Weekly Notes: May 5–11, 2025

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Really, this is one of those weeks that just boils down to being another week, without any noteworthy points.

  • ♿️ As we’re approaching the end of spring quarter and commencement gets closer, I’m pretty constantly feeling like I’m just slightly behind where I should be with everything, Not enough to be in panic mode, just enough to never feel quite satisfied with the situation. Definitely looking forward to the summer quarter and hoping things slow down a touch.

  • 🚀 Norwescon has just about wound down, with just this coming weekend’s post-con meeting to wrap things up until we spin up in the fall for next year. Of course, that means a little less for me, as the website needs to be archived and reworked; hopefully I’ll be able to arrange time with my team to start that work soon. The Worldcon situation has dropped down to a light simmer rather than a full boil, which is progress. Mostly, I keep watching what people write and constantly have to fight the temptation to jump in and correct mistaken assumptions or assertions. As satisfying as it might be in the moment, it wouldn’t actually help. Sometimes knowing that I’m better off keeping my mouth shut really sucks, though.

  • 🏡 We spent part of the weekend cleaning up our little back yard for the summer and refreshing the herb and flower planters. (By which I mean, my wife did the planting, and I did the manual labor of moving planters around and hauling the old stuff out to the trash.) Hoping we have more chances to relax back there than we have for the past couple summers.

📸 Photos

Rows of purple and white, yellow, and orange pansies.
Pansies at the garden center.

My knees visible in the foreground as I sit in a small, gravel-surfaced pocket back yard, with tall trees visible behind the fence, and my wife's hand just visible to one side as she plants flowers.
Sitting for a moment between moving things around.

Potted herbs in front of a decorative glass ball, a metal peacock sculpure, and a small ornament of a fanged frog wearing a spiked collar sitting under a sign that says 'Beware of Frog'.
One corner of our yard.

Planters with herbs and flowers, several with small decorative gnomes sitting in them, next to a metal birdbath.
Another corner of the yard.

📚 Reading

📺 Watching

Lately it’s been a fair amount of old Hell’s Kitchen, because it can be entertaining to watch Gordon Ramsey yell at people.

🎧 Listening

VNV Nation’s “Construct” came out this week, and new VNV Nation is always good. I did see one friend describe it as “the new VNV Music Factory”, which is funny, but also not wrong, but y’know, I’m good with that. It’s like a review I once saw comparing KMFDM to a Big Mac: You always know that what you get is going to be maybe not not great, but big, cheezy, and acceptably satisfying when that’s what you’re in the mood for. VNV Nation isn’t the same sound, of course, but it’s kind of the same idea: You know what you’re getting, and it’s good comfort food (and occasionally really, really good, though I haven’t identified any tracks off this album that are particular standouts yet).

🔗 Linking

  • Joe Kissell at Take Control Books: Introducing MailMaven, a Better Mac Email App: “MailMaven is an email client for people who love email but want total control over every aspect of it. If there’s something you always wished your email app could do, Maven probably does it (or will before long). But it also does lots of things you never realized you absolutely need in an email app, and soon won’t be able to live without.” Mostly I’m fine with Apple Mail, but sometimes I wonder if something else might work better for me, and this one looks promising.
  • Niléane at MacStories: Are Pride Wallpapers and a Watch Band Enough in 2025?: “At a time when some trans people are actively seeking to flee the U.S. to preserve their fundamental right to a healthy, safe, and decent life free from the threat of President Trump’s actions, Apple doesn’t seem to be stepping up to its professed values to the extent that the situation requires.”
  • Erin Underwood at File 770: Op-Ed: About Choosing Convention Program Participants: “I understand the frustration and anger toward LLMs, but I think that we need to grant a little grace and understanding … and even kindness … to the people who are donating their time and putting their hearts, blood, sweat, and tears into trying to create these events that bring our community together.” Whatever your stance on generative AI and the Seattle Worldcon, this is well worth reading.
  • Eli Wizevich at Smithsonian Magazine: Who Created This Peculiar Painting of a Drooling Dragon? Nobody Knows—but a Museum Just Bought It for $20 Million: “The Virgin and Child With Saints Louis and Margaret is truly one-of-a-kind. Emma Capron, a curator at the museum who was responsible for the acquisition, describes the altarpiece as ‘wildly inventive’ and ‘full of iconographical oddities,’ per the Art Newspaper.”
  • Adrian Roselli: Do Not Publish Your Designs on the Web with Figma Sites…: “…Unless you want to fail all the WCAGs, create litigation risk, close off opportunities in Europe, engage in reputational harm, and oh yeah, throw up barriers to your customers and users.”
  • Liv Lyons in The Thunderword, Highline’s student paper: Student panel leads from the front on IPSE Day: “Building 7 was the beating heart of campus one week ago, as the students and faculty who make up Highline’s Achieve Program embodied the tenets of accessibility, diversity, and self-acceptance, further highlighting the importance of Inclusive Post-Secondary Education (IPSE) Day at collegiate institutions nationwide.” Our students put on a great panel for IPSE Day!
  • Mac Themes Garden: “Mac Themes Garden is dedicated to showcasing schemes made for Kaleidoscope and celebrating the customization and expressiveness it enabled on Classic Mac OS.” I miss Kaleidoscope, and really wish there was this sort of customization available for the modern macOS.
  • I Don’t Have Spotify: Paste in a link to a music track on one service, get links to it on other services. Handy for those of us who refuse to give Spotify money.

Weekly Notes: April 28–May 4, 2025

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  • ♿️ Another busy week at work, including a trip out to Emerald Downs planning for graduation, hosting an IPSE Day event supporting our students with intellectual and developmental disabilities, and ending with a full-day all-employee training focusing on equity. This year included a session on disability justice, which was led by a colleague from another school who I know through my work with WAPED, DSSC, and through watching the AHEAD listserv. Happily, this session was quite well attended by people across the college, and not just by people who are part of our Access Services department!
  • 🚀 Unfortunately, Seattle Worldcon is in the midst of our first (and hopefully only) big controversy. While it’s not my area, I’m close enough to have some of the not-yet-public information, and it’s been quite the experience watching the wider commentary based on incomplete information while not saying anything. Hopefully as more information comes out, this will calm down and fade into just being an unfortunate bump on the road.
  • 🥳 And, of course, yesterday was my 52nd birthday. We kept it a fairly low-key day, wrapping up with dinner out and seeing the play version of Agatha Christie’s “And Then There Were None” at the Renton Civic Theater. It was a fun show, and we do enjoy supporting local theater.

📸 Photos

One end of a dirt racetrack circle, with green grass and a pond in the center, with the snow-covered peak of Mt. Rainier rising in the distance in a clear blue sky on a sunny spring day.
Mt. Rainier in the distance over the Emerald Downs racetrack.

Four students sit at a table at the front of a lecture hall with a presentation screen behind them, in front of an audience of staff, faculty, and fellow students.
Four of our students were part of a panel discussion for IPSE Day, talking about their experiences at Highline College.

Me, a white man with a short trimmed greying red beard, wearing a black cap, black half-rim glasses, and black shirt and hoodie, standing outside in front of green trees, with a slight smile.
Me at 52. Feeling pretty good about aging well.

📚 Reading

Finished Lois McMaster Bujold’s Captain Vorpatril’s Alliance.

🔗 Linking

Captain Vorpatril’s Alliance by Lois McMaster Bujold

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Book 23 of 2025: ⭐️⭐️⭐️

We turn to Miles’s cousin Ivan for this entry (Miles is reduced to a cameo role), as he gets drawn into helping refugees from a fallen House, dealing with a heist, and finding a little romance along the way. Another fun romp in the Vorkosigan saga, even if I don’t find Ivan to be quite as strong a character as Miles.

Me holding Captain Vorpatril's Alliance

Weekly Notes: April 21-27, 2025

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While not a bad week, this was a long week. Having just finished the four days of Norwescon, I had Monday off to rest, and then went right into three days of two combined work conferences for DSSC and WAPED. They were good, and it’s always good to connect with work colleagues from across the state, but oof. Even in different contexts, that was about a week and a half of being on.

This weekend we did as little as possible.

📸 Photos

A desktop with eight piles of papers and booklets stacked around and on top of the keyboards and other computer peripherals.

One of my roles for Norwescon is as assistant historian (a side effect of running the convention’s online archives, and this year, I was given three and a half boxes with several decades of old convention ephemera. Lots was from Norwescon, but there was also a lot of stuff from other cons, including OryCon, CascadiaCon (the 2005 Nasfic), Westercon, the World Fantasy Convention, Worldcon, and bits and pieces from a few others. I’ve sorted through it all, and most of it I’ll try to pass off to more appropriate interested parties, but the Norwescon stuff will be slowly scanned and added to our archives. Lots of fun to see this old stuff!

The coner of my work desk, with a desk lamp with a colorful space vista printed on the shade, and the TOS Enterprise dangling from the chain. Around the base are seven model Star Trek ships. To the right is a green glowing schematic of the TOS Enterprise.

The Star Trek corner of my desk at work got a fun upgrade with the addition of a desk lamp with the TOS Enterprise dangling from the pull chain. A friend was decluttering, so I…well, I cluttered, but that’s okay.

📝 Writing

I inadvertently took a ride in a new Tesla Model Y, and wasn’t impressed.

📚 Reading

Started Lois McMaster Bujold’s Captain Vorpatril’s Alliance. I’m almost done with the Vorkosigan Saga books, and the next book on my Hugo reading project is the second in Bujold’s World of the Five Gods series, so my current plan is to go ahead and finish off the Vorkosigan saga before moving on to her fantasy work.

🎧 Listening

I posted the recording of my set DJing the Thursday night dance at Norwescon. Three and a half hours of listening pleasure for you to enjoy!

🔗 Linking

  • Chrysalis Magazine: “Chrysalis is a literary magazine by trans youth, for trans youth (created with a little help from trans adults).”

  • Anne Minahan: “Martha’s Rules”: An Alternative to Robert’s Rules of Order (PDF link): “…Martha’s Rules…were developed by Martha’s Housing Co-op for families in Madison, Wisconsin. Martha’s Rules are not only an alternative to Robert’s Rules, but provide ideas for people in organizations who are committed to consensus decision-making and who want to make it work well.”

  • Catherine Zhu at CBC Radio: 45-year mystery behind eerie photo from The Shining is believed to be solved: “In Stanley Kubrick’s 1980 horror classic The Shining, the camera zooms in toward a black-and-white photograph hanging in the hallway of the Overlook Hotel. It’s dated July 4, 1921. Dead centre stands Jack Torrance — played by Jack Nicholson — smiling in a crowd of partygoers. ¶ But the photo wasn’t taken on set with extras. It was a real photo from the 1920s, and Nicholson’s face had been superimposed over someone. But whose face was it?”

  • Tim Stevens at The Verge: The $20,000 American-made electric pickup with no paint, no stereo, and no touchscreen: “Meet the Slate Truck, a sub-$20,000 (after federal incentives) electric vehicle that enters production next year. It only seats two yet has a bed big enough to hold a sheet of plywood. It only does 150 miles on a charge, only comes in gray, and the only way to listen to music while driving is if you bring along your phone and a Bluetooth speaker. It is the bare minimum of what a modern car can be….” I’m not at all a pickup person, so am not really in the market, but I’m rather fascinated by Slate‘s approach. Kinda wish there was a car version of this.

  • Lia Woodward and Leah Folta at McSweeney’s: This Five-Hundred-Word Bumper Sticker On My Tesla Explains Why I’m Not A Bad Person: “Before the last few months, Musk was only mean toward some people, and I hope you can understand that I and most people in my social circles were not among them. So when that suddenly changed for me this year, I was just as outraged as any of you, as evidenced by this five-hundred-word bumper sticker prominently placed on my Tesla.”

20 Minute Tesla Model Y Review

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Entirely unintentionally and much to my chagrin, I had my first ride in a Tesla today; one of the newest Model Ys, in fact. I’d never have done this voluntarily, but I was taking a Lyft from a work conference at a school about 20 minutes away from my home, and didn’t realize it was a swasticar until it pulled up.

What an absolutely foolish design.

The touchscreen display on a Tesla Model Y, showing the display as described in the rest of this post.

Virtually no physical controls. Nearly everything is on this display, mounted dead-center, so none of the critical info is directly in front of the driver; you have to look down and to the right to check anything. I think the only physical controls were the wheel, with a couple buttons, and the pedals. There was no stalk on the right side to control things like the wipers, I couldn’t see if there was a left-side stalk for turn signals or not.

The left third of the display is a live updating animation of whatever the car sees, which means there’s a large, constantly moving distraction just barely out of your eyeline, primed to pull your attention away from the road in front of you. Every car or pedestrian the car senses is shown on the display. It will even show whether a car is a sedan, pickup, or box truck, if it can figure that out (more likely when they’re crossing side-on rather than directly in front or behind). I’m a little surprised that it doesn’t distinguish other Teslas with some sort of special icon or coloring or something.

The right two thirds are all the controls, presented with a low-contrast dark grey on light grey color scheme, with small text and icons, all of which makes it difficult to distinguish any one control from another at a quick glance. And, of course, because it’s all a touch screen, you can’t do anything by feel, because it’s one flat pane of glass and you have to look at the screen to make sure you’re touching the right spot.

Even if the owner of the company wasn’t a raging monomaniacal ego-driven techno fascist doing everything he can to rip this country apart and grift as much money out of the process as he can (which, to be clear, he is, and if Republicans were actually at all serious about getting dangerous immigrants out of the country, he should be at the top of the list), I’d still be baffled that these cars are approved to be on the roads and that people are as enamored with them as they are. It’s like a master class in designing a user interface that’s as potentially dangerous for the driver as possible.

Norwescon 47 Thursday Night Star Trek vs Star Wars Dance

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From Norwescon 47: Are you Team Enterprise or Team Skywalker? Do you dream of the final frontier, or a galaxy far, far away? Lightsaber or phaser? The Force or the Prime Directive? Let your attire display your affiliation as we dance the night away with DJ Wüdi!

One note: Due to technical issues that plagued the start of the dance, the first 20-some minutes of this has been reconstructed at home. Everything from 27 minutes on was recorded live at Norwescon. This also means there’s one duplicated track…have fun finding it!

Costumed people, inculding Ursula from the Little Mermaid, a Starfleet science officer, and a Vulcan, dance in a circle to The Firm's "Star Trekkin'" as I stand on stage with my DJ gear in front of a video backdrop showing a Super Star Destroyer maneuvering through an asteroid field.

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Weekly Notes: April 14–20, 2025 (Norwescon 47 wrap-up edition)

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This week was all about Norwescon! Well, Monday and Tuesday were normal workdays, but from then on, it was all con, all the time.

Cat Valente, Wayne Barlowe, Tracy Drain, Jenny Jarzabski, Mike Kimmel, Isis Asare, and Lydia K. Valentine on the main stage in front of the Norwescon logo on the video wall. The Opening Ceremonies, with the guests of honor being introduced and briefly interviewed.

  • Wednesday: Day zero of con is load-in, setup, and generally getting things ready. I spent the morning at home packing up all my stuff, and at noon drove to pick up my wife from work, then she dropped me off at the hotel and headed home for a quiet weekend on her own. From there, it was a lot of wandering around and helping where I could help until I could check into my room, then more of the same.
  • Thursday: Day one of con starts with more helping with setup, plus a lot of general wandering around, saying hi to people, socializing with friends, and so on. I had two official duties for Thursday:
    • 8 p.m.: Introduction to Fandom Dancing was my first time paneling at a convention…though rather than the usual “sit at a table and talk”, this was “play music and help teach people how to do dance”. We concentrated on the Time Warp, the Rasputin, the Macarena, and Thriller, plus encouraging people to just have fun and get out and move and not worry about what you look like.
    • 9 p.m.: Immediately following that was the Thursday Night Dance: Star Trek vs. Star Wars. Unfortunately, I had some technical issues that made the first 20-30 minutes really dodgy, with a lot of starting and stopping and apologizing as I tried to figure out why my headphones weren’t working, making it impossible for me to pre-cue and mix upcoming tracks. Everyone there understood that these things happen, and once I figured out a solution (though I still need to go back and experiment to really nail down what was going on so it doesn’t happen again), I got a good three-hour set in, going until 12:30 a.m., which is pretty good for Thursday night. I was a little frazzled from the clumsy start, so many of my ideas for what I was going to do disappeared from my brain and I know I didn’t play a lot of the tracks I had planned, but people danced and had fun, which was the important part. I recorded the set, and will have it processed and uploaded to my MixCloud page as soon as I can get around to it.
  • Friday: Friday morning I had free to wander and socialize, but the afternoon and evening of day two of the con was all about the Philip K. Dick Award.
    • 3 p.m.: All About the Philip K. Dick Award is held on Fridays to give people a bit of a history of the award and introduce the attending PKD nominees and let them talk about their work for a bit. This year we had three attending nominees, Bora Chung, Tara Campbell, and Subodhana Wijeyeratne. Normally this panel is moderated by award administrator Gordon Van Gelder, but travel difficulties had him delayed, so I stepped up to moderate instead. I was a bit nervous, having only done one panel before (the prior night’s dance panel, where I mostly played DJ) and never having moderated, but I’d sat in on the panel enough to have a pretty good idea of what Gordon usually said. Between myself and a little assistance from audience members asking questions, we had a very nice conversation with the nominees.
    • 4 p.m.: The Philip K. Dick Award social is a private event for the nominees to spend some time meeting and chatting with each other. I got them set up in the room, hung around and chatted for about half an hour, and then left them on their own as I headed down to my room to change.
    • 5 p.m.: The Lifetime Member dinner is another private event for Norwescon’s lifetime members (a group I was inaugurated into two years ago) along with our guests of honor, PKD nominees, and charitable partner representatives. I had a table with all of the PKD nominees and their plus-ones, so we were able to continue the conversations from the prior couple hours as we ate. I left about 6:15 to head to the next room over to do some final setup, and then it was time for…
    • 7 p.m.: The Philip K. Dick Award Ceremony! This was my third year as ceremony coordinator, and after first-year jitters and second-year “we’re switching the room the ceremony is held in three hours before the ceremony” scrambling, this year went off smoothly and without a hitch. Our three attending nominees read selections from their nominated works, readers read for those nominees who were unable to attend, and it all went well. This year’s winners were Brenda Peynado for Time’s Agent and Adrian Tchaikovsky getting the special citation for Alien Clay, and though neither winner was in attendance, a good time was had by all.
    • At that point, I was done for the day, and spent the rest of the evening bouncing back and forth among the dance, room parties, and general socializing as I came across people.
  • Saturday: Day three of the con is normally a free day for me that I can spend doing whatever seems right in the moment. However, this year I was giving a presentation panel in the evening, and though I’d had “finish the presentation materials” on my to-do list for months…well, yeah. Sometimes procrastination bites us in the butt, and I ended up spending nearly my entire Saturday holed up in my room getting everything finished and ready to go. And so, finally, I emerged, got some socializing in, and then it was time for…
    • 7 p.m.: Basics of Accessible Documents and Websites. This is essentially an adaptation of the kind of thing I do for my day job all the time, and a variation on a panel I gave at last winter’s SMOFcon and will be giving at Seattle Worldcon 2025 in August. For SMOFcon and Worldcon I aim it more at “why/how your convention can make your materials more accessible”; for Norwescon, I tweaked it a bit to be aimed more at authors, especially if self-publishing or marketing, and publishers. While I only had five attendees, all of them were interested and engaged with good comments and questions, and as this was the first time trying this out, with a somewhat niche interest, and programmed at 7 p.m. on Saturday against the masquerade, I’m counting it as a success, and hopefully will be bringing it back next year as well.
    • After the panel, it was another evening of floating among the dance, parties, and chatting with whomever I came across as the evening rolled on.
  • Sunday: And finally, it was Sunday, day four and the final day, with nothing on my schedule except packing up and loading out. I took the day slow, got packed up, and headed home just after the closing ceremonies. With that, another con was done!

📸 Photos

Me outside the hotel, standing next to a hotel luggage cart with all my stuff on it, smiling and wearing a black kilt and black t-shirt. The now-traditional photo my wife takes as she drops me off for “nerd summer camp”.

Me wearing a black kilt and black shirt with the vulcan salute on it, standing next to a trio of women in Star Trek: The Next Generation themed 50s style poodle skirts. Star Trek poodle skirts!

Me standing next to a woman in Vulcan ceremonial robes, both of us giving the Vulcan salute. With T’Resik, who was stoically bemused by the shenanigans of the humans around her.

Me wearing a t-shirt with that says Star Trek but is written in the style of the Star Wars logo, in front of a video wall showing my DJ graphics, including turntables and waveforms for the currently playing tracks, the Norwescon logo, a cartoon version of me, and a video loop of Star Trek and Star Wars spaceship shots, here showing the Enterprise in drydock from The Motion Picture. I may have the smallest dance, since it’s on Thursday night, but in my not-at-all humble opinion, I have the best looking dance graphics!

The three attending PKD award nominees and myself at the About the PKD Award panel. Philip K. Dick Award nominees Bora Chung, Tara Campbell, and Subodhana Widjeyeratne and myself at the All About the Philip K. Dick Award panel.

Me on stage wearing a black kilt and black suit jacket, holding a microphone and gesturing as I speak. Opening and welcoming the audience to the Philip K. Dick Award ceremony.

A few more photos are available in this Flickr album.

🔗 Linking

  • Radek Sienkiewicz: Why do AI company logos look like buttholes?: “The fluidity and warmth of human-centered thinking through the use of circles is perhaps the most elegant way anyone has ever described making a logo that resembles an anus.”
  • Jeremy Reimer at Ars Technica: An Ars Technica history of the Internet, part 1: “In our new 3-part series, we remember the people and ideas that made the Internet.” I actually haven’t read this one yet, but want to remember to do so and continue on through the series.