Seattle
Dance Off 2007
About a week and a half ago, six teams of people with dance in their souls — if not their soles — gathered together for a battle royale at Dance Off 2007.
If you were there, you know the pure awesomeness of the spectacle. If you weren’t there (foolish mortal), then at least I can offer this photographic record of the event.
Truly, such fleetfooted feats (feets?) shall never grace a stage again.
Until next year, of course. ;)
I’m going to avoid the viaduct…
Reprinted in full from the Slog because it freaked me out: You think the Minnesota bridge was bad?
So you know how all those news stories about the Minneapolis bridge collapse have highlighted the fact that the bridge received a ranking of just 50 percent on a federal scale of 1 to 100, making it “structurally deficient”?
The central portion of the Alaskan Way Viaduct was ranked on the same scale. Its score: Nine percent. And if that doesn’t make you want to stay away from the viaduct until they tear the damn thing down, perhaps knowing that the National Bridge Inventory (which provided the Minnesota number) considers it “basically intolerable requiring high priority of corrective action,” will. (Fun bonus fact: The 520 bridge across Lake Washington received a rating of 44.8 percent, just meeting the “minimum tolerable limit to be left in place as is.”)
Gah. Freaky. I didn’t like the viaduct before all this stuff. I’m even less fond of it now. Just tear the fool thing down (and don’t rebuild it, and don’t dig some stupid tunnel…as long as we’re going to have to move to surface streets eventually no matter what happens to the viaduct, we might as well just stick with that option and do it right).
Edward Scissorhands
When I posted about the discount on tickets to tonight’s performance of Edward Scissorhands, I left out one small detail of the “very kind offer” — namely, that Prairie and I were offered (and accepted) tickets to see the show last night!
I’m still at a loss as to just how I ended up on the promotional radar for this show, but however it came about, I’m incredibly glad it did. After wrapping up at school yesterday evening, Prairie and I headed downtown and found our way to the 5th Avenue Theatre. We’d been told our tickets would be waiting at the Will Call window, so we walked up and I gave my name to the ticket girl. She flipped through her box…nothing. Could it have been misfiled under my first name? Nope. “Well,” she said, “maybe they’ve got them over at the VIP/Press table.”
blink
Apparently, Prairie and I were VIPs (perhaps press, but since I didn’t get one of the fancy press packets, we decided we must be VIPs — something that we’ve been convinced of for quite some time now, but it’s always nice to get some acknowledgment)! We were handed our tickets (quite nice seats, too: orchestra level, row W, seats 3 and 4), the doors opened just a few moments later, and we wandered our way in. After spending a few moments in the lobby waiting for the auditorium doors to open, they did, we found our seats, ogled the theater (which neither of us has been to before, and is absolutely gorgeous) and settled in to enjoy the show.
The show itself was wonderful. I don’t really know what mental processes it took to watch the film and turn it into a…well, my first impulse is still to call it modern ballet, though the production seems to prefer terming it a “musical play without words”. Whatever you call it, and whatever it took to put it together, it works. It works quite well, in fact.
With very few changes, the story is essentially the same as the film: Edward is created, but left unfinished when his creator dies, leaving him with hands constructed of razor-sharp shears. When a chance encounter brings him and the townspeople together, he is taken in by the community…until his differences begin to overshadow their acceptance. Told entirely through music and dance, the show does a remarkable job of conveying all the emotion of Edward’s struggle to belong (heartbreak and hilarity both, as the story progresses — one of my personal favorite moments was the sudden appearance of a beanbag).
We got a real kick out of the sets, which are obviously strongly inspired by Tim Burton’s design aesthetic for the original film, from the gothic lines of the mansion and graveyard to the off-kilter architecture and bright pastels of the suburban town. They were all very simplistic, too, another nod to the starkness of Burton’s sketching (which always struck me as somewhere between Edward Gorey and Jhonen Vasquez…though, given the chronology, I suppose it would be best to classify Vasquez as somewhere between Gorey and Burton, but now I’m going completely off the subject), and a nice contrast to the admittedly impressive, but often overblown and bombastic sets of productions like Les Miserables or any of Andrew Lloyd Webber’s shows.
Prairie and I both had a blast last night, and thoroughly enjoyed the show. Finding favorite moments was difficult, but in the end, Prairie’s favorite scene was the Act I closer, “Topiary Garden,” while I ended up deciding that “The Annual Christmas Ball,” towards the end of Act II, was my personal favorite.
I’m very glad that I got this opportunity to see the show. It will be playing here in Seattle though May 13th, and it’s got the official Eclecticism seal of approval (which I’m sure will be appearing on their website, just as soon as I figure out what an ‘Eclecticism seal of approval’ might be or look like…)! Set aside an evening, have a ‘date night,’ and head out to the theater. It’s worth it.
Field Guide to Seattle Viaduct Debate
Can’t keep all the various options or points of view on Seattle’s ongoing “what do we do about the Viaduct” battle straight? Here’s a handy-dandy guide to the various species involved, thanks to SLOG reader ‘Golob’.
March 13: Vote No and Hell No!
On March 13, vote NO and NO. Seattle citizens have been offered two unacceptable options for replacing the Viaduct: a hideous elevated structure that will be taller than the existing one and 50% – 200% wider, or a late-breaking, financially questionable “tunnel lite” option. Seattle can do better, and telling leaders neither on this non-binding advisory ballot makes that point clear. Vote NO and NO.
This is an all-mail election. The last day to postmark your ballot is Tuesday, March 13. King County will be mailing ballots to voters starting on Wednesday, February 21. There are two separate questions on this advisory ballot. Vote NO and NO.
(via Metroblogging Seattle)
Just move it to the streets
Nice rant on Metroblogging Seattle yesterday regarding the ongoing, neverending mess of a fight between Greg “Big Dig Seattle” Nickels, Christine “Viaduct? Vhy not a duck?” Gregoire, and the people of Seattle who just want this all over with…
But let me tell you anyway what I think, because damn it, I’m a Seattleite and I’m going to give you my opinion because I demand to be heard.
- Tear the goddamned viaduct down.
- Do all the multimodal work you should have done decades ago to hook the working port and industrial areas into rail and road.
- Make Alaskan Way into something like the Embarcadeo — with the Benson streetcar running down the middle of the boulevard, parking lots replaced with public parks, and a no-new-construction zone on the waterfront keeping Martin Selig and those other condo-building town destroyers from ripping down all that historic architecture.
- Lean on the state to fix traffic flow on southbound I-5 so I can get to the airport. You know, like MOVE THE DAMN 520 ONRAMP TO THE OTHER SIDE OF THE ROAD SO WE CAN STOP THIS DAMN MERCER WEAVE CRAP. Or fixing it so there’s MORE THAN ONE TRAVEL LANE THROUGH DOWNTOWN. The state can do this, and it will be CHEAPER than the $15 billion the tunnel’s now going to cost because Tim “when I was a third-grader I never learned how to carry a one” Ceis didn’t know that CONCRETE ISN’T BROUGHT TO CONTRACTORS BY THE MAGIC BUILDING MATERIALS FAIRY WHEN THEY LEAVE A PIECE OF BRICK UNDER THEIR PILLOWS AT NIGHT.
Looks like Dan Savage agrees.
Given that I think the Viaduct is ugly and intrusive enough as it is, and don’t really want to see a bigger one (good summary here, and that it seems like Seattle getting its own version of the Big Dig (and, apparently, a more dangerous version) seems pretty stupid, I’m keeping my fingers crossed for just getting rid of the Viaduct and moving everything onto the street. Sure, not easy, and will take some serious rearranging. But from what I’ve been reading, it sure seems to be cheaper, safer, and a lot more visually attractive once all’s said and done. Besides, as many have pointed out, that’s the option we’re going to have no matter what during Viaduct removal, rebuilding, or tunnel digging — so why not just commit to it as a permanent measure and do it right?
Not with my $300 million, you don’t…
The Sonics — who used to be the Seattle Sonics until Seattle voters passed Initiative 91, “which prohibited the city from using tax dollars to subsidize a pro team unless the subsidy generates a certain profit for the city,” and are now searching for another city to house them — want to build a $530 million dollar arena…and they want taxpayers to pony up for $300 million of it.
The Sonics can kiss off, as far as I’m concerned.
I’ve always been flabbergasted at the amount of money poured into professional sports, and especially the amount of money thrown at professional athletes. It just makes my head hurt when those people in charge of such things then ask that the public — many of whom couldn’t give two figs for professional sports in general, let alone any particular team — essentially be required to pay to support them.
You want $300 million of my tax dollars? Put it towards education. Put it towards actually doing something to improve transit in Seattle, instead of half-assing your way through a series of stopgap measures, or instead of bickering about what to do for so long (or stubbornly insisting on ridiculous, expensive, impractical options, like the [thankfully, now dead] tunnel replacement for the Alaskan Way Viaduct) that nothing ever gets done. Put the money towards something — or anything — that would actually benefit everyone, not just those who get their rocks off by watching other people play a game.
Up, Up and Away…
A “time panorama” — seven shots combined into a single panoramic image capturing this kitesurfer’s jump. A little easier to see at the large size.
“Drink My Honey” by Lords of Acid from the album Voodoo-U (1997, 4:01).
Saturday Mourning
At about 3:30 Saturday morning, as the rave at Capitol Hill Arts Center (CHAC) was winding down, the young people who lived at 2112 East Republican Street scanned the dance floor for people they could invite to their afterparty. They made a habit of welcoming strangers—it’s how they had all met one another in the first place. They had almost finished with the invitations when Jeremy Martin, 26, spotted a hulking, solitary figure.
“Go ask him,” Jeremy said to his best friend, Anthony Moulton.
Another person who lived at the home, 24-year-old Jesiah Martin (no relation to Jeremy), remembers having seen the man that night—conspicuous not just for his 6’5″ 280-pound frame but for the fact that he wasn’t dressed up or dancing. “He was by himself mostly, fly on the wall style,” said Jesiah.
Anthony, who is disarmingly goofy in the way of most in their group, approached the man and said, “Do you know the difference between Scotch and beer?” Most at the party were drinking beer, but Anthony handed the man a flask full of Macallan. The man took a swig and grimaced. But he liked it. He even smiled, leading Anthony to say, “Hey, what are you doing after this? We have half a keg at our place…”
And that is how Kyle Huff came to visit the house on East Republican Street.
I’ve mentioned before that The Stranger has been consistently doing the best reporting on the Capitol Hill shooting. They continue with this feature story on the events of the night.