I Miss Music Stores

This has been coming to mind as I travel through Germany on our vacation this year: I really miss music stores. Just like scrolling through Amazon or Netflix is a pale shadow of browsing through a bookstore or a Blockbuster, the convenience of online music shopping (specifically purchasing, though choosing something to stream fits as well) just doesn’t give the same satisfaction as browsing through the bins of a good music store.

I last visited Germany in the summer of 1991, and was here the summer before that in 1990 as well. Both times, part of what I blew my hard-earned (…ahem…provided by my parents…) money on was music that I wouldn’t have found in the United States. These are also the only souvenirs that have survived the decades from those trips.

I discovered Poems for Laila, a German folk/pop band, and brought home their first two albums, Another Poem for the 20th Century and La Filette Triste on CD, both of which I still count among my favorite albums, and I’ve picked up the rest of their albums digitally over the years.

I got several CD samplers, the first two in the Techno Trax series (Vol. 1 and Vol. 2) from ZYX Records and the first two of Zillo Jubilaum’s German Mystic Sound Sampler series (Vol. 1 and Vol. 2), and a lot of those tracks were in regular rotation when I started DJing a few years later.

Most painfully in retrospect, on that second trip in ‘91 I remember seeing in-store displays for The KLF’s just-released The White Room, listening to bits of it at listening stations, and thinking it sounded neat but then choosing something else and leaving it behind. The KLF, of course, soon became huge, and I’ve always good-naturedly regretted having missed the chance to have been among the first to play them in the U.S. (and possibly the first in Anchorage).

Listening to any of those albums immediately brings me back to those first European trips; the trips themselves, but also the experience of finding a music store filled with music I didn’t know, browsing through, trying listening stations, and taking chances on things that caught my ear.

Collage of the covers of the six mentioned albums.
So much good music on these. I can easily recommend any of them.

Sadly, with online purchasing and streaming having taken its toll, music stores are much fewer and harder to find, and generally cater more to the vinyl collector. Which is fine, and I’m glad they’re able to hang on in some form, but as I’m backpacking around on this trip, picking albums up on vinyl isn’t a terribly realistic plan.

Yes, it’s just an aspect of the modern age, and in many ways, the online purchasing options are both more convenient and (if you actually go for purchasing through storefronts like iTunes, Bandcamp, Qobuz, or the like) better for the artists. But being here and having the memories of those earlier trips and the music I was able to bring home has really been making me miss not having that as an option now.

The Windup Girl by Paolo Bacigalupi

Book 37 of 2026: The Windup Girl by Paolo Bacigalupi.

⭐️: Actively disliked this one; a rare instance where I came very close to bailing out and DNF’ing, and only stuck it out because it’s part of my Hugo Best Novel reading project.

A dystopic future where fossil fuels have run out (and, apparently, renewable options like wind (except for sailing ships), solar, hydro, etc. just…aren’t a thing? anywhere? for no discernible reason?) and power comes through kinetic energy stored in ‘kink springs’, and the resulting societal collapse combined with ecological change has devastated food supplies worldwide. The overall background is basically colonialism; substitute genetic engineering agriculture companies for the East India Tea Company and Thailand for India, and you’ve got the gist. Genetic engineering has progressed enough that there are now “New People”; genetically created intelligent artificial life that is genetically encoded to be servile.

One of these New People is the titular “windup girl” (who isn’t actually windup, but New People are intentionally given a way of moving that mimics stop motion/clockwork creations), a sex slave who is repeatedly abused over the course of the story, with some of these instances being explicitly detailed across multiple pages of the story. The first instance within the first few chapters was more than enough for me, having it happen again and in greater detail and length later on was when I almost bailed out of the book entirely. Instead, I just skimmed past and kept skimming through the rest of the book just to get it done with.

Obviously enough people liked it and found it worthwhile for it to win a Best Novel Hugo award, but I can’t recommend it.

Me holding The Windup Girl.

Night of the Living Trekkies by Kevin David Anderson and Sam Stall

Book 36 of 2026: Night of the Living Trekkies by Kevin David Anderson and Sam Stall.

⭐️⭐️⭐️: An entertaining adventure as a Star Trek convention becomes ground zero for the zombie apocalypse. A few things here and there that bothered me a bit, but mostly nothing really major. The biggest thing for me was that the authors couldn’t resist giving nearly every person and place very obvious Trek nods for names (the hero is Jim Pike, the hotel is the Botany Bay, and many, many others), and yet, somehow, it seems that none of the die-hard Trek fans at the convention ever notice this or think it’s at all noteworthy. While identifying the names was a fun mini-game as I read, within the context of the story, it broke my suspension of disbelief (apparently, zombies are fine, but insufficiently observant and pedantic Trekkies is over the line).

Me holding Night of the Living Trekkies.

Eric by Terry Pratchett

Book 33 of 2026: Eric by Terry Pratchett

⭐️⭐️⭐️: A shorter book, this is a relatively quick romp through a mashup of three wishes, Discworld’s version of The Odyssey (rather amusing, as I read this just as Christopher Nolan’s Odyssey film was in the theaters), and the joys of mid-level bureaucracy. Not bad, but not a standout.

Me holding Eric

Star Trek: The Enterprise Logs

Book 31 of 2026: Star Trek: The Enterprise Logs

⭐️⭐️⭐️: Look – by just about any realistic objective measure (script, plot, science, fidelity to nearly any aspect of Star Trek, printing quality, etc.), these are bad; two stars would be generous. But as artifacts of 1970s Trek comics medium, they’re certainly entertaining, if in a very cringey sort of way. Not really worth looking for unless you’re a Trek and/or comics collector, but if you run across them and are curious, you’ll likely get some chuckles.

Me holding The Enterprise Logs

Service Model by Adrian Tchaikovsky

Book 30 of 2026: Service Model by Adrian Tchaikovsky.

⭐️⭐️⭐️⭐️⭐️: This was excellent. Funny (many bits had me quite literally laughing out loud), but with an increasingly serious undertone as it goes. A valet robot kills his employer for reasons he does t understand, and embarks on a quest to figure out why, and then joins with a partner out to determine why society collapsed. From reliance on AI to what actually constitutes consciousness and personhood, there’s a lot of good stuff here, wrapped up in a mismatched buddy adventure. My favorite of Tchaikovsky’s books that I’ve read so far. Highly recommended.

Me holding Service Model

A Fury Scorned by Pamela Sargent and George Zebrowski

Book 29 of 2026: A Fury Scorned by Pamela Sargent and George Zebrowski.

⭐️⭐️⭐️: The Enterprise is called to assist a planet about to be destroyed, and is unable to rescue the entire population. A subplot of seeing if they can pull off a miracle (guess what…), but most interesting as the crew actually attempts to grapple with their inability to save everyone. More introspective than most Trek novels.

Me holding A Fury Scorned