Blog Definitions

I ran across this amusing post today discussing Robot Johnny‘s upgrade to Tiger, linked first by Jeffrey Zeldman, then by Anil Dash:

And the built-in dictionary look-up is very, very cool, even if this definition of “blog” does seem like a sort of a challenge:

blog |bläg|
noun
a weblog : blogs run by twenty-something Americans with at least an unhealthy interest in computers.

It’s like it’s saying, “Blog, THIS, nerd!”…

Of course, I had to see this for myself, so I checked it out on my own system, using Tiger’s way-cool (yes, that’s a technical term) contextual menu dictionary lookup:

Blog definition

So now I’m curious. Was Robot Johnny making a funny? Or is the definition of ‘blog’ that he saw something snuck into the Candadian localization of Tiger (I’m assuming Candaian, given that his about page says that he lives in Toronto)?

If you’re using Tiger and live outside the US, what does your system define ‘blog’ as? If the definition he quoted is actually in other versions of Tiger, I’m both greatly amused, and slightly bummed that we Americans didn’t get that particular snark. Hey, I think it’s funny….

iTunesPigs (Three Different Ones)” by Pink Floyd from the album Animals Trance Remixes (1995, 20:26).

Star Wars Tech Geeking

In all my years of being a Star Trek fan, it’s often not been the weekly soap opera in space that interested me as much as the universe constructed around the stories. Quite a few of the various tech manuals grace my library, and I’m often fascinated by the ingenious (and often quite convoluted) explanations and rationalizations concocted to explain various inconsistencies among the shows and movies.

It’s no great surprise, then, that I’ve just managed to loose three hours of my evening immersed in the Star Wars Technical Commentaries, a site devoted to extrapolating rather amazing amounts of data out of the Star Wars universe (incorporating not just the films, but also the books and comics).

Three sections took up most of my reading time tonight:

  1. Injuries of Darth Vader. Some slight spoilers for Episode III in here, unfortunately, but mostly information extracted from the other five films in determining just how much of Vader is human and how much is cybernetic.

    I’ve known for years that the majority of Vader’s injuries were sustained during a final climactic battle with Obi-Wan in or near a volcano that culminated in Vader falling into a lava pit (which has since been confirmed in shots from the trailer for Episode III). I’ve never known just where I picked up that information, though, and that’s always been a bit of a mystery for me. This section of the site contains two quotes that support that premise, dating from as far back as 1980.

    In an interview in Starlog in 1980, Mark Hamill recounts a background story which he had been told:

    “I remember very early on asking who my parents were and being told that my father and Obi Wan met Vader on the edge of a volcano and they had a duel. My father and Darth Vader fell into the crater and my father was instantly killed. Vader crawled out horribly scarred, and at that point the Emperor landed and Obi Wan ran into the forest, never to be seen again.”

    Aspects of the tale of the molten pit resurfaced more officially in 1983, in the novelisation of Return of the Jedi. The ghost of Obi-Wan Kenobi told Luke Skywalker:

    “We fought…your father fell into a molten pit. When your father clawed his way out of that fiery pool, the change had been burned into him forever —- he was Darth Vader, without a trace of Anakin Skywalker. Irredeemably dark. Scarred. Kept alive only by machinery and his own black will….”

  2. The Phantom Menace Continuity: Droids. One of the things that really bothered me about Episode I was the apparent error in C-3P0 and R2-D2 not being familiar with Tatooine and Obi-Wan Kenobi in Episode IV, when Episode I establishes that Annakin constructed Threepio and Obi-Wan met Artoo on Tatooine. The author of the site puts forward a rather convincing argument that not only is this not necessarily a mistake, but there’s no need to assume that the droids had their memories wiped at some point.

    C-3PO is a protocol droid, a sort of valet, and is programmed for keeping confidential information. In his early conversations with Luke Skywalker, he evaded discussion of Princess Leia until late after key facts were told in Kenobi’s presence. When Obi-Wan began to tell Luke a tale about Anakin and the Jedi, Threepio requested to be shut down, likely to avoid discussion and facing awkward memories about his Maker’s tragic fate. Nevertheless the supposedly inert droid was only pretending unconsciousness; as he eavesdropped on the conversation he swayed slightly but visibly. This evasive behaviour was prompted by Threepio’s recognition of Anakin’s lightsabre. [ITW:SWT, ANH]. At the time of the Battle of Hoth [TESB Radio Drama, p.103], Princess Leia observed that the droids regarded her and Luke protectively, but she did not guess the actual relationship. Ultimately on Endor [Return of the Jedi: Radio Drama, p.181-182], C-3PO joined Luke Skywalker at his father’s funeral pyre, and there he openly acknowledged Luke’s father.

    It should be unsurprising that neither of the droids recognised Kenobi when they met in A New Hope. C-3PO rarely met Kenobi before: never at all before Attack of the Clones; only (apparently) briefly during the Clone Wars [Labyrinth of Evil]. They probably didn’t meet again until Tatooine [ANH]. As a young man, Kenobi generally overlooked R2-D2, and they were only present together during a few brief scenes when other people or crises were the focus of attention. For their part, neither droid could be expected to recognise Kenobi (or Owen Lars) in the Tatooine desert after 19 years of aging. Kenobi may have eventually recognised Artoo, but astromech droids of every colour combination are common. His remark about never “owning a droid” could be wry misdirection, since his Order forbade knights from accumulating individual possessions*. Artoo’s recollection of the younger Kenobi may have added to his zeal to find the desert hermit, though this may never be provable.

    […]

    C-3PO is tactful and secretive, and a bit self-centred. R2-D2 is unintelligible to almost everyone except C-3PO. Both droids are common models, and the human characters they dealt with in the prequel era had been wounded or aged beyond recognition by the time Luke Skywalker’s adventures began. These two facts explain all of the would-be discontinuities. There is no need to suppose that either droid has ever suffered a memory-wipe anytime within the span of the movies, as some of the most naïve commentators suggested. Conversely, there is sufficient evidence that C-3PO (at least) retained his mental integrity since the Clone Wars. If any malicious faction (e.g. the threat by Alderaanians [ROTS novel p.415]) did attempt to mind-wipe Threepio — effectively murdering him as a continuous person — then the post-Endor evidence shows that this attempt failed or the droid escaped before the dirty deed.

  3. Endor Holocaust, an exploration of the aftereffects of the Death Star’s destruction while in close proximity to the forest moon home of the Ewoks.

    The circumstances at the end of Return of the Jedi lead inevitably to an environmental disaster on the Endor moon. The explosion of a small artificial moon in low orbit sends a meteoric rain onto the ewok sanctuary, on a scale unmatched since Endor formed. Through either direct atmospheric injection of small particles, or showers of ejecta from large impacts, the atmosphere will be filled with smoke and fallout causing a gargantuan nuclear-winter effect.

    Unless the rebel commandoes on Endor were executing a suicide mission, the rebel fleet was evidently able to intervene to protect their immediate vicinity: probably an area comparable to Luxembourg. Debris fragments amounting to the mass of the rebel fleet might conceivably have been diverted from that particular locality (by the exertion of the fleet’s tractor beams) and onto adjacent areas of the Endorian globe. However this is only a tiny fraction of the total mass incident on the moon during an event lasting mere minutes. The mass of the entire debris cloud and fireball is incomparably (inexorably) greater than the combined mass of both fleets over Endor.

    A general climatological catastrophe was unavoidable. Averting the disaster would have required physical action on a scale greater than the construction of a Death Star, within minutes of the battle station’s explosion.

And, of course, there’s a lot more on the site. Fascinating stuff, if you’re into this kind of thing. :)

Flickr’s on a roll

Okay, so maybe this whole brouhaha about Flickr being purchased by Yahoo wasn’t such a bad thing after all. They’ve been on a pretty good roll recently, as evidenced by their news page (which I’m quoting liberally from here, as they don’t seem to have permalinks)…

10th May, 2005

Remember the 5MB limit per photo for your uploads? That was the olden days! Now pro account users can upload photos of up to 10MB each (while, perhaps, cursing their ISP for the slow upload connection – in this age of the two web, why the asynchronousness, o ISPs?)

11th May, 2005

IPTC support (finally)! Friends, today there’s another good thing in Flickrland, and that’s support for IPTC data embedded into your photos. Keywords become tags! Captions become descriptions! Marvel as one framework’s terminology is swapped for another! Smile as the location fields in IPTC become Flickr tags!

12th May, 2005

We’ll we’ve gone and done it. In answer to countless requests, photo pages no longer use a Macromedia Flash wrapper to display photos; instead we are using an old technology called “DHTML.”

In addition, the “Send to Group,” “Add to Set,” and “Blog This” buttons above photos now allow you to perform relevant actions right there on the page!

And also, links now work in notes! (And we’ll soon be adding some more cool auto-linking features when the links point to Flickr pages.)

Also rolled into this release are a whole lot of little tweaks and fixes that should make your photo page viewing more enjoyable all around.

Pretty nifty! Poking around with it, I like the changes they’ve made (especially being able to put links within notes), and there have been hints dropped that there might be more goodies coming up. Bring ’em on!

iTunesIf Your Kisses Can’t Hold the Man You Love” by Rasputina from the album Frustration Plantation (2004, 3:07).

Finally!

Tiger arrives!After far too much stürm und drang, UPS finally managed to get their act together and drop my box from Amazon on my desk this morning.

I got home after work, popped in the disk, and hit the fateful “Erase and Install” button. A few minutes later (probably about 15 or so…I didn’t time it, but it went faster than I expected) I was prompted to reboot, and Tiger was up and running.

OS X 10.4

So far, I’m really liking the upgrade. Things are definitely a bit snappier than 10.3 was (I love the fact that each successive upgrade from Apple is actually faster than the prior version). Dashboard I’m not entirely sold on yet…great eye candy, I’ll see how useful it actually is as I keep playing around. I haven’t had much chance to play with Spotlight so far, as aside from importing my mailboxes, I’m running on a pretty clean slate at the moment, so there’s not a lot for Spotlight to work with yet. That will change with time, of course — and even without using Spotlight’s document-searching capabilities yet, it’s proved to be just as capable of an application launcher as Quicksilver was.

Most of the evening so far has been spent downloading the latest versions of the applications I use frequently and getting my day-to-day workspace set up. I’ve only run into two noticeable snags so far:

  1. The most current version of Microsoft’s keyboard driver (I have a nice keyboard I got for free when I was working on the Microsoft campus — unfortunately, it’s one they don’t make anymore) doesn’t appear to support the extra keys on this keyboard. I’d gotten very used to using the handy shortcut keys for ‘cut’, ‘copy’ and ‘paste’, and they’re now non-functional. A little frustrating, as it’ll take some time for me to re-train my muscle memory away from using them.

  2. No matter how carefully I try to back things up, there’s always something that I realize that I’ve forgotten later on. I’ve grown to accept that over the years — it’s rarely anything I can’t live without if I have to, so I’ve gotten used to this element of Russian Roulette when doing a full Nuke and Pave. Unfortunately, this time the casualty was one I’m definitely going to miss: Photoshop (yes, I’m one of the many people who…ahem…’acquired’ a copy of Photoshop at some point). A definite bummer, as I’m not likely to have the $600 to get my own legal copy anytime soon, and I’ve long since lost track of any sources for less-legal means of acquiring software. Ah, well…so it goes, right?

So all in all, a pretty successful upgrade, and I’ve got lots of little nooks and crannies to play in as I poke around. Yay for new toys!

Update: Well, one more issue, this one potentially a little more serious. For some reason, I don’t seem to be able to send mail through either my Speakeasy account or the account on my own mailserver. Not sure what’s going on here.

I can receive message from both those accounts, and I’ve set up POP access on my gMail account, though, so I can at least send messages through gMail, but I don’t seem to be able to send through my @michaelhanscom.com address, which is a bummer. My mailserver’s been a bit tweaky for a while anyway…maybe it’s time to investigate rebuilding that. Oh, boy is that going to be fun…

iTunesWhere Time Becomes a Loop (full mix)” by Various Artists from the album Difficult Listening Hour (full mix) (1999, 58:41).

QuickTime 7 HD

Oh. My. God.

I installed QuickTime 7 the other day, and found Apple’s HD Gallery page where they’re showcasing a few HD trailers and video clips. The trailer for Serenity is available in both 720p and 1080p formats, and even though my system (a dual 2.0Ghz G5 with a 64Mb Radeon 9600 video card) technically doesn’t meet the requirements to playback 1080p, I downloaded both to see how they behaved.

Beautiful. Not a stutter on either one, and the video quality is amazing. What amused me, though, is that my screen (which I run at a slightly non-standard 1152×870) isn’t big enough to display them at full size! The 720p trailer just loses a little bit off of either side, but the 1080p trailer? I can only fit about half of it on my screen at once. Wow.

Quicktime 7 rocks!Just for grins and giggles, I decided to download all the different Serenity trailers available to compare them. I grabbed all four “normal” versions from the Serenity trailer page (small, medium, large, and full screen), the two HD versions from the Serenity HD page, opened them all up at once, and paused each one at 1:02.

(While I was doing this, I started them all playing at once just to see what would happen. Even with all the other versions playing at the same time, the gargantuan 1080i trailer still kept up a very watchable 18fps average framerate!)

Here’s the end result:

version size (MB) fps size (pixels) data rate (kbits/sec)
small 4.8 8 240×104 288.78
medium 8.45 12 320×136 505.18
large 20.98 24 480×208 1259.23
fullscreen 40.4 24 640×272 2363.67
720p 108.33 24 1280×544 6406.26
1080p 138.36 24 1920×816 8182.54

Pretty damn impressive.

iTunesTell Me Why” by :Wumpscut: from the album Bunker Gate Seven (1995, 4:11).

You won’t succeed on Broadway if you don’t have any Jews!

SpamalotI spent most of the first part of my morning in tears today — because I couldn’t stop laughing. Last night I noticed that the iTunes Music Store had the Broadway cast soundtrack to Spamalot. Of course, that was a no-brainer impulse buy.

So far I’ve only listened to it once straight through, and that was while working, so I didn’t catch quite everything, but it’s hilarious.

The show, of course, is “(lovingly) ripped off from the motion picture Monty Python and the Holy Grail,” and much of the best-loved elements from the movie are in the show, along with a few other bits and pieces from the Python canon (including ‘Always Look on the Bright Side of Life‘, and even the fish slapping dance).

Some of the best parts that I’ve found so far, though, are lampooning Broadway itself, with two obvious standout tracks.

The first is ‘You Won’t Succeed on Broadway‘, which points out that there’s no way for any show to be a hit unless there’s a Jew in the story. It all starts (as I’ve found thanks to a few reviews) after Arthur and his knights are given a task by the mighty Knights of Ni: they must open a hit Broadway show.

Arthur: Have you heard of this…’Broadway?’

Robin: Yes sir, but we don’t stand a chance there.

Arthur: Why not?

Robin: Because! Broadway is a very special place, filled with very special people. People who can sing, and dance — often at the same time! They are a different people, a multitalented people, a people who need people, and who are in many ways the luckiest people in the world. I’m sorry sire. We don’t have a chance.

Arthur: But why?

Robin: Well…let me put it like this…

In any great adventure
if you don’t want to lose,
Victory depends upon
the people that you choose.
So listen Arthur, darling,
closely to this news —
We won’t succeed on Broadway
if we don’t have any Jews!

The second, and so far my favorite piece from the soundtrack, is ‘The Song that Goes Like This,’ a deliciously perfect sendup of the über-schmaltzy headlining track in far too many modern Broadway shows, most notoriously those of Andrew Lloyd Webber (apparently, this song is sung in a boat surrounded by candles as a chandelier descends from the ceiling…sound familiar to anyone?).

Lancelot: Once in every show,
there comes a song like this,
it starts off nice and slow,
and ends up with a kiss.
Oh, well. Here’s the song
that goes like this.
Where is it? Where? Where?

Lady of the Lake: A sentimental song,
it casts a magic spell,
They only hum along,
we’ll overact like hell.
Oh this! Is the song
that goes like this.

Both: Yes it is. / Yes it is! / Yes it is! / Oh yes it is!

Lancelot: Now we can go straight
into the middle eight,
a bridge
that is too far for me.

Lady of the Lake: I’ll sing it in your face,
while we both embrace.

Both: And then!
We change the key!

And it just goes on…it’s wonderful.

Pick it up from the iTMS, or if you’re partial to physical media, from Amazon. It’s well worth adding to your collection.

iTunesDiva’s Lament (What Ever Happened to My Part?)” by Ramirez, Sara from the album Spamalot (Original Broadway Cast) (2005, 2:32).

Microsoft reconsiders, supports anti-discrimination laws

Via Scoble, Ballmer’s e-mail announcing Microsoft’s re-committing to support anti-discrimination legislation covering sexual orientation.

After looking at the question from all sides, I’ve concluded that diversity in the workplace is such an important issue for our business that it should be included in our legislative agenda. Since our beginning nearly 30 years ago, Microsoft has had a strong business interest in recruiting and retaining the best and brightest and most diverse workforce possible. I’m proud of Microsoft’s commitment to non-discrimination in our internal policies and benefits, but our policies can’t cover the range of housing, education, financial and similar services that our people and their partners and families need. Therefore, it’s appropriate for the company to support legislation that will promote and protect diversity in the workplace.

Accordingly, Microsoft will continue to join other leading companies in supporting federal legislation that would prohibit employment discrimination on the basis of sexual orientation – adding sexual orientation to the existing law that already covers race, sex, national origin, religion, age and disability. Given the importance of diversity to our business, it is appropriate for the company to endorse legislation that prohibits employment discrimination on all of these grounds. Obviously, the Washington State legislative session has concluded for this year, but if legislation similar to HB 1515 is introduced in future sessions, we will support it.

Good to see.

Update: Here’s the Seattle Times’ story.

Hitchhiker’s Guide to the Galaxy

Prairie and I went to see The Hitchhiker’s Guide to the Galaxy last weekend, on opening night at the Cinerama. The perfect time to go, as far as I’m concerned. A gorgeous theatre, and lots of excited fans looking forward to seeing the show — including a few who showed up dressed for the occasion in bathrobe and with towel slung over their shoulder.

I’ve been perusing various reviews since then, and it’s been interesting to see the reactions. I haven’t seen many people who were entirely disappointed, but I haven’t seen many people head-over-heels in love with it, either. Most of the consensus seems to be that they did an acceptable job in translating the book to film.

For my part, I had a blast. It wasn’t perfect, but I thought it was quite enjoyable, and a reasonably good attempt at putting Douglas Adams‘ particular brand of absurdity on screen.

While I could point out a few things that bothered me a bit (Sam Rockwell as Zaphod, for instance, came across more as annoyingly-annoying rather than insanely-egotistically-cool-annoying-but-still-a-hoopy-frood) and a whole list of things that I was thrilled to see (the BBC TV series Marvin in line on Vogosphere, or the entrance to the Magraethea factory floor), there was one particular standout point for me.

In a movie that was cast fairly well overall — Mos Def as Ford and Martin Freeman Arthur were both good, Zooey Deschanel as Trillian is really cute, and I loved Alan Rickman as Marvin’s voice — far and away the single best piece of casting was Bill Nighy as Slartibartfast. He was, to my mind, jaw-droppingly perfect. While I don’t think any of the other actors will replace the mental images I’ve had in my head for years from reading the books, as far as I’m concerned, this was as if Slartibartfast was plucked whole from the pages and put on screen. Absolutely brilliant.

Even better, Royce called me on Tuesday to wish me a happy birthday and chat for a while, and as we were discussing the film, he said nearly exactly the same thing — good movie, pretty well done, Slartibartfast was perfect. It appears that great minds think alike…and so do ours!

iTunesSo Long & Thanks for All the Fish” by Hilary Summers, Kemi Ominiyi & The R’SVP Voices from the album The Hitchhiker’s Guide to the Galaxy (2005, 2:26).