. Sony has dug into their vaults to compile an absolutley astounding collection of music — ranging from an 1890 recording on wax cylinder of John Philip Sousa conducting the United States Marine Band in “The Washington Post March” up to Lauryn Hill’s 1998 pop hit “Doo Wop (That Thing)” — across all genres, and encompassing a ton of songs, both popular hits and little-known gems.

I’m slowly working on collecting the entire collection, and so far have picked up four of the sets (Broadway: The Great Original Cast Recordings, Pop Music: The Early Years 1890-1950, Pop Music: The Golden Era 1951-1975, and Pop Music: The Modern Era 1976-1999), have two more held for me at Barnes and Noble (Rock: The Train Kept A-Rollin’ and Folk, Gospel and Blues: Will the Circle Be Unbroken), and will be picking up the rest of the series as I can and where I can. Great collections, and I’ve really been enjoying going through these.

The Tide is Turning

This is a song originally from Roger Waters’ album “Radio K.A.O.S.“, though I first heard it as the finale to the 1990 live performance of The Wall in Berlin. Posted here as a message of hope — something that’s all too rare these days.

I used to think the world was flat,
rarely threw my hat into the crowd,
I felt I had used up my quota of yearning.
Used to look in on the children at night
in the glow of their Donald Duck light,
and frighten myself with the thought of my little ones burning.
But oh, oh, oh, the tide is turning…
The tide is turning.

Satellite buzzing through the endless night,
exclusive to moonshots and world title fights.
Jesus Christ — imagine what it must be earning!
Who is the strongest? Who is the best?
Who holds the aces, the East or the West?
This is the crap our children are learning.
But oh, oh, oh, the tide is turning…
The tide is turning…
Oh, oh, oh, the tide is turning.

Now the satellite’s confused,
‘cos on Saturday night
the airwaves were full of compassion and light,
and his silicon heart warmed
to the sight of a billion candles burning
I’m not saying that the battle is won,
but on Saturday night all those kids in the sun
wrested technology’s sword from the hand of the war lords.
Oh, oh, oh, the tide is turning…
The tide is turning…

The tide is turning.

Lizette&

A while back, while digging through my friend Kory’s mp3.com page, I stumbled across a remix he did of a song called “Breathe,” by an artist going by Lizette&. I downloaded his mix and liked it a lot. Curious by that point, I decided to see if I could track down the original version to see what Kory had started with.

So, I downloaded the original version, and was very pleasantly surprised to discover how good it was. Even more curious now, I bounced over to Lizette&’s page, downloaded everything I could find, and was blown away by her music. Excellent stuff — one other person described her as a cross somewhere between Tori Amos and nine inch nails, and that’s not really far off at all (think Tori-ish vocals over nin-ish music), though I’m not sure that that description quite does her justice, as she stands quite well on her own.

Having gone into mild obsession mode (you know, the safe kind, where you’ve just discovered something cool and want to find out as much as you can — not the freaky scary mode where you stalk someone for months and end up getting carted off to the funny farm with the nice young men in their clean white coats and they’re coming to take me away, hee hee, ha ha…anyway…[ahem]), I then found my way over to her website, where I found out that she hails from Sweden, and got her start as a studio singer and writer, at one point contributing both her vocal and writing talents to one of my guilty-pleasure groups, the Rednex (of the country-techno song “Cotton-Eye Joe”). Now she’s got her own studio and is working on putting together her first full studio album, which I’m definitely looking forward to hearing.

Anyway, very cool stuff. Go. Listen. Enjoy.

Reminder – DJ Wüdi mixes

Just a quick reminder for those of you who may be new to my site, and might not have bounced around some of the rest of what I have up here. Over on my DJ Wüdi propaganda page, I have eleven mix sessions available for download as .mp3 files.

I recorded each of the mixes myself, by running my Pioneer CMX-5000 into my mixboard, and then directly into my computer, allowing me to record directly to .mp3 format. All of the music in each mix comes from the original source CD’s, and these are presented for promotional purposes only, so hopefully I’m not running afoul of copyright here. Tracklistings for each mix can be seen by hovering over the title of the mix (though at present, this will only work in IE or Safari).

None of the mixes are entirely perfect, but I think they’re at least worth posting, and “Where Time Becomes a Loop” and “Eclecticism” are my personal favorites of what I have up. They range from 22 minutes to an hour and seventeen minutes in length, and from 26 Mb to 88 Mb in file size, so you’ll probably want to have a broadband connection (or a lot of patience) to download them.

If anyone does take a gander at them, I’d love to get some feedback! I’m currently debating with myself whether to keep playing with DJ’ing from time to time if opportunities come up (which, to be honest, is looking exceedingly unlikely at the moment), or whether it might be time to sell off my equipment and stick with the fond memories of the eight years I spent doing it — knowing if people like (or don’t like) what I’ve come up with might help influence the decision. Ya never know…

Ain't goin' down…

Someday, I would dearly love to hear Garth Brooks’ ‘Ain’t Goin’ Down ’til the Sun Comes Up’ as covered by Ministry. Possibly with Les Claypool of Primus doing the vocals. I can hear it in my head — I just wish I could hear it with my ears.

You’re owed $20

A while back, the music industry was convicted in court of price fixing. If you purchased any audio recording (vinyl, cassette, or compact disc) between January 1st, 1995 and December 22nd, 2000, you are eligible to file a claim for reparation.

At the moment, if there is a cash disbursement, it will likely be somewhere between $5 and $20 per claimant. However, if enough people file claims that the disbursement would end up less than $5 per claimant, then the entirety of the settlement fee would be donated to not-for-profit, charitable, governmental or public entities to be used for music-related purposes or programs for the benefit of consumers who purchased Music Products. I think that sounds like a damn good option, and seeing as how I’m prettty sure that just about everyone I know bought at least one album at some point during those five years, I think you all should file your claim.

Link via Boing Boing

Interesting Apple rumors

Some unusually interesting (to me, at least, as both an Apple fan and a music fan) rumors surfacing over at /. today.

First came this post

danamania writes “Apple’s latest promotion is a gimmick with Madonna, Tony Hawk or Beck’s signature, or a No Doubt logo, on an iPod. It seems Apple’s really pushing the iPod as a too-cool fashion accessory as much as a too-cooler MP3 player… is Maddie’s signature worth an extra USD49 over the standard iPod?” Instead of $50 for the engraved signature, you can spend $20 to print “Madonna’s Signature” in beautiful Helvetica.

Then, in the followup comments, someone claiming to be from Apple posted the following in two separate comments:

Comment one…

I’m posting this anonymously to protect my job. Not that they’ll fire me or anything, but why risk it?

For several years, we (Apple) have been working on ways of customizing computers and electronics. It all started back in the Power Mac Cube days, when we were looking into new injection molding processes. That worked okay, but we got a lot of flak from customers who thought the mold lines in the plastic looked like cracks.

Now we’re looking at custom laser engraving, trying to figure out ways to get the cost down to less than a dollar per square inch. The idea is that you will be able to order your laptop with anything at all engraved on the surface: your name, a logo, a picture of your kids, whatever.

This little promo is just some of the runoff from that work.

Oh, and incidentally, Apple isn’t doing this for the money. I don’t want to say anything else too specific, but there’s more going on between Apple and these artists than just this. Expect to see more interesting things in the coming months.

…and comment two…

Actually, it’s a hell of a lot more interesting than that. And I’m astounded that nobody’s guessed it yet.

See, the deal is that Apple’s management — Steve more than anybody else, really — sees the record companies kinda dropping the ball. People are happy with MP3-quality music, and they want to be able to buy it over the Internet. Current systems for doing that just suck. Since Apple controls .Mac, the OS, iTunes, the iPod, and QuickTime 6/AAC, they’re the only ones who are in a position to make a real end-to-end, easy-to-use digital music distribution system happen.

In the future, you’ll (assuming we can cut a deal with Apple Records on that nasty trademark matter) be able to plug you iPod into your Mac, browse a library of songs via iTunes, and download them directly to your iPod over broadband or AirPort. Micro-payment (well, semi-micro; on the order of a dollar per song) will be handled through the .Mac “one click” system, which Apple licensed from Amazon and already uses in iPhoto for buying photographic prints on line. The only DRM will be the stuff we’ve already go built into the iPod that makes it inconvenient, though of course not impossible, to copy music off of it once it’s been put on.

When we go live with this — which we’re hoping to do by the end of next year at the latest — we’re going to need some big names. That’s why we’ve been talking to Madonna, No Doubt, Beck, Dave Matthews Band, Moby, and some others.

Basically Apple is trying to do an end-run around the record companies and the RIAA. It’s not done yet, and it may not work, but the foundation is there and all that’s really left is to sort out the legal details.

If anybody finds out I’ve posted this, I’m out of a job, and I’ll probably end up with my ass in court. Hope this “anonymous coward” thing works as advertised.

The laptop engraving sounds very interesting, though I’m not sure how much I’d take advantage of it — though if I had the money to blow on a TiBook, I’d love to add a few extra dollars to get my tattoo design emblazoned on the lid.

The full-solution music idea sounds quite interesting, though. Seems to me that if anyone’s in a position to get this up and running, it’s most likely going to be Apple. A dollar a song sounds a bit steep at first look — it doesn’t drop the price significantly, if at all, over buying a CD from a store — but then, I just really started playing with .mp3 files this past year, and even then I’m pretty much sticking with my own stuff. Someone more into tracking down and finding music online may have a better idea of how appealing this idea might be.

¡TchKunG! at the FUNC

The ¡TchKunG! show last night was flat-out incredible! So glad I made it out there.

After relaxing for most of the day yesterday, I grabbed a bus and started heading out to find the FUNC. I wasn’t really too sure where I was going, but as the bus got closer, I saw a few other people that I thought looked like they might be heading to the show. Sure enough, I heard a couple of them talking about trying to figure out where the FUNC was, and we all ended up banding together. Luckily enough, one of the girls had been there before and knew where to go, so we all followed her for a couple blocks once we got off the bus. Sure enough, after rounding a corner, the sound of tribal drumming greeted us, and we were pretty sure that we’d found the place.

Keeping warm by a burn barrel.The FUNC reminded me a lot of some of the old warehouse parties I used to go to in Anchorage — it’s an old storage warehouse that’s been gutted and turned into a big empty performance space. Perfect for the kind of anarchistic revelry that ¡TchKung! generally creates. Outside the FUNC was a large draped area that seemed to be serving as something of a “chill room”, with blankets, pillows, and tribal/trance music playing on a stereo. I was never sure whether it was open to the general public or if it was for the performers, so I never went in to check, instead wandering around the lot outside the warehouse and peoplewatching. There were a lot of other people doing the same, talking with friends, and standing around a few burn barrels to keep warm until the show started.

Quilombo do Queimado capoeira demonstrationThe first half-hour or so of the night was just music over the speakers as everything got set up, then the actual show opened with a demonstration from Quilombo do Queimado Capoeira. Developed as a blend between martial arts and dance when the slaves in Brazil were not allowed to have their own martial art, Capoeira is one of the most amazing and beautiful dance/fighting styles I’ve ever seen. I’ve had something of an interest in it for a few years, so getting to see these people perform was a real treat. Even better, it turns out that while most of their classes locally are during evenings when I’m at work, they do have “all skill level” classes on Saturday afternoons, so I’m thinking about heading down there some weekend in the near future to check it out.

Firedancing between actsAfter the Capoeira demonstration, the Infernal Noise Brigade set up off to the side of the main stage. They were a bit too much pure noise for me at that point, so I spent most of their set bouncing back and forth between the bar area, where I grabbed a couple rum and cokes, and outside. There was a fair amount of spur-of-the-moment stuff going on outside, too — everything from firedancing to impromptu and improvised shadow plays using a floodlight aimed against the large white wall of a building next door.

Burning (fake) moneyEventually I headed back into the FUNC and worked my way into the crowd gathering in front of the stage. A few people were wandering through the crowd, attempting to buy crude oil from anyone they spoke to, and passing out “money” in the form of copied dollar bills. Rather quickly after getting the bills, lighters would start to come out, and soon most of the crowd was holding up flaming $1, $5, $10, and $20 bills. Eventually we were told to stop, just in case the fire department came through and declared things a fire hazard, but every so often for the rest of the evening, you’d see the occasional bill go up somewhere in the audience.

Uncle Sam oils the crowdAfter a few minutes of this, Uncle Sam came out on stage to welcome everyone to the show, and started pouring oil out over anyone within arms reach. I hadn’t seen the mudman that’s typical of ¡TchKunG! shows yet, but a ¡TchKung! show just isn’t a ¡TchKunG! show if you don’t get nice and filthy at some point in the evening! This is actually one of the parts of their shows that I’ve always enjoyed — it’s kind of hard to break into groups or think that anyone looks like they “don’t belong” when everyone’s slathered in mud, oil, or anything of the sort. It’s a little hard to describe, but it fits very well with the general air of the shows.

¡TchKunG! on stageAfter Uncle Sam was done, ¡TchKunG! took the stage, and launched into the first half of their set. It’s so difficult to convey in words the energy that is present during one of their shows, but they’re by far one of my favorite bands to see live. The best word I can think of to describe any show by them is “tribal”, in the truest sense of the word — the crowd gets so wrapped up in things, that it becomes something more than a collection of individuals, and something closer to a “tribe”, I suppose…oh, whatever. You get the point. Or you don’t.

Bush and Saddam get ready to fightMidway through ¡TchKunG!’s set, they broke for a few minutes to bring out the Battle of the Dictators. In came George W. Bush, and then Saddam, held up on litters, with Bush brandishing boxing gloves, and Saddam holding a saber in one hand and an oil can in the other (which he used to pour more oil over the crowd as he passed by). Uncle Sam returned to the stage, and the lead singer for ¡TchKunG! donned an Osama bin Laden mask, and the two of them acted as commentators as Bush and Saddam proceeded to battle it out in the middle of the floor. The battle eventually got a bit derailed, though, when Bush and Saddam became so enamored over each others love of money, oil, and totalitarian control that they ended up molesting each other in the middle of the fighting ring, and the match was called to a halt for “unnecessary fornication!”

The mudgirl!After the Battle of the Dictators fell apart, ¡TchKung! took the stage again to do the last half of their set. As they whipped the crowd back up into a frenzy, the mud finally came through, with both a Mudman and a Mudgirl working their way around, making sure that anyone who hadn’t gotten hit by the oil got a good amount of mud on them instead. Later on, the Mudgirl also came through with a gas can full of water, dousing people and giving them drinks out of the spout — a really nice touch, as few people really wanted to wander out to get a drink.

The firebreather takes the floorAs the set started drawing to a close, another of the standards came out — their firebreather. He came out with two firebrands and cleared a good-sized area of space around him, then sent four or five absolutely huge fireballs towards the ceiling. Those are incredibly difficult to get a good picture of, but I’m rather pleased with the one I did get!

An encore!Eventually the set came to a close, and ¡TchKunG! left the stage…only to come back a few minutes later to do an encore set, something I’d never seen them do before! They did a great version of “Dijamy/Crashing the System” from their ‘Post World Handbook’ album, then left the stage again, closing out their part of the night, and after wandering around for a few more minutes, I took a cab home, showered to get the mud off, and fell into bed.

All in all, an awesome night. Hopefully it’s not too long before they resurface again!

More pictures of the night can be found in this photoalbum, and I’ve also found one other small writeup of the night on patr0ck’s LiveJournal. If I find any more, I’ll post them later on.

Karen by Night

Just a silly little song that I hadn’t heard in a while that popped into my headphones during work today, as a way for me to start actually posting here again, after a few busy weeks.

Karen, she’s my boss at the shoe store —
we sell to the rich on Madison Avenue.
I come in late from Brooklyn on the F train,
Karen says, “Honey, make this your last time.”
But we like her, she’s firm but approachable,
dresses in style, pretty conservative.
We ask her, “Hey, come out with us after work?”
Karen she always declines…

And we talk about
Karen by night.
We imagine she must lead a very dull life,
with just a cat and a book by her side.
We know her by day but we don’t know
Karen by night.

In the stockroom searching for a 9B,
I overheard Karen whisper on the phone.
She said, “Meet me at the club —
there’s a shipment coming in,
and I can’t pull this one off alone.”
Well, I didn’t know what to think —
Was my mind playing tricks?
Was there more to this Karen then realized?
I had to know so I followed her home,
I could not believe my eyes!

And then I saw
Karen by night!
The leather comes out under the moonlight,
takes off her Chanel and hops on her bike —
looking like young Marlon Brando,
Karen by night.

Saw her leaning on the bar with a drink in hand,
and a cigarette dangling from her bright red lips.
She looked like she was looking for someone,
like she was looking for a fight.
Then a young blonde buck walked in,
she grabbed him by the collar,
kissed him hard on the mouth
and slapped him on the cheek!
Then I thought she spied me in the corner of her eye,
so I ran outside, but all night all I could think about was…

Karen by night!

The next morning, I’m late as usual,
Karen’s there fresh as a daisy.
She says with a smile, “Why, you look like hell —
and where you last night?”

Karen by night!
Imagine she must lead a very dull life,
with just a cat or a book by her side.
We know her by day but we don’t know
Karen by night!
The leather comes out under the moonlight,
takes off her Chanel and hops on her bike,
Looking like Marlon Brando —
Looking like young Marlon Brando.
Wish I could be more like
Karen by night.

Looking like young Marlon Brando
(not like the old fat Marlon Brando in Apocalypse Now),
Karen by night!

— Jill Sobule, “Karen by Night