Music Question Challenge 2025

Another blog meme! This one I found through Elena’s post, and honestly, I debated diving into this one, as it’s primarily made up of questions that I really don’t like — not because of anything wrong with the questions themselves, but because they’re so difficult for me to answer. :) But what the heck, let’s give this a shot.

One major disclaimer, though: Most of these answers could change at any moment depending on any number of reasons. This is a snapshot of a very brief moment in time.

What are 5 of your favourite albums?

Props to the original author for making this “five of your favorite”, and not “your five favorite”. That makes it easier (though not easy) to answer.

What are five of your favourite songs?

Albums was bad enough, but songs? This is where things really get difficult. Again, I appreciate that this isn’t supposed to be my five favorite songs, just five of my favorites.

Favourite instrument(s)

Cello, probably. I played violin (never terribly well) as a kid, and I’ve long wondered if I’d stuck with it more if I’d picked cello. As it was, my brother, who started with cello, went on to bass (both standup bass and electric bass guitar, depending on whether he was playing in an orchestra, a bluegrass band, or a punk band, any of which have been and still might be possibilities), while I started with violin and went on to DJing.

What song or album are you currently listening to?

Right at this moment, nothing. This week, it’s mostly been the six-disc 40th anniversary re-release of Soft Cell’s Non-Stop Erotic Cabaret that I picked up last week.

Do you listen to the radio? If so, how often?

Not unless I happen to be somewhere where someone else has it on. What with the annoyance of commercials, the lack of stations that reliably play what I want to hear, and my extensive music collection, there’s just no reason to bother.

How often do you listen to music?

As often as possible. I used to have a near constant soundtrack going, but these days it’s primarily when I’m working or puttering around on my own.

How often and how do you discover music?

“How often” is a hard one to answer, as it just kind of happens when it happens. As far as “how” goes, sometimes it’s hearing something good when I’m out clubbing, sometimes friends introduce me to new stuff, and sometimes some other way.

I’m a big fan of compilation albums, and have a few labels on Bandcamp that I’ll regularly pick up annual or themed compilations when they appear. These days, those labels are Re:Mission Entertainment, Alfa Matrix, Artoffact Records, Infacted Recordings, and Sideline Magazine.

I also enjoy a lot of mashups and get a lot of those from Bootie Mashup. Since I don’t listen to the radio or much pop, mashups have introduced me to a lot of pop that I’d otherwise not have heard (and I’m often amused when I hear a song that I recognize but it sounds weird, and realize that I’m hearing the original when I’d only heard bits and pieces as used in mashups).

What’s a song or album that you enjoy that you wish had more recognition?

Many years ago, when I visited Germany in 1990 or ’91 (I can’t remember which trip this was), I discovered the band Poems for Laila and picked up their first two albums, Another Poem for the 20th Century and La Fillette Triste (which doesn’t appear to be available as a YouTube playlist). I think both are extremely good, and have often recommended them to people, as they never got much play here in the United States (I’ve rarely found anyone else who’d heard of them).

What’s your favourite song of all time?

There is absolutely no possible way to answer this question. Too many possibilities, too many variables.

Has your taste in music evolved over the years?

Oh, absolutely.

Growing up, dad contributed a lot of rock, folk, and classic country, and mom contributed a lot of classical. Our family was very involved with the music in our churches. I spent many years in a local children’s choir (first the Anchorage Boys Choir, then the Anchorage Girls and Boys Choir when the two choirs (run by the same people) merged, and then as they changed their name to the Alaska Children’s Choir), which exposed me to a wide range of choral music.

As I grew, while I was certainly exposed to a lot of pop, I soon found myself being drawn to what was then termed “alternative” music. I started going to my high school dances, and though I was at first a definite wallflower, with regular “they’ll all laugh at me” thoughts keeping me off the dance floor, eventually I started heading out to the floor, and discovered a love for dancing.

High school dances encouraged my appreciation for pop, and after high school, I started exploring the local all-ages club, eventually finding Sharkey’s, which had pop upstairs and alternative down in the basement. Sharkey’s and the DJs there exposed me to both dance/electronica and goth/industrial, and I found my home.

Since then, I’ve mostly considered the goth/industrial and electronica/techno/dance genres to be my favorites, though I still have a love for, well, just about everything. While I used to profess a disdain for hip-hop and rap, there were always “acceptable” groups, and I’ve come to realize that there was a lot of unconscious and unexplored systemic racism and classism wrapped up in that, and I’ve been gaining more of an appreciation for both classic and modern rap and hip hop.

Eventually I found my way into DJing, and spent about ten years spinning at all-ages clubs in Anchorage as my alter-ego DJ Wüdi. Finding music for the clubs and picking up songs from requests exposed me to a lot more stuff I might not have found otherwise.

Basically, while there are certainly bad songs (though even many of those can be enjoyable at the right place and time), and lots of quite unfortunate artists (even when they produce tracks I like), there’s no such thing as universally bad genres.

Except for smooth jazz. The exception that proves the rule, right? ;)

Tag, you’re it

I’m not one for tagging people in these sorts of things, but if you come across this and want to play along, jump in!

Clarkesworld Issue 221 edited by Neil Clarke

Book 12 of 2025: Clarkesworld Issue 221 edited by Neil Clarke: ⭐️⭐️⭐️

My favorites this month were “King of the Castle” by Fiona Moore and “The Hanging Tower of Babel” by Wang Zhenzhen, translated by Carmen Yiling Yan.

Also, this is the fourth consecutive story by Fiona Moore, all in the same world and with the same central characters (particularly Morag and her repurposed security robot Seamus), that has ended up as one of my favorites when they appear in Clarkesworld. She’s writing the kind of post-apocalyptic stores that really resonate for me, where the immediate post-apocalyptic part and all associated Bad Things That Happen have already happened, and society has moved on to finding ways to reconnect and rebuild. Post-post-apocalyptic, I suppose. Much more my style of story than the standard post-apocalyptic tale of people trapped in bad situations and having to cope with horrible things happening to them.

The stories I’ve read (I haven’t yet dug to see if there are more in this world) are:

Me holding Clarkesworld 221 on my iPad.

Simple Sabotage Field Manual by the United States Office of Strategic Services

Book 11 of 2025: Simple Sabotage Field Manual by the United States Office of Strategic Services: ⭐️⭐️⭐️⭐️

A fascinating little World War II artifact that in some ways can still be quite relevant. Sure, much of this is very much of its time, and many of the more specific suggestions are technologically obsolete now. But the broad strokes, and especially the oft-screenshotted section advising office workers on ways to slow down beaurocratic functions, are as useful today as ever. If, of course, you ever happen to find yourself in a situation where an autocratic fascist regime is in power and you have reason and opportunity to do what you can to gum up the works. (Ahem.)

Me holding the Simple Sabotage Field Manual on my iPad

Indiginerds edited by Alina Pete

Book 10 of 2025: Indiginerds edited by Alina Pete: ⭐️⭐️⭐️⭐️

A short but very solid anthology of comics dealing with the intersection of modern indigenous life and nerd interests. Several good stories in here; my personal favorite is Alina Pete’s “Dorvan V”, addressing Star Trek TNG’s colonialist underpinnings and how one fan’s relationship with it changes over their life.

Me holding Indiginerds

Weekly Notes: Feb 10-16, 2025

  • 🤬 Facebook is in one of its occasional moods where it decides that as a 51 year old white male, I should be served ads for guns, holsters, body armor, ultra-right-wing religious clothing, and erectile dysfunction pills. I hide ’em all, and they’ll cycle out eventually (at least, they always have in the past), but it’s always annoying when this happens. (No unsolicited advice about how to “fix” this, please. I’ve heard it all.)

  • 🥶 So tired of the cold and snow. I do have to say, what I originally thought was just a silly joke a few weeks ago got us thinking, and y’know…hot water bottles come in really handy in weather like this! Thankfully, it looks like we’ll be warming up enough to get rain for the next week. I’ll take it!

  • 🇺🇸 I’m not going to get too much into it, but I continue to be amazed at how quickly and thoroughly our government is being dismantled. As I grumbled elsewhere, if I’m going to be forced to live in a world with a megalomaniacal tech billionaire doing everything he can to tear down the world’s superpowers for his own benefit, can I at least get James Bond to swoop in and save the day, please?

📸 Photos

Framed by silhouetted tres, the full moon sets in a sky shading from light blue to pink over the pink-tinted snowcapped Olympic mountains across the water of the Puget sound.

The moon setting over the Olympic mountains one morning before work.

A wooden bench in front of some winter vegetation. Graffiti sprayed on the backrest of the bench says 'me' on the left side and 'you' on the right side.

Amusing (Valentine’s Day inspired, perhaps?) graffiti seen this morning on a bench along the Soos Creek trail.

📚 Reading

Finished the last of this year’s Philip K. Dick Award nominated works, Adrian Tchaikovsky’s Alien Clay.

📺 Watching

Wrapped up season 16 of Drag Race (my favorite didn’t win, but I’m fine with the winner), and decided to take a slight break from Evil to get caught up with Law & Order and Law & Order: SVU. While season five of Scrubs still lands pretty solidly mostly in the “pleasantly distracting amusement” category, their homage to The Wizard of Oz is still a standout episode.

🎧 Listening

  • A few weeks ago I picked up the Resurgence compilation from Spleen+, and it’s really strong. I’m a big fan of compilations, but they’re often very hit-and-miss; while that’s certainly true for this one as well, the ratio of hit to miss is really good here.

    Embark on a sonic journey with “Resurgence”, the latest conceptual release from Brussels-based Spleen+ (a division of Alfa Matrix). This deluxe collector’s edition brings together 133 active bands from across the globe, spanning the diverse sub-genres born from post-punk’s iconic roots. Spread over an impressive 7-CD collection, this box set captures the essence of a movement that has influenced generations of music, art, and culture.

  • Soft Cell will be touring through Seattle in May (along with Simple Minds and Modern English), and while that’s a really good and very tempting lineup, I decided to go to Underworld (also in May) instead. However, that did lead me to digging through Soft Cell’s website, where I found that they’d recently released a very nice six-disc box set reissue of Non-Stop Erotic Cabaret that I picked up. It arrived this week, and so for the past few days, that’s about all I’ve been listening to.

🔗 Linking

  1. Marcin Wichary: The hardest working font in Manhattan

    A lot of typography has roots in calligraphy – someone holding a brush in their hand and making natural but delicate movements that result in nuanced curves filled with thoughtful interchanges between thin and thick. Most of the fonts you ever saw follow those rules; even the most “mechanical” fonts have surprising humanistic touches if you inspect them close enough.

    But not Gorton. Every stroke of Gorton is exactly the same thickness (typographers would call such fonts “monoline”). Every one of its endings is exactly the same rounded point. The italic is merely an oblique, slanted without any extra consideration, and while the condensed version has some changes compared to the regular width, those changes feel almost perfunctory.

    Monoline fonts are not respected highly, because every type designer will tell you: This is not how you design a font.

  2. Ex Urbe: History’s Largest & Most Famous Disability Access Ramp

    Time for the largest, most famous disability access ramp in the world, paired with a twist about how our feelings about a piece of history can reverse completely based, not just on the historian’s point of view, but what questions we start with.

  3. The Braille Institute has updated their excellent Atkinson Hyperlegible font to add two more versions.

  4. Washington state Republicans have introduced a bill to get rid of voting by mail (bill info, current bill text (PDF)). This would have no substantive effect on safety or security, but would disenfranchise many voters and would make voting much more difficult for many more. Please voice your opposition to this bill and help protect voting by mail.

  5. Seventeen states (and no surprises as to which: Alaska, Alabama, Arkansas, Florida, Georgia, Indiana, Iowa, Kansas, Louisiana, Missouri, Montana, Nebraska, South Carolina, South Dakota, Texas, Utah, and West Virginia) are suing to get rid of Section 504, which would remove all protections for disabled people. The link has more information on the case and pointers for how people in those states can contact their state Attorneys General to urge them to drop out of the case.

  6. A few software things that I’d like to see if I can find time to play with at some point:

    1. FreshRSS is a self-hosted RSS aggregator that can serve as a backend to NetNewsWire.

    2. linkding is a self-hosted bookmark service like the old del.icio.us.

    3. Both are supported by PikaPods, which looks to be a reasonably priced way to bridge the gap between where I am (I understand what the above software packages do and would like to use them) and what’s necessary to use them (self-hosting has moved on from LAMP setups and now tends to require Docker setups, which I vaguely understand but don’t know how to use and which aren’t supported by my Dreamhost account anyway).

    4. And if I could get linkding up and running, I’d love to figure out how to hack into the old Postalicious WordPress plugin so that I could get it working with modern WordPress and linkding and finally satisfy my long-dormant urge to get my old linkblog posts up and running again. Realistically, I probably don’t have the PHP/programming knowledge/time to manage it, but a guy can dream, right?

Weekly Notes: Getting Started

So I noticed Cygnoir do one of these, and I really liked the template, and thought (as she did) that it might be a good way to help me reboot my blogging habits. So here we are! My thanks to Cygnoir (and to Jedda for inspiring her) for the template and inspiration!

  • 🌨️ This week’s weather meant that we ended up with one full snow day and two late-start half days…with an end result of the week just being weird and not feeling as productive as usual.
  • ♿️ I’ve gotten started on my Section 508 Trusted Tester certification training. In theory, you have 180 days to finish this program; I’m approaching it as “180 days or until the current administration gets around to pulling the plug” and doing my best to get through as quickly as possible. Hopefully because this program is hosted under Homeland Security it won’t be in the crosshairs as soon as others, but we’ll see….
  • 🚀 Norwescon and Seattle Worldcon 2025 planning continue to move right along.
    • We’re just about two months out from Norwescon, so this is when website updates start to ramp up, I start spending more time making sure my laptop music library is ready to go, and I make sure everything is set for the Philip K. Dick Award ceremony. There’s always something to do.
    • Worldcon is still about six months out, and I have less to do there, but there’s still a pretty reasonable constant stream of stuff, with website updates and queuing up posts for the con’s blog once they’re edited and signed off on.

📸 Photos

Not much of a week for photos. But since this is my first time doing one of these weekly notes, here’s a simple one from last week, showing my current set of laptop stickers.

The top of lid of a MacBook Pro with six stickers: A rainbow A11Y, the United Federation of Planets seal, Norwescon, a classic ranbow Apple logo, Seattle Worldcon 2025, and Gothic Pride Seattle.

That’s an A11Y (accessibility) sticker I got at this year’s Accessing Higher Ground conference, the seal of the United Federation of Planets, Norwescon, a classic rainbow Apple logo that I’d had stashed away for probably close to two decades (maybe more, I don’t know when they stopped producing these), Seattle Worldcon 2025, and Gothic Pride Seattle.

📝 Writing

📚 Reading

📺 Watching

  • Evil: We’re just starting season three, and continue to really enjoy this show. Smart, creepy, funny.
  • RuPaul’s Drag Race: About midway through last season, and so far Dawn’s my favorite, though I don’t know if they’ll win. Q’s costuming skills are impressive, and Plain Jane is a strong all-arounder (but I can’t stand her attitude).
  • Scrubs: We’re early in season five in our rewatch. When we started the rewatch we were pleasantly surprised at the solidity of the first few seasons; by this point, the show’s pretty much settled into its groove and is generally pleasantly amusing, but not as strong as when it started.
  • NOVA: “Dino Birds”: Neat look at recent science exploring the evolution of birds, their ties to dinosaurs (they are dinosaurs), when flight entered the picture, and so on.

🎧 Listening

  • I now have tickets to see Underworld in May and Nine Inch Nails in August (the night before Worldcon starts). Really looking forward to both, and kind of wishing I could time travel and tell my nin-obsessed 20-something self that it would take 30 years, but I’d finally get to see them live.

  • For Reasons™, I’ve recently added the Chipmunks’ The A Files album to my collection, where they cover a bunch of vaguely SF-themed songs.

    They do a cover of “The Purple People Eater” that I swear sounds like it could have been produced by the same team behind The Rednex’s “Cotton Eye Joe”, and they’d probably mix together disturbingly well.

    “Cotton Eye Joe” is always something of a guilty pleasure (except that I’m not fond of the “guilty pleasure” thing, and prefer to just enjoy things I enjoy without guilt, however cheezy they are), and now I’m sitting here being amused at how catchy The Chipmunks’ “Purple People Eater” is. If you’re into goofy ’90s technopop, it’s better than it has any right to be.

Linking

  1. WSDOT: Brick-by-brick: The quest to get a custom Lego model on a ferry

    Local artist Wayne Hussey is a lifelong Lego lover and architect. One of his creations now lives aboard our ferry Issaquah. Getting it aboard was also quite a puzzle.

  2. Blogroll.club: A categorized list of blogs, in something of a throwback to the “old school” days of blogging. I like that there’s a single RSS feed that aggregates posts from all the blogs in the lineup, and have subscribed to that for a daily selection of posts from random (to me) people. I’ve also submitted Eclecticism to be included whenever they get around to it.
  3. Culture, Digested: Neil Gaiman is an Industry Problem

    Even taking into consideration their years of exploitation and abuse, Neil Gaiman and Amanda Palmer remain models of artistic success in the 21st century. Gaiman created an extremely sellable brand — affable, “oh goodness,” harmless Britishness wrapped up in a “I have read a lot of books” kind of storytelling — and the publishing industry used that not only to sell a lot of his books but that of his friends as well. Amanda Palmer has crowdsourced her way into a perfect little Patreon pyramid scheme, where all money flows to her and she gives back vibes and requests for domestic labor. This is the ideal artistic arrangement these days, where stars receive 95% of Patreon/Substack/other crowdsourced forms of income and everyone else competes for scraps. Both are reliant on a dedicated, servile audience, willing to turn over their time and bodies and cash to get a piece of that bohemian existence that only millionaires can manage these days. It’s the bohemianism not of Weimar, which Palmer constantly references, but the bohemianism of contemporary Burning Man, full of tech billionaires wearing the worst outfits you’ve ever seen in your life.