Gallimaufry 3

Third verse, same as the first…

Ten random tracks from my iTunes library:

  • Violent Femmes, ‘Fat‘, off of 3: The Femmes are a long-time favorite of mine, and ‘Fat’ is one of my favorite tracks off of this album. Very tongue-in-cheek, it’s a rather bouncy little lament about a man hoping a girl will gain a little weight. “‘Cause if you got really fat, fat, fat, / You just might want to see me come back, / I hope / you got / fat.”

  • Hole, ‘Drown Soda’, off of Tank Girl: I have to admit, I’ve never been much of a fan of Hole. They’re not really bad, but most of what I’ve heard from them just doesn’t grab my ear (though I will say that I do like ‘Malibu‘). This track pretty much follows the formula: droning guitars and Courtney Love screeching.

  • Romeo Void, ‘Never Say Never (Hot Tracks)’, off of The Edge Level 1: I’m such an 80’s child sometime. Not necessarily the best 80’s one hit wonder out there, but it’s definitely a fun one — “I might like you better if we slept together, / never say never!” This is a remix off of one of the DJ-only promo CDs I got through the Hot Tracks service.

  • Leftfield, ‘Storm 3000‘, off of Leftism: I first heard of Leftfield through the single ‘Open Up‘, with John Lydon (a.k.a. Johnny Rotten of the Sex Pistols) guesting on vocals. That one track was enough to get me to pick up the full album, and I wasn’t disappointed. While this isn’t one of the strongest tracks on the album, it’s not bad filler, and works quite well as background music.

  • Concrete Blonde, ‘Darkening of the Light‘, off of Bloodletting: This is such, such, such a good album. Most people if they know it at all will only know of it through ‘Bloodletting (The Vampire Song)‘, but there’s not a single bad track on this disc. I’ve been lucky enough to see Concrete Blonde live a few times since I moved to Seattle, and they’re firmly cemented in their place as one of my favorite bands. Besides, Jhonette’s voice is just so good….

  • Sarah McLachlan, ‘I Will Not Forget You‘, off of Solace: Not one of Sarah’s more well-known tracks, and probably for good reason. Not bad, but nothing to make it stand out, either, very much standard Sarah McLachlan. Of course, she’s an artist whose standard pieces are still very worth listening to, so that’s not necessarily a bad thing.

  • Children of No Return, ‘White Horses’, off of German Mystic Sound Sampler Vol. IV: This song isn’t great, but I love the series it’s from. I’ve got four of the GMSS discs — I picked the first two up while I was in Germany in 1991, and got the second two off of a friend who found them online and then decided that he didn’t like them as much as I would. Great stuff, as far as I’m concerned, with a lot of German industrial and gothic music that’s nearly impossible to find in the states. Amusingly, some of the artists on these albums (like Das Ich, Girls Under Glass and Project Pitchfork) have since gained popularity in the goth/industrial scene here in the States…but I was listening to them first! :)

  • Tori Amos, ‘Professional Widow‘, off of Professional Widow: The original mix of ‘Professional Widow’, from the single of the same name. Here Tori’s somewhere in her middle stage, between songs with lyrics that make sense and songs that still sound incredibly good but are so obtuse as to be nearly nonsensical. Doesn’t mean I don’t like listening to her stuff at all, but there are times I really am clueless as to what she’s talking about.

  • Front 242, ‘Rhythm of Time (Messengers of Neptune)’, off of Mut\@age Mix\@age: A trancy remix of one of Front 242’s earlier tracks, very Orb-ish. In fact, now that I check, the mix was done by the Orb, imagine that. Front 242’s long been one of my favorite industrial groups, and this remix album is worth picking up — not all of it’s really danceable, but it’s a strong collection of mixes that can be pretty difficult to track down otherwise.

  • Jane’s Addiction, ‘So What!’, off of So What!: Jane’s Addiction’s later stuff never really got me as much as Nothing’s Shocking, Ritual de lo Habitual and their self-titled live album did, but ‘So What!’ isn’t too bad. The remixes on this single are rather forgettable, though. Not much else to say, really…not bad for Jane’s Addiction, but not their best, either.

All in all, not a bad set of songs this week. And now, the weekly bonus track:

iTunesDream On” by Chemical Brothers, The from the album Surrender (1999, 6:46).

Bumbershoot ’02

It’s taken me a couple days to get to this, and it’s not going to be nearly as long as last year’s opus — but I did get to spend last Saturday out at this year’s [Bumbershoot1. Unfortunately, I could only hit one day this year, so I decided to go Saturday, as it seemed to have the best lineup of artists I knew I wanted to see.

I started the day by walking down to the Seattle Center from my apartment. I’d originally planned on taking the monorail from Westlake Center, but the day was nice enough that I figured I’d just go ahead and walk it. Jimi Hendrix MarionetteWhen I got to the entrance, there was a street performer who had a boombox playing Jimi Hendrix tunes, and a (I believe) homemade Jimi marionette doing a really impressive show. I grabbed my ticket, and wandered in to explore what this year had to offer.

The new pavillionI was supposed to meet Chad at the Flag Pavillion at 2pm, so I started by heading that direction. Unfortunately, as it turns out, there is no Flag Pavillion anymore! A new pavillion has been built, that had been designated the “Tiki Terrace” and “Lagoon Lounge”. Made it fairly difficult to find Chad, so I just kept up my wandering, figuring we’d run into each other eventually. The new building’s pretty nice, though…not quite finished yet, but it’s close.

Zambola drums and dancersWhile I was down by the new pavillion, one of the frequent mini-parades through the grounds was getting started, led off by the Zambola drum and dance troupe. I have no idea if any of them were professionals or not — I kind of got the impression that they were all doing it just because they really enjoyed it — but it was a lot of fun (and not to shabby to look at, either!).

A balancing actA lot of the fun of wandering the grounds is the multitudes of smaller acts, street performers that have come in and set up shop somewhere on the grounds. There were a couple guys with a juggling act that had just found an audience volunteer — a 9-year old girl who was having a blast being the center of the show for a few minutes. After dressing her up in a clip-on tie and bowler (so that she’d look “just like her dad”), they had her hold onto a couple posts, and set two spinning balls balancing on them…and she was a star!

The stamenphoneIn one of the less-packed areas of the grounds, I came across a really fascinating performer. He was standing on a box, playing a truly unusual instrument that had a very ethereal, resonating sound to it. Turns out that he’d created the instrument himself after seeing it in a dream, and taught himself how to play it, after welding it together from a lot of metal bars and a couple extra large steel salad bowls. Really interesting stuff (and I just found the artist’s website, including an article where about halfway through he discusses the creation of the Stamenphone).

Si*séEventually I wandered over to the Rhythm Stage and sat down to watch Si*Sé, a ‘latin/electronica’ band that I ended up really liking (enough to pick up their CD later on in the night, even). While I was enjoying them, who should walk up, but Chad Aimee, Chad and Martyand not just Chad, but Aimee and Marty, too! Very cool — so now that we’d found each other, the four of us wandered around for the next few hours.

We wandered the grounds for a bit, then headed into the stadium to snag a place on the floor to see Ani DiFranco perform. Chad, Marty and I pretty much stayed about halfway back, while Aimee bounced around, doing her best to get a better view of Ani during the show. The stadium floorAni did a pretty good job, though apparently she wasn’t too thrilled about being stuck in “that damn stadium”…still, the audience loved her, and she put on a good show.

After Ani we had a couple hours to kill before seeing Concrete Blonde (my primary reason for choosing Saturday over the rest of the weekend), so it was off to wandering again. KateWe ran into Kate and a friend of hers for a few minutes at one point — it was great to see her again! We all talked for a few minutes, then she and her friend headed off to get something cool to drink. Chad, Marty and I spent a fair amount of the next hour people watching while Aimee dove into (seemingly) every booth we passed to see what they had available…certainly not a problem, though, we weren’t exactly in a hurry to get anywhere. Besides, standing in one place for a while makes it easy to run into friends — Jory and Adri like Jory and Adri, who were down for the weekend. That was kind of funny — the last time I’d seen them was last Bumbershoot, when they were down for their honeymoon!

Aimee at one point had to run off to get money out of an ATM, and after waiting fo a while, Chad and I decided that we really didn’t want to miss the Concrete Blonde show, and left Marty to wait for Aimee while we headed into Key Arena. We found my friend Laura and her friend Renee in there, and so the four of us stuck together during the Concrete Blonde show — which was flat-out incredible. After having listened to Concrete Blonde for years, it’s so great to be able to see them live — especially since this was the second time in a year I’ve been able to do so! Both shows have been incredible, and I’m definitely looking forward to any more I can catch.

The Space Needle at nightAfter Concrete Blonde, we all split up — Laura and Renee went off to find food, Chad headed home, and I headed into the Wherehouse booth to pick up Si*Sé’s CD. I also on a whim picked up a CD by Blackalicious, a hip-hop group that had played earlier that I hadn’t been able to see, but had heard a lot of good things about, so I figured it was worth a shot. Then I started working my way home…and managed to catch just the tail end of a performance by Jason Webley, one of my favorite local artists that I’ve found yet (though I’ve not been able to catch any of his shows). He’s got a new CD out, so I picked that up also, and then — finally — made it out the gates, and walked my skinny lil’ butt home.

All in all, a very good day. It’s a bummer that I wasn’t able to go for the full weekend again, as I did last year, but hey — there’s always next year, right?

Still in Hollywood

It’s Thursday morning, and I’m sitting here staring slightly bleary-eyed at the computer monitor here at work, trying to do two things: firstly, kick-start my brain into gear after being up fairly late last night; and secondly, see if there’s any way I can communicate how absolutely cool the Concrete Blonde concert I went to last night was. I’m probably not going to be able to do that good of a job, but…(shrug). Trust me. It was incredible.

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