Enthusiastically Ambiverted Hopepunk
I read…a lot. Here’s where I ramble about books and printed media.
45/2023 – ⭐️⭐️⭐️
More interesting than I’d expected it to be, given that neither military nor romance are among my generally preferred SF genres. Bujold’s characters are interesting, making even the “captive falls for noble captor” scenario more workable than it might have been, though there were definitely still moments that didn’t really work for me. And there was an unexpected coda, unconnected from the main plotline and characters, that was a neat way to end the book.
44/2023 – ⭐️⭐️
Some potentially interesting situations hobbled by poor writing and in need of at least one more editing pass. Characters seemed to make out of character decisions because that was what was needed to move the plot along. Not one of the more impressive TNG novels.
43/2023 – ⭐️⭐️⭐️
Back to the wizards of Discworld. Last time (in Equal Rites) we had the eighth child of an eighth child, this time we have the eighth son of an eighth son of an eighth son, all wizards, making them a “sourcerer” — someone who can tap into the very source of magic to create new magic. This does not go well for the Discworld, or for hapless reluctant participant (not really a hero) Rincewind. Once again, somehow, while not necessarily doing much, the Luggage is a standout character.
42/2023 – ⭐️⭐️⭐️
Death has made appearances in every Discworld book so far (my understanding is that this continues throughout the series), but this is the first where Death is more of a central character — though most of what we learn is through Death’s apprentice, Mort. A neat way to really start to flesh out Pratchett’s cosmology and how he approaches Death (and death) on the Discworld.
41/2023 – ⭐️⭐️⭐️⭐️
Standout stories in this issue include “Tantie Merle and the Farmhand 4200” by R.S.A. Garcia, “The Ghasts” by Lavie Tidhar, and “The Music of the Siphorophenes” by C. L. Polk.
40/2023 – ⭐️⭐️⭐️
More Discworld silliness, this time following the eighth child of an eighth child who, for very good reasons, is asking just why women can’t be wizards. Something of a mid-80’s take on feminism in fantasy literature.
39/2023 – ⭐️⭐️⭐️⭐️
I’m using our vacation time to focus on eBooks, including finally diving into my ever-growing backlog of SF/F magazines. For me, the standout stories in this most recent issue of Clarkesworld are Stephen Case’s “Every Seed is a Prayer (And Your World is a Seed)” and M.J. Pettit’s “Empathetic Ear”.
38/2023 – ⭐️⭐️⭐️
I found this one to already be a bit better than the first in the series; it certainly had more moments that made me chuckle or laugh out loud. I’ve seen lots of comparisons between Pratchett and Douglas Adams, and while I could see that in the last one, it was definitely more evident here. As if with the first book, Pratchett and Adams definitely lived in the same town, but with this book they’re now next-door neighbors. On its own and if found without any prior knowledge, the first wouldn’t have hooked me; this one would have convinced me that I’d be interested in reading more.
37/2023 – ⭐️⭐️⭐️
Though I’ve absorbed a certain amount of general Pratchett-related knowledge through decades of geek osmosis, until now I’ve not read any of his work (aside from his Good Omens collaboration with Neil Gaiman). Having been gifted a nearly complete selection of Discworld ebooks, after looking at several reading guides with various and sundry suggestions of where to start and how to continue, I finally just decided to start at the beginning and (over time) work my way through in publication order. Of course, this means that the first book I’ve read is one that many lists seem to agree might not be the best introduction to the series, which I suppose I can see – it does have a definite first-book “I have this idea for a humorous fantasy world series, let’s see if it works” feel to it. That said, it’s frequently amusing (particularly for someone old enough to have been reading fantasy in the 80s; much of this book might not land as solidly for someone raised on modern fantasy), and I actually found the idea of the Wyrmburg and its inverted dragonhold, where the riders walk along the ceiling by hanging upside down from rings by using hooked boots particularly imaginative. Admittedly, if I hadn’t already come across enough snippets, quotes, and other mentions of Pratchett and Discworld it might not be enough to solidly hook me, but as it is, I’m looking forward to reading on and seeing how Pratchett evolves the concept through the later books.
36/2023 – ⭐️⭐️⭐️
An average adventure, mostly focusing on Ro and Worf as they try to manage confrontations between an unusually xenophobic Federation colony being beset by a band of young Klingons who have gone feral after crashing on a planet. Ro is presented pretty well, but Worf’s characterization often felt off – a bit too smiley, and whatever the situation, it’s difficult for me to see him dancing. Arguably there are reasons for this, but it just kept feeling wrong.
