It’s astounding, time is fleeting…

Okay, so sure, I haven’t actually posted any real content since my site came back online…but I just stumbled across this, and am completely jazzed about how cool it is.

Google just added the ability to search through Usenet postings — 20 years of postings, actually, dating back to 1981! I’m afraid it would be all to easy for me to spend hours searching through this. I did take a couple minutes on lunch to do an ego search, and came up with a bunch of neat stuff from when I was active on Usenet. Discussions on whether the Borg might be related to V’Ger, nine inch nails fans in Alaska, good introductions to Taoism, introducing myself to the alt.music.nin newsgroup (and again), and my earliest returned post was apparently posted February 9, 1994 about live nine inch nails cd’s. Yikes. Anyway…really fun toy to play with.

Enterprise: Civilization

It’s been a couple days since the most recent Enterprise episode, “Civilization“, and I hadn’t been able to come up with much to say about it. After working on it for a bit, I think it’s just because there really isn’t much to say — while it wasn’t a really bad episode, it certainly wasn’t really good, and was definitely nothing new. It basically felt like a retread of episodes that every Star Trek series have done at least once or twice at some point during their run, all around the same “Enterprise officers interacting with a primitive society, trying to hide, and failing miserably” theme. Decently done, but not exactly treading new ground.

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The human adventure is just beginning

Today marked the release day for one of my personal most-anticipated discs — the Star Trek: The Motion Picture — The Director’s Edition. I picked it up at lunch, then made it through the rest of the day until I could get home and watch it.

Part of the reason I’d been awaiting this release of the first film in the Star Trek series is that for the first time, we are being shown the completed film. Usually when a film is being made, the director assembles a rough cut which is shown to test audiences. Their reactions, coupled with anything the director might notice as he watches the rough cut, serve to guide the director and editor in assembling the final cut of the film. Unfortunately, the schedule for ST:TMP was so tight that that crucial final step was never taken — the film had to be done by a certain date, and so the final edit was never performed. Also due to time and budget constraints of the time, many of the special effects sequences had not been completed. Essentially, what we’ve seen for the past 22 years has been no more than a rough cut that director Robert Wise was not happy with, but it was all there was time for.

In 1998, Robert Wise was approached by Paramount to see if he was interested in finally revisiting and finishing the film. After some initial trepidation he agreed, and after months of curiosity and speculation, the final result is finally available on DVD. Not just a new edit of the film, a team of restoration artists and CGI artists have worked with the director to carefully enhance some effect sequences, complete others, and create an entirely new 5.1 sound mix utilizing the original source elements from the film.

The end result is, quite simply, incredible. While the new cut incorporates new effects sequences and some scenes that had previously been inserted for the television version, Mr. Wise has also taken out some scenes and tightened others to create a new version that is just slightly longer than the original, but has a much more finished feel to it. The effects shots are doubly impressive, in part because they’re so seamlessly integrated into the body of the film, that I didn’t even notice many of them until they were pointed out in a documentary! The artists working on the new effects sequences worked very hard to match the style of the original effects, only creating sequences that could have been created in 1979 had there been time, and even working from the original storyboards rather than dreaming up ideas that might be ‘cool’, but not true to the original vision. Suffice to say, I was not merely impressed by this new version of a film I’ve been watching for years, but flat-out floored. I’ve never harbored the disdain for this film that many other fans have, but it’s always been obvious that it had some serious problems. Now, however, it has finally been completed, and we can leave the dubious honor of being the worst of the series to Star Trek V: The Final Frontier.

In addition to the outstanding work done on the film itself, Paramount has finally released a true Special Edition DVD, rather than the movie-only editions for the rest of the series. The movie disc contains two feature-length commentaries. The first is an audio commentary with director Robert Wise and others, and the second is a text commentary (presented in the form of yellow subtitles) written by Michael Okuda, long-time graphic artist for the series and Trek-tech geek extraordinaire. Both commentaries are packed with information, but the text commentary is my personal favorite. You need to be a bit quick to read some of it, but there’s a great sense of humor permeating the track that makes it a lot of fun (my personal favorite bit — as Kirk is explaining to Scotty that there is something approaching Earth and the Enterprise is the only ship within reach, the commentary pops up with, “This seems to happen a lot — it almost makes one wonder if the other ships stay away when the Enterprise is in town, in case something happens!”).

The second disc contains three documentaries ranging from about 15 minutes to about half an hour. The first covers the road from the initial concept for the series ‘Star Trek — Phase II’ that was to be the flagship show for a Paramount based TV network (years before UPN appeared) to the beginning of production on ST:TMP. The second covers the production of the film, and the third explores the work done to create the new Director’s Edition. It’s a bit of a bummer that little time is given to the problems that led to the unfinished film being released and the subsequent reactions, but the three documentaries still cover a lot of ground, and are well worth watching. All of the theater and television trailers are included on the disc, as well as a huge collection of deleted scenes (documenting scenes deleted from the original cut, scenes that were included in the television cut, and one section that collects all the pieces that were trimmed in the making of the new cut).

All in all, an absolutely incredible set, and one that does the die hard Trek geek in me proud.

Enterprise: The Andorian Incident

Last night’s Enterprise episode (“The Andorian Incident“), was — at least IMNSHO — one of the better, if not the best, of the episodes I’ve seen yet. While according to current Star Trek lore, the Andorians were one of the three founding races of the United Federation of Planets (along with humans and Vulcans), yet we’ve rarely seen much of them, with their few ‘starring’ roles dating back to the original series. Well, this week we got re-introduced to them, and it looks like they may be much more major players than they have in the past, which could turn out to be quite interesting.

We are also being treated to a much more interesting view of the Vulcans. Always before, they’ve been coldly logical, somewhat aloof characters, with the race as a whole obviously a strong and trusted member of the UFP. However, we’re now seeing some of the Vulcans weaknesses and less-than-idealistic tendencies, and I for one find the new look at the history of the race fascinating (to coin a phrase). Typically, however, the new views have been raising quite a storm among many fans, and there are some very interesting arguments over at the Trek BBS on both sides of whether this is a good development or not. Personally, I think it is…but that’s just me, I suppose.

Looking forward to more….

Enterprise: Terra Nova

This week the Enterprise was off to “Terra Nova”:

The Enterprise crew alters course to investigate the mystery of Terra Nova, a legendary Earth colony whose inhabitants mysteriously disappeared decades ago. But when they arrive, they confront descendants of the colonists who have become more alien than Archer could ever have imagined.

Not bad, actually — definitely better overall than last week’s episode. I liked Archer’s frustration in being able to deal with the situation he ended up in — especially when he started fuming about how, “If I can’t make first contact with a group of humans…I don’t deserve to be on this ship.” T’Pol’s handling of Archer in the situation room was wonderful, too — I’m still not entirely sure just how serious her suggesting the stun grenades was, and how much of that was playing devil’s advocate.

Enterprise: Unexpected

Benefits to actually having a TV — while the reception is pretty cruddy, it does allow me to watch the single TV show I’ve got any real interest in, Enterprise. Last night’s episode was “Unexpected”:

When Tucker is dispatched to assist an alien ship with its power source problems, he is delighted to have a friendly encounter with one of the ship’s female engineers. But after discovering that their special moment has resulted in his becoming pregnant, he realizes he’s had an unwitting experience with alien sex. Now it’s up to the Archer and the crew to return the rapidly growing alien baby to its mother.

Definite mixed feelings about this episode, for me. It was enjoyable enough, and certainly fun to watch, but it definitely had a few moments that concern me a bit.

Things I liked: Trip’s attitude throughout the show — I really liked the understated, very dry approach he took. Archer’s reactions were hilarious, the number of times he had to work to stifle a smirk were hilarious. I do have to admit, too, to a thrill when the Klingon D-7 Battlecruiser appeared on the Enterprise’s viewscreen. I’ve always liked that ship (and Klingon design in general — though they were finally upstaged by the Next Generation-era Romulan Warbird…but I digress), and seeing it in action again was quite nice. On the other hand…

Things I didn’t like: We’re four episodes in, and they’ve already succumbed to the temptation to get some sort of Holodeck on the show. Okay, so the Enterprise didn’t end up with it, but still — is it that difficult to come up with original ideas? And would the Klingons really be appeased/tempted by the possibility of being given holographic technology? Seems to me that they’d be more interested in the cloaking technology that the alien ship was using. Besides, they seemed far to easily dissuaded — it’s hard for me to believe that given the level of tension between the Federation and the Klingon Empire during Kirk’s time, that any Klingon 100 years earlier, with far less contact with Humans to draw from, would put up with Archer’s down-home “Aw, shucks, Paw,” attitude for any longer than the time it would take to send a torpedo up the Enterprise’s tailpipe.

Anyway, taken as a whole, it was an okay episode, with some fairly amusing moments — but for someone who’s been watching Star Trek practically since birth, I really wonder how this show’s going to integrate its story arc with the known back story of the Trek universe. So far, they seem to be doing a fairly shaky job of that, which worries me. Ah, well — we’re also only four episodes in, and none of the Trek series have really hit their stride until somewhere between their second and fourth year, so I supposed it’s a little early to write “Enterprise” off just yet.

Still….

To boldly go…

…where three television series and nine movies have gone before.

Or something like that, right?

But hey — they’re doing it with style. Gotta admit, I thought last nights premiere of Enterprise, “Broken Bow,”, was pretty darn cool. Finally, it really does look like we’ve got a new entry to the Star Trek universe that just might be able to carry on the torch and keep viewers interested. It’s about time.

Things I liked:

The ship — especially the interiors. It really does look something like a cross between a starship and a submarine. Very cramped interiors, walkways going around the various parts of engineering…very nice look. Besides, I’ve always liked the design of the Star Trek universe.

The technology — they seem do be doing a credible job of placing the technology somewhere between what we have today and what was thought the future could look like in the original series, from the sliders on the transporter to T’Pol’s viewer on the science station. With nobody really trusting the transporters yet, it’ll be nice to have extra-vehicular missions using shuttlecraft the majority of the time (one of my favorite TOS episodes was The Galileo Seven, a premise which wouldn’t have worked without a shuttlecraft — sometimes the transporters made things a bit too convenient, I think). The use of an actual grappling hook device rather than a tractor beam was a very nice touch.

The cast — I have to say, I think they just may have done a good job here. I wasn’t sure what to think when I heard that Scott Bakula was going to be the new captain, but I ended up really liking Cpt. Scott Archer. The rest of the regulars came off well too — about my only reservations are with Ensign Hoshi Sato (while the constant nervousness about whether the ship is about to explode around her ears is amusing, the writers will have to tread carefully not to make it just flat-out annoying) and Dr. Phlox (reminds me a bit too much of characters like Neelix [VOY] and the early Ferengi [TNG/DS9] — good ideas that didn’t hold up well over the long run), but as this is solely based on a 2-hour first episode, these characters could become much more than they seem in a season or two. I was also pleasantly surprised with Sub-Commander T’Pol. Considering the jumpsuit they’ve put her in just screams out, “Look at me! I’m the resident token sex object!” she actually ended up with a character much more thought out than I at first expected. She also has that wonderful trick of managing to smile without actually doing it — I think it’s something in the eyes, but it’s something I haven’t really seen an actor pull off with a Vulcan character since Spock and Sarek.

The fact that the show is presented in 1.78:1 widescreen. Very cool — now if only I had a high-def TV and receiver to watch the thing on!

Things i’m iffy on:

Okay, what was the point to the decontamination scene? Or, rather, was there a point beyond titillation? Admittedly, it wasn’t bad as far as prime-time titillation goes, and I have to give them props — not only did they have T’Pol strip down to her skivvies, but they also had Commander Charles Tucker in there (either for the women or the gay men in the audience, or both) — but it seemed out of place, and clumsily done. Either the two of them were just helping each other with the decontamination gel, or they were flirting, but the scene played like a clumsy mix of both. Ah, well — at least it was good eye candy, right?

The opening theme. Y’know, assuming I ever get in a situation where I can watch this show on a weekly basis, I think that song is going to grate on me more and more every time. The visuals during the credit sequence are nice, I like the exploration theme — but did they have to go to some horrid, cheezy, adult-contemporary soft-rock ballad? Ugh. That can go, as far as I’m concerned — and it can go as far away as possible.

Overall

A good, solid B+, I think. I’ll catch more episodes when I can — whenever that may be — we just might finally have another worthy contender to the Star Trek universe here.

Enterprise

Ooers, yeah — one more thing. Tonight’s the premiere episode of Enterprise, the new Star Trek series. I’m hoping to be able to catch it, Damon has said I can hang out over at his place tonight to see the show. Hopefully it’ll be worthwhile — I’ve gotta admit, I’m intrigued by what I’ve read so far. Tonight’s episode is Broken Bow, where we get to launch not only the series, but also the first warp capable Enterprise, and Klingon/Human relations. Should be interesting!