Nine Inch Nails releases single for GarageBand

Oh, wow but this is cool. Trent Reznor has released NIN’s new single, ‘The Hand that Feeds’, as a 70Mb GarageBand file.

Trent Reznor of Nine Inch Nails has made available the band’s new single, “The Hand That Feeds,” as a free download for Apple’s GarageBand application. The song, which weighs in at a hefty 70MB, features multiple tracks that you can easily tweak. “For quite some time I’ve been interested in the idea of allowing you the ability to tinker around with my tracks — to create remixes, experiment, embellish or destroy what’s there,” Reznor says. “After spending some quality time sitting in hotel rooms on a press tour, it dawned on me that the technology now exists and is already in the hands of some of you. I got to work experimenting and came up with something I think you’ll enjoy.”

This is going to be so much fun to play with…

I need to follow up on this…

Mostly, I’m tossing this up here to remind myself to do something about it, and soon

djwudi: I need to go back someday — partly to visit, and partly to track down some CDs from a band I discovered while I was there :)
sillium: :)
sillium: what’s the name of that band you mentioned?
djwudi: Poems for Laila
djwudi: based out of Berlin, I think
sillium: i think so to
sillium: ttoo
sillium: too
djwudi: I picked up two of their albums while I was there, but the tapes died years ago
sillium: damn
djwudi: managed to find a bunch of their stuff online a while ago, but I’d rather have the actual CDs
djwudi: and there’s only a couple that I can get through Amazon
sillium: and you can’t buy’em online these days?
djwudi: not all of the ones I want, sillium
djwudi: they’ve got five (?) albums and a few EPs out…I can only track down two, maybe three online so far
sillium: write me a flickr-message with the album names you can’t get and I’ll see what I can do for you if you want
djwudi: oooh – that would so rock, sillium :D
djwudi: i’ll get back to you on that soon – thanks!
sillium: yeah, do that.

Yay!

iTunesHold On (Love to a Razorblade)” by Poems for Laila from the album Katamandu (1992, 4:16).

Just a hint, really

So Assemblage 23 is playing at the Vogue tonight, and I’ve been tossing around whether or not I want to go — balancing the desire to see a decent band with the fact that it’s on a Wednesday night.

So what’s the first track that iTunes chooses at random when I turn it on after getting home from work?

Assemblage 23 ‘Divide’.

Sometimes I think this computer knows me far too well.

Update: No matter how well my ‘puter thinks it knows me, I’m still feeling the effects of my neighbor keeping me up until around 3am on Sunday night/Monday morning. 8:40 in the evening, I’m yawning, and my eyes are drooping. No mid-week concertgoing for this boy…at least, not this week.

iTunesDivide” by Assemblage 23 from the album Failure (2001, 6:01).

The House of the Rising Sun

Nobody’s sure yet — and, in truth, we may never be — but there’s at least a good possibility that archaeologists in New Orleans may have found the House of the Rising Sun.

This winter, a nonprofit organization called the Historic New Orleans Collection decided to expand. The organization, which runs a museum and research center, owned seven buildings in the heart of the French Quarter but needed another to serve as a vault. The group bought a one-level, ramshackle parking garage on Conti Street — pronounced KAHNT-eye — and announced plans to tear it down.

The purchase was serendipitous. If just about anyone else had bought the lot, no study would have been conducted. But the organization — dedicated, after all, to Louisiana history — wanted to know the story behind its property. It asked a scholar at the University of Chicago and a New Orleans archeology firm called Earth Search to perform an excavation and document search.

[…]

The archeologists, who plan to launch a more exhaustive study on Tuesday, found that a hotel called the Rising Sun appeared to have operated on the site from the early 1800s until 1822, when it burned to the ground.

In an 1821 advertisement from the newspaper La Gazette, a company called L.S. Hotchkiss explained that it had taken over the hotel but offered reassurance to customers: “No pain or expence [sic] will be spared by the new proprietors to give general satisfaction, and maintain the character of giving the best entertainment.”

The next sentence: “Gentlemen may here rely upon finding attentive Servants.” Similar language, Gray said, was used in old bordello advertisements to make it clear — without explicitly saying so — that extracurricular services were available.

And there’s more in the linked article, of course. Just neat.

Also of note, and a page I want to revisit later: this listing of 250 different recordings of the traditional tune. It’s pretty slow, and would take a while to trawl through, but there’s a wealth of stuff there I’d love to listen to.

(via MeFi)

iTunesTrain” by Pigface from the album A New High In Low (1997, 24:18).

Cyperpunk update

About a year and a half ago, I put up a post about Billy Idol’s Cyberpunk album and included an OS X disc image of the floppy that came with the special edition package. Antonio Exposito was kind enough to e-mail me today and let me know that the disc image was corrupted — so thanks to Kinko’s keeping floppy drives attached to their rental Macs, there’s now a new, freshly-created disc image available for download.

iTunesHappiness (Dub)” by Front 242 from the album Mut@ge.Mix@ge (1995, 6:10).

Camp Tomato!

Plans for April 30th are afoot, courtesy of Mr. Jason Webley

Camp Tomato!

An afternoon of fun and games beginning at Woodland Park and ending with a concert in Ballard. The day begins with a potluck picnic at 1 pm. Various tomato activities will follow. After a dinner break, Jason will give a concert at the new Paradox Theater. Tomato, tomato, wheee!

The Paradox Theater
1401 NW Leary Way
8 pm – All Ages – $9

iTunesI Am Calling Out (L’Alta)” by Master Musicians of Jajouka from the album Brian Jones pres. the Pipes of Pan at Jajouka (1995, 5:54).

Funeral Music

Prairie just pointed out this list of the top ten favorite funeral songs in Europe:

  1. Queen’s “The Show Must Go On”
  2. Led Zeppelin’s “Stairway to Heaven”
  3. AC/DC’s “Highway to Hell”
  4. Frank Sinatra’s “My Way”
  5. Mozart’s “Requiem”
  6. Robbie Williams’ “Angels”
  7. Queen’s “Who Wants to Live Forever”
  8. The Beatles’s “Let It Be”
  9. Metallica’s “Nothing Else Matters”
  10. U2’s “With or Without You”

I’m finding the mental image of a full congregation of mourners standing in a cathedral, colored shafts of light cast through the stained glass windows slowly moving across their faces, sadly and somberly intoning AC/DC’s ‘Highway to Hell’ to the accompaniment of a church organist and choir far too amusing for my own good.

iTunesFiremission” by Noxious Emotion from the album This Hallowed Ground (1995, 5:27).

Jello Über Alles

About a week ago, Mike Whybark attended a small event involving local performer Jason Webley), and subsequently posted a video of fellow accordionist Aaron Seeman leading the accordion class in a rousing rendition of the Dead Kennedys‘ ‘California Über Alles‘.

In an entertaining little bit of synchronicity, while driving around on Saturday afternoon Prairie and I happened to catch the last half of this week’s This American Life show on the local NPR station. The show (at least in this latter half) was a fascinating look at Michael Guarino, most notorious for being the prosecuting lawyer in the 1986 obscenity trial against Jello Biafra and the Dead Kennedys over their _Frankenchrist_ album and the H. R. Giger print included with it.

From the Alternative Tentacles website:

When a San Fernando Valley mother complained that her 13- year old daughter had purchased the record as a gift for her 11-year old brother (at a Wherehouse Records outlet in a large mall), the LA City Attorney’s Office decided to prosecute the case. Deputy city attorney Michael Guarino, the prosecutor in the case, admitted they chose to prosecute the DKs because it would be a “cost-effective” way to send a message to other musicians, record companies and fans. Guarino had been considering prosecuting several other groups when this case came along, and he thought he could win this one.

Charged in the case were Biafra, and four others, including the 67-year old man whose company pressed the Frankenchrist disc. Conspicuously not charged were Wherehouse Records which sold the offending album. They had agreed to stop selling Frankenchrist and all other Dead Kennedys albums when the controversy first surfaced.

Biafra and the others decided to fight the charges of distributing harmful matter to minors, and set up the No More Censorship Defense Fund…

Finally, after months of delay, during which Biafra’s time was taxed enough that he had no time to work on his music, the case went to trial. After a week-long trial in which witnesses such as Greil Marcus testified on the group’s behalf, and a respected art teacher attempted to show how the poster was an integral part of the Frankenchrist package, the jury came out deadlocked (7-5 in favor of acquittal), and the judge dismissed the case.

Jello has talked about this case many times over the years at spoken word performances, some of which have been recorded and released as albums. I first learned about the case from Jello’s spoken word album No More Cocoons, and have heard it referenced quite a few times over the years since.

Apparently, though, Mr. Guarino has come to see his zealous attack against the Dead Kennedys as a mistake — and has since come to gain an appreciation for the causes that Jello supports. From a 1997 Music News of the World article:

In fact, Guarino, whose son is a big fan of Biafra, said he now appreciates a lot of what the punk poet has to say in his spoken-word rants.

“In retrospect,” Guarino, the Director of Clinical Programs at JFK University in Orinda, Calif., told ATN last week, “I think it’s more important for (District Attorneys) offices and US Attorneys offices to focus on the tremendous amount of conflict of interest at the top, the accountants, the lawyers, the politicians, and get out of the area of freedom of expression.”

In one of life’s great ironies, Guarino said his teenage son “idolizes” Biafra and constantly listens to the punk poet’s CDs of spoken-word rants. “I keep trying to tell him that there’s much more to all of this than what Jello talks about, but he is definitely right about a lot of stuff,” Guarino said about Biafra’s conspiratorial rants. “He’s an interesting guy, but he only sees what he’s in a position to see and he can’t get beyond a quarter-inch or so of what’s going on. In some cases, it’s much worse than he could ever imagine.”

Towards the end of the This American Life segment, interviewer David Seagal (sp?) has called Jello and gotten the two men to talk. Not only do they end up talking about the nearly two-decade old case, but they go on from there, finding more common ground than might be expected and chatting like old friends.

It was an incredibly interesting bit of radio to randomly stumble across. The show (Know Your Enemy) isn’t available online yet, but according to the This American Life website, it should be downloadable in about a week or so. Consider it highly recommended listening.

iTunesCalifornia Über Alles” by Disposable Heroes of Hiphoprisy, The from the album Hypocrisy is the Greatest Luxury (1992, 4:13).

DJ Wüdi Mashup: Just Can’t Get Flexible in 1999

JCGF Cover ArtOkay, folks — for better or for worse (but hopefully not too much worse), I spent some time playing around in GarageBand over the past couple of days. The result: Depeche Mode’s ‘Flexible’ and ‘Just Can’t Get Enough’ plus Prince’s ‘1999’ equals DJ Wüdi – Just Can’t Get Flexible in 1999 (7.8Mb MP3).

It’s my first attempt at creating a mashup rather than just listening to ’em. Probably not likely to make it to the top of the charts, but I don’t think it’s too terribly bad for a first try.

Give it a listen, and feel free to let me know what you think (good or bad)!

Update: I’ve made some slight tweaks to the track (mostly moving the rap section back by a few bars, it was coming in too early in the first version) and replaced the download file with v2. If you haven’t downloaded this yet, you’re set, otherwise feel free to re-download the updated mix.

Update 5/2/2008: Mini-review by Mashuptown: “wow! floor filla’. quite splendid indeed.” Sweet!

Two brief bits…

…mostly because I hate letting a day go by without tossing something up here (even though that happens fairly often).

  • Prairie and I went to the Seattle Aboretum on Sunday along with her sister Hope and Hope’s puppy, Loodie. Pictures of flowers, trees, cherry blossoms, and various and sundry other people enjoying this last weekend’s gorgeous weather have been added to my Seattle Arboretum photoset, starting here.
  • I really, really, really want a copy of Native InstrumentsTraktor DJ Studio 2. I’ve been feeling the DJ itch lately, most recently at a party this weekend, and this is the first time I’ve seen a software package that looks like it can do a good job of replicating (and expanding on) the functionality offered by my old CD DJ deck. The downloadable demo is very impressive, but as it’s a demo, it’s limited in what it can do (no saving of files, 30-minute run time limit, etc.). The only downside is that it’s $220 that I don’t have expendable at the moment — but since my birthday is coming up on May 3rd, perhaps someone out there will feel generous? ;)

iTunesHaloes” by Christian Death from the album Gothik (1993, 3:37).