tv and films

The shows and movies I like (or don’t).

Antitrust (Hackers 2000)

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First things first — anybody remember when winter in Alaska meant snow? Not that I’m really complaining, I figure this is just training for when I move to Seattle…but it’s sure wierd as all getouts.

I went out to see Hackers 2000…er…sorry, make that Antitrust tonight. Not a bad little flick…nothing that’s really going to tax your brain, but an enjoyable way to spend a couple of hours. I do have to give them some props, though — this is one of the first movies since WarGames that I can think of that had a realistic computer user interface for the most part. Aside from a few dialog boxes that were pretty obviously mockups made for the sake of movie world clarity, the majority of the screens shown were using some variant of UNIX! I’m not sure which one — it’s pretty tough to tell from a command line, and most of the window managers out there have been ported to most *NIX flavors — but one little thing made me really wonder.

At one point in the movie Milo (the main character) is accessing a terminal and grabbing a bunch of video clips and stills, using a combination of GUI and CLI commmands. At one point, he calls up a program from the text prompt called “grabapp” — now, I know for certain that under Mac OS X, the screen grab utility is “Grab.app”, ported from the NEXT program “grab.app”. Made me take notice…could these be NEXT boxes? I highly doubt it, there could be any number of grab.app’s out there, or it could have just been put in to make it look semi-realistic to those of us geeky enough to watch the command line, but I thought it was at least a nice touch.

Anyway, a very entertaining, if predictable flick — catch a matinee sometime. I may pick it up when it comes out on DVD just to make a custom slipcase for it that actually says “Hackers 2000″….

Mom?!?!

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Just picked up one new DVD to add to the collection today — George Lucas in Love. If you’ve never seen the film, it’s well worth it…it’s a 9-minute long short film exploring the truth behind the story of Star Wars. You can find it online at MediaTrip.com, but I liked it enough to get a good quality copy. Plus, it comes with three other short films, all parodies of popular movies…not bad for twelve bucks!

High Fidelity Imposters Dream of Hallmark

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I’d actually managed to go through a couple release days without anything catching my eye enough to spend money on — miracles never cease, eh? I’d thought about picking up Hollow Man, but I think I’ll leave that one firmly in the ‘renter’ category. The effects are great, and the first half of the movie is very promising…unfortunately, the second half blows. A lot. It has, however, prompted a very interesting discussion over on the Home Theater Forum, where I hang out from time to time.

After work today I had to go by Suncoast to figure out when I work this weekend, and discovered that I had a paycheck waiting for me. Rock on…but funny, I didn’t have it when I walked out. Instead, here’s what I ended up with:

High Fidelity: John Cusack‘s recent romantic comedy. A good friend of mine and I have had a vague theory for a while that John Cusack is assembling a loose series of films all revolving around the same character (so far, the only stumbling block we’ve found is that the character has different names in each of these films…still, logic has never stopped us before), and we think that High Fidelity just may be the most recent chapter. So far, we’ve got One Crazy Summer (high school), Better Off Dead (high school), Say Anything (high school graduation), Grosse Pointe Blank (10-year reunion), and now High Fidelity (life in the real world post-school).

The Impostors: I saw this one on a whim when it was in the theaters a while back, and walked out thinking that they just don’t make movies like this anymore. It’s a really silly little comedy, and the best word I can come up for it is delightful — which isn’t a word I apply to movies very much these days. Reminds me a lot of classic Marx Brothers type situation comedys…fluff, but thoroughly enjoyable fluff.

A Midsummer Night’s Dream: I’ve been something of an amateur Shakespeare buff for a few years now (ever since Kenneth Branagh released Henry V to the theaters), and this is the latest addition to my so far woefully incomplete collection of Shakespearian adaptations. I’ve counted this among my favorites of Shakespeare’s comedies since I first saw it performed live (in an outdoor theater in Berlin, translated into German, and accompanied by a bevy of attractive young German ladies…ah, the memories…), and this is a beautiful production. Plus, with Kevin Kline, who I find to be an incredible actor, Stanley Tucci, who I’d just seen in The Imposters, and both Michelle Pfeiffer and Calista Flockheart, who are just fun to drool over…can’t go too wrong here!

In any case, that’s it for this batch…was just in a mood to get some slightly lighter fare after the oh-so-comedic batches of discs I’d picked up the last couple times.

Oh, I’d forgotten to mention this — my roommate got me a very cool Christmas present this year: The Hallmark TV Classics Collection, a collection of five made-for-television films. Included in the set are Alice in Wonderland, Cleopatra, Gulliver’s Travels, Merlin, and Noah’s Ark. Of these, I’ve only ever seen half of Merlin, and hadn’t even heard about Noah’s Ark, so I’m really looking forward to diving into this set. So…that’s it for tonight….

Mononoke, eye candy, and John Doe

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Well, seeing as how my life has one very happy coincidence that payday and video release day both happen on the same day every week…Tuesdays are my usual day to go out and get movies. Picked up quite the trio today, too. Here’s the scoop:

Princess Mononoke: A very impressive anime film that was released in Japan in ’97, and just hit the U.S. this year. I’ve never been very big into anime — I enjoy it, but there’s very little of it that I pick up — but even without seeing it, the unanimous good reviews that Mononoke got were enough to get me to add it to my collection. I just got done watching it, and was quite impressed — a good choice for my third anime DVD. Breathtaking animation, a very well-written story, and if you choose the English dub, a great translation by none other than Neil Gaiman. Well worth it, I’d say.

The Cell: Okay, okay, so if you take the time to really study it, it’s not that great of a movie — a contrived and predictable plot, with acting that occasionally has a tendency to push the limits of medocrity. However, for someone like me who’s always been fascinated with movie effects and visual work that veers towards the darker side (H.R. Giger and Dali are two of my favorite artists) and good audio mixing, this movie is an absolute treat to watch. Visually astounding every time you enter the dreamscapes of the characters, and an aural experience that is as much a treat for the ears as the visuals are for the eyes. Now, if only that much creativity had been put into the plot….

Se7en: While David Fincher is one of my favorite contemporary directors (he’s the director of Se7en, The Game, and Fight Club), I’d yet to pick up this movie, as the only edition out until today was a early “flipper” disc — the movie broke in the middle, and you had to flip the DVD to the second side to finish the movie. Well, thank goodness for New Line, because today marked the release of an incredibly extensive 2-disc special edition of Se7en — disc 1 for the movie and four commentary tracks, and disc 2 for a ton of supplementary material. This one will take hours and hours for me to go through — just the kind of release I like!

So, that’s it for this week. Between those three, and working my way through season 2 of the X-Files, I’ve got enough to keep me a couch potato for days lined up. Too bad I’ve got this silly thing called a job to get in the way…ah, well — since it’s the job that lets me indulge my movie collection, I guess I shouldn’t whine too much, eh?

Mulder, Scully, Carey Grant, and Max Schreck

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Just thought I’d put up a quick note of the new movies I picked up this week…I may start doing this from time to time as I add to my already extensive collection. This weekend I picked up two that had come in while I was off on vacation, then one today that we rarely get into the store, so I figured it was worth grabbing when it showed up.

X-Files: Season 2: I’d never seen any of the X-Files until just a few months ago, when I picked up the Season 1 box set purely on the strength of what I’d heard people say about it. Have to say, I’m glad I did…one of the few downsides to my policy of not watching television is that I do occasionally miss out on a show really worth watching, and X-Files is definitely one of those. I got really sucked in to Season 1, and the show just keeps getting better. So far I’m 4 episodes into Season 2, and realizing that I’m going to have to wait until March for Season 3 is really starting to hurt.

His Girl Friday: This has been one of my favorite classic comedies for a long, long time. This adaptation of the play The Front Page with Cary Grant and Rosalind Russell moves at a mile a minute, and is absolutely hilarious through and through — this is one comedy I’d recommend without reservations to anyone. Just make sure you can listen quickly, this is one of the fastest moving films I’ve ever seen.

Nosferatu: This is the one that I grabbed on a whim, as it doesn’t appear in the store very often — the original 1922 version of the classic horror film Nosferatu. This is almost a legendary adaptation of the Dracula story, and I’m currently really looking forward to the upcoming film Shadow of the Vampire, a highly fictional (but fascinating looking) account of the making of Nosferatu, starting John Malkovich and Willem Dafoe. If you haven’t seen previews for this one yet, track them down….

And that’s it for my post-vacaition binge…thank goodness I get paid on Tuesday, there’s another good batch coming in then!

[From Usenet: 2.18.99 0000]

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[Note: This was originally a post to the alt.tv.star-trek.voyager Usenet newsgroup. I’m including it here for completeness. Originally archived here.]

  1. THE MUSIC WAS LACKING BIG TIME! Music is a powerful tool to help a movie have depth, feeling and emotion. The music could have been so much more deep and could have added so much more to the feeling of the movie.

I’d have to watch it again (hurrah for VCR’s) to really make a judgment, but there was at least one instance where it really caught my ear. During one of the shots of the shuttle approaching the borgplex, there were a couple low, twangy notes like someone plucking two of the lower strings on a piano. Caught my ear mainly because the last time I can remember hearing that theme used was in ST:TMP as the Enterprise is making its entrance into V’ger. Visually similar shots (though the one in ST:TMP was much more visually impressive (okay, and about half an hour longer) than VOY:DF’s borgplex entrance), good use of old themes. Which brought another thought into my feeble little brain. In advance, please forgive me if this has been hashed and re-hashed many times over in the past, I just subscribed to these groups after watching VOY:DF.

Has anyone ever thought much of the possibility that the planet that transformed the Voyager probe into V’ger was the Borg home planet, before they got to the point of striking out on their own and assimilating everything that sneezed twice in their general direction? The general purpose seems to be very similar — it’s not that big a step from “learn all that is learnable, collect all the possible knowledge in the universe, then merge with the creator” to the Borg’s assimilation of other species and knowledge bases into their own. Additionally, it was hypothesized in ST:TMP that the Voyager probe had fell through a black hole to this ‘machine planet’, been repaired/reprogrammed there, and sent away. Mix in a little time distortion along with the black hole, and V’ger could have been sent on its voyage back to Earth long before the Borg advanced to a point where they could move out on their own, and still have time to fill its databanks and make it back home. Just a thought…would be interested to hear if others have explored this line of reasoning. Would love to see it explored in a show at some point, but that may just be fanboy drooling (grin).

Incidentally, what happened to all the knowledge that V’ger transmitted to Earth?

And while I’m at it, I suppose I could throw in the Transformers homeworld/Borg homeworld parallels, too…. Are there any? Probably…I’m just blowing smoke out of my ass at this point, but if I can think of it now, it’s probably been beaten to death before now…

[From Usenet: 1.19.99 0000]

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[Note: This was originally a post to the rec.music.industrial Usenet newsgroup. I’m including it here for completeness. Originally archived here.]

In article <77v6ki$eo...@nnrp1.dejanews.com>, diakon_rad...@newempire.com wrote:

She is the Mariah Carey of the Jihad! :-)

If you go to any gothic clubs you have probably heard her voice on back up on the remix / latest version of Sisters Of Mercy track “Temple Of Love”.

She is one of few artists who managed to cross the barriers between Hebrew and Arabic listeners in the Middle East.

Incidentally, she just provided the voice for one of the supporting characters (unfortunately, I can’t remember which one) in the animated film ‘Prince of Egypt’ – I figured it was her when I heard her sing, then checked the credits to be sure.

[From Usenet: 12.26.98 0000]

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[Note: This was originally a post to the rec.arts.startrek.fandom Usenet newsgroup. I’m including it here for completeness. Originally archived here.]

Need help from someone out there – found somthing in my family’s house, trying to figure out if it’s worth anything.

Star Trek Book and Record set from Peter Pan Industries/Power Records (catalog #BR513), featuring the stories A Mirror for Futility and The Time Stealer, copyright 1976, still in it’s original shrinkwrap, unopened. One small (less than 1cm square) notch taken out of top right hand corner, otherwise undamaged.

Any ideas? Please e-mail me at djwo…@geocities.com, as I don’t frequent this newsgroup.

[From Usenet: 8.22.98 2300]

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[Note: This was originally a post to the alt.music.nin Usenet newsgroup. I’m including it here for completeness. Originally archived here.]

In article <6rl9d0$fv...@news.doit.wisc.edu>, Mother’s Little Helper <val...@stoned.com> wrote:

RaumKatze2 <raumkat...@aol.com> wrote:

> You can play any music with any movie or tv show, and there are bound to be syncronicities with lyrics, dynamics, rhythm, and other stuff.

One of the scariest exqamples of this was one day in 1995 when we noticed that Sesame Street was perfectly synched with the Sir Mix-a-Lot album we were listening to…it was scary.

One of the funniest I’ve seen was watching Disney’s “Sleeping Beauty” in fast forward while listening to nin’s broken album. Fit way too well…funny as shit, too.

[From Usenet: 1.18.94 0513]

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[Note: This was originally a post to the rec.arts.movies Usenet newsgroup. I’m including it here for completeness. Originally archived here.]

In article <1994Jan18.042438.17...@midway.uchicago.edu>, s...@ellis.uchicago.edu (Charles P. Samenow) writes:

What are the differences between: DTS, Digital Dolby, Dolby, Dolby SR and THX?
-Charles
s…@midway.uchicago.edu

Well, I’m no expert, but here’s what I’ve gathered…

  • Dolby – uses the same techniques as your Dolby cassettes…noise reduction, basically.
  • DolbySR – the noise reduction, plus better placement of where the noises appear to be coming from in the theatre. Stands for Dolby Spectral Recording.
  • Digital Dolby – in addition to the normal sound track, a digital track is printed between the sockets of the film. When a theatre is equipped to read and reproduce this track, it results in near cd quality sound (no background hiss and pops), and also uses six tracks to place the sounds…one center, two front (left and right), two rear (left and right), and one subwoofer channel. End result-some of the best quality sound I’ve ever heard in a movie theater. When it’s used effectively, it can be really mind-blowing.
  • DTS – a similar technique to Digital Dolby, only developed by Sony (if I remember correctly) and Lucasfilm…which can cause some licensing conflicts in theatres already set up with Digital Dolby. Competing systems and all. Major difference…instead of using the space between the sprocket holes, the digital track is printed in a small strip on the edge of the film, which means the actual print can’t be quite as wide. I recently saw Schindler’s list in DTS, though, and didn’t see any noticeable difference in the width of the image.
  • THX – developed by Lucasfilm. Not so much an improvement in the sound itself, THX uses special placing of speakers and translation of the audio tracks to make sure no matter where in the theatre you sit, you get the true stereo effect…something which can suffer greatly towards the edges of a theatre in a non-THX environment.

Where’d I get all the info? Lots of reading, and working in the only theatre in Alaska to have Dolby Digital installed. Anchorage’s Fireweed theatre was (this may have changed by now) at the time the biggest Dolby Digital installation on the West Coast…the auditorium sits over 900. Digital installations has been done before, just not in an auditorium that large. Was a more than $10,000 upgrade to the existing system. Plus, though I don’t work there anymore, the licensing agreements have been settled to the point that it now has DTS also.

Incidentally, except for the DTS (because it’s from a different company), all of the systems are compatable. Using digital negates the need for normal Dolby (noise reduction for digital sound?), however it’s perfectly possible (and has been done) to have a movie recorded in both Dolby Digital and THX, and I suppose in both DTS and THX. Sounds incredible, too…