Geekery

Whatever I’m geeking out about at the time.

(Bi-)Weekly Notes: May 12–25, 2025

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I didn’t get to this last weekend, and this week was too busy to sneak it in and backdate it, so I’m just going for a two-week catch-up this time. Good enough!

  • ♿️ The big thing for me at work last week was Global Accessibility Awareness Day. As one of the co-chairs of SBCTC’s CATO (Committee for Accessible Technology Oversight), I’d written a letter of support and call to action that, after editing and input from the rest of the committee, we sent out to several of the high-level committees within SBCTC, and it’s being passed on from there.
  • 🚀 Last weekend was the final committee meeting for Norwescon 47, where the staff gathers for the post-con wrap-up and “onions and roses” session where we discuss what went well and what we can improve on from a staff point of view. Lots of good comments, followed by a social at a local home. And that wraps up this year’s con…on to the next! (Speaking of, I do need to find time to get our website transition process started soon….)

This past week, in addition to the usual work duties, had several evening events that were fun to do, but definitely threw our weekly routine off.

  • 🎫 On Tuesday night, I went out to my first live concert in years and saw Underworld. They’ve been a favorite artist and “bucket list” concert for decades, so even though this was on a Tuesday night, I decided (a few months ago when tickets went on sale) that it was worth it and a good birthday present to myself. Glad I did, too — the show was really, really good. They started precisely at 8 p.m. (the most prompt concert I think I’ve ever been to), played an hour-long set, took a half-hour break, and then played a 90-minute set, wrapping up right at 11 p.m. I didn’t memorize the track list, but it was a good selection from across their catalog, from the Dubnobasswithmyheadman-era with “Dirty Epic” and “Cowgirl” (a really nice version that I hope gets released), to more recent tracks like “S T A R” off of Drift and “And the Colour Red” off of Strawberry Hotel, wrapping up (of course) with “Born Slippy .NUXX“. Great show, and I’m so glad I finally to a chance to see them live. Sure, as an electronic duo, the show is mostly the lights and video as Karl Hyde performs the vocals and Rick Smith plays with the computers — but there’s something about the experience, being in a venue with lots of other fans dancing and enjoying the music, being able to feel the bass and rhythms wash over and through you, and feeling the energy of the crowd, the artists, and the whole thing, that’s so much more than the sum of its parts.
  • 🎓 Wednesday ended the workday with an end-of-the-year celebration of student leaders. Both my wife and I knew several of the students being honored (she had nominated two of them), and it’s always nice to do this celebration during spring quarter.
  • 🍻 Thursday was a get-together with other coworkers at a local bar, something which I don’t do terribly often (between not being much of a barfly if there isn’t a dance floor, not being much of a drinker, and usually just heading home to relax after work instead of socializing), but is fun to do occasionally.
  • 🪕 And then on Saturday we decided to go to this year’s Folklife festival, which we hadn’t done for years. It ended up being a perfect day for it — sunny and mid-70°s — and we spent a nice few hours wandering around, listening to neat music, watching a performance of a 1950s radio show by American Radio Theater, munching on fair food, and running into a few friends.

📸 Photos

Underworld performing, with Karl Hyde singing and pointing to the sky, lit all in reds.

Underworld performing, list all in purples, blues, and magentas.

Underworld performing, lit yellows, greens, and oranges, in front of a crowded floor.

Three shots from the Underworld show. Plus a bonus shot…

A camera person using a large professional camera during the Underworld concert, with everything lit in green.

This cameraperson was a real MVP of the evening, having to keep the camera trained on the stage…and keep it steady. There is no way I could do that job; the camera would be bouncing all over the place in time with the music. I was really impressed!

People sit on a lawn in front of an outdoor stage with the Space Needle stretching up into a cloudless blue summer sky.

Live music under the Space Needle on a gorgeous early summer day.

📝 Writing

A question on a work mailing list got me rambling about my frustrations with the popular confusion of machine learning with “artificial intelligence”.

📚 Reading

  • Finished Greg Cox’s Star Trek TOS novella Miasma.
  • Read Lois McMaster Bujold’s Vorkosigan saga book Cryoburn.
  • Started James Swallow’s just-released Star Trek SNW book Toward the Night.

📺 Watching

  • Together, we wrapped up a season of Hell’s Kitchen, hopped into an older season of Drag Race All Stars, and supplemented that with our ongoing binge through the three Chicago shows.
  • I’ve made it through ten episodes of season two of Andor (hoping to get through the last two tomorrow, and maybe rewatch Rogue One afterwards), and on a whim started watching Max Headroom. Honestly, I don’t think it would be terribly difficult to update Max Headroom for the modern world, especially with AI-generated everything all around us.

🎧 Listening

I’ve added a few albums over the past two weeks that I’m enjoying:

  • Synthetic. Facts. Seven., Infacted Recording’s latest sampler of EBM/futurepop/however you want to categorize this kind of stuff. Quite a few tracks I’m enjoying, particularly Alex Braun + Rob Dust’s take on “25 Years“, originally by The Catch in 1983.
  • Peter Murphy’s Silver Shade came out, and is really strong. He’s still going really strong, and this album shows it.
  • Orbital’s expanded re-release of Orbital 2 (The Brown Album Expanded) also just came out. Orbital’s also been high on my list of long-time favorite electronic artists, and I’m really enjoying the string of expanded album releases that both Orbital and Underworld have done in the past few years. Alternate takes, remixes, and other stuff that might not be critical for a new or casual listener, but for fans, there’s a lot of gold in these reissues.

🔗 Linking

Particularly interesting reads from across the web.

  • Apparently IBM offers accessibility checking tools, which someone said may be good? I need to take some time to investigate these.
  • This is a motherfucking website: “I’m not actually saying your shitty site should look like this. What I’m saying is that all the problems we have with websites are ones we create ourselves. Websites aren’t broken by default, they are functional, high-performing, and accessible. You break them. You son-of-a-bitch.”
  • Apple unveils powerful accessibility features coming later this year: “New features include Accessibility Nutrition Labels on the App Store, Magnifier for Mac, Braille Access, and Accessibility Reader; plus innovative updates to Live Listen, visionOS, Personal Voice, and more.”
  • Andrew Liszewski at The Verge: This modern cassette boombox will lure you in with glowing VU meters: I certainly don’t need a $500 cassette deck, no matter how pretty. But I’ll admit, it is pretty….
  • Shoreline Area News: Disabled Hiker’s Guide to 5 Washington State Parks is now available: “Each park guide includes an overview of the park, suggested activities, and information on the accessibility of many features in the park. Features are broken out into sections, and include parking, restrooms and facilities, picnic areas and shelters, trails, campgrounds, and more, with detailed information and directions.”
  • Grimoire: A Grim Oak Press Anthology For Seattle Worldcon 2025: Pre-order now, pick up at Worldcon, and get it signed by as many of the authors as you can track down!
  • Neal Stephenson: Remarks on AI from NZ: “Speaking of the effects of technology on individuals and society as a whole, Marshall McLuhan wrote that every augmentation is also an amputation. […] Today, quite suddenly, billions of people have access to AI systems that provide augmentations, and inflict amputations, far more substantial than anything McLuhan could have imagined. This is the main thing I worry about currently as far as AI is concerned.”
  • James Reffell at DesignCult: The secret origin of “log in”: “‘Log in’ is one of those phrases that sounds weirder the more you say it. It’s ubiquitous in online life, though it does seem like it’s being slowly overtaken by ‘sign in’. But where does the phrase come from in the first place?”
  • Constance Grady at Vox: Why does Elon Musk love this socialist sci-fi series?: “The politics of these books are not subtle, and they are also not compatible with the existence of billionaires. So it’s worth thinking about why the broligarchs have so consistently cited a socialist author as an inspiration. What do they find tantalizing about Banks’ work? Are they missing the point altogether?”
  • Georgia Jackson at the University of South Florida’s College of Arts and Sciences profiles faculty member and this year’s Philip K. Dick Award winner Brenda Peynado: In ‘Time’s Agent,’ pocket worlds reveal deep truths — and earn USF faculty a Philip K. Dick award.
  • Christian Balderas at King 5: Kent grapples with repeat internet outages caused by vandalism: We got hit by both of these outages; twice in two days. And there was another only a few weeks ago. It’s really frustrating.
  • Nora Claire Miller at The Paris Review: Recurring Screens: “The world’s first screen saver was not like a dream at all. It was a blank screen. It was called SCRNSAVE, and when it was released in 1983 it was very exciting to a niche audience. It was like John Cage’s 4’33″ but for computers—a score for meted-out doses of silence.” This is either a history of screensavers or a poetry review. Or both?
  • Alexander Hurst at The Guardian: Volodymyr Zelenskyy has courage. Pope Francis had it too. Why are there so many cowards?: “What is just? Who is acting with honour? With courage? When did we stop thinking it normal to consider such questions – and to demand those things from the people who lead us? To demand that they, well, lead?”
  • Ed Pilkington at The Guardian: Meet the new American refugees fleeing across state lines for safety: “America is on the move. Hundreds of thousands of people are packing up boxes, loading U-Hauls, and shipping out of state in an urgent flight towards safety. ¶ They’re being propelled by hostile political forces bearing down on them because of who they are, what they believe, or for their medical needs. ¶ All are displaced within their own country for reasons they did not choose. They are the new generation of America’s internal refugees – and their ranks are growing by the day.”
  • Sarah Kuta at Smithsonian Magazine: A Young Cooper’s Hawk Learned to Use a Crosswalk Signal to Launch Surprise Attacks on Other Birds: “Researcher Vladimir Dinets watched the bird repeatedly sneak behind a row of cars to ambush its unsuspecting prey.”

Cryoburn by Lois McMaster Bujold

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Book 28 of 2025: ⭐️⭐️⭐️⭐️

More good Vorkosigan adventure as Miles heads off to investigate cryogenic companies and ends up in more trouble than he expected. Toss in some cute kids, a menagerie, questionably competent criminals, and diplomats getting their first taste of Miles’s approach to problem solving, and it’s a lot of fun. Though the end took a turn I definitely wasn’t expecting….

Me holding Cryoburn

Good vs Bad AI (or ML vs AI)

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The following is a (lightly edited) response I gave to a recent accessibility mailing list question from Jane Jarrow, coming out of a question around concerns around the use of various AI or AI-like tools for accessibility in higher education:

Folks responded by noting that they didn’t consider things like spell check, screen readers, voice-to-text, text-to-voice, or grammar checkers to be AI – at least, not the AI that is raising eyebrows on campus. That may be true… but do we have a clean way of sorting that out? Here is my “identity crisis”:

What is the difference between “assistive technology” and “artificial intelligence” (AI)?

This is me speaking personally, not officially, and also as a long-time geek, but not an AI specialist.

I think a big issue here is the genericization of the term “AI” and how it’s now being applied to all sorts of technologies that may share some similarities, but also have some distinct differences.

Broadly, I see two very different technologies at play: “traditional”/“iterative” AI (in the past, and more accurately, termed “machine learning” or “ML”), and “generative” AI (what we’re seeing now with ChatGPT, Claude, etc.).

Spell check, grammar check, text-to-speech, and even speech-to-text (including automated captioning systems) are all great examples of the traditional iterative ML systems: they use sophisticated pattern matching to identify common patterns and translate them into another form. For simpler things like spelling and grammar, I’d question whether that’s really even ML (though modern systems may well be). Text-to-speech is kind of an “in between” state, where the computer is simply converting text strings into audio, though these days, the use of generative AI to produce more natural-sounding voices (even to the point of mimicking real people) is blurring the line a little bit.

Speech-to-text (and automated captioning) is more advanced and is certainly benefitting from the use of large language models (LLM) on the backend, but it still falls more on the side of iterative ML, in much the same way that scientific systems are using these technologies to scan through things like medical or deep-space imagery to identify cancers and exoplanets far faster than human review can manage. They’re using the models to analyze data, identify patterns that match existing patterns in their data set, and then producing output. For scientific fields, that output is then reviewed by researchers to verify it; for speech-to-text systems, the output is the text or captions (which are presented without human review…hence the errors that creep in; manual review and correction of auto-generated captions before posting a video to a sharing site is the equivalent step to scientists reviewing the output of their systems before making decisions based on that output).

Where we’re struggling (both within education and far more broadly) is with the newer, generative “AI”. These systems are essentially souped-up, very fancy statistical modeling — there’s no actual “intelligence” behind it at all, just (though I’ll admit the word “just” is doing a lot of heavy lifting here) a very complex set of algorithms deciding that given this input, when producing output, these words are more likely to go together. Because there’s no real intelligence behind it, there’s no way for these systems to know, judge, or understand when the statistically generated output is nonsensical (or, worse, makes sense but is simply wrong). Unfortunately, they’re just so good at producing output that sounds right, especially when output as very professional/academic-sounding writing (easy to do, as so many of the LLMs have been unethically and (possibly arguably, but I agree with this) illegally trained on professional and academic writing), that they immediately satisfy our need for “truthiness”. If it sounds true, and I got it from a computer, well then, it must be true, right?

(The best and most amusing summary I’ve seen of modern “AI” systems is from Christine Lemmer-Webber by way of Andrew Feeney, who described it as “Mansplaining as a Service: A service that instantly generates vaguely plausible sounding yet totally fabricated and baseless lectures in an instant with unflagging confidence in its own correctness on any topic, without concern, regard or even awareness of the level of expertise of its audience.”)

Getting students (and, really, everyone, including faculty, staff, the public at large, etc.) to understand the distinction between the types of “AI”, when they work well, and when they prove problematic, is proving to be an incredibly difficult thing, of course.

For myself, I’m fine with using traditional/iterative ML systems. I’m generally pretty good with my spelling and grammar, but don’t mind the hints (though I do sometimes ignore them when I find it appropriate to do so), and I find auto-captioning to be incredibly useful, both in situations like Zoom sessions and to quickly create a first pass at captioning a video (though I always do manual corrections before finalizing the captions on a video to be shared). But I draw the line at generative AI systems and steadfastly refuse to use ChatGPT, AI image generators, or other such tools. I have decades of experience in creating artisanally hand-crafted typos and errors and have no interest in statistically generating my mistakes!

I’m afraid I don’t have good suggestions on how to solve the issues. But there’s one (rather long-winded) response to the question you posed about the difference between assistive technology and “artificial intelligence”.

Weekly Notes: May 5–11, 2025

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Really, this is one of those weeks that just boils down to being another week, without any noteworthy points.

  • ♿️ As we’re approaching the end of spring quarter and commencement gets closer, I’m pretty constantly feeling like I’m just slightly behind where I should be with everything, Not enough to be in panic mode, just enough to never feel quite satisfied with the situation. Definitely looking forward to the summer quarter and hoping things slow down a touch.

  • 🚀 Norwescon has just about wound down, with just this coming weekend’s post-con meeting to wrap things up until we spin up in the fall for next year. Of course, that means a little less for me, as the website needs to be archived and reworked; hopefully I’ll be able to arrange time with my team to start that work soon. The Worldcon situation has dropped down to a light simmer rather than a full boil, which is progress. Mostly, I keep watching what people write and constantly have to fight the temptation to jump in and correct mistaken assumptions or assertions. As satisfying as it might be in the moment, it wouldn’t actually help. Sometimes knowing that I’m better off keeping my mouth shut really sucks, though.

  • 🏡 We spent part of the weekend cleaning up our little back yard for the summer and refreshing the herb and flower planters. (By which I mean, my wife did the planting, and I did the manual labor of moving planters around and hauling the old stuff out to the trash.) Hoping we have more chances to relax back there than we have for the past couple summers.

📸 Photos

Rows of purple and white, yellow, and orange pansies.
Pansies at the garden center.

My knees visible in the foreground as I sit in a small, gravel-surfaced pocket back yard, with tall trees visible behind the fence, and my wife's hand just visible to one side as she plants flowers.
Sitting for a moment between moving things around.

Potted herbs in front of a decorative glass ball, a metal peacock sculpure, and a small ornament of a fanged frog wearing a spiked collar sitting under a sign that says 'Beware of Frog'.
One corner of our yard.

Planters with herbs and flowers, several with small decorative gnomes sitting in them, next to a metal birdbath.
Another corner of the yard.

📚 Reading

📺 Watching

Lately it’s been a fair amount of old Hell’s Kitchen, because it can be entertaining to watch Gordon Ramsey yell at people.

🎧 Listening

VNV Nation’s “Construct” came out this week, and new VNV Nation is always good. I did see one friend describe it as “the new VNV Music Factory”, which is funny, but also not wrong, but y’know, I’m good with that. It’s like a review I once saw comparing KMFDM to a Big Mac: You always know that what you get is going to be maybe not not great, but big, cheezy, and acceptably satisfying when that’s what you’re in the mood for. VNV Nation isn’t the same sound, of course, but it’s kind of the same idea: You know what you’re getting, and it’s good comfort food (and occasionally really, really good, though I haven’t identified any tracks off this album that are particular standouts yet).

🔗 Linking

  • Joe Kissell at Take Control Books: Introducing MailMaven, a Better Mac Email App: “MailMaven is an email client for people who love email but want total control over every aspect of it. If there’s something you always wished your email app could do, Maven probably does it (or will before long). But it also does lots of things you never realized you absolutely need in an email app, and soon won’t be able to live without.” Mostly I’m fine with Apple Mail, but sometimes I wonder if something else might work better for me, and this one looks promising.
  • Niléane at MacStories: Are Pride Wallpapers and a Watch Band Enough in 2025?: “At a time when some trans people are actively seeking to flee the U.S. to preserve their fundamental right to a healthy, safe, and decent life free from the threat of President Trump’s actions, Apple doesn’t seem to be stepping up to its professed values to the extent that the situation requires.”
  • Erin Underwood at File 770: Op-Ed: About Choosing Convention Program Participants: “I understand the frustration and anger toward LLMs, but I think that we need to grant a little grace and understanding … and even kindness … to the people who are donating their time and putting their hearts, blood, sweat, and tears into trying to create these events that bring our community together.” Whatever your stance on generative AI and the Seattle Worldcon, this is well worth reading.
  • Eli Wizevich at Smithsonian Magazine: Who Created This Peculiar Painting of a Drooling Dragon? Nobody Knows—but a Museum Just Bought It for $20 Million: “The Virgin and Child With Saints Louis and Margaret is truly one-of-a-kind. Emma Capron, a curator at the museum who was responsible for the acquisition, describes the altarpiece as ‘wildly inventive’ and ‘full of iconographical oddities,’ per the Art Newspaper.”
  • Adrian Roselli: Do Not Publish Your Designs on the Web with Figma Sites…: “…Unless you want to fail all the WCAGs, create litigation risk, close off opportunities in Europe, engage in reputational harm, and oh yeah, throw up barriers to your customers and users.”
  • Liv Lyons in The Thunderword, Highline’s student paper: Student panel leads from the front on IPSE Day: “Building 7 was the beating heart of campus one week ago, as the students and faculty who make up Highline’s Achieve Program embodied the tenets of accessibility, diversity, and self-acceptance, further highlighting the importance of Inclusive Post-Secondary Education (IPSE) Day at collegiate institutions nationwide.” Our students put on a great panel for IPSE Day!
  • Mac Themes Garden: “Mac Themes Garden is dedicated to showcasing schemes made for Kaleidoscope and celebrating the customization and expressiveness it enabled on Classic Mac OS.” I miss Kaleidoscope, and really wish there was this sort of customization available for the modern macOS.
  • I Don’t Have Spotify: Paste in a link to a music track on one service, get links to it on other services. Handy for those of us who refuse to give Spotify money.

Weekly Notes: April 28–May 4, 2025

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  • ♿️ Another busy week at work, including a trip out to Emerald Downs planning for graduation, hosting an IPSE Day event supporting our students with intellectual and developmental disabilities, and ending with a full-day all-employee training focusing on equity. This year included a session on disability justice, which was led by a colleague from another school who I know through my work with WAPED, DSSC, and through watching the AHEAD listserv. Happily, this session was quite well attended by people across the college, and not just by people who are part of our Access Services department!
  • 🚀 Unfortunately, Seattle Worldcon is in the midst of our first (and hopefully only) big controversy. While it’s not my area, I’m close enough to have some of the not-yet-public information, and it’s been quite the experience watching the wider commentary based on incomplete information while not saying anything. Hopefully as more information comes out, this will calm down and fade into just being an unfortunate bump on the road.
  • 🥳 And, of course, yesterday was my 52nd birthday. We kept it a fairly low-key day, wrapping up with dinner out and seeing the play version of Agatha Christie’s “And Then There Were None” at the Renton Civic Theater. It was a fun show, and we do enjoy supporting local theater.

📸 Photos

One end of a dirt racetrack circle, with green grass and a pond in the center, with the snow-covered peak of Mt. Rainier rising in the distance in a clear blue sky on a sunny spring day.
Mt. Rainier in the distance over the Emerald Downs racetrack.

Four students sit at a table at the front of a lecture hall with a presentation screen behind them, in front of an audience of staff, faculty, and fellow students.
Four of our students were part of a panel discussion for IPSE Day, talking about their experiences at Highline College.

Me, a white man with a short trimmed greying red beard, wearing a black cap, black half-rim glasses, and black shirt and hoodie, standing outside in front of green trees, with a slight smile.
Me at 52. Feeling pretty good about aging well.

📚 Reading

Finished Lois McMaster Bujold’s Captain Vorpatril’s Alliance.

🔗 Linking

Captain Vorpatril’s Alliance by Lois McMaster Bujold

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Book 23 of 2025: ⭐️⭐️⭐️

We turn to Miles’s cousin Ivan for this entry (Miles is reduced to a cameo role), as he gets drawn into helping refugees from a fallen House, dealing with a heist, and finding a little romance along the way. Another fun romp in the Vorkosigan saga, even if I don’t find Ivan to be quite as strong a character as Miles.

Me holding Captain Vorpatril's Alliance