Music and Politics

Just for amusement sake, after reading an article about the upcoming Vote for Change concert tour (which doesn’t seem to be coming to Washington — aren’t we supposed to be a “swing state” too?), here’s a short and probably very incomplete list of musical artists who have supported one presidential candidate or the other. Most of this list is culled from the article, I may update it as days go by as I run across more names. Submissions will be welcome, of course.

It’s a rather silly way to look at things, sure, but if for some reason you’re having problems making up your mind which way you want to vote, maybe your musical tastes can make a difference. ;)

Supporting Kerry
(or at least vocally anti-Bush)
Supporting Bush
Alkaline Trio
Anti-Flag
The Ataris
Authority Zero
Bad Religion
Jello Biafra
Billy Bragg
Bright Eyes
Jackson Browne
The Dave Matthews Band
Death Cab for Cutie
Denali
The Dixie Chicks
Kenneth “Babyface” Edmonds
The Epoxies
John Fogerty
Jurassic 5
Less Than Jake
John Mellencamp
Ministry
Keb’ Mo’
My Morning Jacket
N.O.F.X.
None More Black
The Offspring
Pearl Jam
Bonnie Raitt
R.E.M.
Linda Rondstadt
Social Distortion
The Soviettes
Bruce Springsteen
James Taylor
World/Inferno Friendshop Society
Kid Rock
Ted Nugent
Jessica Simpson
Britney Spears
Lee Ann Womack

Update: Additions from a NYT article (thanks Len) and Rock Against Bush Vol. 1 (thanks Ryan — the page for RABv2 didn’t have artist listings, otherwise there’d be more additions, I’m sure).

iTunes: “Music and Politics” by Disposable Heroes of Hiphoprisy, The from the album Hypocrisy is the Greatest Luxury (1992, 4:01).

Do-be-do-be-do me

This was going to go into the linklog, but it’s so wonderfully bizarre that I figured it deserved a little more visibility.

Debbie Does Dallas — The Musical!

WATCHING a porn film with your colleagues is not the usual workplace practice.

But for a group of Sydney actors rehearsing a new musical, a viewing of the classic 1978 X-rated flick Debbie Does Dallas on Thursday night was all in the name of research.

“There was a lot of fast-forwarding going on and quite a few toilet and drink breaks,” actor Lisa Adam said yesterday.

“But I think we can justify it for character development – and I’ve got to say, it’s the most interesting research I’ve ever done.”

Adam stars as Debbie in Debbie Does Dallas – The Musical, a spoof based on the classic porn film that featured Bambi Woods as a cheerleader who needs to make money through, ahem, sweat and tears to join the pom-pom squad of the Texas football team.

[…]

\”There’s no hardcore sex, instead when there’s a sex scene in the movie that’s when we do a musical number.

“So an orgy scene is done to a tango and a threesome is like a Spanish-style flamenco. The choreographer has tried to make it very stylised and comical, rather than just having people rooting on stage.”

I knew I should have stuck to theatre…

iTunes: “Related Vortex” by X-Dream from the album Spirit Zone Vol. 2 (1996, 8:48).

The City Sleeps

Stealing down an ally on a cold dark night
I see a halo in the rain around the street light
I stop and look, and listen to the sound
As the raindrops penetrate the silence all around
Alone, I gaze into the glistening street
The distant thunder echoing my heartbeat
Urging me on to a secret goal
Away from the light from this lamp on a pole
So I turn, slip away into the rain
Drifting like a spirit through the shadows in the lane
Clutching the tools of my trade in my hand
An old box of matches and a gasoline can
Darkness envelopes the scene like a shroud
A veil of emptiness hangs from the clouds
Filling up the cracks in this desolate place
Cradled by the night in an icy embrace

Moving to the town like a ghost in the rain
A dim reflection in a dark window pane
Blackness beckons from every side
Creeping all around like an incoming tide
A broken window in an empty house
I slip inside and begin to douse
The whole place with the fuel that will feed the fire
And push back the night, taking me higher
On out of the darkness in a defeaning roar
The match in my hand is the key to the door
A simple turn of the wrist will suffice
To open a passage to paradise
I pause, I think about the past and the gloom
The smell of gasoline permeates the room
Everyone has a little secret he keeps
I light the fires while the city sleeps

(Like the 4th of July)

The match makes a graceful arc to the floor
And time stands still as I turn for the door
Which explodes in a fireball and throws me to the street
I hit the ground running with the flames at my feet
Reaching for the night which recoils from the fire
The raindrops hiss like a devilish choir
Dying in the flames with a terrible sound
Calling all the names of the sleepers all around
But then in the arms of the night, they lay
Their dreams sprout wings and fly away
Out of the houses in a gathering flock
Swarming overhead as I hurry down the block
I make my escape with the greatest of ease
And savor the darkness, drop to my knees
And the lightless window, my hand on the latch
I reach in my pocket, and pull out a match

(Like the 4th of July)

MC 900 Ft. Jesus, “The City Sleeps

So, the big news of the moment is that we appear to have an arsonist running around North Seattle. It’s really freaky to think about — thirteen fires in the North Seattle area over the past three days, the majority of which have been definitely determined to be arson, and now there’s a reward of up to $30,000 for information leading to an arrest.

Local weblogger Danelope had a night of listening to sirens, and included links to Seattle Police scanners streaming audio (which, unfortunately, wasn’t working for me when I just tried to listen in) and a resource that I keep forgetting about, the live 911 incident list for Seattle. A little unnerving to go down the list, though, as right now there is an active “Fire in Building” listing at North 61st and Phinney with multiple units responding. While it’s a little tough to be sure, it looks like it’s at least possible that the local fire departments might have another busy night ahead of them.

It’s also a little concerning because Prairie’s sister Hope just moved into a new apartment in the North Seattle area. While so far the arsonist seems to be avoiding populated buildings, and there haven’t been any injuries, there’s always the possibility that a fire might spread to other areas. We’ll just keep our fingers crossed and hope that North Seattle’s big enough that any new fires don’t hit Hope’s area — or if they do, that everyone’s alert enough that nothing happens.

Freaky stuff.

Almost amusingly, though, it’s almost starting to seem that my time living in Seattle is going to be punctuated by fires of one sort or another. The summer I moved down here was one of the driest in Washington in a long time, actually putting the state into official drought status, and there were fires all across the state for much of the summer. When I went with some friends to see the Barenaked Ladies perform at the Gorge in central Washington, much of the weekend was scented with woodsmoke, as we were often no more than a few miles away from one of the fires.

After getting everything set up at the campsite, we packed ourselves into two cars, and headed down a quicker route back to the Gorge for the show. The way there was fascinating — currently, huge amounts of the state of Washington are on fire, and there were amazing clouds of smoke from the fires just 40 miles away or so in the sky. The smoke turned an otherwise clear night to a completely opaque murk. Just fascinating to see — and the smell of burning pine in the air was an added reminder that all this stuff wasn’t that far away.

While I can’t come up with any notable fires over the past two summers, earlier this year the Jensonia Hotel, next door to my apartment building, went up in flames three times over the course of a couple months (two of which I got pictures of, in January and in March), eventually being damaged enough that it has been permanently closed down. I still haven’t heard any word on whether or not those fires were ever determined to be arson or accidental, though.

And now we’ve got this going on right here in town. I’m quite curious is the responsible party is going to be sticking to North Seattle, or if things are going to spread. You can be sure I’ll be keeping my eyes and ears open.

Of course, all this did give me an excuse to post the lyrics to MC 900 Foot Jesus‘ “The City Sleeps“, written from the point of view of an arsonist on the prowl. This, of course, prompted Prairie to comment, “You WOULD have just the right creepy song in your collection!” :)

Benefits to being a music whore, I guess. ;)

Meme Propagation Test

This posting is a community experiment started by Minding the Planet to see how a meme represented by a blog posting spreads across blogspace, physical space and time. It will help to show how ideas travel across blogs in space and time and how blogs are connected. It may also help to show which blogs are most influential in the propagation of memes. The original posting for this experiment is located at: Minding the Planet; results and commentary will appear there in the future.

Please join the test by adding your blog (see instructions, below) and inviting your friends to participate — the more the better. The data from this test will be public and open; others may use it to visualize and study the connectedness of blogspace and the propagation of memes across blogs.

The GUID for this experiment is: as098398298250swg9e98929872525389t9987898tq98wteqtgaq62010920352598gawstw98qwrt189849813907azq4

(this GUID enables anyone to easily search Google for all results of this experiment). Anyone is free to analyze the data of this experiment. Please publicize your analysis of the data, and/or any comments by adding comments onto the original post at Minding the Planet; Note: it would be interesting to see a geographic map or a temporal animation, as well as a social network map of the propagation of this meme.

INSTRUCTIONS

To add your blog to this experiment, copy this entire posting to your blog, and fill out the info below, substituting your own information in your posting, where appropriate.

(Note: Replace the answers below with your own answers):

  1. I found this experiment at URL: http://www.jluster.org/node/249
  2. I found it via “Newsreader Software” or “Browsing or Searching the Web” or “An E-Mail Message”: Newsreader Software – NetNewsWire
  3. I posted this experiment at URL: http://www.michaelhanscom.com/
  4. I posted this on date (day, month, year): 03 August 2004
  5. I posted this at time (24 hour time): 00:30:57
  6. My posting location is (city, state, country): Seattle, WA, USA

OPTIONAL SURVEY FIELDS (Replace the answers below with your own answers):

  1. My blog is hosted by: TypePad
  2. My age is: 31
  3. My gender is: Dangly Bits
  4. My occupation is: Copy geek
  5. I use the following RSS/Atom reader software: NetNewsWire
  6. I use the following software to post to my blog: ecto
  7. I have been blogging since (day, month, year): Verifiable: Nov. 25, 2000. Unverifiable: Sometime in ’98 or ’99.
  8. My web browser is: Safari

iTunes: “Lovesong (Extended)” by Cure, The from the album Mixed Up (1990, 6:20).

iTunes and Jazz: More about Metadata

Regular readers of this mess I call a website will occasionally have seen me rant about metadata, especially where the iTunes Music Store is concerned. In short, it’s woefully incomplete, and at times, flat-out inaccurate. It was quite heartening for me to run across Jazz in 2500?, a jazz-lovers look at the disservice done to music when only the least possible information is preserved when purchasing music online.

The consumer that buys an album on ITMS should have access to the same liner notes, session information and songwriting credits that are sold with the CD version. Online music stores should facilitate rather than hinder access to this information before, during and after a song or album is purchased.

[…]

Removing the identity of artists is one of digital music’s largest threats to jazz preservation. A full understanding of jazz goes beyond the “Great Man” theory and recognizes the influence of side players – the wide network of people that developed this musical language together. Selling songs and albums separated from names disrespects the artists and hinders the education of new listeners.

ITMS often does not list the names of the musicians who play on jazz albums. When they do list the names, it is never on a song-by-song basis, making the information confusing and useless on compilations and box sets.

[…]

Box sets and CD reissues often feature meticulously researched session information, as well as essays from experts. Having this information sold with the music enables jazz fans to educate themselves and others. Most jazz albums for sale in the ITMS have none of the original album’s liner notes or session information.

Maybe it’s true that most people aren’t bugged by this stuff, or the lack thereof. However, those of us who do care, care a lot.

Besides — why in the world should we accept marketing to the lowest common denominator? There’s enough business out there that do that already. Apple and the iTunes Music Store should be at the forefront of showing how things should be done, and that they’re also music lovers, not just music retailers.

iTunes: “That’s It! (Dub)” by Hyperdrive from the album Club Cuts EP Vol. 1 (1998, 8:19).

Ballard Locks Photo Workshop

So yesterday was the big photo gathering at the Locks. Prairie and I picked up her sister Hope and then headed out, eventually getting there about an hour into the event. As I’d never been to the Locks before, I wasn’t entirely sure where to go at first, so we just started following the paths and wandering around. It wasn’t long before we stumbled across a fairly large group with a higher-than-average ratio of cameras…

Photographers at the Locks

Myk spotted me when I wandered in and we spent a few minutes chatting, idly wondering what could potentially get him into more trouble with Homeland Security: organizing the event, or taking a wild leap into the water in an attempt to escape should anyone try to arrest him. Of course, nothing along those lines happened, and the day was quite nice, just a lot of people gathered to talk and look for some decent shots.

A nice medium-format camera

Many photos were taken by everyone, of the Locks, boats, and — of course — all the other photographers. A representative from the ACLU was there (complete with an old 110 pocket camera, which I hadn’t seen in years), along with a photographer from the Seattle P-I, some people who’d read about the event in the Stranger, and many who’d read about it online. I’m afraid I didn’t end up meeting very many of the people who were there, but seeing the turnout was great.

Wave Sculpture

After milling with the crowd for a while, Prairie, Hope and I decided to go wandering around the area for a bit and see what all was there. There were a fair amount of activities going on in addition to the photographer’s gathering, including a flower show, a band playing on the grass, and many tourists wandering around the grounds. Prime people-watching, in other words, which we took full advantage of.

Children at the Fish Ladder

There were a couple of attempts at group photos during the gathering, one of which I was around for, but I think I missed a later one set up by the P-I photographer. Still, at one point he made sure to come by and get my name, so I suppose I must have made it into one or another of his shots. Who knows, maybe I’ll have another appearance in a local paper sometime this week? It’s getting hard to keep track of all my press…;)

Anyway, all things considered, it was a very pleasant time, and many thanks to Myk for organizing the event. There are rumbles of a similar workshop day being set up at some point later on from a different vantage point (after it was pointed out that Ian was taking his photos from Commodore Park, rather than on the Locks themselves). Should that come through, I’ll definitely see what I can do to attend that one, also.

I’ve uploaded the majority of the photos I took yesterday to my gallery, as always.

Other writeups and photo collections:

iTunes: “One Too Many Mornings” by Chemical Brothers, The from the album Exit Planet Dust (1995, 4:13).

Ballard Locks photo workshop today

Just a reminder — today is the day of the Ballard Locks Photo Workshop organized in response to Ian Spiers’ experiences while photographing the Locks.

Sunday August 1st, 2004

1PM – 4PM

We’ll meet at the front gates at just before 1PM, if you’re late, just look for the gaggle of tripods inside the property by the locks.

As word of this event quickly spread across the Seattle blogosphere, the organizer felt it would be worthwhile to clarify the intent of today’s gathering.

My event was meant to just be a day of photography where photographers could get together and just be photographers; to show everyone that photographers care about our rights, and to show Ian how many people support him.

I initially called this a workshop, not a protest, as that is the vision I had – and BTW still have. So, even if in your mind this may be a protest, please keep in mind that the event itself is NOT a protest. I’m just encouraging people to go and take some pictures.

That having been said, I feel a need out of fear to be very clear about the vision for this event. We will not be getting in the faces of other people there; be they event participants, police, security, tourists, or any other group for that matter. There will be no rally, there will be no speakers, there will just be a bunch of people taking pictures and discussing the issue at hand amongst themselves as they meet.

Sounds good to me. I’ll be there, camera in hand.

iTunes: “Gödel” by Phoids, The from the album Marianne Doesn’t Know Yet (1996, 4:47).

Batman Begins

While I knew that Waner Brothers was working on bringing the Batman franchise back from the neon grave that Joel Schumacher buried it in, I had no idea that the project was this far along: the teaser trailer has just been posted.

The trailer doesn’t really show me enough to be absolutely sure, but it does look promising. What looks more promising, however, was the cast they’ve lined up for this thing!

With any luck, we just might get a watchable Batman movie again.

(via Ryan)

iTunes: “Girls of the Night (Elite Force)” by Surreal Madrid from the album Black Flys pres. Club Flys 3: Late Night (1998, 6:16).

Tattoo number two: Ouroboros

Some time ago, I got my first tattoo: a yin-yang made of smiley faces, a design I was taken with because of the symbolism of the yin-yang (light and dark intertwined and dependent upon each other) and the incorporation of the smiley face, which I interpreted as meaning that light or dark, good or bad, there’s some good in every situation.

For some time now, I’ve been pondering what to get as a second tattoo. I didn’t want to get something merely because it “looked cool” or struck my fancy for a passing moment. Rather, I wanted to get something to both complement and balance the tattoo I already had. As the smiley yin-yang is a roughly 3 inch diameter circle on my right upper arm/shoulder, I knew I something similar on my left upper arm, but I wanted to find something that matched thematically, as well as visually.

Nothing struck my fancy for quite a few years, but off and on for the past year or so, I’ve been thinking more and more seriously about one particular design that first caught my eye when I was around eleven or so.

At that time, movies often came to Anchorage months after they had wide release in the lower 48. I’d seen trailers on television for a new fantasy movie that looked incredibly cool: The Neverending Story. However, the movie just didn’t ever seem to come out, and I eventually went out and picked up the book by Michael Ende.

I completely and entirely fell in love with the book (and later was somewhat disappointed by the movie when it eventually hit Anchorage — it’s enjoyable and a lot of fun on its own, but it only covers the first half of the book, ignores roughly half of that, and scrambles what little is left), but the cover of that edition of the book featured stills from the movie, and had Atreyu’s amulet, the Auryn, featured prominently on the front cover.

The Neverending Story

The Auryn in the film was actually a stylized version of an Ouroboros: while the traditional Ouroboros is a single snake consuming its own tail, the Auryn was designed as two intertwined snakes, one light and one dark, each consuming the other’s tail.

The symbol has stuck with me ever since then, and more and more often as of late, it’s been popping into my head as what I’d like to get to complement the tattoo I already have. I spent a little time this morning trying to find good images and information on the symbol — something of a difficult task, unfortunately, as there are quite a few possible spellings of Ouroboros — but have found a bit of each. I’m not sure if I’ve found an image that’s clean enough for me to give to a tattoo artist yet, but I did confirm some of what I’d already believed of the symbolism of the Ouroboros:

The ouroboros has several meanings interwoven into it. Foremost is the symbolism of the serpent biting, devouring, eating its own tail. This symbolises the cyclic Nature of the Universe: creation out of destruction, Life out of Death. The ouroboros eats its own tail to sustain its life, in an eternal cycle of renewal. In the above drawing, from a book by an early Alchemist, Cleopatra, the black half symbolises the Night, Earth, and the destructive force of nature, yin. The light half represents Day, Heaven, the generative, creative force, yang.

So it looks to me like we’ve got a winner. Now, the search is on for a good, clean image that will work well as a black-and-white tattoo. Once that’s done, it’ll be time to get inked again!

iTunesBehind the Wheel” by Kirk from the album Trancemode Express 1.01: A Tribute to Depeche Mode (1996, 7:30).

Alan Moore interview

There’s a stunningly good interview on Salon with Alan Moore, creator of the extremely well-regarded graphic novels “From Hell” and “Watchmen” (unfortunately, I’ve yet to read any of his work, though I’ve heard many good things about them). A definite must-read.

We invite [television] into our own home every night; I’m sure that some of us think of it as a friend. That might be a horrifying notion but I’m sure there are people who think of television as perhaps one of their most intimate friends. And if the TV tells them that things in the world are a certain way, even if the evidence of their senses asserts it is not true, they’ll probably believe the television set in the end. It’s an alarming thought but we brought it upon ourselves. I mean, I think that television is one of the most diabolical — in the very best sense of the word — inventions of the past century. It has probably done more to degrade the mind and intelligence of its audience, even if they happen to be drug addicts or alcoholics; I would think that watching television has done more to limit their horizons in the long run. And it has also distorted our culture.

TV and politics have always made inevitable bedfellows, but the results have been disastrous. Look at the situation we have now. Let’s say that tomorrow someone who is a political genius were to emerge — and I’m not expecting this to happen, but say that it did. Say that a politician emerged who seemed, for once, basically competent, who seemed to be able to do their job as well as the average cab driver, comic writer or journalist. If they were the most intelligent, visionary, humane political thinker in the history of mankind, but were also fat, had some sort of blemish or something that made them less than telegenic, we would not be able to elect them. All we’re able to elect are these telegenic, photogenic crypto-Nazis. As long as they look good.

(via Mike)

iTunes: “Gift, The” by Way Out West feat. Law, Miss Joanna from the album Deconstruction Presents (1996, 4:23).