MOG: Last.fm with poorer English

I’ve been using last.fm for some time now to track what I’m listening to. I have no idea if anyone actually pays much attention to it, but it’s all handled for me in the background without my having to worry about it (as iTunes plays music, the last.fm client sends info on what I’m listening to to their servers), so I just let it go.

Now there’s a new upstart service looking to do much the same thing, in much the same way. Sign up for MOG, download a small application (on Mac OS X, it’s a system preference pane), and MOG will track what you listen to and link it to other people with similar tastes. Here’s my MOG page.

Right off the bat, I really can’t see what MOG offers that last.fm doesn’t already have…there really doesn’t seem to be much differentiation between the two services.

Save for one little thing.

Under a link called ‘Share my MOG’, you can spam notify all your friends of your new MOGspace. You can either write your own little note, or you can use the provided boilerplate text. All pretty standard — except that MOG’s boilerplate message made me cringe. Out loud.

what’s up?

thought i’d share my spankin’ new MOG page with you.

you can find it at: http://mog.com/djwudi

MOG automatically creates a page for me that lets you see what’s in my music collection and what i’m playing (and does a whole lot more). There are serious music freaks hanging at MOG. see you in the MOG-O-SPHERE. later.

Out of seven sentences (well, six plus a farewell), not a single one is actually well written. Grammarians more versed than I would be more able to point out all the problems (and probably see some that I don’t identify right off), but…yeesh. Capitalization is nearly nonexistent, dropped subjects left and right, missing punctuation, and a general disrespect for the English language.

It’s bad enough that a disturbingly high percentage of ‘net users have little to no critical writing skills (or even casual writing skills, for that matter) — do we really need to encourage this wholesale slaughter of the language?

Ick.

Yes, it’s high-falutin’, snobbish, and elitist. But damn if that isn’t enough to knock MOG several steps down in my estimation.

iTunes00 No One Takes Your Freedom” by Beatles/Franklin, Aretha/Michael, George/Scissor Sisters from the album www.djearworm.com (2004, 5:15).

11 Saints Release Concert

Okay…it’s finally time to take a few minutes break from math and play catch-up on this weekend.

Eleven SaintsFriday night was the concert for the release of Eleven Saints, Jason Webley‘s latest release, written collaboratively with Jay Thompson.

I showed up at The Paradox about an hour early, as Jason’s big shows tend to get pretty full pretty quickly. Only a few people were there quite that early, though, so I started wandering around and taking a few shots. Only a few minutes later, a girl sitting against the building said, “I think I know who you are.” Turns out she’d recognized me from my prior Webley photos and from the forum on Jason’s site, so I plopped down and we chatted while waiting for the doors to open.

Little JasonA bit after eight the doors opened, and we all (the line had grown to extend around the street corner by now) worked our way into the Paradox. Carrie (the girl I’d been chatting with) went on in to find a place to sit, while I wandered between the lobby and the auditorium watching people trickle in. chrismathewsjr brought along the Jason doll that he’d rescued after it floated away at the end of the 2003 Deathday show, which was fun to see again — I’m thrilled that that piece of Webley history didn’t end up disappearing into the Sound or some similar fate after we all sent it floating into the sky.

Eventually the hall started getting pretty full, so I figured it’d be a good time to find a place for myself. As I was heading in, an older gentleman caught my attention. “Excuse me,” he asked, “are you the guy who takes all those photos of Jason at the shows?” “Probably so,” I agreed — while I’m certainly not the only one to show up camera in hand (Josh, for instance, has photo archives dating back to 2001), I was lucky enough to have my Camp Tomato 2005 set mentioned in Jason’s e-mail alert about this weekend’s activities. “I just wanted to say thank you,” he said. “I’m Jason’s dad, and we love that you’re doing this.” Pretty cool, I thought.

Boo! Boo, say the goddesses!Pretty soon, the show got started, with Alex Xavier the Eleventh (last seen getting pelted with tomatoes at the end of last year’s Halloween show after trying to kill Jason) taking the stage to perform the introductions — though he was soon brought to a halt by the four Goddesses rushing on stage and urging us all to boo Alex away. They were soon stopped by Jason, who came on stage to explain that over the winter, he and Alex had talked and come to an understanding: Alex could be a little bit more good…and Jason could be just a little bit more evil. And with that, Alex finished welcoming us all to the show, and Jason took the stage.

Oh, Look! Lemons!This was a fairly different show from previous springtime shows. As Jason has completed his death/rebirth cycle and isn’t releasing a full-length album this year, the show ended up a little more random. Jason started off with a couple songs (initially declaring that since he hadn’t really written anything new, he was just going to perform all of the Footloose soundtrack on accordion…and even did a few verses of three or four songs from the movie), then introduced Jeff Harms to do a short set. Many of Jeff’s songs are silly little short pieces about random objects, dolls he’s seen in a store, lemons that have gone bad, and so on. During the song about lemons, he brought a couple friends out who sat on stage, scratched the peel off of some lemons, then tossed them out to the crowd, introducing “the first scratch-and-sniff song.”

Once Jeff was done, Jason came back — though instead of more music, we were treated (after some amusing technical difficulties) to a couple of videos. The first was an amusingly maudlin short film by Andy Brodie that Jason had written the music for, as well as having a small part as a funeral home embalmer. After that came a fifteen minute documentary about Jason that had been filmed over the winter in London by Charlotte Ross while Jason was on tour.

Jay ThompsonJason then announced that he had one more video to show us, but to break up the monotony, Jay Thompson was going to spend a few minutes reading us some of his poetry. Jay came on stage and spent about fifteen minutes reading a number of short pieces, one of which even included a mathematical formula — I don’t remember what it was anymore, but it was rather impressive that he was able to work that into a spoken word piece.

Eleven Saints VideoOnce Jay was done, it was time for one of the highlights of the evening: the premier of the video for ‘Eleven Saints’, the title track of the new EP. It’s a really fun video — it’s done in the same cutout stop-motion animation style of the pre-concert video at his 2004 Halloween Show, and hopefully it’ll be posted to the ‘net at some point in the near future (Jason alluded to such, it’s just a matter of watching for it to show up either on his site, his MySpace page, or perhaps other 18 [sites]19), as trying to describe it just wouldn’t really do it justice.

Ellie and JasonOnce the video was done, Jay came back onstage, and he and Jason did a couple more songs from the EP (and from its accompanying bonus CD), including ‘Big Old Spool’, which featured disco dancers onstage and the Tomato Goddess being rolled into the auditorium balancing on a big old spool. Jay then left, and Jason was joined for a few songs by Ellie, the granddaughter of Jason’s friend Joan, who is the inspiration for the song ‘Goodnight, Joan’. I must admit, I was quite taken by their slow, acoustic guitar and voice, ballad version of Def Leppard’s ‘Pour Some Sugar on Me’!

Tomato Scout OathOnce Ellie left the stage, the rest of Jason’s band came up along with Jay and the Goddesses to lead us in the Tomato Scout Oath and the Tomato Scout Anthem. Next came ‘Eleven Saints’, which got the crowd all riled up and set the tone for the rest of the evening — Jason’s usual blend of silliness, mayhem…and mess. Bags of bright red balloons were opened and tossed into the crowd, pillows were ripped open to send feathers flying, a boat was passed hand-over-hand over the crowd, and finally, tomatoes went flying through the air.

Spin!Jason and Jay donned sunglasses as they played the silly techno-ish song ‘Story of Boy’, then had the band lay down a disco-ish beat so that they could keep the dance club theme going as they segued into a club “remix” version of the ‘Drinking Song’! Soon they had the whole room spinning in circles, throwing their arms ’round each others shoulders, and swaying back and forth to the final chorus.

And not much later, after a few last mentions of Saturday’s second annual Camp Tomato, the music wound down, Jason and the band left the stage, and we all filed back out into the evening air — many of us to gather again at Woodland Park the next day.

That, however, is another post entirely.

In the meantime, here’s my full photoset for the concert.

iTunesRamblin’ Blues” by Jason Webley with Jay Thompson from the album Eleven Saints (2006, 3:16).

Random Bits…

  • The Ick has been beaten into submission, and I once again feel normal…or at least as normal as I tend to get.

  • I just saw the Simpsons episode (“Deep Space Homer“) responsible for coining the “…and I, for one, welcome our new (FILL IN THE BLANK) overlords,” catchphrase.

    • Aside from the occasional random episode while at friends’ houses, I’ve never actually seen The Simpsons. Therefore, Prairie and I have been picking up the season sets on DVD from time to time. We’re up to season five, and all these episodes have been brand new to me. It’s been a lot of fun discovering the source of various catchwords and phrases that I’ve known for years after they seeped into the general public consciousness.
  • I now own a white dress shirt, black bow tie, and black suit jacket. These will be worn tonight along with my mocker kilt and 14-eye Doc Marten boots while I’m photographing NSCC’s Career Link Academy Prom. I only wish the long-lost Tuxedo Utilikilt (seen here being worn by Dick Clark) would re-appear, as has been rumored for quite some time now. Still, the black Mocker will work for tonight.

  • Prairie will be heading down to see her sister graduate with her Master’s Degree from college this weekend. My work schedule, unfortunately, prevented me from going along. However, both Prairie and I will be at Jason Webley‘s Eleven Saints release party on Friday night, and I’ll be at Camp Tomato on Saturday.

    • A couple weeks ago, fellow Tomato Scout Laura Mulinski was kind enough to send me a package of bootleg Webley recordings to be added to my Jason Webley Bootlegs page. What I didn’t realize when she first asked me if I wanted these was how many she had to send, so I was quite surprised (though very happily so) to open the envelope to find 22 CDs that encompassed eleven shows recorded during 2005. I will eventually get all of these shows encoded to .mp3, tagged, and posted on the bootlegs page, but I haven’t even had a chance to get started on them yet…this will probably be a summertime project.

iTunesBrandenburg Concerto #6 in B flat – Allegro” by I Musici from the album Bach for Book Lovers (1997, 6:01).

Upcoming Photothingies

After a few days of grumbling and plotting devious ways of kicking my manager (severely, repeatedly, in the shin), my schedule has been reworked so that there are no more conflicts. Well, not true — I’m going to have to skip school for one day — but no major conflicts.

So.

Upcoming things where I will be wandering around, camera in hand:

  • Saturday, May 27: Northwest Folklife Festival

    Prairie and I will be wandering around during the day, I’ll be shooting more or less randomly. No set schedule or plan.

  • Saturday, May 27: The Scarlet F

    At the request of the lovely anzu, primarily for the fashion show and burlesque bits, but apparently I’ll be able to shoot the whole thing. Fun! Given that this is an “in your face celebration of queer femininity and femme identity”, I’m debating as to whether wearing my “I’m just here to get laid” t-shirt would provoke laughs or beatings (and not those of the enjoyable type).

  • Thursday, June 1: NSCC Career Link Prom

    Prairie’s teaching for Career Link, a G.E.D. program for students 16-21 who aren’t in high school. One of the things they do for the kids is throwing them a Prom, and I’ve been asked to act as a ‘roving photographer’ — no formal posed against a backdrop shots (as I understand), just candids throughout the evening.

  • Friday, June 2: Jason Webley‘s Eleven Saints EP Release Party

    Jason’s the one local artist that I’ve become a huge fan of since I moved to Seattle (see my Webely photos on Flickr or Webley posts on Eclecticism, for example). This is the release concert for his latest album, ‘Eleven Saints’. Seriously — if you’re not doing anything that evening, you should think about attending.

  • Saturday, June 3: Camp Tomato 2006

    Also a Jason Webley event, this is the sequel to last year’s inaugural Camp Tomato. Expect an afternoon of picnics, silliness, games, and tomatoes.

  • Friday, June 16: NSCC Career Link Graduation

    Along with Prom, I’ve also been asked to act as photographer for the Career Link graduation ceremonies. Nifty!

And that covers pretty much everything planned over the next few weeks. I’m hoping to be able to make it to some of the Seattle Pride festivities on Pride Weekend (June 24th-25th), but that will depend on my work schedule.

(Speaking of…did you know that we get two Pride Parades this year? I really wonder how well that’s going to go over….)

iTunesOh L’Amour” by Erasure from the album Pop! The First 20 Hits (1992, 3:07).

Birthday Wishes

I’ll be turning 33 in just a couple of weeks, on May 3rd. This year I only really had one thing on my birthday wish list, and that’s already arrived, thanks to my wonderful girl (doubly wonderful, as she’d already spoiled me once!). I’ve even received another early birthday present from Royce, in the form of another year’s membership to Flickr (keeping me at the ‘pro’ level until November of ’07)!

I am incredibly spoiled.

However, I have had the occasional “so, what do you want for your birthday?” inquiry. At this point, I’m pretty much set, so kind wishes will do me just fine. But…if someone’s determined to spend a little money on me (okay, not terribly likely, but you never know), books and music are always appreciated. I’ve got a bunch of each saved in my Amazon Wish List, but there are three CDs that I’d like to call special attention to.

Back in March of 2003, I stumbled across a series of discs from Sony called the ‘Soundtrack for a Century‘, celebrating 100 years of music recordings and releases from the Sony family of record labels. Over time I’ve collected eight out of the eleven pieces of the series, and any (or all) of these last three would be greatly appreciated:

Other than that…(shrug)…as I said, I’m not too greedy. Well-wishes and kind words will work just fine.

iTunesAtom Bomb” by Fluke from the album Risotto (1997, 5:45).

Kleptones: 24hours

For those interested in mashups: The Kleptones (producers of two of my favorite mashup albums of the past few years, A Night at the Hip-Hopera and From Detroit to J.A., though Yoshimi Battles the Hip-Hop Robots just didn’t do it for me) have just released their fourth full-length album, the two-disc set 24hours. Torrents for split-track and full-mix versions are available, and there’s even a 6 to entertain you while you download.

iTunesStand and Deliver” by Society Burning from the album Shut Up Kitty (1993, 5:03).

Wimoweh Lawsuit Won

In the jungle,
The mighty jungle,
The lawyers sleep tonight…

Heh.

Back in July of ’03 I pointed to an incredible in-depth look at the story of ‘Wimoweh’, the South African tune most popularly known as the melody for “The Lion Sleeps Tonight”.

A year later, in July of ’04, came word that Disney was being sued by the heirs of ‘Wimoweh’ author Solomon Linda.

Finally, the case has been won by Linda’s family.

No one is saying how many millions will go to the daughters of the late composer Solomon Linda, who died in poverty from a curable kidney disease in 1962 at age 53.

But the family’s settlement with New York-based Abilene Music, which gives Linda’s heirs 25 percent of past and future royalties, has broad implications.

[…] In the 1950s, at a time when apartheid laws robbed blacks of negotiating rights, Linda sold worldwide copyright to Gallo Records of South Africa for 10 shillings — less than $1.70.

Gallo also tried to sell the work in the United States, but American folk singer Pete Seeger had adapted a version that he called “Wimoweh.”

[…] It remains to be seen how the settlement with Abilene, which holds the copyright to the popular songs that grew from Linda’s composition, will affect his family. Abilene music could not immediately be reached for comment.

Of his three surviving daughters, only the youngest has a job, as a nurse, and she still lives in the family home in Soweto, a satellite suburb set up for black workers under apartheid.

Her sisters never reached high school. One runs a home-based grocers. The other recently lost her job cleaning a doctor’s office and supports a daughter who gets occasional work cleaning homes.

Linda’s fourth daughter died of AIDS in her 30s in 2002 as the lawsuit dragged on, without money to buy drugs that could have saved her life.

Neat to see the story finally reach resolution. I highly recommend reading the 3rd Ear article that details the origins of the song and what happened to Linda and his family.

iTunesLion Sleeps Tonight, The (Wimoweh)” by Nylons from the album Best of the Nylons (1993, 3:12).

Garth Brooks is a Gateway Drug

Neither Prairie nor I are big fans of country, but we both listen to a little bit. Last night I’d popped on a compilation I made a few years ago as background music while I was cleaning house, and still had it going when Prairie came home. It turned out that she knew every song on the CD as well, and we had fun listening to some of the songs and chatting about what got us started listening to country.

In my case, while dad had some small part in it (he’s not a big country listener either, but his LP collection is responsible for introducing me to Johnny Cash when I was a youngster), it can all be blamed attributed to some of my ex-girlfriends. They listened to some, I happened to be around, and I ended up discovering that there actually was some country music that I enjoyed listening to.

Prairie can also blame credit an ex for the songs that she found that she likes. In each case, though, one of the primary artists we found was Garth Brooks. I mentioned that I’d often noticed when talking to people that, if they had even a little bit of country in their collection, there was a pretty good chance that Garth would be in there somewhere, if not the sole representative.

Which led to the realization that Garth Brooks is a gateway drug.

So now you know, kids.

Don’t do Garth.

Herewith, then, is a selection of country music approved by me (and, in most cases, by Prairie, also). It’s pretty much entirely the fun, upbeat style of country…I just can’t get into the ballads.

  1. Toby Keith, How Do You Like Me Now?
  2. Jodee Messina, I’m Alright
  3. Garth Brooks, Two Piña Coladas
  4. Mary Chapin Carpenter, Down at the Twist and Shout
  5. Clay Walker, Then What?
  6. Dolly Parton, Why’d You Come In Here Lookin’ Like That?
  7. Clint Black, Only On Days That End In ‘Y’
  8. Reba McEntire, Fancy
  9. Joe Diffe, Third Rock From the Sun
  10. Shania Twain, Don’t Be Stupid (You Know I Love You)
  11. Tim McGraw, Something Like That
  12. Lee Ann Womack, I’ll Think of a Reason Later
  13. John Michael Montgomery, Sold (The Grundy County Auction Incident)
  14. Trisha Yearwood, She’s In Love With the Boy
  15. Brad Paisley, Me Neither
  16. Collin Raye, Little Red Rodeo
  17. Reba McEntire, The Night the Lights Went Out in Georgia
  18. Rick Trevino, Bobby Ann Mason
  19. John Michael Montgomery, Life’s a Dance
  20. Trick Pony, Pour Me
  21. Rodney Crowell with Johnny Cash, I Walk the Line (Revisited)
  22. Dixie Chicks, Goodbye Earl

iTunesI Walk the Line Revisited” by Crowell, Rodney with Cash, Johnny (2:43).

No Woman, No Fly

Just added to the Jason Webley Bootlegs collection: No Woman, No Fly (5.1Mb .mp3). The audio quality isn’t the greatest (with Jason’s penchant for going from soft to screaming in nanoseconds, the recording’s a bit overdriven in places), but it’s up.

Thanks to usernamenumber for posting the .mp3, and to RobTav63 for help with the lyrics.

Lyrics follow behind the cut.

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