I hate it when I’m stupid

A few months back, after having been a happy user of Six Apart‘s TypePad service for about a year and a half, I decided that I wanted to go back to having the finer level of control and options that Movable Type would offer, and moved my weblog back onto my own server. I made sure to make the move a couple months before my TypePad subscription ended, so that I would have time to move all my files over and off of their servers before I got locked out of my account.

Today I got a comment notification from my TypePad site. This was a bit surprising, as my account should have died in December. When I bounced over to the TypePad site, though, I was able to log in without a problem. Starting to wonder if I’d been stupid, I checked the Account status page.

Oh, dammit.

Sure enough, I’d made sure to save my credit card information and turn on auto-renewal at some point, and TypePad had very obligingly signed me up for another year of service in December. Me being my usual brilliant self with finances had never noticed this (in itself actually not a bad thing, though — I’m still far below where I’d like to be, but if I can take a $120 hit to my bank account without it causing major issues, things are definitely improving). I checked the TypePad FAQ, and sure enough, no refunds if you’ve paid in advance. Ah, well, that was what I expected anyway.

So now I’ve got a TypePad account that I’m not using that’s all paid up and useable until next December. What in the world do I do with that? I’ve discovered over time that I don’t do well trying to keep up with posting on multiple weblogs, so starting a second weblog just doesn’t seem like a realistic option. I don’t want to move back to TypePad — not only would that be a fairly major pain, but I don’t want to lose some of the extras I have with Movable Type that TypePad doesn’t offer. I use [Flickr][5] for my photos now, so a photoblog isn’t really necessary.

[5]: http://www.flickr.com/photos/djwudi/ Flickr: Photos from djwudi”

Prairie suggested I try selling it on Ebay, but there’s hassles with that. While I could probably delete most of my personal information, the URL for the site is djwudi.typepad.com, and I don’t want to hand the ‘djwudi’ name off to someone else — until I actually started using my full name regularly, ‘djwudi’ was my normal online ID, and I still use it in [quite a few places][7].

[7]: http://www.google.com/search?q=djwudi&ie=UTF-8&oe=UTF-8 Google for ‘djwudi'”

I guess I’ll just keep it around in case something really strikes my fancy and seems like a realistic project. No point in canceling it, as long as it’s paid up through the year, at least.

Consequences of an Overactive Imagination

I don’t think I’ll ever cease to be amazed at how strongly the mind can react to things — and which things it chooses to react to.

I’ve always had an extremely active imagination, a quality which has both good and bad points. Growing up, I often retreated into my own little fantasy worlds instead of dealing with the real world around me, and that’s something that has never entirely ceased. While I’ve long since ceased hiding within myself as an escape from things I didn’t want to deal with or as a defense mechanism, I can’t say — and really, I wouldn’t want to — that I’ve ever ceased letting my imagination run away with me from time to time.

Walking down a hallway, someone might notice a small twitch of my hands from time to time, though it’s most likely they wouldn’t. Just a small gesture, perhaps just stretching my wrists a bit, nothing really worth paying attention to. Of course, that’s only because they can’t see the blast of power I just released careening down the hall, rushing past them, sweeping papers and debris in its wake as it crashes into the locked gate at the end, bursting it open with a horrendous shriek of tearing metal as the hinges shatter and fall to pieces.

People passing me on the streets at night never know of the creatures stalking them. Wingless batlike creatures the size of large dogs, walking on their forelegs, hind legs slung up and over their shoulders and terminating in wicked-looking claws. Needle-sharp teeth beneath an eyeless face, the cries of their sonar echoing from building to building as the pack converges on another unlucky derelict passed out in an alleyway. Curious how few rats this section of the city has.

Okay, perhaps it’s a little juvenile. Silly daydreams built on many years of fantasy and science-fiction novels. That doesn’t make these worlds any less fun to play in from time to time, however.

When I was younger, my fertile imagination would often get the better of me. Certain television shows would keep me up for nights. The Incredible Hulk — or the “crumbly hawk”, as I deemed him — was an especially potent terror for a time. I didn’t see Michael Jackson’s ‘Thriller‘ video until long after it was released when I was only nine years old, and even into my early teen years, horror movies were a rarity.

I once tried to watch the sci-fi horror movie Lifeforce during one of HBO’s promotional free weekends after our family got cable, because of the naked lady at the beginning — but all puberty-driven fantasies were driven violently out of my head when she sucked the very life out of some poor hapless man, turning him into a horrible desiccated corpse before my very eyes, and I don’t think I slept well for a month afterwards.

Even the trailer for Gremlins was enough to give me nightmares when I saw it, and I never saw the movie in the theaters. I read the novelization to try to get an idea of how the movie was, and oh what a mistake that was. At one point in the story, the gremlin Stripe escapes from being studied by a teacher in the school’s science lab. While in the movie Stripe simply jabs the teacher with a single hypodermic needle, the book described seven or eight needles, maybe more, being stuck into the teacher’s face. It was literally years before I got the nerve to watch the movie (and then was somewhat chagrined to see how tame it was compared to the images I’d had seared into my brain when I read the book).

As I grew and began to be better able to separate the fantastical worlds inside my head from the real world around me, I started to develop a fondness for some of the more disturbing images that I hadn’t been able to cope with as a child. I started watching all the horror movies I’d heard about for years, but never been able to watch. Dean Koontz, Stephen King, Clive Barker, and other similar authors started appearing on my bookshelves. The Alien movies introduced me to the artwork of H.R. Giger. Discovering David Cronenberg‘s films led me to Naked Lunch, and then to the literary work of William S. Burroughs. My musical tastes, while never having been particularly mainstream, started skewing more towards the gothic and industrial genres. Black soon became the dominant color in my wardrobe.

Finally being able to explore and embrace this darker imagery helped me a lot through my teen years, and still does today. While I wasn’t always the happiest teenager around — I had more than my fair share of whiny, angsty moments — I never ended up succumbing to the depression that so many other people seem to. I’ve never been suicidal (in fact, quite the opposite, as I’m somewhat frightened of death, and have never found myself in a situation where suicide seemed like an even remotely good idea), and while there were certainly some stumbling blocks over the years, I think I’ve ended up becoming a fairly well-rounded and well-grounded adult (oh, lord, did I just admit that I’m an adult?).

I have my ups and downs, same as anyone else, of course, but on the whole, I’m a fairly chipper and easygoing guy (chipper…who talks like this?). That “dark side” is still there, of course, manifesting itself primarily through my tastes in music, movies, and an often bitterly bleak sense of humor, but rather than dominating my personality, it’s just another aspect — and, importantly, one not incompatible with a love of childlike (and sometimes childish) silliness (a double feature of Hellraiser and The Muppet Movie isn’t something I’d find particularly unusual, for instance).

For all that, though, there are times when my imagination can still play games with me. What it latches onto now, though, aren’t the fantastical elements of horror movies. I can watch Freddy suck Johnny Depp down into his bed in a geyser of blood, watch Pinhead flay the flesh off of Frank’s recently resurrected body, or watch Jason skewer horny teenager after horny teenager without batting an eye — heck, I enjoy ever last little blood-soaked minute of it, and sleep soundly as soon as the movie is finished.

What gets me now are the real possibilities — and, more specifically, the really realistic situations, as redundant as that might sound. Kill Bill, for all the hype it got over its extreme amounts of blood and gore, didn’t bug me simply because it was so ridiculously over the top (in a good way) that I didn’t feel real. It may have been live action with real flesh and blood actors, but it felt like a comic book, and so my brain quite happily filed it away with all the rest of the blood and gore from all those silly horror movies.

It’s when it’s something that could conceivably really happen that I get the willies.

Pulp Fiction is a great film, and The Rock, while certainly not great, is a lot of fun. Those two films have one very important element in common, though: an adrenaline shot straight to the heart. I can’t watch either movie without cringing and turning away as the needle plunges into the character’s chest and into their heart — heck, I can’t even write this paragraph out without rubbing my own chest due to the sympathy pain I feel.

Last week Prairie and I watched Deliverance, which I’d never seen before. Just after the disastrous run through the rapids as the boats break apart and the men go tumbling over rocks and down the river, Burt Reynolds pulls himself up and out of the water onto a rock, revealing the compound fracture sending his legbone tearing through skin and muscle and jutting out the side. “Oh, God,” I said — if it was even formed into actual words — and immediately curled into a ball on my side, rubbing my calf as my oh-so-eager-to-oblige imagination sent spasms from my own suddenly shattered body up my leg.

Tonight — because I’m apparently a glutton for punishment — Misery was the movie of choice. Okay, I knew the hobbling was coming. Even without having read the book or seen the movie before (that I can remember, at least), that scene is so much a part of pop culture that it would be nearly impossible to really be taken by surprise when it comes up. That certainly didn’t make it any easier to watch, however. The sickening crunch of splintering bone as the sledgehammer pulverizes his ankle, and at thirty-one years of age, I’m curled in a ball on my bed.

Honestly, in some ways it’s as funny as it is exasperating. I can laugh at the absurdity of having such a strong reaction to these things even as I’m still trying to drive the residual twinges out of my ankles. I wouldn’t trade my imagination away for anything…but I’ll freely admit that there are times when I wish I could just turn it down a few notches.

Happy Birthday Macintosh!

I’m a bit late to the party on this one, unfortunately, but the Macintosh turned 21 years old today.

Even better, there’s one heck of a birthday present to the Mac community out on the ‘net now: the long-lost video of the original introduction of the Mac by Steve Jobs.

21 years ago today, on January 24th 1984, Apple introduced the Macintosh. And we’ve seen that 1984 wasn’t like 1984.

What we’ve never seen indeed, was the big day itself. Lots of historic stuff has been preserved – images, texts, even sounds, and the saga has been told on and on. However only very few people have actually seen how Steve Jobs pulls the first Mac out of this bag, how the Mac introduces itself to the public, Steves biggest grin ever, and how he is obviously overwhelmed by this moment in the Cupertino Flint Center.

Fear not, faithful Mac believers. We have found it. We have found what seems to be the only copy of a public TV broadcast on that very day. It was recorded and preserved by Scott Knaster, the “legendary Mac hacker”, as Amazon puts it. Scott kept the tape (a NTSC Betamax III longplay) for 21 years since he keeps everything. Andy Hertzfeld saw it when he wrote the story ‘The Times They Are A-Changin’‘ on folklore.org. From there we followed the hints, and that’s how we found it.

We worked with Scott to convert it from NTSC to PAL, we’ve polished it, cleaned it, huged it and digitzed it. Here it is. It goes back to the people who’ve made the Macintosh, and to the world. The complete material of about 2 hours is returned to Scott, Andy and the folklore.org people, and this weblog will report the story of the “missing 1984 video” in detail. We’ll release other clips in the coming days, so bookmark and check back.

But now, Ladies and Gentlemen: please welcome – the 1984 Macintosh introduction video. A travel back in time…

(via MeFi)

iTunesGimme Shelter” by Sisters of Mercy, The from the album Some Girls Wander By Mistake (1983, 5:58).

Note: Contains Nudity

This is one of the funniest things I’ve seen today: Netflix’ summary for a movie titled ‘Sexmission‘ (emphasis mine)…

Director Juliusz Machulski’s bawdy comedy envisions a world where the only men left are Albert (Olgierd Lukaszewicz) and Maks (Jerzy Stuhr), two pals spared destruction because they were frozen as part of an experiment. When they awaken, the League of Women’s Lib runs the planet, and their archeologists believe Albert and Maks are a species predating the female human race. Can the men repopulate the globe with their gender? Note: Contains nudity.

I’m so glad they warned me about the nudity. I might not have guessed otherwise, and Lord knows I wouldn’t want to watch anything with any nekkid people in it.

That’s just disgusting.

 

Bunch ‘a preverts.

iTunesI Sit on Acid ’95” by Lords of Acid from the album Do What You Wanna Do (1995, 4:31).

Stop!

The Windows Error Message Generator allowed me to recreate (to the best of my ability) the single funniest and most exasperating error messages I’ve ever seen on a Windows machine. I don’t remember what I was doing, but I ran across this dialog box while on one of the Windows boxes at my old job at Kinko’s in Anchorage:

Stop

Not only did it give no indication of just what had gone wrong, but it told you to stop whatever it was you were doing without providing a ‘Cancel’ button. Just ‘Stop’ — ‘Okay’. A definite funny-because-it’s-stupid moment.

(via Boing Boing)

iTunesI Love You…I’ll Kill You” by Enigma from the album Cross of Changes, The (1993, 8:50).

Requested: The Meaning of Life

Requested by Tim Who?:

What is the meaning of life?

It’s a movie by the British comedy group Monty Python.

Why are we here? What’s life all about?
Is God really real, or is there some doubt?
Well, tonight, we’re going to sort it all out,
For, tonight, it’s ‘The Meaning of Life’.

What’s the point of all this hoax?
Is it the chicken and the egg time? Are we just yolks?
Or, perhaps, we’re just one of God’s little jokes.
Well, ça c’est le ‘Meaning of Life’.

Is life just a game where we make up the rules
While we’re searching for something to say,
Or are we just simply spiralling coils
Of self-replicating DNA. Nay, nay, nay, nay, nay, nay.

In this ‘life’, what is our fate?
Is there Heaven and Hell? Do we reincarnate?
Is mankind evolving, or is it too late?
Well, tonight, here’s ‘The Meaning of Life’.

For millions, this ‘life’ is a sad vale of tears,
Sitting ’round with rien nothing to say
While the scientists say we’re just simply spiralling coils
Of self-replicating DNA. Nay, nay, nay, nay, nay, nay.

So, just why– why are we here,
And just what– what– what– what do we fear?
Well, ce soir, for a change, it will all be made clear,
For this is ‘The Meaning of Life’. C’est le sens de la vie.
This is ‘The Meaning of Life’.

Either that, or simply ‘42‘. Your choice.

iTunesAnimal…Come Back Animal” by Williams, Paul from the album Muppet Movie, The (1979, 1:30).

Gallimaufry 5

The weekly music meme: ten songs at random from my music collection, plus assorted rambling.

  • The Shamen, ‘Phorever People (Shamen Dub)’, off of Phorever People: The Shamen were one of the early-90’s techno groups that I liked a lot. Not quite as good as Utah Saints, but definitely further towards the top of the heap than many other acts, able to produce entire albums that were listenable, rather than just the odd single here or there. This is a fairly trancy ‘dub’ mix (no vocals) of one of their singles that didn’t quite break as big on the scene. Sounds like something that’d make a good background piece for the soundtrack of a tech-heavy film.

  • The Prodigy, ‘Diesel Power (Snake Break)’, off of The Fat Mixes: I’m pretty sure that The Fat Mixes isn’t an official album — at least, I’ve never found any official word about it. I downloaded it a long time ago, when I was first exploring the world of Napster (back when the world of Napster was worth exploring). It’s a collection of various remixes of tracks off of The Fat of the Land, some mediocre and some that are very impressive. The one downside is that as I’ve never found a real copy of it, all I have are mid-bitrate .mp3s that don’t sound nearly as good as I wish they did.

  • Sunscreem, ‘Love U More (A Version)’, off of Love U More: One of my favorite songs of all time. Bright, bouncy, and happy (tempered with some occasionally somewhat disturbing lyrics), saying that no matter what happens, “you know you could never make me love you more.” This one never fails to put a smile on my face when I hear it. While this version’s off of the single, it’s nearly (if not entirely) identical to the version on their album O3 — the various remixes on the single were rather boring.

  • Tag Team, ‘Whoomp! (There It Is)‘, off of DJ Bass Mix: Aaah, the joys of having been a DJ…and a DJ who every so often had to cater to popular tastes, even when they weren’t exactly up my alley. Still, as far as 90’s one-hit-wonder hip-hop songs go, this one really isn’t that bad. Best, though, was ending up with an acapella version, which allowed me to run the vocals on top of My Life With the Thrill Kill Kult‘s’A Girl Doesn’t Get Killed By A Make-Believe Lover (‘Cuz It’s Hot)‘ — and that worked a lot better than it really should have.

  • The Art of Noise, ‘Dragnet ’88’, off of Best of the Art of Noise: Experimental art-techno group The Art of Noise’s take on the Dragnet theme, done for the 1988 movie starring Tom Hanks and Dan Aykroyd. I have no memory of whether or not the movie is any good, but I really like Art of Noise, and the samples they’ve sprinkled throughout the song are fun (“You’ve got a lot of repressed feelings, don’t you Friday? Must be what keeps your hair up.”)

  • Mickey Hart and Planet Drum, ‘Indoscrub’, off of Supralingua: Planet Drum is ex-Grateful Dead drummer Mickey Hart‘s world music project, focusing primarily on various forms of ~~sitar~~ drumming and percussion. Good percussion has a tendency to catch my ear, so I picked this one up on a whim one day when I ran across it browsing at random. Good stuff, though it all sounds similar enough that I’d be hard pressed to tell one track from another by ear.

  • Bedhead, ‘Crushing‘, off of WhatFunLifeWas: A long time ago, I came across a review of this album on the ‘net that was so well-written and so complimentary of the album that I went out and picked it up based solely on the strength of that review. Lucklily, I wasn’t disappointed in the least — while it’s not my normal style of music (strictly guitar, bass, and drums, rather than the electronic-heavy music I tend to gravitate towards), it actually often reminds me of a lot of ambient music: lots of flowing themes, vocals that don’t overpower and often blend right in with the instruments, and very relaxing. A little hard to describe, but highly recommended.

  • VNV Nation, ‘Arclight’, off of Empires: Due to my DJing in Anchorage taking me away from the goth/industrial music that got me started and into more standard dance/techno/pop stuff, I ended up losing track of what was going on in the goth/industrial world for a good few years. Because of this, I’ve only recently been coming across artists that I’m finding I like a lot: Beborn Beton, Covenant, Wumpscut, Velvet Acid Christ…and VNV Nation. Time after time, I’d hear a song at The Vogue, ask the DJ what it was, and it would be VNV Nation. Eventually, I picked up two of their albums (Empires and Futureperfect), and they’re both excellent. This is very much where my tastes lie these days (and as I’m still working on discovering much of this stuff, recommendations are always appreciated!).

  • Pigface, ‘Lost Track’, off of Preaching to the Perverted: The Best of Pigface: I’ve mentioned before that Pigface is one of my favorite groups. This is a short, but very fun little track, one of the many “B-sides” on their recent “Best of” compilation two-disc album. Not much more than percussion here, just a couple minutes of heavy drumming with some odd little electronic bleeps and bloops to spice it up a bit. Sounds like the beginning of a work in progress that never made it much further than what it is.

  • Liam Howlett, ‘Section 7‘, off of Prodigy Presents the Dirtchamber Sessions, Vol. 1: Technically, the stores list this as a Prodigy album — which, since The Prodigy basically is Liam Howlett, isn’t strictly wrong — but as this album is all mixwork and no strictly original compositions, I keep it filed under Liam’s name. It’s an incredible disc, too, letting Liam show off both his DJ skills and his insanely comprehensive record collection, both of which he does handily. This track alone samples LL Cool J, Digital Underground, Uptown, and Cold Cut, and most of the other tracks on the album sample two to three times as many individual cuts over the course of each mix. Good stuff.

And this week’s bonus track…

iTunesSir Psycho Sexy” by Red Hot Chili Peppers from the album Blood Sugar Sex Magik (1991, 8:16).

Death of a Spammer, in a Place Called Hope

THIS STORY IS FICTION

Death of a Spammer, in a Place Called Hope

By Todd F. Bryant
Staff Writer

HOPE, CA — In this dusty Mojave town, pop. 5000, which averages roughly one murder per decade, Sheriff James Wilcox recently encountered the first serious crime he was unable to solve in his 25-year law enforcement career.

“Incidents like this don’t happen here,” said the 50-year-old Wilcox, who has one deputy, his daughter, and operates out of a converted construction trailer with a single makeshift cell, which is rarely occupied. “We’re not exactly Crime City, U.S.A.”

The crime was murder. The victim was a local resident, a white male, 42, shot six times in the chest and arms. The time was roughly 4 p.m. The location was the post office. There were no witnesses. The Hope post office is staffed only 4 hours a day, but the lobby doors are unlocked around the clock so that residents can access their post-office boxes. The victim, Keith James Lawrence, unmarried, was gunned down in the post-office-box area.

“Heidi [his daughter] and I knew this was going to be a tough one,” said Wilcox. “Nobody around to see it. Nobody even heard any shots. Not even a suspicious vehicle seen in the area. Just bad luck for us. It happens.”

It was during the autopsy that things took a turn for the weird. The medical examiner noticed an obstruction lodged deep in the victim’s throat. He reached in and pulled out the objectÐa can of Spam. “I knew then that we had something that was maybe out of our league,” said the examiner, Dr. Anu Ram, a surgeon at Mojave County Hospital. “I mean, we don’t know anything about serial killers here, and I told Jim [Wilcox], ‘This is really scary. It’s probably some guy traveling around killing random people, and this is his signature.'”

It is perhaps only in small rural towns like Hope that a can of Spam and murder wouldn’t immediately conjure up an obvious hypothesis. Wilcox, while not oblivious to the existence of the World Wide Web and email, did not have an Internet connection and hadn’t heard the word “spam” used in the context of junk mail. It was only when Wilcox talked to his daughter on the phone two days after the crime (she had gone out of town for a scheduled visit with her husband’s relatives), that the pieces began to fit together. “I told her the victim had a post-office box there, that it had letters in it, with money in the form of money orders and cash, generally five dollars each, and it appeared he was running some kind of a business selling information for a few bucks a pop. It looked legitimate to me, so I wasn’t focusing on that. And then I told her about the can of Spam.”

“I knew right then, or at least I thought I did, what the motive was,” says Heidi Jensen, 29, who has worked with her father since she was 17. “I said, ‘Daddy, this guy is a spammer.’ And he goes, ‘A what?’ And I’m like, ‘A spammer, he sends out those messages, you know, “make money fast” and “get a new mortgage” and stuff.’ He had no idea what I was talking about. He refused to believe that spam could be a motive for murder. I’m like, ‘Daddy, you’re not on AOL, you don’t understand.'”

But Wilcox was not one to ignore what he calls his daughter’s “intuition.” He acquired an expert in computers–by calling the local computer store, and securing the services of a clerk for $10 an hour–and examined Lawrence’s Dell computer hard drive and dozens of CD-ROMs. “It was true, this guy was a spammer,” said Wilcox, who is now well-versed in Internet lingo. “He had literally millions of e-mail addresses, and lots of bills from different ISPs, and we determined he’d been doing this for about two years. He grossed about $5,000 a year from it.”

At that point, Wilcox called the FBI, who sent an agent to help him scan Lawrence’s email and snail-mail records for any particularly hostile messages. Not surprisingly, they found quite a few. In fact, they found so many that they stopped cataloguing them when they reached 200.

“This case is impossible,” said Wilcox, shaking his head. “I mean, if you add up all the spam recipients who threatened his life directly, that’s probably ten thousand right there, probably more. And really, it’s the ones that don’t make overt threats who are usually the perpetrators in grudge cases like this, because the folks who write the poison-pen letters get it out of their system. So now you’ve got to add all of the other people on those CD-ROMs to the list. There’s roughly 20 or 30 million suspects in this case, all over the world.”

Wilcox tracked down a few more manageable leads. “I thought maybe one of Lawrence’s acquaintances might have killed him, knowing he was a spammer, and made it look like a grudge crime. But, no, that didn’t really pan out. I couldn’t find anything substantial there.”

Both the Mojave Sheriff’s department and the FBI classify the case as open. At this writing, ten weeks after the murder, no suspects have been interviewed.

“Will [the killer] do it again?” Wilcox asks. “I don’t know. But I don’t think he was mad at Stanley Lawrence the person. I think he was mad at spammers. And there are a lot of spammers out there.

“And I’ll tell you this much: I wouldn’t want to be one.”

For more information on just what this is all about, check in with Brian Flemming.

(via John)

iTunesBizarre Love Triangle (Hot Tracks)“ by New Order from the album Hot Tracks 15th Anniversary Collectors Edition (1997, 8:05).

Engine Ice

Engine Ice

This picture wasn’t taken by me, I just thought it was incredibly cool! A friend forwarded it to me along with the accompanying text explanation.

“We had a mixed-precip event last night as the temperatures started rising above freezing and the snow changed over. The ramp was a sheet of slick wet ice, and even with crushed stone (urea) spread, it was glazing over as quickly as we could deploy it. As flight 1830 was coming into the stand, I motioned to the deck for them to proceed very cautiously, which apparently they’d been doing for the whole taxi (it took a long time between calling on-deck and getting to the gate).

When it finally pulled in, we noticed what is in the attached picture. None of us had ever seen it before. Very cool. I ran and grabbed my camera. I apologize for the quality, since it was melting off quickly as the fan had stopped spinning I just pulled out the camera and took two quick snaps. I guess I didn’t have a steady hand in the rain!”

(via The Usual Suspects)

All Request Saturday

Here’s an interesting idea, stolen from Terrance, who stole it from Stay of Execution: an all-request day.

Something about me you’d like to know? Something you’d like me to ramble on about? Pick a topic, any topic, and drop it in the comments. Come Saturday, I’ll go through what (if anything) is there and start babbling.

Of course, if nothing appears, I still reserve the right to go on about whatever I damn well please, so don’t think that by not suggesting anything you’re any more likely to get me to shut up. :)

iTunesSituation (The English Breakfast)” by Yaz from the album Don’t Go/Situation (1999, 9:04).