Peace

“Aydan,” spoke Niagat, “I would serve Heraak; I would see an end to war; I would be one of your warmasters.”

“Would you kill to achieve this, Nigat?”

“I would kill.”

“Would you kill Heraak to achieve this?”

“Kill Heraak, my master?” Niagat paused and considered the question. “If I cannot have both, I would see Heraak dead to see an end to war.”

“That is not what I asked.”

“And, Aydan, I would do the killing.”

“And now, would you die to achieve this?”

“I would risk death as does any warrior.”

“Again, Niagat, that is not my question. If an end to war can only be purchased at the certain cost of your own life, would you die by your own hand to achieve peace?”

Niagat studied upon the thing that Aydan asked. “I am willing to take the gamble of battle. In this gamble there is the chance of seeing my goal. But my certain death, and by my own hand, there would be no chance of seeing my goal. No. I would not take my own life for this. That would be foolish. Have I passed your test?”

“You have failed, Niagat. Your goal is not peace; your goal is to live in peace. Return when your goal is peace alone and you hold a willing knife at your own throat to achieve it. That is the price of a warmaster’s blade.”

The Enemy Papers, by Barry Longyear

Neal Stephenson: Quicksilver

The newest book from one of my favorite modern authors, Neal Stephenson, is now available for pre-order at Amazon: Quicksilver: Volume One of the Baroque Cycle.

In this wonderfully inventive follow-up to his bestseller Cryptonomicon, Neal Stephenson brings to life a cast of unforgettable characters in a time of breathtaking genius and discovery, men and women whose exploits defined an age known as the Baroque.

Daniel Waterhouse possesses a brilliant scientific mind — and yet knows that his genius is dwarfed by that of his friends Isaac Newton, Gottfried Wilhelm Leibniz, and Robert Hooke. He rejects the arcane tradition of alchemy, even as it is giving birth to new ways of understanding the world.

Jack Shaftoe began his life as a London street urchin and is now a reckless wanderer in search of great fortune. The intrepid exploits of Half-Cocked Jack, King of the Vagabonds, are quickly becoming the stuff of legend throughout Europe.

Eliza is a young woman whose ingenuity is all that keeps her alive after being set adrift from the Turkish harem in which she has been imprisoned since she was a child.

Daniel, Jack, and Eliza will traverse a landscape populated by mad alchemists, Barbary pirates, and bawdy courtiers, as well as historical figures including Samuel Pepys, Ben Franklin, and other great minds of the age. Traveling from the infant American colonies to the Tower of London to the glittering courts of Louis XIV, and all manner of places in between, this magnificent historical epic brings to vivid life a time like no other, and establishes its author as one of the preeminent talents of our own age.

(via Atrios)

Heroes

Except in the life of a hero, the whole world is meaningless. The hero sees values beyond what’s possible. That’s the nature of a hero. It kills him, of course, ultimately. But it makes the whole struggle of humanity worthwhile.

— John Gardner, Grendel

Alexandar Diego Soli

And so I learned this strange theology of Alexandar Diego Soli: It was known that the first Lord Cantor, the great Georg Cantor, with an ingenious proof array had demonstrated that the infinity of integers — what he called aleph null — is embedded within the higher infinity of real numbers. And he had proved that that infinity is embedded within the infinites of the higher alephs, a whole hierarchy of infinities, an infinity of infinities. The Simoom cantors believed that as it is with numbers, so it is with the hierarchies of the gods. Truly, as Alexandar had taught his son, Leopold, if a god existed, who or what had created him (or her)? If there is a higher god, call him god^2^, there must be a god^3^ and a god^4^, and so on. There is an aleph million and an aleph centillion, but there is no final, no highest infinity, and therefore there is no God. No, there could be no true God, and so there could be no true creation. The logic was as harsh and merciless as Alexandar of Simoom himself: If there is no true creation then there is no true reality. If nothing is real, then man is not real; man in some fundamental sense does not exist. Reality is all a dream, and worse, it is less than a dream because even a dream must have a dreamer to dream it. To assert otherwise is nonsense. And so to assert the existence of the self is therefore a sin, the worst of sins; therefore it is better to cut out one’s tongue than to speak the word “I.”

— Mallory, in Neverness, by David Zindell

Book recommendation: Cheaper By the Dozen

This post on BoingBoing reminded me of a book I haven’t read in years, but that I loved when I was a kid, and can highly recommend: Cheaper by the Dozen.

It’s the story of the Gilbreth family — dad, mom, and their twelve redheaded children — set in the early 1900’s. Mr. Gilbreth was an “efficiency expert”, obsessed with finding the most efficient ways to do everything in life, down to timing with a stopwatch whether buttoning a shirt was faster from the top down or the bottom up. I’ve just added the book to my Amazon wishlist, and will pick it up in a while, it’s long past time to re-read it.

Today's vocabulary

If I do manage to escape the angel, I’m not going to be able to make my living as a professional mourner, not if you people don’t have the courtesy to die. Just as well, I suppose, I’d have to learn all new dirges. I’ve tried to get the angel to watch MTV so I can learn the vocabulary of your music, but even with the gift of tongues, I’m having trouble learning to speak hip-hop. Why is it that one can busta rhyme or busta move anywhere but you must bust a cap in someone’s ass? Is “ho” always feminine, and “muthafucka” always masculine, while “bitch” can be either? How many peeps in a posse, how much booty before baby got back, do you have to be all that to be all up in that, and do I need to be dope and phat to be da bomb or can I just be “stupid”? I’ll not be singing over any dead mothers until I understand.

— Levi, who is called Biff, in Lamb: The Gospel According to Biff, Christ’s Childhood Pal, by Christopher Moore

Destinations

I’ve implemented a new mini-feature that I’ve been bouncing around in my head for a few days.

It’s not uncommon for me to stumble across something on the ‘net that catches my eye, but that I don’t create a full entry for. Sometimes I want to come back to it with a full entry later, other times it’s just a “ooh, neat!” moment. In order to track these, there is a new sidebar section called “Destinations” — little one-line links. Sometimes I may come back to these for full posts, other times that may be all that appears. It’s worth experimenting with for a bit, at least.

Inspiration for this was derived in part from Jason Kottke‘s ‘Remaindered Links’ and Christine‘s ‘Cookie Crumbs’.

Terminators of Endearment

This is wonderful — a few people in the rec.arts.sf.written newsgroup have hit upon the idea of a cross between the Terminator sci-fi series and the writings of Jane Austin…

“Indeed,” said the man (whom Patience could not help but think of as made of clockwork, though he manifestly was something far stranger), “I speak of these things not merely because of the way that I am made, though indeed a machine should do that which it is made to do, but because I have found that I have developed, through our many conversations, a feeling of that which is proper, both within the bounds of your society and without; and being that I am, here, a gentleman, I find that I am also bound to behave as a gentleman would, and indeed, Lady Patience, I must warn you that this Mr. Connor is a man of less than sterling character.”

(via BoingBoing)

Zeno's Paradox

Ever since I read Douglas Hofstadter’s Gödel, Escher, Bach: An Eternal Golden Braid, I’ve had the paradox postulated by Zeno of Elea (c. 450 B.C.) bouncing around in my head. To summarize the paradox:

Zeno’s Paradox may be rephrased as follows. Suppose I wish to cross the room. First, of course, I must cover half the distance. Then, I must cover half the remaining distance. Then, I must cover half the remaining distance. Then I must cover half the remaining distance…and so on forever. The consequence is that I can never get to the other side of the room.

What this actually does is to make all motion impossible, for before I can cover half the distance I must cover half of half the distance, and before I can do that I must cover half of half of half of the distance, and so on, so that in reality I can never move any distance at all, because doing so involves moving an infinite number of small intermediate distances first.

I knew there must be a solution, as we all do manage to move around quite handily, I just never knew what it was. Luckily enough, I managed to stumble across an explanation of the paradox and its solution today. Nifty!

(Via Jason Kottke)