Gnomedex comes to Seattle

It appears that Gnomedex, one of the big blog/tech/geek/pick-a-descriptor conferences is coming to Seattle this summer, and Julie’s going to be speaking. Congrats, Julie!

I’ve got to admit, I’d love to be able to go to this thing. While I’m hardly one of the “big players” in the blogosphere — heck, most of the people who are going to be there probably would only know me because of my adventures at Microsoft — I think it’d be fascinating to be able to meet some of these people, get an idea at what it’s like to be part of one of these conferences I read about from time to time, sit in on the sessions, and generally absorb the atmosphere and see what all goes on. Besides, while I may not be one of the movers-and-shakers in the tech world, I’ve been tracking and using many of the technologies that these people have come up with and influenced over the past few years, and it would be neat to see a little bit of the “insider’s view” of everything.

The downside, of course, is that the registration fee for the conference is a bit out of my reach at the moment ($399). Technically, I could probably afford to sign up (though it would be tight), but that’s a big enough chunk of money with my current operating budget that I just can’t justify spending it on the event — that’s money that would be put to far better use for food, paying off bills (which I’m finally starting to get a handle on…it’s slow going, but progress is being made), and other such day-to-day sundries.

Note: This isn’t a complaint at all about the cost — I’m under no illusions about how much it might take (both financially and in the actual work itself) to put one of these conferences on — merely a reflection of my own current state. :)

Maybe I’ll just grab my camera and head down there every so often during the conference weekend and play the role of the blog world’s geeky-fan-boy-cum-slightly-freaky-stalker.

“Hey…guys…don’t look now, but that weird guy in the skirt is following us again.”

;)

iTunesBridge is Over” by Boogie Down Productions from the album Hits From The Vault Vol. 1: The Pioneers (1981, 3:26).

Git yer meat on!

My brother Kevin is in town for the weekend to hang out with a couple old friend of his, and I was able to get together with the three of them last night for dinner at the Ipanema Brazilian Grill downtown.

Rob, Steve, Kev, Ipanema Brazilian Grill, Seattle, WA

Much fun was had — I haven’t seen Kev in a few months, the last time I saw Steve was for the three-family anniversary get together in August of ’02, and I’m honestly not sure when I saw Rob last. We all got to catch up, and much hilarity ensued.

The Ipanema Brazilian Grill is an interesting place. It’s down in the Harbor Steps building across from the Seattle Art Museum downtown, so I was able to just wander down there. We’d agreed to meet there around 7, and since I ended up being the first one there, I got us on the waiting list and grabbed a seat at the bar. The boys showed up shortly afterwards and joined me, and we waited for our table.

And waited.

And waited.

When I’d put my name on the list, I’d been told that it would be about an hour’s wait. When it got to be fairly well after an hour without any sign of movement, Rob went over to talk to the hostesses to see what the situation might be. He came back a little annoyed — apparently, when he asked what the best strategy for getting a table in a timely manner was, he was told to “show up at 5:01,” right after they open, “and you’ll get seated.” The bartender then told us that chances of getting a table on a walk-in basis on a Saturday night were slim…but he’d see if he could help us out.

We debated whether to wait for a bit longer or just bail (with quite a few jokes about the reason for our being shunned being “the hippie in overalls” [my brother] and “the guy in the skirt” [me, kilted as usual]), but right about when we’d almost decided to head out, the bartender came back and let us know that we’d be seated in just a few minutes. Sure enough, not long after that one of the hostesses came over to get our attention — and the bartender got a big tip from us.

The next shock for me — living, as I do, on a starving college student budget (only without the college classes to show for it) — came when I took a look at the menu. A single, flat, per-plate fee of $34.95. My jaw dropped, as that’s about three meals at my usual quality of dining out, or a few bags of groceries from the grocery store (admittedly, this may say more about my usual dining habits than about the restaurant itself). Still, we were there, and after some friendly invectives hurled Rob’s way, we settled in for the meal.

The last nasty surprise didn’t affect me all that much, but amused Steve. When we got to the table, he ordered a beer from the tap — the only type of beer that they had on tap. Moments later the waitress came back and let him know that the tap was broken. Okay, so he asked what they had in bottles.

“Bud, Bud Light, Miller, Miller Light, and Guinness.”

Okay, I don’t drink beer, and that was enough to raise my eyebrows. Maybe it’s just that my friends often tend to be as much beer snobs as they are coffee snobs, but Seattle’s often appeared to me to be as much of a beer town as a coffee town, and seeing a higher class restaurant limit their beer selections to various flavors of watered down American piss water — though, admittedly, balancing that out with Guinness — was a definite surprise. Needless to say, Steve went with the Guinness.

However, with those caveats out of the way, once we got into the meal itself, it was incredible, and definitely worth that initially jaw-dropping price (it’s just not going to be a place I make a habit of hitting a couple times a week…). Rob, the only one of us to have been here before, had told us that this was a “meat-o-rama” — that it was time to “get our meat on”, to “put your meat where your mouth is”, and he wasn’t kidding!

Steve, Kev, Ipanema Brazilan Grill, Seattle, WA The dinner itself is an all-you-can-eat Brazilian style buffet. You grab a plate and hit the salad bar to grab anything you might want to supplement the main course with, and then sit back down. Each table is given a coaster that’s red on one side and green on the other. Put the red side up, and you’re left alone to eat and talk.

Put the green side up, though, and you’ll soon start to be visited by the servers. The servers circulate throughout the dining area, each one with a skewer that has one of fifteen different types of meat on it, fresh from the grill. They’ll stop by the table, let you know what they’re carrying, and if it sounds good, they carve a slab off right there. You catch it with the small tongs they give you, put it on your plate, and dig in.

It definitely makes for a very interesting and varied dining experience. The meat was incredibly good, too — perfectly cooked, melt in your mouth tender, and oh-so-tasty. I must admit that by the end of the night, that per-plate set price didn’t seem anywhere near as extreme as it did when I first sat down. We’d flip the coaster to green, get a few samples of the different choices, flip it to red to work our way through what we had and let it settle, and then flip it back to green and start the process over again.

Eventually, we got to the point where we couldn’t pack any more in, and just sat back to talk, joke around, and let things settle before we pried ourselves out of our seats and waddled out the front door. A few more minutes of chatting outside, and then Kev, Rob and Steve hopped in a cab to get back to Rob’s house, and I headed up the hill to work off some of what I’d eaten up at the Vogue.

Had a good few hours of bouncing around and chatting with people (finally, after almost four years, I’m starting to meet a few more of the people I see there week after week), and then back home to fall over and pass out.

Good friends, family, food, and music all in one night. Not bad at all.

iTunesGood to be Alive” by DJ Rap from the album Go (1999, 4:15).

Loose Change

A pet peeve of mine that’s been bugging me for some time now. I’m not sure just when this started happening, but I think it was just within the past few years.

When I was trained on cash handling and register usage, it was drilled into my head that the proper way to give a customer their change is to count it back to them, starting with their total and working up to what they gave you. This ensures that both you and the customer are sure that they’ve been given the correct change.

For instance, if someone bought a $5.26 item and paid for it with a $20 bill, I’d give them their change starting with the coins and counting up: “Five twenty-six, six,” as I drop $0.74 into their palm, “seven, eight, nine, ten,” as the dollar bills get counted back, “and twenty,” as the $10 bill finishes it all off.

For some reason, though, I haven’t run into a cashier who does this properly in — well, I’m honestly not sure how long, but certainly not the last few months — and it drives me up the wall. Not because I’m that anal about how money’s counted back to me, but simply because what seems to have become the common standard is obnoxiously inconvenient.

These days, they’ll just say something along the lines of, “Four seventy-four is your change,” and put the money in my hand — but they’ll put the money in the same way they say it. This ends up placing the bills in my hand first, and then the coins, so that suddenly I’m standing there with my wallet in my left hand and a small stack of bills in the right, with a pile of change sitting precariously on top. At this point, it’s almost impossible to move at all without dumping the coins all over the counter or the floor.

Doing it the correct way — that is, of course, how I was trained, and how I want it to be done — allows me to cup a couple fingers under the bills and around the change in my palm, slip the bills into my wallet, and then drop the change into my pocket. Now, though, I’m left standing in front of the register, feeling more than a little idiotic as I try to juggle wallet, bills, change, and whatever I’ve just bought without either holding up everyone behind me or dumping my money all over the place.

Drives. Me. Up. The. Wall.

When did this start being an acceptable way to give customers back their change? Do companies just not train their cashiers properly anymore?

(On a semi-related note, I noticed while I was tending the register at my old store that I was the only person there who made sure that all my bills were facing the same way in the stacks — face up, with the top of the head towards the right side of the drawer. Again, something that was drilled into my brain when I was being taught how to handle cash that seems to be completely ignored anymore.)

Kids today, I swear….

iTunesMusic (Deep Dish Dot Com)” by Madonna from the album Music (2000, 11:24).

Top o’ th’ mornin’ to ye!

Darby O'Gill and the Little People Happy St. Patrick’s day, folks!

Somewhere way, way back in our family’s lineage we actually have a wee bit of Irish blood — no big surprise if you’ve ever met me, given my so-pale-it’s-translucent skin and red hair. However, while I got the traditional Irish look, it’s my mom and my brother that acquired the taste for beer so dark it needs to be served with a knife and fork. I’ll stick to a very non-traditional Dr. Pepper.

So hit the pub, hoist a Guinness, do your best (or worst) brogue, wink at a pretty lass — and if you find that pot o’ gold, toss a piece or two my way, would you? ;)

Update: Mom fills in the details on our Irish heritage in an e-mail…

From Ressie Wills’ family history records:

Robert Hamilton b 5-16-1760 Banbridge, Down, Ireland
M 4-30-1781 Pa
Susianiah Keane d 11-15-1790 Warren Co. Oh.

Robert Hamilton came to America in 1774 to make his home in Old Lancaster, Pa., with his uncle, who was a blacksmith by trade. After the death of his uncle when he was 14 years of age he enlisted in the Revolutionary War.

At least several generations ago!

The catch is, though, that County Down is Northern Ireland — the Orange folks, not the green ones.

But “Everyone is Irish on St. Patrick’s Day.”

Patrick himself is buried in County Down, outside of Ulster.

More details behind the cut, if anyone’s interested.

Read more

Two brief bits…

…mostly because I hate letting a day go by without tossing something up here (even though that happens fairly often).

  • Prairie and I went to the Seattle Aboretum on Sunday along with her sister Hope and Hope’s puppy, Loodie. Pictures of flowers, trees, cherry blossoms, and various and sundry other people enjoying this last weekend’s gorgeous weather have been added to my Seattle Arboretum photoset, starting here.
  • I really, really, really want a copy of Native InstrumentsTraktor DJ Studio 2. I’ve been feeling the DJ itch lately, most recently at a party this weekend, and this is the first time I’ve seen a software package that looks like it can do a good job of replicating (and expanding on) the functionality offered by my old CD DJ deck. The downloadable demo is very impressive, but as it’s a demo, it’s limited in what it can do (no saving of files, 30-minute run time limit, etc.). The only downside is that it’s $220 that I don’t have expendable at the moment — but since my birthday is coming up on May 3rd, perhaps someone out there will feel generous? ;)

iTunesHaloes” by Christian Death from the album Gothik (1993, 3:37).

Beautiful!

I’ve decided it’s going to be a good day today. I woke up in a good mood, felt more rested than I have fairly often recently, and there was gorgeous golden sunshine coming in through the windows.

Therefore, it’s going to be a good day.

‘Cause I said so, and I’m God today. :)

Another convert

Last week, Seattle was in the midst of an unusually warm spell of weather for this time of year (which doesn’t seem to have ended — it seems we’re in for an early spring this year). With the weather warming up, I’m starting to occasionally bring my kilt to work with me so that I can change before leaving. One of the days I’d done this, I had to head over to one of my job’s other downtown branches to fill out some paperwork.

Yesterday I again had to run by their store after work, this time to drop off a job. When I walked in, the guy manning the front counter waved me over. “Tell you what….”

“Yeah?”

“I saw you in here wearing your kilt. Went out and got one for myself the next day.”

“Excellent!”

“I go past their shop every day, and kept thinking about getting one. Saw yours, and got mine.”

And another man escapes from the tyranny of trousers.

iTunesYallah Habibe” by Cirrus from the album Drop the Break (1997, 7:44).

Good night tonight

No particular reason for that, just a good night. Evan (the DJ at the Vogue) was doing quite well, and the club was just crowded enough to be definitely crowded, without being so bad that I couldn’t get on the floor and bounce around.

I’d brought in a CD of requests, but apparently the CD player at the club is picky and wouldn’t read the burned disc. Evan’s got the CD now, though, and he’ll re-burn it to a CD brand that he knows works, and then I might get some of my requests in. Here’s the playlist for the cd:

  1. Depeche Mode: Flexible/Just Can’t Get Enough — a mix of two of my favorite DM tracks from a bootleg CD called the Twelfth Strike.
  2. Psychic TV: I.C. Water
  3. LaTour: Allen’s Got a New Hi-Fi
  4. Orchestral Maneuvers in the Dark: Pandora’s Box (It’s a Long, Long Way) (Constant Pressure 12″)
  5. Drum Club: Sound System (Underworld)
  6. MC 900 Ft. Jesus: If I Only Had a Brain
  7. Devo: Head Like a Hole — Yup, Devo covering Nine Inch Nails. From, of all things, the Supercop soundtrack.
  8. 12 Rounds: Pleasant Smell (Rethought by Clint Mansell and Keith Hillebrandt for the Nothing Collective)
  9. Information Society: Going, Going, Gone (Razed in Black)
  10. Propellerheads featuring the Jungle Brothers: Take California (and Party)
  11. Public Enemy vs. Winx: Bring the Higher State of Noise — A mash-up of ‘Bring the Noise‘ and ‘Higher State of Consciousness‘.
  12. :Wumpscut:: Wreath of Barbs (Gray/Scale)
  13. Billy Idol: Don’t You Forget About Me — Billy Idol covering the Simple Minds track from the soundtrack to The Breakfast Club.
  14. Pigface: Mind Your Own Business
  15. The Kleptones: Listen — A mash-up of Queen‘s ‘Radio Ga-Ga‘ and a few different Beastie Boys tracks.

On the way home I happened to bump in to Janice, who I’d met last month sometime at the Vogue. She was on her way home from the Noc Noc with a friend (Tom…I think), so I stopped to chat with them for a few minutes. Last time I’d seen her I’d given her my LiveJournal name on a matchbook (which she got quite excited about…in a world of cell phones and PDA’s, the matchbook technique was very “old school”), so I harassed her about not having tracked me down yet to say hi. Nothing like a little friendly teasing to round out the night!

Earlier today I bussed out to the University Village to stop by the Apple Store and picked up iLife ’05. I haven’t done a ton of playing around with it yet, but so far, I’m liking the changes in iPhoto 5. Poked around for a few moments with the other programs in the suite, but iPhoto’s the only one that I spent any real time with.

New toys, yay!

Tomorrow…well, later today, I suppose (I’m up way too late tonight) there’s a march and rally in support of equal rights in marriage being put on by Equality Now that I’m planning on hitting. It starts just up the hill from my place at Broadway and Pine at 1pm, then goes down the hill to Westlake Plaza. Should be interesting, and hopefully get me some good pictures, too. We’ll see…

iTunesGoing Going Gone (Razed in Black)” by Information Society from the album InSoc Recombinant (1999, 4:56).

Another interview

I just got done with a lunchtime phone interview with Nick Jesdanun, a reporter for the AP. He’s still finalizing his article, and as this is going to be a wire story, there’s no telling where it might show up, but there’s at least a chance that my name will start popping up again over the next day or so (possibly as early as this evening) in the midst of another story about blogging, jobs, and the occasionally unfortunate intersection of the two.

I’ll toss a link up when I see it, but if one of you kind folks happens to catch it before I do, feel free to let me know!

Update: Prairie wins! She found the story first: Blog-related firings focus on policy. Just a small mention, but I’m in there…

In 2003, a Microsoft Corp. contractor was fired after posting photographs of computers from rival Apple Computer Inc. at a loading dock. Because Michael Hanscom had described a building in his posting, Microsoft said he had violated security, he said.

[…]

Microsoft refused to comment on Hanscom’s case, but pointed out that it encourages blogging and has more than 1,500 unofficial bloggers – the bulk on Microsoft’s official Web sites.

Update: And here’s a CNN version of the same story, courtesy of Tim.

Anybody hungry?

Every Tuesday night, I have about the same routine. I get home from work a little after 5pm, Prairie and I chat via iChat until about 7pm, and I browse through NetNewsWire while we’re chatting. At 7pm, I close down NetNewsWire, order some pizza, and pop in a DVD.

Tonight went as normal, but by 8pm, my food hadn’t shown up. This is rather unusual — I live just a few blocks away from the pizza place, so their quoted 45 minute delivery time is usually closer to 25-30 minutes — so I gave them a call to check up. The girl that answered the phone checked my number, and told me that there was no order in the system for my number. Obviously, someone had screwed up when I placed my order, so she re-placed my order, giving me my dinner for free.

About twenty minutes later, my buzzer rang, and the pizza guy showed up. He handed me the pizza, and then handed me my bill as he apologized for running late. Late? A bill? Interesting — apparently my first order did get placed after all. I signed (since this was the order I’d placed in the first place) and sat back to munch and see if the second free order was also on its way.

Sure enough, twenty minutes after that, there was another buzz at the door.

So now I’ve got lots of pizza. Guess I’m good for a few days of munching.

Hm.

Anybody hungry? :)

iTunesPussy (We Want Some)” by Lords of Acid from the album Pussy (1998, 5:39).