Panoramic Experiments

Yesterday afternoon I decided to go for a bit of a wander through the weekend downtown shoppers to work on an experiment I’ve had in mind for a bit.

I’ve found over the months that I’ve been using it that the camera I’m currently borrowing does really well at evening, low-light photography, dropping the shutter speed down to do so. I’ve been curious at how panoramic shots would turn out if I took them in the evening, where the long exposures would blur any cars and passing shoppers.

After some experimenting yesterday, I’m somewhat pleased by the results, though I definitely still have some tweaking to do before I come up with something I really like. The issues I’m running into are twofold.

First, I need to try to track down some information on this camera and how to use the manual mode. Last night I left the camera on fully automatic, which works well for single shots. However, as it’s metering separately for each shot, I’m ending up with brightness and color shifts when I stitch the panoramas together. I think I should be able to compensate for this by noting the settings the camera chooses for the first shot on automatic mode, then switch to manual mode to duplicate those settings for the rest of the shots.

Secondly, I’m still figuring out the settings for the stitching software I’m using. I’ve been taking the shots with the camera positioned for portrait (vertical) shots — it takes more shots to create a full 360° panorama, but there’s more vertical image in the final panorama. However, this also means that there’s more distortion at the top and bottom of each image, so while the final panoramas are close to seamless across the middle of the shot, there are occasional artifacts (such as buildings or poles suddenly splitting in two) at the top and bottom of each panoramic.

Still, I like the direction that these are going, and each time I try, I’m getting a bit closer to what I’m aiming for in my head.

Here’s the best of my experiments from last night:

4th and Pine, kitty-corner from the Bon

4th and Pine

This is actually pretty close to what I had in my head, aside from the color shifts. One thing I didn’t think about ahead of time that amuses me in the final image is that of the four stoplights in the shot, two are green, one is yellow, and one is red. Seems a wee bit confusing for the drivers!

Here’s a Quicktime VR panoramic movie of the image (3.7Mb): westlake2.mov.

Pike Place Market Main Entrance

Pike Place Market Main Entrance

Standing in front of the famous fish market, surrounded by Christmas shoppers. Lots of movement in this one.

Here’s a Quicktime VR panoramic movie of the image (2.5Mb): pikeplace2.mov.

Pike Place Market Flower Stands

Pike Place Flower Stands

In one of the side entrances to the market, right between two of the flower vendors. I like the sudden switch between the bright bustle of the market itself and the darker outside world.

Here’s a Quicktime VR panoramic movie of the image (3.4Mb): pikeplace4.mov.

Pike Place Market and Waterfront

Pike Place and Waterfront

Outside the far end of the Market, looking over the waterfront. I think this one’s probably my favorite of the batch (of course, it’s also probably the one with the least amount of odd artifacts).

Here’s a Quicktime VR panoramic movie of the image (3.5Mb): pikeplace5.mov.

Waterfront and Seattle skyline

Waterfront and skyline

Standing on top of a picnic table in the park directly behind the Market, overlooking the waterfront, the Alaska Way Viaduct, and catching part of the downtown Seattle skyline.

Here’s a Quicktime VR panoramic movie of the image (3.6Mb): waterfront2.mov.

And that’s it for this round of experiments. More (and hopefully better quality images) will follow later on, I’m sure.

iTunesHard Day Blues” by Waters, Muddy from the album Folk, Gospel and Blues: Will the Circle Be Unbroken (1946, 2:51).

Lunar eclipse, Seattle, WA

Lunar eclipse, Seattle, WA

After finding out about tonight’s eclipse earlier today, I started wondering if I could get any halfway decent shots of it. Since the camera I’m using allows longer exposures (up to eight seconds), I figured it’d be worth a shot.

First priority, though, was a tripod, as there was no way I was going to be able to hold my hands perfectly steady through an eight second exposure. I swung through the Kit’s Camera after work, picked up a cheap-but-functional tripod (the Quantaray QXS 2001, for \$19.99), and declared myself ready to go.

Once the eclipse started and the moon rose enough that I could see it over the buildings, I climbed up the fire escape to the roof of my building and started experimenting. It took some fiddling around before I got something useable — it’s been far too many years since I took a photography class, and I really haven’t got a clue about f-stops, apertures, or any of the rest of that professional mumbo-jumbo — but eventually, I managed to get a few that were decent. Not great — but decent (hey, a 3X zoom lens can only get you so close…).

Still, I’m rather happy with them — and I’ve got until 2007 to practice for the next lunar eclipse, anyway. ;)

iTunesAin’t Necessarily So” by Bronski Beat from the album Singles Collection 1984-1990, The (1990, 4:08).

Seattle Storm victory rally

Seattle Storm victory rally, Westlake Plaza, Seattle, WAAs I walked out of the building for lunch today, I heard some sort of big ruckus going on down towards Westlake Center. Being fond of ruckuses (ruckusi?) in general, I made a quick run back to the apartment to grab my camera, and then went back towards Westlake.

Turns out that there was a rally going on celebrating the Seattle Storm‘s recent WNBA championship win.

Now, I’m no big fan of sports in general, but it was fun to wander around the rally for a while. Local cover band The Hit Explosion was playing a surprisingly good set of 70’s disco and funk (amusingly, I think they played just about the entire Muppets From Space soundtrack), so the background music was quite bearable, and it was a fairly welcome break from the usual day-to-day routine.

Some photos from the day are in this flickr photoset, as usual.

Yet another set of library photos

Seattle Central Library, Seattle, WA

While the new Seattle Central Library has been the subject of so many photosets across the Seattle blogosphere that it’s likely well on its way to becoming passé, I had to have my day.

Continuing with my experimentation with flickr (which I’m liking more and more), I’ve uploaded the best eight of my library photos to my flickr page.

Enjoy (if you’re not overloaded on giant metal diamonds already)!

(Originally uploaded by djwudi)

So are all photographers terrorists now?

Yet another “photography is terrorism” incident.

I was declared a terrorist, today. As I was walking around campus photographing art, buildings, cars, people, I was stopped by police.

The policemen asked who I was, what I was doing, why I was taking photographs, where I lived, all the good stuff. When I told them I was a student taking photographs for my own personal enjoyment (a concept they couldn’t comprehend); I was told this is illegal under the USA PATRIOT act.

I was greatly confused by this statement. My understanding is that I am legally allowed to take photographs of public buildings. I informed them of this and they were taken aback. They then went on to tell me that NJIT is not a public institution. They told me that it is publicly funded but not a public school. This is a blatant lie. If you visit NJIT’s website you see very clearly, “A Public Research University.”

Furthermore, the police refused to give me their information, even after I gave them my three pieces of ID (Rutgers, NJIT, and Driver’s License). I asked for their information and they told me they are from the precinct down the block. I didn’t want to push for their Badge Numbers as I had no paper with me. Instead I walked to the precinct and spoke with Sergeant Lincoln who told me to come back tomorrow and speak with him further on this matter.

Sergeant Lincoln was told it may be possible for me to get permission to take pictures on campus, until then I am a terrorist. He, too, did not give me their badge numbers.

(via Arcterex)

[![iTunes]] “Dreaming (Evolution)” by BT from the album Dreaming (2000, 10:09).

[iTunes]: http://images.apple.com/itunesaffiliates/logos/iTunes_sm_bdg61x15.png {width=”61″ height=”15″}

Hempfest 2004

Skull

I spent some time today wandering around this year’s Hempfest. I’ve avoided this particular Seattle festival for the past few years I’ve been down here, mostly because of my personal opinions regarding pot. Today, though, I had nothing else planned, and figured it might be worth wandering down with my camera for some peoplewatching.

As for the event itself…well, I can’t honestly say I was very surprised by the attendant crowds. Virtually every stereotype imaginable when dealing with the hemp/pot communities was there, plus all the requisite political hangers-on. Stoners, hippies, thugs, freaks, wierdos, Democrats, Libertarians, Socialists — you name it, that subculture was represented somewhere. Not to mention the ultra-right-wing religious proselytizers.

You poor sick miserable bunch

Is it any wonder so many people have such a dim view of Christianity when these bigoted idiots are the most visible representatives of the religion most of the time? I’ll give them points for perseverance, but that’s about it.

I didn’t bother to listen to any of the speakers I passed on the various stages, and for the most part, none of the few bands that were playing when I wandered by caught my ear enough for me to stop and listen. I did manage to catch a few minutes of a bellydancing performance on one of the stages, though.

Bellydancing

I only ended up sticking around for a couple hours, though, as — speaking of stereotypes — today’s cloudy skies finally started raining. It wasn’t enough rain to really be that much of a bother, but as I didn’t have anything along with me to protect the camera, I decided it was time enough to find my way home. Besides, walking through another thick cloud of marijuana smoke every few minutes was starting to get to be a bit much for me.

All in all, not a bad afternoon, though. Had the weather been a bit better, I probably would have stuck around a bit longer and taken a few more pictures. I’m trying to get over an ingrained resistance to taking pictures of random people, and festivals like this can be a good place to work on that. It’s not an easy thing for me to do, as I’m always at some level afraid that whoever I’m aiming the camera at will get offended, or make the assumption that I’m some sort of creepy voyeuristic freak, or some such thing, but as “still lifes” and buildings get a bit boring after a while, I’m going to keep working on it.

Dancers

iTunes: “My Mind is My Enemy (20,00 Volts of Stimulation Focused)” by Khan, Praga from the album My Mind is My Enemy/Luv U Still (1998, 4:12).

Ballard Locks Photo Workshop

So yesterday was the big photo gathering at the Locks. Prairie and I picked up her sister Hope and then headed out, eventually getting there about an hour into the event. As I’d never been to the Locks before, I wasn’t entirely sure where to go at first, so we just started following the paths and wandering around. It wasn’t long before we stumbled across a fairly large group with a higher-than-average ratio of cameras…

Photographers at the Locks

Myk spotted me when I wandered in and we spent a few minutes chatting, idly wondering what could potentially get him into more trouble with Homeland Security: organizing the event, or taking a wild leap into the water in an attempt to escape should anyone try to arrest him. Of course, nothing along those lines happened, and the day was quite nice, just a lot of people gathered to talk and look for some decent shots.

A nice medium-format camera

Many photos were taken by everyone, of the Locks, boats, and — of course — all the other photographers. A representative from the ACLU was there (complete with an old 110 pocket camera, which I hadn’t seen in years), along with a photographer from the Seattle P-I, some people who’d read about the event in the Stranger, and many who’d read about it online. I’m afraid I didn’t end up meeting very many of the people who were there, but seeing the turnout was great.

Wave Sculpture

After milling with the crowd for a while, Prairie, Hope and I decided to go wandering around the area for a bit and see what all was there. There were a fair amount of activities going on in addition to the photographer’s gathering, including a flower show, a band playing on the grass, and many tourists wandering around the grounds. Prime people-watching, in other words, which we took full advantage of.

Children at the Fish Ladder

There were a couple of attempts at group photos during the gathering, one of which I was around for, but I think I missed a later one set up by the P-I photographer. Still, at one point he made sure to come by and get my name, so I suppose I must have made it into one or another of his shots. Who knows, maybe I’ll have another appearance in a local paper sometime this week? It’s getting hard to keep track of all my press…;)

Anyway, all things considered, it was a very pleasant time, and many thanks to Myk for organizing the event. There are rumbles of a similar workshop day being set up at some point later on from a different vantage point (after it was pointed out that Ian was taking his photos from Commodore Park, rather than on the Locks themselves). Should that come through, I’ll definitely see what I can do to attend that one, also.

I’ve uploaded the majority of the photos I took yesterday to my gallery, as always.

Other writeups and photo collections:

iTunes: “One Too Many Mornings” by Chemical Brothers, The from the album Exit Planet Dust (1995, 4:13).

Ballard Locks photo workshop today

Just a reminder — today is the day of the Ballard Locks Photo Workshop organized in response to Ian Spiers’ experiences while photographing the Locks.

Sunday August 1st, 2004

1PM – 4PM

We’ll meet at the front gates at just before 1PM, if you’re late, just look for the gaggle of tripods inside the property by the locks.

As word of this event quickly spread across the Seattle blogosphere, the organizer felt it would be worthwhile to clarify the intent of today’s gathering.

My event was meant to just be a day of photography where photographers could get together and just be photographers; to show everyone that photographers care about our rights, and to show Ian how many people support him.

I initially called this a workshop, not a protest, as that is the vision I had – and BTW still have. So, even if in your mind this may be a protest, please keep in mind that the event itself is NOT a protest. I’m just encouraging people to go and take some pictures.

That having been said, I feel a need out of fear to be very clear about the vision for this event. We will not be getting in the faces of other people there; be they event participants, police, security, tourists, or any other group for that matter. There will be no rally, there will be no speakers, there will just be a bunch of people taking pictures and discussing the issue at hand amongst themselves as they meet.

Sounds good to me. I’ll be there, camera in hand.

iTunes: “Gödel” by Phoids, The from the album Marianne Doesn’t Know Yet (1996, 4:47).

Photographers Protest at the Ballard Locks

How wonderful. I can’t claim total inspiration for this, as all I did was point to the article regarding Ian Spiers’ run-in with Homeland Security while photographing the Ballard Locks, which brought it to the attention of Myk O’Leary of Life, it is a Travesty. After reading that article, however, Myk is organizing a peaceful protest at the Ballard Locks.

In response, I will be trying to organize a photo shoot at the Locks as a means of protest. Anyone else who cares about our rights as Americans to photograph interseting PUBLIC subjects are welcome to join me. If you are a photographer in Seattle, please consider coming.

If you are hesitant (and this is fair given what already happened) at least pass this on to others you know who may want to come along. Feel free to post the link to any and all boards that may have folks who would come (I’ll be posting to dpchallenge in just a few minutes after this post goes live.)

DETAILS: Sunday August 1st, 2004 1PM – 4PM We’ll meet at the front gates at just before 1PM, if you’re late, just look for the gaggle of tripods inside the property by the locks.

I’ll do my best to be there. Thanks, Myk.

iTunes: “Ya Mama” by Fatboy Slim from the album Halfway Between the Gutter and the Stars (2000, 5:38).

It’s illegal to photograph the Ballard Locks

That is, it’s illegal if you look like a terrorist.

Being a Ballard resident, the Ballard Locks seemed like the best available subject for my project. I knew I’d be able to set up my tripod and work under fairly consistent conditions. Having spoken with the park ranger in charge of the facility on Monday, I also knew that I had every legal right to photograph from that location. So, I went to the Ballard Locks, in the rain, found the best location I could, and waited for passing trains and boats.

Within about thirty minutes of my setting up my tripod I noticed a lone security officer coming down the hill to ask me a few questions. Well, no…that’s not exactly accurate. He wasn’t politely asking me questions. He’d accessorized his ensemble with a ninety-pound German Shepherd, and was talking at me in authoritative and degrading tones. He wanted me to know that he was an authority.

[…]

I gave the cop my ID, and it was quickly whisked away by one officer to the top of the hill. I went on to express my sense of helplessness, shame, humiliation and anger about the confrontation. I insisted that I was a photography student and that I had done absolutely nothing wrong. I acknowledged my constitutional rights. I pointed to curious bystanders, and pointed out that they had cameras, but that none of the police were interested in them. I identified a man with a canvas and easel, standing directly underneath the train bridge, and asked why no one was asking him for his ID. In retrospect, I realize that I still wanted someone to say it to my face.

The police officer had failed to rebut my arguments, but he was definitely being a lot nicer now (which was quite welcome). He’d been explaining how the SPD are required to investigate all calls, which I said I understood, but I was still looking for some real accountability. That’s when one of the three non-uniformed men stepped forward, brandishing his badge, and began talking at me with his own rendition of the voice of absolute authority.

“I’ve listened to this for over five minutes. Look here. You see this?” Special Agent McNamara said, producing his badge. “This is a federal badge. We’re not with the rest of them. We’’re federal agents from Homeland Security…”

Meanwhile, of course, many other people — residents and tourists alike — are happily snapping photographs of the locks. But then, they’re not dark-skinned, so they don’t look like terrorists, and are safe.

This kind of crap is absolutely ludicrous. It’s exactly the kind of behavior that Bush and company are encouraging with stunts like Ridge’s recent “there’s a threat, but we don’t know what, where, or when, but it’s dangerous, but we’re not raising the alert level, but something could happen to somebody somewhere” stunt. And it’s so disturbingly close to Gestapo-style “let me see your papers” policing that it frightens and saddens me.

In some sense, I’m lucky, as a fair-skinned, red-haired caucasian. Much of the racial profiling that has become so apparently popular these days, I’m never going to have to deal directly with. But that doesn’t mean that I don’t see it, it doesn’t mean that I’m not upset by it, and it certainly doesn’t mean that I’m about to turn a blind eye to it.

(via Arcterex, Boing Boing, seattle.metroblogging, and others)