iTMS Exclusive: LXG Soundtrack

Looks like Apple’s iTunes Music Store is catching on (or, at the very least, getting enough interest to warrant an interesting experiment): in the US market, the soundtrack for the movie The League of Extraordinary Gentlemen will only be available through the iTMS — no CD’s will be pressed.

I’ve got mixed feelings on this, personally. One of the things that has kept me from jumping full-bore into the iTMS for my music is the paucity of full ID3 tags in the purchased files. As I’ve been importing my CD collection, I’ve been working on being very thorough with the metadata included with each song: Artist, Title, Album, Year of release, and Composer are all information that I want available in my collection. Unfortunately, with the tracks I’ve purchased from the iTMS so far, Artist, Title, and Album seem to be all you get.

With a soundtrack release that (at least in the US market) has no physical media, how easy is it going to be for me to track down the rest of the metadata that I want included for search and organizational purposes? Not very, would be my guess, which concerns me. I like the idea, concept, and execution of the iTMS a lot, and I do support this experiment — just gimme my metadata!

(via MacRumors)

Guilty pleasures

It’s a silly, stupid, overplayed song — but I’ve gotta admit, I still enjoy it, and I’d love to hear The Rednex ‘Cotton-Eye Joe’ performed live, with a real band (banjo, fiddle, harmonica, and all).

Just a random thought for the day. ;)

Streaming update

Just a quick note that I’ve updated my ‘About DJ Wüdi’ page to replace the download links for my mixes with streaming audio links instead. Everything’s still there, just less chance of running afoul of rabid copyright lawyers (on the exceedingly rare chance that they should decide to pay any attention to my little corner of the ‘net).

Poems for Laila

I wanted to do two things with this post — test a new feature for the site, and promote one of my favorite bands, Poems for Laila.

I discovered PfL when I was in Germany in the summer of 1991. I saw a display stand advertising the release of their second album, and gave it a listen. What I heard was enough to peak my interest, so I bought their first two albums — ‘Another Poem for the 20th Century’ and ‘La Fillete Triste’ — on the spot.

Unfortunately, I bought them on cassette tape, and over the next few years, I listened to them enough to wear them out. Thanks to the magic of the ‘net, though, a few months ago I was lucky enough to track down not just the two albums I used to own, but three more. Eventually I’ll order as many as their albums as I can, but as they’re not available here in the states, for now I’ll just have to live with the .mp3s I downloaded (one of the very few times I’ve actively searched music out on the file trading networks).

In the meantime, though, you can browse through my PfL catalog, and listen to just what has captured my interest for so long. It’s a little difficult to narrow down just a few ‘recommended tracks’, but here’s a few good ones from the two albums I know the best:

  • From ‘Another Poem for the 20th Century’:
    • Intro to the Morning After
    • The Morning After
    • Lewd
  • From ‘La Fillete Triste’:
    • Round Round Round (The Gentleman’s Fear)
    • Willy Poor Boy
    • I Hold A Prince

Enjoy!

Apple woos indie labels for iTMS

After the iTunes Music Store opened, there were two recurring comments from much of the Mac world: why was it US only, and what about independent labels? It’s commonly accepted that the intricacies of international copyright law are most likely what’s restricting the iTMS to the US for now, but aside from a few rumors, the question of whether the store would open up to more than just the major labels was still unanswered.

Yesterday, however, Apple hosted a special invitation only event for independent and smaller music labels, giving them information on how they could join with the iTMS. A representative from CDBaby was at the event, and has posted an extremely interesting rundown of Apple’s offer to indy labels, mixed in with a lot of information about the iTMS system.

Interesting reading, even just for the peeks into how Apple is handling all the behind-the-scenes details of the iTMS. From what I can see, I think this is just going to keep getting better and better.

Fact-checking Reuters re: iTunes

There’s an article from the Reuters news service covering the iTunes ruckus that has some rather surprising errors in it, not to mention being amazingly clumsily written. And, since I can’t leave well enough alone…

Earlier this week, Apple released an update to its iTunes music software for its Macintosh computers, which allows subscribers to download songs for 99 cents each.

Minor nitpick: iTunes does a whole lot more than that.

One feature of iTunes, called Rendezvous music sharing, allows users to share downloaded songs between three Macintosh computers and also allows users to share songs copied from CDs to be shared over the Internet.

Minor nitpick: Rendevouz is a system-level networking technology that allows computers to auto-sense their network environment, configure themselves, and automatically discover available services. iTunes takes advantage of Rendevouz, but is not tied to it.

The update eliminates users’ ability to swap songs copied from CDs, but doesn’t disable the Rendezvous feature, itself.

Minor nitpick: See above, regarding Rendevouz.

Minor nitpick: Songs ripped from a private CD library were available for streaming before the update, and still are (just not over the ‘net at large). They were never officially open for swapping.

The new service has been a hit, with more than three million songs downloaded since the service was released a month ago, according to Apple.

Bad writing: The facts in this paragraph are about the iTunes Music Store. However, with its placement in the story and unclear subject (“The service…” — iTunes? The iTunes Music Store? The Rendevouz-based streaming?), it seems to say that over three million songs have been illegally downloaded over the Rendevouz streaming feature.

Subscribers to the iTunes service, who paid \$10 to join…

Major error: I haven’t got a clue what this might be referring to. Neither iTunes nor any of its features require a \$10 fee of any sort. iTunes is free, all of its features are built-in, and the only charges from the iTunes Music Store are those accrued when purchasing music.

…started receiving notices on their computers from Monday urging them to update their iTunes software. While the upgrade is not mandatory, it shows up on a daily basis, forcing users to reject it until it is downloaded.

Error: I’ve been using iTunes for years, and have purchased a few tracks from the iTunes Music Store, and yet I never got any notice from Apple urging me to do anything. What this probably refers to is the Software Update feature of Mac OS X, which is simply an automated agent that checks Apple’s servers at a regular user-specified schedule to see if there are any available software updates.

If someone had their Software Update scheduled to check in with Apple daily, then they could conceivably get a daily alert about the iTunes update — but then, they’d get a daily alert about any software update that was available and uninstalled. If you choose not to install an update, and don’t want to be notified every time that Software Update runs, you can simply select it and disable any further alerts for that particular upgrade. Nothing is forced or urged upon the customer.

Normally I don’t have much problem with the stories I see on Reuters — but then, I’m not nearly as well-versed in many of the subjects I read from them. If the rest of their news reporting is as solid as this story was, I should just stop paying attention.

Apple updates iTunes, web explodes

Today, as I took the odd moment here and there to keep an eye on happenings in the web world, I was somewhat startled to watch Apple provoke absolutely ridiculous amounts of stürm und drang with an update to iTunes.

In brief, when iTunes 4 was released a few weeks ago, one of the new features was the ability to stream your music to other computers running iTunes. This was intended as a way for someone with multiple machines in their house to keep all their music in a centralized location, and still be able to listen to the music anywhere — even if the music was stored on dad’s machine in his office, the kids could call up the music collection on their computer in the living room, for instance.

Not too surprisingly, within hours after the update was released, people discovered that the streaming would also work across the ‘net, if the hosting computer’s outgoing bandwidth was strong enough. Not long after that tips were being traded on how to capture the music stream — and suddenly what was intended as a convenience for personal use became yet another way for people to illegally acquire music.

Today, the update to iTunes 4.01 was released. From Apple’s description (with emphasis added)…

iTunes 4.0.1 includes a number of performance and network access enhancements, and only allows music sharing between computers using iTunes 4.0.1 or later on a local network (in the same subnet).

…and the Apple-centric sites absolutely exploded with rage and indignation (and, thankfully, a few somewhat reasonable voices).

Noticeably upset:

Neutral, or posted with actual thought:

Quite honestly, I find this collective tempertantrum to be surprising, and more than a little childish. Apple is having to walk a fine line, balancing their desire to use as little DRM as possible with the music industry’s desire to actually be able to still make money. The fact that they’ve been able to come to an agreement with all five major music industry players that allows the iTunes Music Store to exist with as little DRM as there is, is impressive enough. The balancing act that they’re having to pull, with their customers ~~needs~~ demands on one side, and the music industry on the other, is one that I wouldn’t envy any company, and so far I’ve been impressed with what they’ve been able to pull off.

What we seem to be seeing, at its most base, is the battle between two very strong forms of greed: the greed of the music industry, and the greed of those users who seem to feel that it is their right to be able to listen to anything, at any time, for free.

I, for one, have never understood, or been sympathetic to those who feel that they have some right to free music. As a DJ for many years, I’ve amassed an impressive collection of music — some 1200 CDs or so — and have long lost count of the number of requests I’ve had to make copies of my music for people. Why in the world should I do such a thing?

First off, copying and distributing music is illegal! Yes, I know that the music industry is (very generally) Evil, that CDs are hideously overpriced, and that artists see very little of the money from music sales. However, no matter how small of a percentage an artist might get from any single sale, how much money will they be getting if there are no sales? A little bit of something is still something, but nothing is just that. If there is an artist that I like, I’d much rather pay the money and support them in what little way I can — they created the music, they should be able to reap what rewards they can from that creation.

Secondly, and equally as important in my eyes, I’ve spent untold hours and ungodly amounts of money on building my collection over the years. Why in God’s name would I turn around and proceed to give the fruits of that undertaking away for free? If someone hears music that I have and likes it, they have the ability to take the time and money to find the music themselves (though I’m afraid that many, if not most, are far more likely to spend the time on Kazaa or some other file-trading system than spend the money at a music store). It’s all out there somewhere, and I don’t have any secret tricks or magical conjurings that allow me to find the music I do. Time, patience, a little luck, and money is all it takes.

Anyway, back to the subject at hand. The streaming feature of iTunes is a feature — not a right. It is a convenience — not a right. And, most importantly, it is for personal use, for you the consumer to listen to the music that you own. Had Apple allowed the iTunes streaming implementation to continue to exist as-is, they may very likely have faced suits and the dismantling of the iTunes Music Store (quite possibly the first realistic model for online music distribution) when the music industry decided that it didn’t want to support a service that was so obviously and prominently being used for illegal distribution, no matter what the original intent of the service was. Rather than do that, Apple added a slight restriction to the streaming service, so that while streaming still works, and will work in the home, it no longer works over the internet at large. Would you rather have had Apple pull the streaming feature entirely?

Grow up, everyone. This is truly a tempest in a teapot.

Songs, A-Z

Well, I didn’t read the rules of this game after I saw D’s list, so this list might seem a little odd. Rather than just list songs that start with a letter, I chose songs that I have in my .mp3 library, and where both the song title and the artist started with the respective letter of the alphabet. Uff!

The only times I couldn’t get a match for both were for X and Z, so I listed two songs, one for the song title that matched the letter, and one for the artist.

A: Ain’t Goin’ to Goa by A3
B: Bela Lugosi’s Dead by Bauhaus
C: Codeine, Glue and You by Chemlab
D: Destillat (VNV Nation Mix) by Das Ich
E: Emanuelle by Ex-Voto
F: Fired Up! (Club 69 Future Mix) by Funky Green Dogs
G: Games Without Frontiers (Massive D/B Mix) by Peter Gabriel
H: Hernando’s Hideaway (from The Pajama Game) by Carol Haney
I: The Indigo Swing by Indigo Swing
J: Jane Says by Jane’s Addiction
K: Kylie Said to Jason by The KLF
L: Lucy’s F*ck*ng Sky by Lords of Acid
M: Moonbeam by Men Without Hats
N: Ninety-Nine Red Balloons by Nena
O: Only A Lad by Oingo Boingo
P: Point Blank by Pigface
Q: Quad City Funk by Quad City DJs
R: Renegade Soundwave (Leftfield Mix) by Renegade Soundwave
S: Stay by Shakespeare’s Sister
T: Twist in my Sobriety by Tanita Tikaram
U: Until the End of the World by U2
V: Vengababes from Outer Space by The Vengaboys
W: Wimoweh by The Weavers
X: Dear God by XTC (or) Xhemikals by DJ H. Geek
Y: Your Horoscope for Today by “Wierd Al” Yankovic
Z: Living Dead Girl (Subliminal Seduction Mix) by Rob Zombie (or) Zeros and Ones by Jesus Jones