Git yer meat on!

My brother Kevin is in town for the weekend to hang out with a couple old friend of his, and I was able to get together with the three of them last night for dinner at the Ipanema Brazilian Grill downtown.

Rob, Steve, Kev, Ipanema Brazilian Grill, Seattle, WA

Much fun was had — I haven’t seen Kev in a few months, the last time I saw Steve was for the three-family anniversary get together in August of ’02, and I’m honestly not sure when I saw Rob last. We all got to catch up, and much hilarity ensued.

The Ipanema Brazilian Grill is an interesting place. It’s down in the Harbor Steps building across from the Seattle Art Museum downtown, so I was able to just wander down there. We’d agreed to meet there around 7, and since I ended up being the first one there, I got us on the waiting list and grabbed a seat at the bar. The boys showed up shortly afterwards and joined me, and we waited for our table.

And waited.

And waited.

When I’d put my name on the list, I’d been told that it would be about an hour’s wait. When it got to be fairly well after an hour without any sign of movement, Rob went over to talk to the hostesses to see what the situation might be. He came back a little annoyed — apparently, when he asked what the best strategy for getting a table in a timely manner was, he was told to “show up at 5:01,” right after they open, “and you’ll get seated.” The bartender then told us that chances of getting a table on a walk-in basis on a Saturday night were slim…but he’d see if he could help us out.

We debated whether to wait for a bit longer or just bail (with quite a few jokes about the reason for our being shunned being “the hippie in overalls” [my brother] and “the guy in the skirt” [me, kilted as usual]), but right about when we’d almost decided to head out, the bartender came back and let us know that we’d be seated in just a few minutes. Sure enough, not long after that one of the hostesses came over to get our attention — and the bartender got a big tip from us.

The next shock for me — living, as I do, on a starving college student budget (only without the college classes to show for it) — came when I took a look at the menu. A single, flat, per-plate fee of $34.95. My jaw dropped, as that’s about three meals at my usual quality of dining out, or a few bags of groceries from the grocery store (admittedly, this may say more about my usual dining habits than about the restaurant itself). Still, we were there, and after some friendly invectives hurled Rob’s way, we settled in for the meal.

The last nasty surprise didn’t affect me all that much, but amused Steve. When we got to the table, he ordered a beer from the tap — the only type of beer that they had on tap. Moments later the waitress came back and let him know that the tap was broken. Okay, so he asked what they had in bottles.

“Bud, Bud Light, Miller, Miller Light, and Guinness.”

Okay, I don’t drink beer, and that was enough to raise my eyebrows. Maybe it’s just that my friends often tend to be as much beer snobs as they are coffee snobs, but Seattle’s often appeared to me to be as much of a beer town as a coffee town, and seeing a higher class restaurant limit their beer selections to various flavors of watered down American piss water — though, admittedly, balancing that out with Guinness — was a definite surprise. Needless to say, Steve went with the Guinness.

However, with those caveats out of the way, once we got into the meal itself, it was incredible, and definitely worth that initially jaw-dropping price (it’s just not going to be a place I make a habit of hitting a couple times a week…). Rob, the only one of us to have been here before, had told us that this was a “meat-o-rama” — that it was time to “get our meat on”, to “put your meat where your mouth is”, and he wasn’t kidding!

Steve, Kev, Ipanema Brazilan Grill, Seattle, WA The dinner itself is an all-you-can-eat Brazilian style buffet. You grab a plate and hit the salad bar to grab anything you might want to supplement the main course with, and then sit back down. Each table is given a coaster that’s red on one side and green on the other. Put the red side up, and you’re left alone to eat and talk.

Put the green side up, though, and you’ll soon start to be visited by the servers. The servers circulate throughout the dining area, each one with a skewer that has one of fifteen different types of meat on it, fresh from the grill. They’ll stop by the table, let you know what they’re carrying, and if it sounds good, they carve a slab off right there. You catch it with the small tongs they give you, put it on your plate, and dig in.

It definitely makes for a very interesting and varied dining experience. The meat was incredibly good, too — perfectly cooked, melt in your mouth tender, and oh-so-tasty. I must admit that by the end of the night, that per-plate set price didn’t seem anywhere near as extreme as it did when I first sat down. We’d flip the coaster to green, get a few samples of the different choices, flip it to red to work our way through what we had and let it settle, and then flip it back to green and start the process over again.

Eventually, we got to the point where we couldn’t pack any more in, and just sat back to talk, joke around, and let things settle before we pried ourselves out of our seats and waddled out the front door. A few more minutes of chatting outside, and then Kev, Rob and Steve hopped in a cab to get back to Rob’s house, and I headed up the hill to work off some of what I’d eaten up at the Vogue.

Had a good few hours of bouncing around and chatting with people (finally, after almost four years, I’m starting to meet a few more of the people I see there week after week), and then back home to fall over and pass out.

Good friends, family, food, and music all in one night. Not bad at all.

iTunesGood to be Alive” by DJ Rap from the album Go (1999, 4:15).

Loose Change

A pet peeve of mine that’s been bugging me for some time now. I’m not sure just when this started happening, but I think it was just within the past few years.

When I was trained on cash handling and register usage, it was drilled into my head that the proper way to give a customer their change is to count it back to them, starting with their total and working up to what they gave you. This ensures that both you and the customer are sure that they’ve been given the correct change.

For instance, if someone bought a $5.26 item and paid for it with a $20 bill, I’d give them their change starting with the coins and counting up: “Five twenty-six, six,” as I drop $0.74 into their palm, “seven, eight, nine, ten,” as the dollar bills get counted back, “and twenty,” as the $10 bill finishes it all off.

For some reason, though, I haven’t run into a cashier who does this properly in — well, I’m honestly not sure how long, but certainly not the last few months — and it drives me up the wall. Not because I’m that anal about how money’s counted back to me, but simply because what seems to have become the common standard is obnoxiously inconvenient.

These days, they’ll just say something along the lines of, “Four seventy-four is your change,” and put the money in my hand — but they’ll put the money in the same way they say it. This ends up placing the bills in my hand first, and then the coins, so that suddenly I’m standing there with my wallet in my left hand and a small stack of bills in the right, with a pile of change sitting precariously on top. At this point, it’s almost impossible to move at all without dumping the coins all over the counter or the floor.

Doing it the correct way — that is, of course, how I was trained, and how I want it to be done — allows me to cup a couple fingers under the bills and around the change in my palm, slip the bills into my wallet, and then drop the change into my pocket. Now, though, I’m left standing in front of the register, feeling more than a little idiotic as I try to juggle wallet, bills, change, and whatever I’ve just bought without either holding up everyone behind me or dumping my money all over the place.

Drives. Me. Up. The. Wall.

When did this start being an acceptable way to give customers back their change? Do companies just not train their cashiers properly anymore?

(On a semi-related note, I noticed while I was tending the register at my old store that I was the only person there who made sure that all my bills were facing the same way in the stacks — face up, with the top of the head towards the right side of the drawer. Again, something that was drilled into my brain when I was being taught how to handle cash that seems to be completely ignored anymore.)

Kids today, I swear….

iTunesMusic (Deep Dish Dot Com)” by Madonna from the album Music (2000, 11:24).

Top o’ th’ mornin’ to ye!

Darby O'Gill and the Little People Happy St. Patrick’s day, folks!

Somewhere way, way back in our family’s lineage we actually have a wee bit of Irish blood — no big surprise if you’ve ever met me, given my so-pale-it’s-translucent skin and red hair. However, while I got the traditional Irish look, it’s my mom and my brother that acquired the taste for beer so dark it needs to be served with a knife and fork. I’ll stick to a very non-traditional Dr. Pepper.

So hit the pub, hoist a Guinness, do your best (or worst) brogue, wink at a pretty lass — and if you find that pot o’ gold, toss a piece or two my way, would you? ;)

Update: Mom fills in the details on our Irish heritage in an e-mail…

From Ressie Wills’ family history records:

Robert Hamilton b 5-16-1760 Banbridge, Down, Ireland
M 4-30-1781 Pa
Susianiah Keane d 11-15-1790 Warren Co. Oh.

Robert Hamilton came to America in 1774 to make his home in Old Lancaster, Pa., with his uncle, who was a blacksmith by trade. After the death of his uncle when he was 14 years of age he enlisted in the Revolutionary War.

At least several generations ago!

The catch is, though, that County Down is Northern Ireland — the Orange folks, not the green ones.

But “Everyone is Irish on St. Patrick’s Day.”

Patrick himself is buried in County Down, outside of Ulster.

More details behind the cut, if anyone’s interested.

Read more

DJ Wüdi Mashup: Just Can’t Get Flexible in 1999

JCGF Cover ArtOkay, folks — for better or for worse (but hopefully not too much worse), I spent some time playing around in GarageBand over the past couple of days. The result: Depeche Mode’s ‘Flexible’ and ‘Just Can’t Get Enough’ plus Prince’s ‘1999’ equals DJ Wüdi – Just Can’t Get Flexible in 1999 (7.8Mb MP3).

It’s my first attempt at creating a mashup rather than just listening to ’em. Probably not likely to make it to the top of the charts, but I don’t think it’s too terribly bad for a first try.

Give it a listen, and feel free to let me know what you think (good or bad)!

Update: I’ve made some slight tweaks to the track (mostly moving the rap section back by a few bars, it was coming in too early in the first version) and replaced the download file with v2. If you haven’t downloaded this yet, you’re set, otherwise feel free to re-download the updated mix.

Update 5/2/2008: Mini-review by Mashuptown: “wow! floor filla’. quite splendid indeed.” Sweet!

Cards, anyone?

Arboretum, Seattle, WA I got a nice compliment from mom on one of my recent photos earlier today:

You sure have some beautiful photos. You could open a side business (in your spare time) selling them for cards.

Thanks mom!

This makes me curious, though….

Might this be a viable idea? While I’m still not sure I’d call myself a “photographer” — I generally tend to prefer “some guy with a camera” — I do think that I do occasionally manage to get some pretty decent shots. If I could find a good way to produce cards or prints, anyone think there might be an interest?

And if so…any ideas where to look as far as vendors go? I know CafePress is one option — I’m using them now (if you can call the five or six sales I’ve made so far “using”) for my I’m Just Here to Get Laid, I’m Too Sexy for My Blog and I’m Too Sexy for Your Blog t-shirts, but the profit margin is so miniscule there that I’m not really sure I see using it for anything more than the occasional hobbyist cute idea (like the aforementioned t-shirts). Of course, if anyone is using CafePress more seriously than I am and finds it worthwhile, feel free to let me know. Any options other than CafePress?

I’m not entirely sure how seriously I’m thinking about this just now, but it’s at least worth poking around at a bit to see what I can find out.

iTunesAttached” by Orbital from the album Snivilisation (1994, 12:25).

Two brief bits…

…mostly because I hate letting a day go by without tossing something up here (even though that happens fairly often).

  • Prairie and I went to the Seattle Aboretum on Sunday along with her sister Hope and Hope’s puppy, Loodie. Pictures of flowers, trees, cherry blossoms, and various and sundry other people enjoying this last weekend’s gorgeous weather have been added to my Seattle Arboretum photoset, starting here.
  • I really, really, really want a copy of Native InstrumentsTraktor DJ Studio 2. I’ve been feeling the DJ itch lately, most recently at a party this weekend, and this is the first time I’ve seen a software package that looks like it can do a good job of replicating (and expanding on) the functionality offered by my old CD DJ deck. The downloadable demo is very impressive, but as it’s a demo, it’s limited in what it can do (no saving of files, 30-minute run time limit, etc.). The only downside is that it’s $220 that I don’t have expendable at the moment — but since my birthday is coming up on May 3rd, perhaps someone out there will feel generous? ;)

iTunesHaloes” by Christian Death from the album Gothik (1993, 3:37).

Trek in the 2100’s?

Yesterday I pointed to this article about Star Trek XI. According to the article, this will be a prequel movie not directly associated with any of the existing shows, story lines — or casts.

What we know so far you could pretty much write on the back of a comm badge but it breaks down to this: Picard and the gang will not be involved, it’s going to be a prequel film set before Kirk, the Enterprise TV crew will (thankfully) not be involved.

[…]

“We’re going 160-odd years before Kirk is born. It’s an earlier time, and I think it would be really refreshing to feel something in the course of telling this tale, instead of being wowed by special effects, or presenting another crew in jeopardy where, in the end, the captain does something brilliant, and all’s right with the world. By the end of this story, everyone isn’t fine. I can safely say as a storyteller with certain standards… my intention is literally as a writer, as a storyteller, as a filmmaker, to go boldly where no one has gone before.”

This got me thinking about the timeline of the Trek universe. I remembered that Enterprise was set roughly 80 or so years before classic Trek — so this new movie will be going another 80 years before that? Considering that Enterprise is set in the era immediately preceding the formation of the Federation of Planets, what was going on in the Trek universe during the time period of this new movie?

According to Memory Alpha’s timeline, Classic Trek is set in the 23rd century, between 2264 and 2269.

Enterprise takes place in the 22nd Century, between 2151 and roughly 2155 (I’m assuming that last date, given the four-year run of Enterprise).

This actually puts Enterprise roughly 110 years before Classic Trek, not 80 — so the new film should take place roughly fifty years prior to that, right around the early 2100s.

So what do we have in the established Trek universe in the 2100s that might factor in to the new movie?

I haven’t snagged character births or contact between races that Earth wouldn’t have come into contact with yet in what I’ve listed above. Of those listed events, the only one that seems even remotely important enough that it might make an appearance in the new film is the establishment of the Martian colonies, but I don’t really expect that to show up.

First Contact with the Vulcans was in 2063, so having the Vulcans involved is a possibility — unfortunately, if they keep continuity with Enterprise, they’ll be the uppity, meddling Vulcans of Enterprise rather than the stoic, respectable members of the Federation that we’re more familiar with.

Neither the Klingons nor the Romulans had been encountered yet, so unless there’s some even more serious meddling with the established universe coming up, we shouldn’t be seeing either of them in the film.

Essentially, it appears that we have a fairly open slate for this one. I just hope that writer Erik Jendresen isn’t just mouthing empty platitudes when he says this

“I can certainly say that the story concept, the basic idea of this thing, is pretty damn big,” says Jendresen. “It’s a noble enterprise, pun intended. When I heard the notion, I realized that the people I was talking to were serious, and genuinely dedicated. I started to really think about it, and, ultimately to develop a story. And it’s a pretty good one.

Rumor mills — warp seven — engage!

Update: On a second reading — because sometimes I’m dumb, and one reading isn’t enough — I realized that I may have goofed up the dates by about three decades. I’d thought that the article said that they were going “160 years before Kirk’s time”, so I counted backwards from the beginning of the original series. However, I just realized that the article actually says “160-odd years before Kirk is born“.

Kirk was born in 2233, so that puts the approximate time period of the new film at around 2073 or so — not even 70 years from the present day. This still puts it post-First Contact with the Vulcans, but now we’re a good thirty years away from colonizing Mars.

Again looking at the timeline, events in the 2070’s that might (but might not) factor into the film:

Again, just because these events have been established as part of the Trek universe, there’s no guarantee that they will be seen or referenced in the upcoming film — and, as noted above in regards to the Post-atomic horror seeming to be inconsistent with the TNG and ENT versions of Trek history, it’s entirely possible that some events may be flat-out contradicted once the film comes out.

Still, it’s fun to look at what’s “known” at this point, and to try to put some context to the time period the next film is likely to be in.

Update: Neuvo pointed out that there’s been an update to the original article about the film, and the writer has stated that he goofed when he gave the ~160 year date.

Erik Jendresen contacted SyFy Portal after the story published to say that he misspoke when giving the 160-year figure in the above story. He said that was not an accurate number.

Now the article gives a rough date of ~80 years before Kirk — which puts it right around the early 2150’s, or right about the same time as the first season of Enterprise. This opens up possibilities for Klingons, Andorians, and (though I hope not) Suliban and other species encountered during Enterprise’s first year(s).

That’s far too many potential options for me to do another little timeline-rundown, so I’ll just go back to keeping my fingers crossed that a new writer not previously affiliated with the Trek franchise can breathe some new life into the series.

Geek Conflicts

After two incredible trailers which were then followed up by two horrid movies, I really should know better than to put any faith in George Lucas anymore. But then I watch the trailer for Episode III…and, while I hate myself for saying it, damn that looks cool.

I’m fairly certain he’ll screw it up again. But just for a few moments, I’d like to try to believe that it will actually be worth watching.

Update: Jason’s in the same boat (though he put it better than I did…):

Once every three years, the first trailer for yet another crappy George Lucas Star Wars movie is released somewhere to great fanfare. And each time, I watch said trailer and get all excited. It looks great, I’ll say. Maybe it’ll actually be good. My hopes start to rise. And then the movie comes out, Natalie Portman is transformed by Lucas’ awful direction into the worst actress ever, and I leave the theatre disappointed that a cherished childhood institution has been handled in such a piss-poor manner. With the impending release of Episode III and the trailer during last night’s episode of The OC, I have vowed not to get my hopes up. Never again, George Lucas, will you disappoint me.

However.

OMFG THE TRAILER FOR THE NEW STAR WARS MOVIE IS SOOO GREAT AND EXCITING AND THIS MOVIE IS GOING TO KICK SO MUCH ASS!!!

Meanwhile, the other Sci-Fi franchise that heavily influenced my growing years has just announced that sometime in 2007, yet another Star Trek film will land in the theaters.

Again, after the last few films, I really shouldn’t be excited about this.

But I want to be.

iTunesAsk Why” by Candyflip from the album Madstock…the Continuing Adventures of Bubblecar Fish (1990, 4:16).

Beautiful!

I’ve decided it’s going to be a good day today. I woke up in a good mood, felt more rested than I have fairly often recently, and there was gorgeous golden sunshine coming in through the windows.

Therefore, it’s going to be a good day.

‘Cause I said so, and I’m God today. :)

Going to? As in, future tense?

Saw this on Scripting News, regarding “just updated” pings to weblogs.com:

Search Engine Optimizers have discovered blogs, specifically blogspot. We’re going to have to develop some systems for dealing with this.

No kidding? And what’s with the future tense? With the ever-increasing spam attacks over the past year, did nobody stop to think that this might end up being a possibility?

Just struck me as odd.

iTunesSheep” by Pink Floyd from the album Animals Trance Remixes (1995, 16:03).