A Digression on Gilliam

My Gilliam Film Collection
My Gilliam Film Collection

A collection I’ve wanted for a long time, and finally completed: All of Terry Gilliam’s films (except for The Man Who Killed Don Quixote, which isn’t out yet) are on my Plex server in HD. He’s just the sort of gloriously weird that works well for me.

It’s funny, though, thinking about it. I tend to think of myself as not being a big fan of dystopian fiction*, and yet that’s a large part of his work. But even in his darker films that don’t always end on happy notes, there’s often a definite line of optimism, hope, and the characters fighting against that dystopia — I think there’s a good argument to be made that there’s a hopepunk element to much of his work, which is why it resonates with me.

* I’m certainly less so now than I was in my youth when I first discovered Gilliam. Something about being aware of the dystopia we live in makes it a lot less escapist, doesn’t it? And, unfortunately, there’s definitely evidence that Gilliam doesn’t always recognize his own racial and sexual privilege, with his unfortunate comments about the #metoo movement and diversity in media programming, which could also partially explain his draw towards dystopian fiction: He can view it from what he perceives to be a “safe” distance, just as I did when I first discovered it. Meanwhile, there are lots of people (who, as I think about it, I really don’t think I can remember much representation of in his films) who are far more intimately, immediately familiar with the realities of living in dystopian worlds.

Huh. Well, that went astray from my original intention of “hey, I’ve got all the movies I can from one of my favorite directors!”

Book twenty-four of 2019: The Demolished Man, by Alfred Bester. ⭐️⭐️⭐️⭐️ 1953 Hugo Best Novel

Psychic police are now something of an SF trope, but this was apparently one of the first to use this idea, and its implementation (both in plot and typography) is still effective.

Celebrating π Day by eating a square piece of lasagne for dinner, soon to be followed by a shapeless mass of ice cream. But the ice cream is out of a round container, so that counts, right?

🖖 #StarTrekDiscovery S02E09 Goddammit, DSC. So much potential here, so many good moments, but also a lot of pieces that don’t make sense, and an ending that just annoyed me. Overall, uneven but mostly good until the end, which wasn’t truly earned and just came off as exasperating.

Fond wishes on International Women’s Day to all the marvelous women in my life. Whether related by blood or by choice, whether near or far, whether AFAB or not, whether you feel like a woman every day or only some, and however you express yourself. I’m glad we know each other.

🖖 #StarTrekDiscovery S02E08: For all I think DSC needs to do its own thing, a TOS-heavy episode was one of the best so far. Enjoyed the Cage recap, esp. the cut from TOS Pike to DSC Pike. Happily impressed by Peck’s Spock; he has the gravitas and delivery down. Good episode.

In today’s offering of “weirdly cute”: a snail playing with a carrot. At least, that’s sure what it looks like is going on, at the risk of being too quick to anthropomorphize snail behavior.