How to make friends by telephone

Many people are linking to this 1940’s era booklet on the then-newish telephone system and commenting on how amusing it is.

As for me, after flipping through the pages, I’m struck by how much more bearable many phone conversations these days would be if people would keep these pointers in mind.

(via Boing Boing)

iTunes: “Storm 3000” by Leftfield from the album Leftism (1995, 5:43).

Descent 2 for Mac OS X: FREE!

This rocks.

I’m not much of a gamer. Never have been, likely never will be. Most computer games bore me, requiring far too much time and mental effort to bother with (any strategy based game — StarCraft, WarCraft, WoodCraft), or just being so pointless I can’t envision devoting time to them (EverCrack). Generally, if I get into a game, it’s for a few minutes at a time, and either brainless but fun point-and-shoot (Doom) or brainless drive-around-in-circles racing games (Star Wars Pod Racer, Wipeout for Playstation).

One of the few games that ever really got my attention was Descent. At the time it came out, it was a groundbreaking game — taking the then-typical pesudo-3D first-person-shooter approach of Castle Wolfenstein, Doom, and so on, and putting it into a true three dimensional world.

Where previous “3D” games were actually two-dimensional (your only real choices of movement were on a plane — forward, backwards, left, and right turns, etc.), Descent put you in control of a small spacecraft flying through tunnels within planets and asteroids, adding the final third dimension, allowing you to pilot your craft through all three axis of movement. You could dive, barrel roll, loop-de-loop, swoop down on targets, anything.

We had some great multi-player Descent games at The Pit (my old apartment in Anchorage), and for once, I had the advantage. While I would occasionally play games, I wasn’t enough of a gamer to have very many old habits built in, so when I started playing with the controls of Descent, it didn’t take me long to get the hang of moving through a fully three-dimensional world. My roommate Jason wasn’t able to adjust as quickly, due to the ingrained habit of only thinking along two axis of movement. Many was the time when he’d end up behind me, blasting away, when suddenly I’d go round a bend in the tunnel just out of his sight, fly into a large open room, and immediately shoot straight up to hover just above the entrance. Jason would come screaming into the cavern and start trying to find me — panning left and right. Meanwhile, I’d be targeting him from above, suddenly unleashing a blistering stream of laser fire onto the top of his ship, and sending him off into blissful digital oblivion.

Of course, Jason being the jobless obsessive-compulsive that he was, he soon spent far too many hours doing nothing but play Descent, so it was only a matter of a week or two before he was flying circles around everyone else in the apartment. Still, my little reign of terror was fun while it lasted.

What got all this started running through my brain, though, was Phil tipping me off to some wonderful news — Descent 2 has been ported to run on Mac OS X, and is freely downloadable!

Schweeeeet.

It’s downloaded, just waiting for me to install it. I think I better wait ’till the weekend to do that, though, otherwise I’m likely to get nothing done from here on out.

Disney Propaganda (I want this!)

Oooers — anybody want to get me a late birthday present? ;)

Walt Disney Treasures: On the Front Lines

On December 8, 1941, the Disney Studio was taken over by the military as part of the war effort. Making the most of the talent that hadn’t shipped out yet, Walt Disney spent the next four years creating and producing training, propaganda, and educational films for the Armed Forces. In addition to these films, this extraordinary volume also includes the full-length feature “Victory Through Air Power.” Released theatrically in 1943, this powerful propaganda film has never been reissued until now. You’ll also see recently discovered on-the-set footage, and get rare firsthand accounts about the work and culture at the Disney Studio in interviews with Disney Legends Joe Grant, John Hench, and Roy Disney. Featuring exclusive introductions by film historian Leonard Maltin, this is a timeless collection from generations past for generations to come.

Yes, I’ve been working on drastically reducing my DVD library, and renting rather than buying. But some things are just too good to ignore, and given the combination of animation, history, and politics that this entails, I’d love to have my own copy.

Related: a DVDFile interview with Disney animator Dave Bossert, the producer of the set.

(via MeFi)

We’re Not Gonna Take It

This is so incredibly bizarre.

Currently playing on our in-store Muzak system: Twisted Sister’s “We’re Not Gonna Take It!”

I’m torn between laughing, singing along, and just being amazed that Twisted Sister’s pean to 80’s glam rock anti-establishment rebellion has been deemed acceptable for Muzak.

Oh, we’re not gonna take it.
No! We ain’t gonna take it.
Oh, we’re not gonna take it anymore!

We’ve got the right to choose and
there ain’t no way we’ll lose it —
this is our life, this is our song.
We’ll fight the powers that be, just
don’t pick our destiny, ’cause
you don’t know us, you don’t belong.

Oh, we’re not gonna take it.
No! We ain’t gonna take it.
Oh, we’re not gonna take it anymore!

Oh, you’re so condescending,
your gall is never ending,
we don’t want nothin’, not a thing from you!
Your life is trite and jaded,
boring and confiscated.
If that’s your best, your best won’t do.

Oh…
Oh…
We’re right! (Yeah!)
We’re free! (Yeah!)
We’ll fight! (Yeah!)
You’ll see! (Yeah!)

Oh, we’re not gonna take it.
No! We ain’t gonna take it.
Oh, we’re not gonna take it anymore!

Oh, we’re not gonna take it.
No! We ain’t gonna take it.
Oh, we’re not gonna take it anymore!

No way!

Oh…
Oh…
We’re right! (Yeah!)
We’re free! (Yeah!)
We’ll fight! (Yeah!)
You’ll see! (Yeah!)

Oh, we’re not gonna take it.
No! We ain’t gonna take it.
Oh, we’re not gonna take it anymore!

Oh, we’re not gonna take it.
No! We ain’t gonna take it.
Oh, we’re not gonna take it anymore!

(Just you try and make us.)
We’re not gonna take it!
(Come on!)
No, we ain’t gonna take it.
(You’re all worthless and weak.)
We’re not gonna take it anymore!
(Now drop and give me twenty.)
We’re not gonna take it.
(Oh, crinch pin.)
No, we ain’t gonna take it.
(Oh, you and your uniform.)
We’re not gonna take it anymore!

Showgirls commentary track

While I’ve never had a chance to catch it, for a while now local Seattle writer David Schmader has been hosing screenings of the infamous Showgirls, providing a running commentary skewering the film in what I’ve heard makes for an absolutely hilarious showing.

MGM, rather than taking umbrage at this, has decided to play along, and has asked David to record a commentary track for an upcoming special edition DVD release.

After numerous successful screenings, Schmader was moving on when “Showgirls'” producer MGM called. Rather than suing him for commercially skewering its product, MGM asked him to provide a commentary for the “special edition” DVD to be released at the end of July.

That’s just cool. Good for you, MGM.

iTunes: “(I Left My Heart In) San Francisco” by Bennett, Tony from the album Pop Music: The Golden Era 1951-1975 (1962, 2:51).

Shrek 2

We also saw Shrek 2, which was a far more enjoyable experience than Troy.

Not quite as strong as the first overall, but still very enjoyable, and quite funny. Eddie Murphy was actually funny (which only ever seems to happen in animated films anymore), and Antonio Banderas absolutely stole the show as Puss in Boots. The animation continues to get better and better, of course (some of the facial expressions are stunning to watch, especially Fiona’s as she faces the trial of introducing Shrek to her parents).

The real fun, though, was everything in the background. There is so much going on behind the actual action that it will easily take multiple viewings to catch it all, from references to other movies (Raiders of the Lost Ark, Mission Impossible, and Lord of the Rings: The Fellowship of the Ring, among others) to the stores in Far Far Away (Abercrombie and Witch, Tower of London Records, Old Knavery, and — of course — multiple Farbucks coffee stores [one of my favorite gags, in fact, was panicked people running out of a Farbucks under attack from a giant Gingerbread Man — directly into another Farbucks just across the street]).

The humor felt to me like it was pushed a little further to the adult side of the spectrum than the first Shrek was, too. Not so far that parents should question taking their children to the film (though do keep in mind that it is rated PG, not G), but definitely a lot for the adults to laugh at.

This one’s definitely worth checking out.

iTunes: “A Question of Time (New Town/Live)” by Depeche Mode from the album A Question of Time (1986, 11:08).

Troy

Prairie and I saw Troy this weekend.

That wasn’t supposed to be a comedy, was it?

So, so disappointing.

For the longest time, I didn’t think much of Brad Pitt. His acting didn’t impress me much in many of his earlier films, and he always struck me as little more than a pretty boy with long blonde hair for the ladies to drool over. Then came Fight Club, and suddenly it became clear that the man could act, and could do a damn good job of it, too. Unfortunately, with Troy, he seems to have gone back to the “pretty boy” routine. Strike a pose onscreen, look good, pout a lot, and try to let that carry the movie instead of actually acting.

I was, however, amused by the constant camera angles that highlighted a nearly naked Brad Pitt putting the very bottom of the shot just barely above where it would otherwise have been indecent. I’m not entirely sure what amused me more: that this shot was a recurring theme, or hearing Prairie beside me muttering, “Just a little bit lower….”

Also, during the big fight sequences, Achillies had one particular move that was featured in every major fight: a leap into the air, twist to the left, and stab downwards with his sword. My thought each time was that that’s got to be his hidden “power move” — left-right-left-down-A-A-B-A, and WHAM, Achilles wins again!

I think I’ve figured out why Helen was considered such a prize. Apparently — at least according to this film — she was the only blonde woman in Greece.

Other than that…bad dialogue, bad music, and overall, some pretty bad acting. A few pretty pictures, and only one halfway interesting fight (Achilles vs. Hector), but that was about the most it had going for it.

Honestly, I can’t even recommend it as a rental.

iTunes: “Ave., The” by Run-D.M.C. from the album Together Forever: Greatest Hits 1983-1991 (1990, 4:07).

Attention Royce: New Thomas Covenant novels

Stephen Donaldson’s website has a blurb up you might be interested in.

Coming Fall 2004!

The Runes of the Earth

the first of four books in …

The Last Chronicles of

Thomas Covenant

There’s also a .pdf of “chapter one of the prologue” up for download.

I still need to read the first Thomas Covenant novels. Yes, the ones you’ve been telling me to read since we met in 4th grade (or whenever you read them, I suppose). I’ll get around to it one of these days, I swear…

iTunes: “Desire” by Yello from the album Essential (1985, 3:43).