Number seven from my old collection of mixes that I’m re-posting. We’re moving back into longer sessions again, with this one coming in at just under an hour. Of all the mixes I’ve had sitting around, this is one of my top three favorites, with my third favorite being yesterday’s ‘ToriMix’, and my top favorite coming tomorrow.
Year: 2013
ToriMix v2
Number six in my old collection of mix sessions that I’m putting up for download and podcast. Another “theme” mix, this is a forty-five minute mix of Tori Amos dance remixes. As a fan of Tori and bouncing around on the dance floor, this one was probably bound to come out sooner or later during my DJ days.
Pickpocket Magic
This profile of a professional pickpocket in the New Yorker is fascinating:
A few years ago, at a Las Vegas convention for magicians, Penn Jillette, of the act Penn and Teller, was introduced to a soft-spoken young man named Apollo Robbins, who has a reputation as a pickpocket of almost supernatural ability. Jillette, who ranks pickpockets, he says, “a few notches below hypnotists on the show-biz totem pole,” was holding court at a table of colleagues, and he asked Robbins for a demonstration, ready to be unimpressed. Robbins demurred, claiming that he felt uncomfortable working in front of other magicians. He pointed out that, since Jillette was wearing only shorts and a sports shirt, he wouldn’t have much to work with.
“Come on,” Jillette said. “Steal something from me.”
Again, Robbins begged off, but he offered to do a trick instead. He instructed Jillette to place a ring that he was wearing on a piece of paper and trace its outline with a pen. By now, a small crowd had gathered. Jillette removed his ring, put it down on the paper, unclipped a pen from his shirt, and leaned forward, preparing to draw. After a moment, he froze and looked up. His face was pale.
“Fuck. You,” he said, and slumped into a chair.
Robbins held up a thin, cylindrical object: the cartridge from Jillette’s pen.
There’s also a video clip of Apollo doing his thing. Amazing.
Blurry Boundaries
Yesterday, I posted this to my Google+ account:
Just watched the red band trailer for the new Evil Dead remake/reboot. That is so not for me. I like the original with and because of its crazy low-budget camp, and love that they just ran with that for the rest of the series and went completely goofy. This new, ultra-realistic, ultra-violent, ultra-bloody take, even if it’s more in line with what they originally wanted to do, doesn’t appeal to me in the least.
I like my horror creepy and/or with a good dose of humor mixed in. Today’s trend towards ultra-violent torture porn just makes me feel ill.
Then, earlier today, I tweeted this:
Watched The Cabin in the Woods today. Crazy, and really good. Glad I hadn’t read any spoilers beforehand. http://t.co/rIngl2A3 #IMDb
Then just a few minutes ago, Prairie and I finished watching the fourth season of Dexter, and while the ending cliffhanger was upsetting, it was upsetting in the way a good TV cliffhanger should be, and we’ll definitely continue watching the series.
There seems to be some possible irony in all of that.
Honestly, I’m not entirely sure just where the boundary between “acceptable” and “unacceptable” violence lies for me. There were definite moments in The Cabin in the Woods that were more violent than I was really comfortable with, and Dexter occasionally pushes right up to the edge, but in both cases, I think there are three things that make the difference and keep me watching:
- The stories are good. Even in the moments where the violence pushes further than I might like it to, I’m already invested enough in the characters and the plot that I’m willing to deal with the occasional cringe and “was that really necessary?” thought in order to continue with the story.
-
They don’t dwell on the violence. The acts, while necessary to the story, aren’t the point of the story, and as such, even when they’re shown on screen, it’s generally not a huge, long, drawn-out scene. It happens, there’s that moment of shock, and then they move on.
-
The violence is a part, but isn’t the point. I’ve seen other films (the first Saw film, for instance, which was two hours of my life whose only useful purpose was to convince me that I have no need to ever waste time on any of the rest of the series) that are truly deserving of the “torture porn” designation. The violence is the point of the film, and any bare minimum of plot is there only to move from one violent act to the next. Even films that aren’t part of the modern “torture porn” style of horror can fall victim to this kind of approach: For instance, part of why I didn’t think much of Tim Burton’s take on Sweeny Todd (which I’ve enjoyed on stage) was his insistence on showing every slit throat in loving closeup. Once would have been quite forgivable in order to get the point across, but I found the repeated shots of gaping bloody throats to be quite unnecessary.
Of course, there’s a lot of grey area in all of this, and the boundary between what works for me and what doesn’t is definitely very, very blurry. Sometimes it just boils down to the old cliché about the difference between erotic art and pornography: I know it when I see it.
A Fine Day’s Mix
The fifth of my old collection of mix sessions that I’m posting. This one is another “theme” idea I had, and depending on how much you like the base song, could be either enjoyable or excruciating, as it strings together four versions of the same theme into one 22-minute track. I actually like it…kind of dreamy background music.
Free Islamist SF anthology eBook
This looks interesting to me. I’ve downloaded it, and it’ll be on my iPad soon.
A Mosque Among The Stars available for free!:
A Mosque Among The Stars was the first anthology that dealt with the subject of Muslim characters and/or Islamic themes and Science Fiction. It was edited by me (Muhammad Aurangzeb Ahmad) and the Canadian Muslim author Ahmad Khan. It came out in 2007. Now that it has been years since it was released in printed form, we have decided to release A Mosque Among The Stars to the public as a Creative Commons Licensed (Attribution-NonCommercial-NoDerivs) book.
(Via Boing Boing)
Mission Accomplished
The fourth of my old collection of mix sessions that I’m posting. This one starts a few that move away from the “Difficult Listening Hour” series to explore some other ideas I had running through my head. It’s shorter, not quite half an hour long, and has something of a ‘spy music’ theme.
Difficult Listening Hour 04
The third of my old collection of mix sessions that I’m posting. The keen-eyed might notice that we’ve jumped straight from DLH02 to DLH04. There is a DLH03, but…well, it wasn’t good. Very train wreck-y, and better not publicized.
Housekeeping
I did some housekeeping on my Flickr account and severely culled my contacts–from somewhere over 250 to slightly under 90. Pretty much got rid of anyone I didn’t actually know (mostly kept people that I know in the real world, though a few more-than-passing-internet-acquaintances made it through as well). This does mean that I won’t be seeing some really good photos from some really good photographers that I don’t know, and may see more average-to-good photos from people I do know, but that seemed an acceptable tradeoff. I had a number of years of connecting to as many people as possible for the slightest of reasons…now I’m at a point where I’d like there to be some amount of more real connection. That doesn’t necessarily mean I have to have met them in meatspace, but I should have at least had enough contact that I have a vague idea of who the are. There were a lot of people on that list that I didn’t recognize at all, and those were quite easy to cull.
A little housekeeping every now and then is a good thing.
Difficult Listening Hour 02v2
The second of my old collection of mix sessions that I’m posting. A little longer than the last one, and a little more pop-y. There actually was a ‘v1’ of this mix, but it had a few slight flaws that I wanted to fix, and I ended up choosing a slightly different set of tracks to use (though, I may have simply introduced new flaws…so it goes). Hence, ‘v2’.