📚 The Empty Chair by Diane Duane

20/2022 – ⭐️⭐️⭐️

A strong end to Duane’s Rihannsu series – though it does begin in media res, and as it has been years since I read the preceding book(s), it took me a bit to regain familiarity with some of the characters. Her take on the Romulans, while very different than that explored by the official canon, is very strong and well worth reading.

Michael holding The Empty Chair

Scaling Back Star Trek

Adapted from a Twitter thread:

My biggest hope for Star Trek going forward (Strange New Worlds, Discovery S5, whatever else comes out) is that the writers rediscover the ability to tell small stories.

Disco S1 was the Klingon/Federation war, with a half-season jaunt into the Mirror Universe that removed the Emperor of the Terran Empire, returning to a decimated Federation. S2 was the Red Angel and the battle against Section 31’s Control to save all life in the galaxy. S3 had a shattered Federation because of the Burn, which destroyed most of Starfleet and nearly entirely wiped out warp drive; the actual damage and death toll (both immediate and long-term from the lack of intersystem transportation) is never specified but likely isn’t small. And then S4 had the entire galaxy at risk from a randomly moving literally-planet-shattering device, with at least one inhabited planet destroyed and Ni’Var and Earth under threat (because, of course, Earth must be under threat of destruction fairly regularly).

Then in Star Trek Picard S1 we have synthetics on a mission to destroy all organic life before they can be destroyed. S2 ups the stakes from there with a timeline variant that has altered the course of the entire known galaxy.

It seems like every season of every show has to have some sort of Big Bad that is Bigger and Badder than the last Big Bad. The stakes are always so high that it’s become virtually meaningless. One death is a tragedy, millions are a statistic, billions are a plot device.

This is part of where the first season of Prodigy has been a bit of a breath of fresh air. So far, at least, it’s been relatively small-scale: One group of young adventurers finding a ship and trying to escape their captor. There are signs, of course, that this may change, with the Protostar apparently carrying some sort of viral doomsday weapon that could wipe out Starfleet. Which…well. Here we go again. Why must everything be super-sized?

Lower Decks is the sole entry that has been doing well at having a more focused, smaller scale. Whether intentional or a side effect of having lower deck crew for main characters, it hasn’t gone too large-scale (or when it has, it’s been in the background and we only get hints for comedic effect).

Maybe the stated goal of going back to a more “planet of the week” format for Strange New Worlds will also mean that not every event will be an EVENT. I really hope so. Because while yes, sometimes it can be fun to have a Big Bad that’s Very Big and Very Bad, if you do that every time, it ceases to be particularly interesting.

Big drama can come from small events. Not every threat has to be planet-, system-, galaxy-, or universe-spanning to be threatening.

None of this is to say that I haven’t been enjoying the modern reinvigoration of the Star Trek universe. I have, quite a bit! I just find myself wishing that the stakes weren’t always turned up to 11. That’s good for Spinal Tap. Less so for Star Trek.

Original Audio? Commentary? Why Not Both?

I’m watching the new 4K restoration of Star Trek: The Motion Picture, and one of the nice things about this release is that not only are there commentaries, but there are subtitles for the commentaries (this is a very rare thing, unfortunately). So I can watch the movie with the original audio, but pop on the subtitles for one of the commentary tracks to read that as I watch.

At which point Prairie looks at me and says, “Oh my god, you’re such a nerd.”

Yup.

🖖

📚 The Case of the Colonist’s Corpse: A Sam Cogley Mystery by Bob Ingersoll and Tony Isabella

3/2022 – ⭐️⭐️

A somewhat amusing murder mystery and courtroom drama; basically Law & Order: TOS starring Samuel Cogley. Unfortunately, the poor treatment of the two primary female characters (one an overly stereotypical shallow, bitter wife; the other bitter at past events who fares badly) marred my enjoyment.