📚 Speaker for the Dead by Orson Scott Card

6/2023 – ⭐️⭐️⭐️⭐️ 1987 Hugo Best Novel

Really impressive. Builds on the universe and characters of Ender’s Game, but in very different ways. Lots of very thoughtful (and thought-provoking) discussions of truth, how people see themselves and others, relationships among different types of people and how they see each other, and the vast differences between assumptions and reality, especially when dealing with other cultures (or, in this case, alien intelligences).

A bit of unfortunate ableism at the very end after a character is injured. While it could almost be explained away as very unsurprising self-pity of someone dealing with new physical circumstances, Card does fall into the trap of having created a futuristic society with space travel and all sorts of technological advances, even allowing a blinded character to see through cybernetic enhancements, but motor and speech disabilities are seen as virtually life-ending.

Outside of that, it’s another book that makes me wish Card wasn’t so problematic, so I wouldn’t feel kind of guilty about enjoying his books as much as I do. Which brings me to copying this over from my review of Ender’s Game:

NOTE: It should be noted that OSC had long held and promoted viewpoints that I vehemently disagree with. The books of his in my collection were purchased before I knew of his standpoints, from secondhand stores, or both. I knew going into my Hugo reading project that there would authors and works I would find problematic, and that there might be situations (like this one) where I enjoyed a work by a problematic author. I do what I can to mitigate those situations by purchasing used copies of books so as not to directly contribute to those problematic authors who are still with us, and by noting when I run into those situations – like here (and again down the road, as one of JKR’s HP books also won a Hugo).

Michael holding Speaker for the Dead

📚 Ender’s Game by Orson Scott Card

5/2023 – ⭐️⭐️⭐️⭐️ 1986 Hugo Best Novel

It had been long enough since I’d last read this that I only remembered the broad strokes: Ender’s training, the zero-G battles, the simulations, the revelation after his final exam, and a few misty bits and pieces about the fantasy game he explores on his computer. But the threads with his brother and sister and, somewhat amusingly (where was my brain when I read this before?), the entire final chapter where Ender explores the colony world, were almost as new to me as if was my first time reading them.

The parts I remembered were as fun (in their way) as I remembered: the zero-G team combat games and their techniques and strategies, all while watching as Ender is manipulated and molded into what they need him to be. The political maneuvering of his brother and sister were interesting, and in some ways reminded me uncomfortably of the modern world, and in ways that wouldn’t have resonated quite so much when the book was published in ‘85. Now, instead of Valentine and Peter posting to discussion forums on their “nets” to influence politics, we have Qanon and Twitter on our Internet. At a few points, it was more than a little disturbingly prescient. (Plus other little details, like Ender’s “desk” where he can read, learn, program, communicate, and play games — basically, an iPad.)

While it’s perhaps a bit too militaristic to be a five-star read for me, it’s still an excellent book, well worthy of the awards it got, and I’m looking forward to reading more in the series (which I’ve never done before).

ADDED NOTE: It should be noted that OSC had long held and promoted viewpoints that I vehemently disagree with. The books of his in my collection were purchased before I knew of his standpoints, from secondhand stores, or both. I knew going into my Hugo reading project that there would authors and works I would find problematic, and that there might be situations (like this one) where I enjoyed a work by a problematic author. I do what I can to mitigate those situations by purchasing used copies of books so as not to directly contribute to those problematic authors who are still with us, and by noting when I run into those situations – like here (and again down the road, as one of JKR’s HP books also won a Hugo).

Michael holding Ender's Game

📚 Line of Fire by Peter David

4/2023 – ⭐️⭐️⭐️

A short, YA story following Worf at Starfleet Academy. It feels like the first three books (of which this is the middle book) were written as a full-length (~300 page) book and then split into thirds; it references events from its predecessor, and ends with a “To be continued…”. This is the first of this series of Trek books I’d come across, and while not being a full story, it’s fine for what it is.

Really, the weirdest part is that the primary Starfleet Academy instructor is a Professor Trump. Rather unfortunate choice of character name, that one.

Michael holding LIne of Fire

📚 The Children of Kings by David Stern

3/2023 – ⭐️⭐️⭐️

A pre-TOS adventure with Captain Pike just a few months into his captaincy of the Enterprise with Spock and Number One under his command. A Klingon/Orion/Starfleet dustup gets a little confusing trying to keep track of the players and motivations, with a somewhat out-of-left-field twist at the end that seemed a little too convenient for my tastes.

One amusing bit: The author’s endnote indicates that he thought of this as something of a prequel to the 2009 Star Trek rebook (so still in the Prime universe), though he still pictured Jeffrey Hunter as Pike rather than Bruce Greenwood; meanwhile, having recently enjoyed the first season of Strange New Worlds, I found myself more often picturing Anson Mount as Pike. The more actors we have inhabiting key roles, the more the mental visualizations start to shift as you read, I guess.

Michael holding The Children of Kings

📚 Being Seen: One Deafblind Woman’s Fight to End Ableism by Elsa Sjunneson

2/2023 – ⭐️⭐️⭐️⭐️⭐️

You should read this. Memoir, societal and media criticism, and a lot of often-footnoted humor in this examination of persistent and pervasive ableism. I ordered this after seeing the author give the keynote address at Accessing Higher Ground, an academic conference on accessible technology in higher education, which was an excellent keynote and introduced me to the phrase “disability is a multiverse”. Though I’ve been making an effort at broadening my awareness of the ableism around me, as someone who isn’t (currently) disabled, I know that there’s a lot I miss, and there was a lot in this book that I hadn’t thought of. However obvious it is in retrospect, unless you live within these circumstances, they’re often all too easy to not be aware of, and it’s very worthwhile to be exposed to situations outside of our experience.

Michael holding Being Seen

Self-Hosted Image Gallery Recommendations?

A lazyweb question: Is there decently modern web image gallery software anywhere?

I’d like to move away from Flickr in favor of self-hosting my photo galleries. But so far all the packages I’ve found are…well, they tend to look and feel (both on the backend admin side and the frontend public gallery side) like they haven’t been updated in the past decade or more.

Admittedly, sometimes this is because that’s exactly the case…which also doesn’t make me want to download them. But sometimes they’re still apparently under active development, but still look and feel like early-2000s projects.

Software I’ve installed, poked at, thought “mmm…well…maybe…”, and looked on to see what else I could find:

  • Piwigo is under active development (last release three weeks ago) but has rather sparse documentation if you’re not a developer building plugins, and needs config file editing just to display more than the most basic image metadata.
  • Zenphoto is also under active development (last release a month ago), but appears to be gearing for a more major update…which could be good, but there’s no indication of when that will happen, and much of the current installation (like every one of the default themes) has a “this has been deprecated” warning. So it doesn’t seem worth investing time into getting it up and running and populated if the current version is soon to be end-of-lifed, with who knows what sort of compatibility with the next version.

Things I’ve looked at but not downloaded:

  • 4Images may or may not be under active development; the last update was in November of ’21.
  • Coppermine‘s last update was in 2018…but the two before that were in 2013 and 2010, so who knows if it’s still active or not.
  • Gallery at least admits it’s dead; it points to Gallery Revival, which hasn’t been updated since November of ’21.
  • Pixelpost: “tldr: This project is abandoned, and has known security issues, use at your own risk.”
  • TinyWebGallery: I can’t quickly figure out when it was last updated, but the header graphic advertises “Flash uploaders”, and there are too many ads for online casinos on that page for me to bother digging around any further.

I’d like to stop giving Flickr money (I have nothing particularly against them, but at this point, I have nothing particularly for them either; their website doesn’t “give me joy”, and when embedding photos, the alt text is just the image title, not even the image comments, let alone any option to add true alt text), and I simply don’t trust Google enough to drop all my images into their systems. I’ve played with SmugMug as well, but again, I’d like to be able to self-host, not pay.

I’m a little surprised that this is such a sparse field, but I suppose that Flickr and Google Photos are “good enough” for most people these days, so there’s not a big market for people like me: a tech-savvy hobbyist photographer who’s not particularly interested in relentlessly pursuing monetization.

Recommendations would be appreciated if I’ve missed something worth investigating. As it is right now, though, I’m guessing my best bet will be to see what I can manage with either Piwigo or ZenPhoto.

📚 Snow Crash by Neal Stephenson

1/2023 – ⭐️⭐️⭐️⭐️⭐️

Fun to re-read this for the first time in at least two decades, especially so soon after reading Gibson’s Neuromancer. It had been long enough that all I really remembered clearly was the Metaverse and the opening pizza delivery sequence; other pieces I halfway recalled as I read, but much was brand-new all over again. Just as with Neuromancer, it’s fascinating to see how these books have influenced modern technology and tech culture. And I always love diving into one of Stephenson’s books. His tendency to cram everything including the proverbial kitchen sink into his books in overly intricate detail mixed with a healthy dose of snark doesn’t work for everyone, but it sure does for me.

Michael holding Snow Crash

🎥 Ticket to Paradise

Ticket to Paradise (2022): ⭐️⭐️: Unimaginative and entirely predictable, but harmless, and more or less (you choose which of those is most correct) saved by Clooney and Roberts’ undeniable easygoing chemistry.

However:

No points to whoever decided to dress Julia Roberts in a series of jumpsuits. She spent most of the film looking like a 1960s garage attendant.

Also no points to the screenwriters for apparently not knowing that one doesn’t become a lawyer about to start at a prestigious New York firm directly out of “four years of college”.

Nic Cage is a Trekkie

Here’s a fun snippet of an interview between Nic Cage and Kevin Polowy, where Nic definitively declares himself a Trekkie:

Video originally posted to Twitter by Kevin; I downloaded it to add subtitles. Transcript below as well.

…speaking of Massive Weight, the last time I talked to Pedro, he said he wanted to recruit you into the Star Wars fold. How do you feel about this? Has there been any movement on this?

I’m — No, is the answer, and I’m, I’m not really down. I’m a Trekkie, man, I’m on the Star Trek, I’m on the Enterprise, that’s where I roll.

Oh! Okay — I didn’t know this about you.

Yeah, well, this is the first interview of the new year, you might at well get something that no one knows.

But that’s a fact. I grew up watching Shatner, I thought Pine was terrific in the movies, I think the movies are outstanding, and I like the political and the sociological —

To me what science fiction is really all about, and why it’s such an important genre, is that is really where you can say whatever you want, however you feel, you put it on a different planet, you put it in a different time, in the future, and you can, without people just jumping on you. You can really express your thoughts, like Orwell, or whomever, in the science fiction format. And Star Trek really embraced that, I thought they got into some serious stuff.

This is a great nugget of information, and now we have to make that happen, we’re gonna put this out to the internet: Nic Cage for Star Trek, 2023. It’s gotta happen.

But I’m not, I’m not in the Star Wars family, I’m in the Star Trek family.

Got it, got it. We’ll put it in the record. I’ll break the news to Pedro for you.

Okay, thank you.