
Well…If you’re going to steal, steal from the best, right?
Or, in the words of Oscar Wilde:
Imitation is the sincerest form of flattery that mediocrity can pay to greatness.
Enthusiastically Ambiverted Hopepunk
The shows and movies I like (or don’t).

Well…If you’re going to steal, steal from the best, right?
Or, in the words of Oscar Wilde:
Imitation is the sincerest form of flattery that mediocrity can pay to greatness.
Star Trek: Picard S01E01: As wonderful as it is to see Jean-Luc on screen again, and as gorgeous as the episode was, I do have some slight reservations. But this is just episode one, and they had a lot of groundwork to get in place. Overall, I’m pretty happy with the start. 🖖
Spoilers after the jump…
Childhood me would have loved this Star Trek train set (on pp.130-131)—aside from it being O-scale, where my train set was HO-scale.
Adult me is amused, because on several levels, it doesn’t make much sense. But I like it anyway.

The Brother Always Dies First: on sex, death, and cinematic depictions of race is an excellent essay by author Steven Barnes, exploring two propositions regarding race in American cinema:
Proposed: Black men cannot have sex in movies without it hurting the box office.
Evidence: No non-white male is able to have sex in a movie and have that film cross $100 million at the domestic box office.
Exception: After thirty years of observation, there are now actually THREE movies that contradict this! Huzzah! (Do you know what they are? Answers at the end.)
Proposition #2: It is NOT true that “the black guy always dies first.” This is easily proven as far back as Night of the Living Dead. The reality is rather more difficult to wrap minds around. It is this: there are countless films in which ALL the black characters die, or all the black males die. And there are NO American films in which all the white characters die, if anyone else at all survives. Not one.
I have compiled a list of over ONE HUNDRED such films, which appears at the end of this article.
Explanation: A “character” is someone with at least one line of dialogue.
Exception: On January 17, 2020, I finally saw a movie that contradicts this, the very first American film I’ve ever seen or heard of where black people survive while all the white people die. Not a bad movie, either. The name is in the footnotes.
Some of this I was semi-conscious of, at least in the “the black guy always dies first” sense. But I certainly hadn’t taken as deep a dive into it as Steven has (and, gee, I wonder why, as I look at my nearly-translucent white skin…).
Short Treks E10: “Children of Mars”: A curious and moody prequel that sets up a bit of backstory, but mostly won’t really fall into place until Picard starts. Guessing that “synths” might be androids based on Romulan experiments with Borg technology? 🖖
The opening notes of the closing credits music for Enterprise are so similar to the Non Nobis, Domine from Henry V that I always get the latter running through my head after finishing an episode of Enterprise. 🖖
Best Star Trek Captain: How Captain Picard beat Captain Kirk: “For The Next Generation era, Picard somehow had the swaggering captain thing going for him, but, because he was a little bit stoic and detached, he also had the Spock thing going for him, too. He was the best of both worlds (those worlds being Earth and Vulcan).”
No Comparison: Remembering “Star Trek: The Motion Picture” on its 40th Anniversary: “For those of us who get it, Star Trek: The Motion Picture is a spectacular swing for the fences. And for those of you who don’t get it, it’s your frakkin’ loss.” 🖖