Enthusiastically Ambiverted Hopepunk
Trek has been part of my life since I was an infant. I have bookcases full of Trek books. One of my tattoos is the Vulcan calligraphy for “kol-ut-shan” (IDIC). This is my home fandom.
44/2023 – ⭐️⭐️
Some potentially interesting situations hobbled by poor writing and in need of at least one more editing pass. Characters seemed to make out of character decisions because that was what was needed to move the plot along. Not one of the more impressive TNG novels.
Day 97: At yesterday’s Norwescon picnic, I got a couple fun gifts from one of my friends. A full set of Star Trek glassware, with four glasses representing different planets and a shot glass representing a Borg cube, and a very cool but terribly impractical pizza cutter in the shape of the original NCC-1701 USS Enterprise. My friends know me well!
35/2023 – ⭐️⭐️
This one starts with an interesting premise, as the Enterprise is sent to negotiate with aliens only briefly encountered before, the Jarada (the unseen, highly demanding aliens that were the B story in “The Big Goodbye”). But while there are hints of an interesting society, the rest of the book doesn’t hold together well. Actions are taken by the aliens that are never really explained, and Enterprise characters are either reduced to repetitious mannerisms (Dr. Crusher brushes locks of her flaming red hair out of her face nearly every time she’s mentioned) or simply badly portrayed (I know Keiko and O’Brien have difficulties, but in this book they’re both rendered nearly incompetent by their insecurities). Toss on a rather abrupt end to the whole thing, and this is one I wasn’t disappointed to reach the end of.
This YouTube video shows how impressive of a job the Strange New Worlds/Lower Decks crossover did with reworking the opening credits in the Lower Decks style.
But part of what stands out to me is how well this highlights how woefully under-lit the live-action Enterprise is. There’s a ton of detail in the animated version that I’m sure is drawn directly from the live-action version (especially since, really, they’re both animated versions, just in different styles), and it’s gorgeous!
I understand that it’s a stylistic choice on the new shows (Discovery and Picard also did this a lot) to go for more “natural”/”realistic” lighting on their ships, and a ship traveling through deep space isn’t likely to have a convenient light source nearby to make it all pretty and shiny.
But — spoiler alert — none of this is real! (I know, I know, I struggle with this as well.) I’m entirely okay with adding “we can actually see the ships even when they’re in space” to the same base-level suspension of disbelief necessary for enjoying visual science fiction in general.
Update: Thanks to @kamartino@mastodon.online for pointing me to this video from Douglas Trumbull where he discusses directing the space dock sequence in The Motion Picture. At four minutes in, he specifically notes that they wanted to create a lighting design so that the Enterprise appeared to light itself, so even when the Enterprise was out in deep space, it would still be visible.
32/2023 – ⭐️⭐️⭐️⭐️
Originally published as six eBook novellas, this series tracks a single plot line — a natural disaster on a non-Federation planet and the resulting aftermath and recovery — through decades, from just before TOS’s “Where No Man Has Gone Before” to just after the intro of Star Trek: Generations. It makes for a neat look both at the Federation’s long-term approach to working with non-aligned planets (after all, how often have we seen an adventure and then never heard of the planet or culture again?), and how the core TOS crew evolve over the years. This is helped by each novella being written by an author specifically chosen for their expertise in a particular era of Trek history. Definitely one of the stronger Trek omnibus stories I’ve read.
Day 62: Geeky flirting at its finest. My wife finds me the best shirts!
Here’s a fun little entry in my small and random collection of Trek stuff: A set of four drinking glasses issued by Dr. Pepper. They all have TAS artwork on the front, some technical or biographical information on the back, and have a copyright date of 1976.
This set was found by my brother at a garage sale or antique store (I don’t remember exactly) a few years back and sent to me as a present. They’re great! Though they’re definitely display pieces, as I don’t want to risk damaging them…or the possibility of their using some sort of funky ’70s-era lead-based paint or some such thing.
Taking place not long after the end of season three of Discovery (after solving the riddle of the Burn), this uses an adventure tying back to earlier Discovery moments as a framing device, but also nicely exploring an area that the show rather skips over: how the crew of the ship adjust to their new circumstances. There’s some entertaining lampshading of several DIS events, an interesting answer to why one of the alien races encountered in DIS were never seen in later Trek shows, and some very amusing movie night choices bookending the action.
Day 31: Happy Pride Month, take two—this time with color!
A friendly reminder: While I‘ve generally defaulted to “straight” as my most common shorthand, in conversations about such things, I’ve also been noting for decades that it’s “somewhere in the 80-90% range, depending on the situation and people involved”. But I’ve really never felt like “bi” applied to me, even if it might be arguably technically correct for anyone who isn’t a solid Kinsey 0.
So I think “statistically straight” is a good way to put it. All of my relationships have been with people who (at the time, and as far as I know, carrying into the present) were and are cisgender women, so a graphed trend line would certainly go that direction, but the totality of my experiences plus my awareness of my own self would definitely introduce some wobbles into that theoretical trend line — certainly enough for a qualifier of some sort on the “straight” designation. Hence, “statistically straight”.
28/2023 – ⭐️⭐️⭐️
Kirk and Spock travel to another universe as the Enterprise crew try to counter an invasion by aliens on a religious crusade. The alien’s religion didn’t really make sense to me, their gravity-controlling weapons seemed to work mostly as required by the plot, and Cox’s referential style is as present as ever. (I feel like I harp on this, mentioning it in every review of one of his books, but it really stands out every time. He’s not a bad writer at all, he just has this stylistic quirk that likely doesn’t stick out nearly as much to some people as much as it does to me.) Not a bad adventure, but not top-tier, either.
