Namedropper ;)

Some people. I mean, come on

My first exposure to the Pixies was when i was in Europe with the also now reuinited Skinny Puppy on their Mind TPI tour. Must have been 1987….

The Skinny Puppy guys were driving me crazy. Cevin was fight with the tour manager on a daily basis. It was just not an environment that i was particularly enjoying. I was helping to set up the stage and sell merchandise for Puppy. It meant i had a fair amount of down time during the day. So i wrote long notes to the Throwing Muses and the Pixies begging them to get me off the Skinny Puppy tour. I would write them on the back of the posters for our shows and then leave them a kind soul from the club to hand off to someone from the Pixies and the Throwing Muses the next night.

And if that weren’t enough…

Did i mention that i once had dinner with Michael Stipe? But by now, who hasn’t? He liked my shirt. I was tour managing the left wing of the socialist wing of the Democratic Party, Consolidated, when we were playing in Athens. The drummer for Consolidated (Phil) was putting together a compilation album for In Defense of Animals and Michael was contributing a song. He came and joined us for dinner.

As someone who, having listened to the Pixies, the Throwing Muses, Skinny Puppy, R.E.M., and Consolidated for more years than I can think of, but because of living in Anchorage — who nobody cool goes to when they’re touring — never having had even the chance of seeing these artists in concert, let alone having dinner with them, I want you to know that I say this from the deepest, darkest depths of my heart:

You lucky bastard.

;)

Sorry. Just had to get that out of my system.

(And yeah, R.E.M. does still rock — their Bumbershoot show was excellent.)

Bumbershoot '03: Mon, Sep 1

Leftover Salmon

Finally, we made it to the end — day four of Bumbershoot is over and done with. After this post, no more Bumbershoot babbling until sometime next year!

I made sure to get to the Seattle Center right around noon today, as I was looking forward to both of the first two big acts in the stadium. First up was Leftover Salmon, having a blast with some good down-home bluegrass. They were obviously having a blast, and had a small lineup of three can-can dancers who came out on stage every so often to liven things up just a bit more. Not a bad way to get the day started in the least.

Nickel Creek

After Leftover Salmon left the stage, we had the requisite half hour wait in the sun as the stage was struck and then re-set for the next act. I was so glad I’d remembered to grab a bottle of water on the way out today, otherwise it would have been way to hot at that point. Eventually, Nickel Creek got onstage and started their set. Sara (their fiddle player) is quite the cutie, isn’t she? I was really enjoying their set, unfortunately, I had to take off about halfway through — I needed more food and less pot smoke (the clouds of marijuana drifting by were noticeable all weekend, and this morning I think I was surrounded by pot smokers, and it got a bit much for me).

Karsh Kale

I’d picked Karsh Kale as a possibility, so after grabbing some food, I headed over to the Bumbrella stage to check them out. Seemed to be fairly good Indian-flavored pop, unfortunately, it turns out that I showed up just in time for their last song. Ah, well — the one song was good, at least.

Magic Slim and the Teardrops

Since I’d missed Karsh Kale, I figured I’d head over to the Blues stage to catch the last half of Magic Slim and the Teardrops. Found a good open spot on the hill, kicked back, and half-dozed in the sun while listening to some good old Chicago-style blues. Not much better than relaxing to the blues on a good warm day, sometimes.

Carnival ride

At this point, I was starting to get overheated, so I figured I’d stop into the EMP and catch United States of Electronica. Unfortunately, the line to get in to their show was incredibly long, so instead, I just wandered around in the “Fun Forest” carnival area for a little bit, watching people on the rides. It’s a cute little carnival area — not much to it, but what’s there is at least decent. None that I was really interested in hopping onto myself, but entertaining to watch for a while.

Carnival ride

It had gotten to about 3:30 in the afternoon by now, and I realized that there was nothing on my schedule for the next few hours that I was really excited about seeing, and I’d about hit my overload point. After three and a half days, I finally hit a point where being in the middle of all those crowds in the hot sun was the last thing I wanted to do. Since I had a good five hours before R.E.M. came on stage (who I was excited about seeing) I figured that taking a break would be a good idea, so I hopped the monorail, came back to the apartment, and took a nap for a few hours. Very, very glad I did, too. I’m not sure I’d have made it through the rest of the day if I’d tried to stick it out.

R.E.M.

The nap did a good job of rejuvenating me, though, so roundabout 8pm I headed back out to the Seattle Center and got into the stadium about twenty minutes before R.E.M.’s set started. It took a bit of jostling through the first few songs before I found a decent spot, but eventually a good space opened up, and I was able to see most of the show pretty clearly (though the pictures really don’t do it justice). They filled the full two hours that they’d been given plus some, when they decided to toss in a few extra songs “just because we can.” Absolutely incredible show, and they finished off with “It’s the End of the World As We Know It (and I Feel Fine)”, which blew me away. Awesome show.

All in all, another really good Bumbershoot weekend. Tons of sun, tons of incredible music, and a lot of fun.

And that’s all, folks.

More protest music links

busn-n-bones

A couple more protest song links, courtesy of Doc Searls:

First off, R.E.M. has released a rough take of a song called “Final Straw“. It’s only available as streaming audio, rather than being downloadable, but at least it’s out there.

Secondly, Thurston Moore of Sonic Youth has created Protest Records, a site focusing on collecting protest .mp3’s that have been released free for download. Nineteen have been posted so far, and it looks like there’s space for quite a few more. There are also a collection of stencil files provided with simple instructions: “Download. Print. Cut. Spray.” So if you start seeing things like the ‘Bush-N-Bones’ around your town, you know where they came from.