Requiem by Kevin Ryan and Michael Jan Friedman

Book 17 of 2025: Requiem by Kevin Ryan and Michael Jan Friedman: ⭐️⭐️⭐️⭐️

Picard gets thrown back in time to Cestus III – just days before the Federation’s disastrous first contact with the Gorn (well, first contact before Strange New Worlds started up…I’m still unclear how they’re reconciling that whole thing, but that’s not for here…). Fleshes out the story of the Cestus III colony in really good ways, with a standard but perfectly acceptable framing story as the Enterprise tries to get Picard back.

Me holding Enigma

Space Opera by Catherynne M. Valente

Book 16 of 2025: Space Opera by Catherynne M. Valente: ⭐️⭐️⭐️⭐️

A hilarious Eurovision-in-space with humanity’s very existence at stake. I love Valente’s near stream-of-consciousness style and descriptions that draw very well deserved comparisons to Douglas Adams. Great, and I’m both looking forward to reading the recently released sequel and seeing Valente at Norwescon in a month.

Me holding Space Opera

Uncanny Magazine Issue 63 edited by Lynne M. Thomas and Michael Damian Thomas

Book 14 of 2025: Uncanny Magazine Issue 63 edited by Lynne M. Thomas and Michael Damian Thomas: ⭐️⭐️⭐️

My favorites this issue were “10 Visions of the Future; or, Self-Care for the End of Days” by Samantha Mills, “Butterfly Pavilion” by G. Willow Wilson, and “Infinite Halves by J.L. Akagi.

Me holding Uncanny 63 on my iPad

A Very British Murder by Lucy Worsley

Book 13 of 2025: A Very British Murder by Lucy Worsley: ⭐️⭐️⭐️⭐️

Historian Lucy Worsley looks at the growth of murder (fictional and real) as entertainment in British media. Fascinating and a lot of fun to read; if you’ve ever enjoyed one if Worsley’s TV historical documentaries (we’ve become big fans), this has the same humor, and it’s decidedly her voice.

Me holding A Very British Murder

Clarkesworld Issue 221 edited by Neil Clarke

Book 12 of 2025: Clarkesworld Issue 221 edited by Neil Clarke: ⭐️⭐️⭐️

My favorites this month were “King of the Castle” by Fiona Moore and “The Hanging Tower of Babel” by Wang Zhenzhen, translated by Carmen Yiling Yan.

Also, this is the fourth consecutive story by Fiona Moore, all in the same world and with the same central characters (particularly Morag and her repurposed security robot Seamus), that has ended up as one of my favorites when they appear in Clarkesworld. She’s writing the kind of post-apocalyptic stores that really resonate for me, where the immediate post-apocalyptic part and all associated Bad Things That Happen have already happened, and society has moved on to finding ways to reconnect and rebuild. Post-post-apocalyptic, I suppose. Much more my style of story than the standard post-apocalyptic tale of people trapped in bad situations and having to cope with horrible things happening to them.

The stories I’ve read (I haven’t yet dug to see if there are more in this world) are:

Me holding Clarkesworld 221 on my iPad.

Simple Sabotage Field Manual by the United States Office of Strategic Services

Book 11 of 2025: Simple Sabotage Field Manual by the United States Office of Strategic Services: ⭐️⭐️⭐️⭐️

A fascinating little World War II artifact that in some ways can still be quite relevant. Sure, much of this is very much of its time, and many of the more specific suggestions are technologically obsolete now. But the broad strokes, and especially the oft-screenshotted section advising office workers on ways to slow down beaurocratic functions, are as useful today as ever. If, of course, you ever happen to find yourself in a situation where an autocratic fascist regime is in power and you have reason and opportunity to do what you can to gum up the works. (Ahem.)

Me holding the Simple Sabotage Field Manual on my iPad

Indiginerds edited by Alina Pete

Book 10 of 2025: Indiginerds edited by Alina Pete: ⭐️⭐️⭐️⭐️

A short but very solid anthology of comics dealing with the intersection of modern indigenous life and nerd interests. Several good stories in here; my personal favorite is Alina Pete’s “Dorvan V”, addressing Star Trek TNG’s colonialist underpinnings and how one fan’s relationship with it changes over their life.

Me holding Indiginerds

Weekly Notes: Getting Started

So I noticed Cygnoir do one of these, and I really liked the template, and thought (as she did) that it might be a good way to help me reboot my blogging habits. So here we are! My thanks to Cygnoir (and to Jedda for inspiring her) for the template and inspiration!

  • 🌨️ This week’s weather meant that we ended up with one full snow day and two late-start half days…with an end result of the week just being weird and not feeling as productive as usual.
  • ♿️ I’ve gotten started on my Section 508 Trusted Tester certification training. In theory, you have 180 days to finish this program; I’m approaching it as “180 days or until the current administration gets around to pulling the plug” and doing my best to get through as quickly as possible. Hopefully because this program is hosted under Homeland Security it won’t be in the crosshairs as soon as others, but we’ll see….
  • 🚀 Norwescon and Seattle Worldcon 2025 planning continue to move right along.
    • We’re just about two months out from Norwescon, so this is when website updates start to ramp up, I start spending more time making sure my laptop music library is ready to go, and I make sure everything is set for the Philip K. Dick Award ceremony. There’s always something to do.
    • Worldcon is still about six months out, and I have less to do there, but there’s still a pretty reasonable constant stream of stuff, with website updates and queuing up posts for the con’s blog once they’re edited and signed off on.

📸 Photos

Not much of a week for photos. But since this is my first time doing one of these weekly notes, here’s a simple one from last week, showing my current set of laptop stickers.

The top of lid of a MacBook Pro with six stickers: A rainbow A11Y, the United Federation of Planets seal, Norwescon, a classic ranbow Apple logo, Seattle Worldcon 2025, and Gothic Pride Seattle.

That’s an A11Y (accessibility) sticker I got at this year’s Accessing Higher Ground conference, the seal of the United Federation of Planets, Norwescon, a classic rainbow Apple logo that I’d had stashed away for probably close to two decades (maybe more, I don’t know when they stopped producing these), Seattle Worldcon 2025, and Gothic Pride Seattle.

📝 Writing

📚 Reading

📺 Watching

  • Evil: We’re just starting season three, and continue to really enjoy this show. Smart, creepy, funny.
  • RuPaul’s Drag Race: About midway through last season, and so far Dawn’s my favorite, though I don’t know if they’ll win. Q’s costuming skills are impressive, and Plain Jane is a strong all-arounder (but I can’t stand her attitude).
  • Scrubs: We’re early in season five in our rewatch. When we started the rewatch we were pleasantly surprised at the solidity of the first few seasons; by this point, the show’s pretty much settled into its groove and is generally pleasantly amusing, but not as strong as when it started.
  • NOVA: “Dino Birds”: Neat look at recent science exploring the evolution of birds, their ties to dinosaurs (they are dinosaurs), when flight entered the picture, and so on.

🎧 Listening

  • I now have tickets to see Underworld in May and Nine Inch Nails in August (the night before Worldcon starts). Really looking forward to both, and kind of wishing I could time travel and tell my nin-obsessed 20-something self that it would take 30 years, but I’d finally get to see them live.

  • For Reasons™, I’ve recently added the Chipmunks’ The A Files album to my collection, where they cover a bunch of vaguely SF-themed songs.

    They do a cover of “The Purple People Eater” that I swear sounds like it could have been produced by the same team behind The Rednex’s “Cotton Eye Joe”, and they’d probably mix together disturbingly well.

    “Cotton Eye Joe” is always something of a guilty pleasure (except that I’m not fond of the “guilty pleasure” thing, and prefer to just enjoy things I enjoy without guilt, however cheezy they are), and now I’m sitting here being amused at how catchy The Chipmunks’ “Purple People Eater” is. If you’re into goofy ’90s technopop, it’s better than it has any right to be.

Linking

  1. WSDOT: Brick-by-brick: The quest to get a custom Lego model on a ferry

    Local artist Wayne Hussey is a lifelong Lego lover and architect. One of his creations now lives aboard our ferry Issaquah. Getting it aboard was also quite a puzzle.

  2. Blogroll.club: A categorized list of blogs, in something of a throwback to the “old school” days of blogging. I like that there’s a single RSS feed that aggregates posts from all the blogs in the lineup, and have subscribed to that for a daily selection of posts from random (to me) people. I’ve also submitted Eclecticism to be included whenever they get around to it.
  3. Culture, Digested: Neil Gaiman is an Industry Problem

    Even taking into consideration their years of exploitation and abuse, Neil Gaiman and Amanda Palmer remain models of artistic success in the 21st century. Gaiman created an extremely sellable brand — affable, “oh goodness,” harmless Britishness wrapped up in a “I have read a lot of books” kind of storytelling — and the publishing industry used that not only to sell a lot of his books but that of his friends as well. Amanda Palmer has crowdsourced her way into a perfect little Patreon pyramid scheme, where all money flows to her and she gives back vibes and requests for domestic labor. This is the ideal artistic arrangement these days, where stars receive 95% of Patreon/Substack/other crowdsourced forms of income and everyone else competes for scraps. Both are reliant on a dedicated, servile audience, willing to turn over their time and bodies and cash to get a piece of that bohemian existence that only millionaires can manage these days. It’s the bohemianism not of Weimar, which Palmer constantly references, but the bohemianism of contemporary Burning Man, full of tech billionaires wearing the worst outfits you’ve ever seen in your life.