Hominids by Robert J. Sawyer

Book 21 of 2025: ⭐️⭐️ 2003 Hugo Best Novel

A portal is accidentally opened between our Earth and a parallel Earth, where Neanderthals became the dominant human species, bringing one Neanderthal scientist over to our world. Some amusing moments as the scientist comes to grips with the oddities of our world when compared to his. However, I was quite thrown off by the introductions of the two primary female characters: one, in order to dive into water for a rescue attempt, strips down to her underwear, pausing to reflect that she wished she hadn’t donned such a lacy pair that morning; the other is raped at knifepoint. After finishing the book, I have only the vaguest ideas of what either character looked like; one is blonde and beautiful, the other more average. That got the book off on poor footing, and I never really warmed up to it after that. Not what I’ve come to expect from these more recent Hugo winners, and I won’t be continuing on with this series.

Me holding Hominids.

Weekly Notes: March 31–April 6, 2025

  • 🚀 This weekend was a little bit of convention conflict, as Saturday we had the final Norwescon 47 planning meeting before the con, and Sunday was Seattle Worldcon‘s announcement of this year’s Hugo finalists. Got everything done, but it did make me glad there aren’t many weekends where I’m trying to do stuff for two conventions at the same time.

📸 Photos

Single-panel comic of two men sitting on a park bench, one is about eight inches tall. The small one is saying, "You think you've got problems! Not only am I the incredible shrinking man, but I've also been bitten by a werewolf so every full moon I turn into a gerbil!"

From a conversation with a friend, one of my all-time favorite Bizarro comics, clipped and saved back when I was in high school.

📝 Writing

📚 Reading

🔗 Linking

  • Guillaume Lethuillier: The Myst Graph: A New Perspective on Myst: “Upon reflection, Myst has long been more analogous to a graph than a traditional linear game, owing to the relative freedom it affords players. This is particularly evident in its first release (Macintosh, 1993), which was composed of interconnected HyperCard cards. It is now literally one. Here is Myst as a graph.”

  • Jessica Bennett at The Cut: If Hetero Relationships Are So Bad, Why Do Women Go Back for More? A new straight-studies course treats male-female partnerships as the real deviance.: “‘In this class, we’re going to flip the script,’ she went on. ‘It’s going to be a place where we worry about straight people. Where we feel sympathy for straight people. We are going to be allies to straight people.'”

  • Nilay Patel at The Verge: Best printer 2025: just buy a Brother laser printer, the winner is clear, middle finger in the air: “This is the third year in a row that I’ve published a story recommending you just stop thinking about printers and buy whatever random Brother laser printer is on sale, and nothing has happened in the miserably user-hostile printer industry to change my recommendation in that time.”

  • Sarah Jones at the Intelligencer: Then They Came for People With Disabilities The right-wing effort to roll back civil rights finds a new target.: “Though the Rehabilitation Act and the Americans With Disabilities Act had bipartisan support and were signed by Republican presidents, it’s hard to imagine Trump signing either piece of legislation. A more ruthless strain of conservatism always percolated within the party, and now it dominates and threatens the protections that Cone, and Lomax, and so many others once fought to win. At risk is the concept of civil rights itself.”

  • Shelly Brisbin at Six Colors: Twenty Thousand Hertz Dives Deep Into Apple Accessibility History: “The latest episode of the Twenty Thousand Hertz podcast takes a stab at telling Apple’s accessibility story through sound—not only the sound of a host and his interview subjects, but the way Macs and iPhones sound when they speak to people who use their accessibility features.”

  • Watts Martin: What makes an app feel “right” on the Mac?: “So it’s possible that the right question—at least for me—isn’t ‘is this app using a native UI toolkit,’ it’s ‘is this app a good Mac citizen.’ In other words, does it embrace long-standing Mac conventions?”

  • Seattle Worldcon 2025: 2025 Hugo Award Finalists: “Seattle Worldcon 2025, the 83rd World Science Fiction Convention, is delighted to announce the finalists for the 2025 Hugo Awards, Lodestar Award for Best Young Adult Book, and Astounding Award for Best New Writer.”

A Deepness in the Sky by Vernor Vinge

73/2024 – ⭐️⭐️⭐️⭐️⭐️ 2000 Hugo Best Novel

Interstellar travel spanning centuries, plans and plots spanning decades and more, first contact, an alien civilization presented in both very relateable and very alien ways…all sorts of good stuff here. Technically in the same universe as Vinge’s A Fire Upon the Deep, but so removed in space and time as to be standalone, with only a few connections to the other. Really enjoyed how Vinge presented the Spiders, and the revelations towards the end that I didn’t guess at all. An excellent read.

Me holding A Deepness in the Sky.

Forever Peace by Joe Haldeman

54/2024 – ⭐️⭐️⭐️ 1998 Hugo Best Novel

This is one of those that, while unquestionably good, was difficult for me to really get into and ultimately just didn’t resonate with me. Impressively (and sometimes depressingly) prescient in some ways, I think that a lot of it was simply too directly relatable to present social and political realities that it was hard for me to enjoy it.

Me holding Forever Peace

Blue Mars by Kim Stanley Robinson

43/2024 – ⭐️⭐️⭐️⭐️⭐️ 1997 Hugo Best Novel

Earth is in crisis as Mars continues to transform, terraforming spreads through the rest of the solar system, and expanded lifespans prompt questions of population, ploitics, and how the mind and memory adapts to living so long. An excellent end to the series.

Me holding Blue Mars

The Diamond Age by Neal Stephenson

39/2024 – ⭐️⭐️⭐️⭐️⭐️ 1996 Hugo Best Novel

As good as every other time I’ve read it, and I think it’s still my favorite of Stephenson’s novels. “Modern Victorians with ubiquitous nanotechnology create a fancy children’s book” might not sound like that fascinating of a concept, but it definitely is. In addition to the oft-mentioned things about Stephenson’s writing that always work for me but don’t work at all for others — the snark, digressions, and sidetracks — it’s his ability to convey highly technical concepts in understandable form, which is highlighted here in some of the stories that the Primer tells, that has always been a big part of the appeal of this book for me.

Me holding The Diamond Age

Mirror Dance by Lois McMaster Bujold

36/2024 – ⭐️⭐️⭐️⭐️⭐️ 1995 Hugo Best Novel

Complex in both story and character, this becomes an excellent exploration of the differing personalities of the Vorkosigan brothers in the midst of military adventure and political maneuvering. As with the rest of the series, it’s Bujold’s ability to craft realistically flawed characters, some in very serious ways, while still making them relatable, believable, and often quite funny, that really makes these stand out. Though most of the books in the series are written to be readable on their own, this is one where I’d definitely recommend reading earlier books first.

Me holding Mirror Dance

📚 Green Mars by Kim Stanley Robinson

22/2024 – ⭐️⭐️⭐️⭐️⭐️ 1994 Hugo Best Novel

The colonization and terraforming of Mars continues, as does the high quality of Red Mars. Managing to balance the hard sci-fi of the terraforming processes and effects and the associated technological advances with political maneuvering among multiple parties across two planets and the interpersonal conflicts and relationships of multiple generations of Martian residents is no mean feat, and Robinson pulls it off well. Easily as good as the first book, and I’m looking forward to when I get to the next and final book in the trilogy.

Me holding Green Mars

📚 Doomsday Book by Connie Willis

66/2023 – ⭐️⭐️⭐️⭐️ 1993 Hugo Best Novel

Technically a time travel book, but the time travel itself is kind of the least important part, little more than a hand-waved MacGuffin necessary to get the characters in the right places. From there, you have the dual stories of near-future and historical pandemics. And, of course, any pandemic-centric tale can’t help but be read somewhat differently now than it would have been five years ago. In some ways, the near-future part seemed rather prescient, referring to a prior flu pandemic that would have hit in the mid-2010s, only about a decade off from our COVID reality, or the presence of protesters blaming the government; in others, it now seems sadly naïve (now that we know that most people’s reaction to a pandemic too quickly turns to “meh” or outright denial rather than taking it seriously). Both stories are excellently handled, often with a subtle dry humor in the “present day” portion balancing the tragedies of the historical portion.

Me holding Doomsday Book