Apple Music Grumbling

(That’s both “the Apple Music service” and “using Apple devices to listen to music”, to be clear.)

For all the things Apple does well that I like and appreciate, and that keep me as a customer, some things absolutely drive me up the wall.

I have a big music collection, so I’m particular about how I keep things arranged on my computers and my iPhone. I have a bunch of custom smart playlists, keep my phone set to only sync certain playlists, and do not automatically sync my entire library. I simply have too much music to do that, and I don’t want to have to scroll through every playlist to find one of the few that I use on my phone.

Because of this, for a long time, I avoided Apple Music. (For other reasons too, including that I am particular about my metadata and have spent ridiculous numbers of hours making sure it’s correct, and Apple has a particularly annoying habit of overwriting user-defined metadata if you give it full access to the on-device library.) I finally signed up a few years back when the Apple One collection of services hit a good cost/usefulness ratio. It has come in handy (particularly for my wife), but I make sure to keep the “sync library” setting turned off, so that I know that I’m the only one managing the music on my phone.

For a long time, this worked fine. 95% of my phone-based listening was from my on-device library; the 5% of the time that I actually used Apple Music (I like their “Get Up!” playlist when I’m making breakfast in the morning, and will sometimes pop on their “Chill Mix” or a downtempo or trip-hop station as background music when I’m reading or relaxing before bed) was a nice way to get a mix of stuff I knew and stuff I was unfamiliar with. I’ve found some good new (or new to me) tunes that way as well, so even when it’s only a small part of my listening, Apple Music has been helping with music discovery as well.

So this was working. When I listened to Apple Music and heard something I liked, I’d “favorite” it. This would both help to train Apple Music so it would find more stuff I liked, and allowed me to go back and find the things I liked so that I could then go back and actually buy the full tracks or albums from the iTunes Store. As someone who doesn’t trust streaming services and regularly purchases the media that I enjoy so that I know I have a copy and don’t have to worry about it magically disappearing when licensing agreements change (I want to own my media, not rent it while being told I’m buying it), this seems like exactly the kind of use that Apple and the studios and artists would want. Streaming, like radio, is a way to find new things that I then go and spend more money to own (and send a more reasonable number of pennies back to the artists).

Unfortunately, for some reason, they’ve made an obnoxious change with iOS 17. Now, every time I try to “favorite” a song, I’m told that I have to turn on the “sync library” setting. Apparently, Apple no longer really considers your Apple Music library and your on-device library to be separate things. The first time this happened, not realizing what would happen, I made the mistake of turning on the “sync library” setting, and while I could then favorite tracks in Apple Music, it also completely screwed up what was on my phone. I had every playlist that I have on my computer on my phone instead of just the ones that I manually select, but for some reason, they were all empty, and therefore useless. There was still a lot of music on the phone in the “Downloaded” list, but the playlists didn’t show anything, and it was incredibly difficult to figure out what was actually on my phone and what was in the cloud somewhere without digging through that “Downloads” list. That got disabled again after a couple days of trying to figure out a way to make it work.

I really don’t understand this change, and why Apple Music can no longer learn about my tastes without completely screwing up the systems I’ve had working for years for keeping just the music I want on my phone. But the end result is that Apple Music is now far less useful to me than it has been, and I’m less likely to use it (but, of course, Apple’s unlikely to care, because I’m just going to keep paying for it as part of the Apple One subscription…).

Apple does a lot well. But I really wish they’d put a little (well…a lot) more thought behind the entire music experience, especially for people like me with large libraries that we’ve put a lot of effort into sorting, tweaking metadata, and generally futzing with to make sure they’re set up just as we like.

Not a Spotify Wrap-up

Okay, so lots of people are posting their end-of-year Spotify wrap-ups showing off their listening habits. I don’t subscribe to Spotify (they don’t pay their artists nearly enough, and they have a history of supporting podcasters I have issues with, so they don’t get my money), but I do have Apple Music (who, really, should also pay their artists more, but they’re at least better than Spotify), and Apple does an end-of-year “replay” thing.

Of course, even this is a very small peek at my listening habits, because I really don’t use Apple Music all that much. I get it as part of a subscription bundle, and only really use it briefly in the mornings before work, or occasionally in the evenings before bed. Most of the time I listen to songs from my local collection.

That said, though, here’s what Apple says about the, oh, 10% (if that) of my music listening that it knows about….

Top Artists

Top Artists
549 total artists
1
The Orb
137 minutes
2
Nine Inch Nails
136 minutes
3
4
Dolly Parton
128 minutes
Orbital
124 minutes
5
Underworld
89 minutes 6
Bonobo
71 minutes
7
Hooverphonic
69 minutes
8
Imperative Reaction
64 minutes
9
Velvet Acid Christ
61 minutes
10
Apoptygma Berzerk
51 minutes 11
VNV Nation
50 minutes
12
Seabound
50 minutes
13
Front Line Assembly
46 minutes
14
Rotersand
44 minutes
15
Icon of Coil
44 minutes

549 total artists

  1. The Orb 137 minutes
  2. Nine Inch Nails 136 minutes
  3. Dolly Parton 128 minutes
  4. Orbital 124 minutes
  5. Underworld 89 minutes
  6. Bonobo 71 minutes
  7. Hooverphonic 69 minutes
  8. Imperative Reaction 64 minutes
  9. Velvet Acid Christ 61 minutes
  10. Apoptygma Berzerk 51 minutes
  11. VNV Nation 50 minutes
  12. Seabound 50 minutes
  13. Front Line Assembly 46 minutes
  14. Rotersand 44 minutes
  15. Icon of Coil 44 minutes

I’m quite amused that Dolly landed so high on this list, particularly how out of place she looks. But her recent Rock Star album is great, and it has been getting a lot of plays since it came out. Worth it!

Top Songs

Top Songs
872 total songs
1
BAD GUYS
FEELIN' ALRIGHT
ELLE KING
Feelin' Alright (from...
Elle King
8 plays
2
Wide Open
The Crystal Method
6 plays
3
Cuts You Up
Peter Murphy
5 plays
4
Came Back Haunted
Nine Inch Nails
5 plays
5
Dial8
Velvet Acid Christ
5 plays 6
Modern Love
David Bowie
7
5 plays
HOOVERPHONIC
2Wicky
Hooverphonic
5 plays
8
IMMA ATE
Express Yourself (Edi...
Madonna
Madonna
5 plays
9
The Night (feat. Aliso...
Röyksopp
4 plays
10
Underworld
I Exhale
Underworld
4 plays 11
12
13
14
15
SOME NIGHTS
INVNATION
AUTOMATIC
Spock
VCMG
4 plays
Eraser E
Nine Inch Nails
4 plays
Some Nights E
Fun.
4 plays
Gratitude
VNV Nation
4 plays
Funk 4 Peace...
Fort Knox Five
4 plays

Again, I’ve listened to many of these tracks far more times this year than is represented here, and have listed to a lot of other stuff as well, probably far more than the 4-8 times shown in these screenshots. That said, it’s not really that bad of a sampler of what I listen to.

So…it’s a weird list, and only somewhat representative of my tastes. But hey, since I have a limited sample size to work from because I don’t stream much of what I listen to, it’s what we get.