Geekery

Whatever I’m geeking out about at the time.

My New Osborne 1

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Thanks to the 3D printing wizardry of @trevorflowers@machines.social, I now have an adorably tiny replica of an Osborne 1 on my desktop!

A small 3D printed Osborne 1 and two tiny floppy disks sitting on my desk in front of a modern Apple keyboard.

The Osborne 1 was my first computer (well, my family’s)…and second, and third, as we picked up a couple more from friends as they moved on, allowing me to swap parts around to keep one running.

The top of the computer, showing the Osborne logo embossed into the case.

Two 5.25″ floppy drives, a 5″ 52×20-character green screen, ran CP/M. A “portable” computer, it was the size of a suitcase, weighed 25 pounds, and didn’t have a battery, but because you could flip the keyboard up and latch it onto the front to lug it around, it counted as portable!

The front of the Osborne, showing the floppy drives, disk storage slots, screen, and keyboard connected to the case with a curly cable.

I typed early school papers with Wordstar (which coincidentally doubled as early training for HTML, as it used printer control codes to tell our dot-matrix printer to print \bbold\b or \uunderlined\u text; when I discovered HTML, it was an instant “oh, yeah, this makes sense” moment), played Snake before it showed up on Nokia mobile phones, and taught myself the basics of BASIC by translating a Choose Your Own Adventure book into a simple text-based adventure game.

Another view of the front of the Osborne.

Though our full-size Osbornes were disposed of years ago, I’m ridiculously pleased to have this lil’ guy on my desk now.

The mini Osborne sitting on top of my Mac mini, next to a teddy bear skeleton, Lego figure pendant, two tiny 3D printed skulls, and a 45 single adapter pin with the Norwescon 45 logo.

📚 Red Mars by Kim Stanley Robinson

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18/2024 – ⭐️⭐️⭐️⭐️⭐️

Excellent account of the settling and first steps of terraforming Mars, taking place over a few decades. Good hard sci-fi, with fascinating ideas on how it could be done and the effects, both micro (on the people involved and their immediate society) and macro (on the larger sociopolitical societies of Earth and Mars as it grows, and the physical effects on Mars). Fascinating from start to end; very much looking forward to continuing through the trilogy.

Also interesting reading this at a time when Mars is often in the news as an eventual destination once again, both realistic (NASA) and unrealistic (Musk), not long after reading and seeing Andy Weir’s The Martian and its film adaptation, just after finishing season four of For All Mankind, which is set on Mars, and while seeing Zach Weinersmith frequently post about his recent book looking at how Mars colonization is more difficult and dangerous than most people think. I wonder how much of what we know has changed since this part of the trilogy was written and how it might affect the underlying story if it were written today (I’m assuming that the Green Mars and Blue Mars sequels, being necessarily further extrapolated and less dependent on current real world science, would be less affected).

Me holding Red Mars

🎥 Meg 2: The Trench

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Meg 2: The Trench (2023): ⭐️⭐️

This was dumb. The first Meg was entertaining; still a big dumb monster movie, but at least with it you could (just) hit the point of suspension of disbelief and go along for the ride. This one took far too long with the setup for very little payoff, and just prompts eye rolls when it tries to be entertaining. Another one we’re glad we didn’t chance in the theater.

🎥 Roald Dahl’s Matilda the Musical

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Roald Dahl’s Matilda the Musical (2022): ⭐️⭐️⭐️

This was fun. While the songs weren’t such that I’m going to want the soundtrack, I really did enjoy the creativity of a lot of the lyrics. And somehow I hadn’t realized that Emma Thompson was in this (and made a marvelous Ms. Trunchbull).

Must admit, though — I actually think that the choreography for Revolting Children works better for this parody video than with the original music.

It Was All My Fault

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I was one of the first of my friends group to really get into “home theater” — at least, as much as I could in the mid-’90s on a financially questionable 20-something’s budget. Our apartment had a big-screen rear-projection TV (bought used, of course), later replaced with a (ridiculously huge) three-beam projector sourced from a bar that was closing down, an early surround sound system, and I started collecting widescreen movies with the special edition of The Abyss on widescreen VHS. I had a pretty decent widescreen VHS collection before finally upgrading to DVD.

At one point, Chad and I were sitting around, bored, and looking for something to watch. “I’ve got The Crow,” says Chad. Sounded good to me, so he went to grab it. And pulled out his copy — a home VHS tape, with the movie taped off of TV, over something else, in broadcast pan-and-scan, and probably in mono. He popped it in, and we started watching.

About ten minutes in, suddenly he turns to me and spouts off with a hearty and apparently random, “Fuck you!”

“What the hell?” I said.

“Until I lived with you, I didn’t care about widescreen, or surround sound, or any of that. I’d just watch the movie. You’ve ruined me!” And as I laughed, he turned off the movie in amused disgust. And it wasn’t too long before the widescreen DVD found its way into the collection.

(Originally posted to Mastodon, and prompted by the announcement of The Crow on 4K Blu-ray.)

🎥 The Marvels

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The Marvels (2023): ⭐️⭐️⭐️

Mostly suffers from the same problem that just about all of Marvel’s recent efforts are suffering from: too much required backstory. There’s simply no way to really understand everything if you haven’t already devoted hours upon hours to watching all the various series and movies that lay the groundwork for whatever is happening here (or even if you have, but don’t have an encyclopedic memory for it all and perfect recall).

The movie is at its best when it’s just the three primary women interacting with each other, whether the strained relationship between Danvers and Rambeau, or Khan fangirling over meeting Captain Marvel, or the three of them experimenting with their entangled powers. Iman Vellani in particular continues to be a delight as Kamala Khan. And the space station evacuation scene was an unexpected bit of hilarity.

But the action scenes are overly frenetic and difficult to follow, there’s yet another generic and barely fleshed out villain, and a whole lot of flashy effects that are pretty, but not much more than that.

On the whole, not as bad as some have said, but not as good as either the Ms. Marvel series or the Captain Marvel film.

🎥 The Last Voyage of the Demeter

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The Last Voyage of the Demeter (2023): ⭐️⭐️

A clever concept that’s poorly executed. Not creepy, not scary, no real suspense because we know the end result, really needed about half an hour edited out (it dragged rather than being suspenseful), and then a ridiculous ending that seems like they’re trying to set up a sequel, which makes no sense. Very glad we didn’t spring for this one in the theater.

🎥 Ghostbusters: Afterlife

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Ghostbusters: Afterlife (2021): ⭐️⭐️⭐️

This one took long enough to hit reasonable rental prices that we’d lost track of what the reviews said, so we weren’t sure what to expect, and after other recent attempts to resurrect old franchises that didn’t work out so well, weren’t terribly optimistic. Happily, we enjoyed this more than we expected to. It was amusing, the kids weren’t annoying, the effects nicely called back to the originals, and we appreciated that the plot picked up on a lot of the original film (for us, it wasn’t “too much fan service”, it was continuing the story). Glad we finally got around to giving it a shot.

(That said, I will continue to be annoyed that the whiny, racist, sexist, childish backlash against the 2016 film means we don’t get to continue that storyline. That I enjoyed this one and am now looking forward to the next one doesn’t mean I wouldn’t happily swap them out for a timeline where the 2016 film got continued instead.)

📚 Grave Peril by Jim Butcher

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17/2024 – ⭐️⭐️⭐️

More of the same, and so far, my overall opinion remains unchanged. Entertaining enough adventures, just not anything particularly amazing. On the one hand, friends have told me this is where the series really starts to pick up steam; on the other hand, when after three books I’m still just saying, “well, it’s okay…”, this may be the last of these I dive into for now. Maybe curiosity will bring me back later on? We’ll see.

Me holding Grave Peril on my iPad